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Naasir then exhaled slowly, until all in the cave was still.
The End

— “What?”
— “That can’t be true?”

The twins were outraged. The book couldn’t stop now, there was so much left they wanted to explore. Watermelons, mummies, secret islands… even aliens would be a fate better than a dreaded “END”!

Lord Wrick smiled at them.
“Dear ones, you knew all along that there was no third book, and that it would end at some point, didn’t you?”

A stubborn silence greeted his deep raspy voice.

He continued unfaltering “Let us see it another way. These stories are like a breath.
You take breath without thinking of it. It feels good to have the air flow into your lungs and make you feel so full of life.
But you know without even thinking when it’s time to release. You can try to hold the air indefinitely in your lungs, but soon it’ll become painful. The air is all around you, you can release the tiny fraction you think you hold without a worry. All you will have to do is breathe again.
These books will change over time, they are not finished. They are only closed. You can open them again anytime, and reinvent them. I trust your imagination on that.”

Leormn was glad to be back in his cave.
The trip with the twins and Irtak had been very interesting for all of them; it had expanded their knowledge of their world, and the young Irtak was allowing his desire to be expressing his playfulness with dragons more and more.

Leormn could foresee he would become a great dragon breeder, and the dragons once again would reappear with times of peace.

For now, he and Malvina were packing again. It was time for them to move the rookery, and find another spot where they could alter the stuck energies by simply being there. They were like roots in the ground, they were unseen to most, but they were moving, and changing the quality of the soil, enriching it, bringing lightness to it.

Irtak and the twins would start their own path, they had learned so much. They were heading to the South deserts, the land of the gripshawks, and other less known creatures. Irtak wanted to see the seal-men, too wherever they were, in between the Icy Lands and the Southern shores. He wanted to explore everythere.

Arona had found her way to the cave, and since Malvina was moving again, she had decided to stay there with her newfound little strange, but delightful family. Ikesy would probably go in a few years to fulfill his own destiny, but for now, the Ugling raised by an Oddling was doing well.
Having seen the interesting properties of her painted door (yes, the “peace off” magic door) she had finally acknowledged her talent, and decided to devote her time to take up her art. Of course, Mandrake was encouraging as ever (refraining to comment at the beginning), but she had no doubt her dedication would conquer his and her own doubts.
After all, her magic was strong; if anything needed to be drawn out of this adventure that was it. And Buckberry her own artist dragon was a remainder of that.

Inside the cave Malvina was considering to move again.

She couldn’t help but giggle softly at the thought of Arona fulminating at how restless that dragon of hers was. To tell the truth, she was one of high restlessness too. And her dragon, and his offspring were most of the time merely resonating to her high energy. Otherwise, they would be too happy to be left alone to dream in a corner of a cave glowing of glukenitch lights.

Now, she had to wait for Leormn’s return from his little vacation to be able to move swiftly. Granted she could do it alone, but it would be so tedious, with all those eggs hidden in various places. Perhaps she could do with a little vacationing herself. She was thinking, Georges and Salome would be certainly glad to take care of the cave in her absence, and of her guests.

She would go see them; she loved the little Ugling who was growing so fast he would now run in many places and ask funny questions. Vincentius (with the grumpy cat perched on his large shoulders out of reach from the bullying little one) was teaching him lots of things on the vegetation (mostly fungus and lichens inside) and on geology that the boy was eager to learn, with an unmistakable affinity for rocks though. He would be quick to learn how to summon the rock’s consciousness for many purposes.

She almost got lost in the tunnels again. “Someone should get those indications straight, dammit!” she swore as she entered a dead-end. A few turns right, and another left, and she was in front of the painted wall with the ‘PEACE OFF’ painted door. So that’s where they went… the door was visibly shut now…
A nearby snort suddenly caught her attention.

“Buckberry? What are you doing here little precious; hasn’t Arona taken you with her? Well, silly me, obviously not.” She added, seeing the floor covered with crushed buckberries juice. “Awww, you don’t even have the appetite for your cherished buckberries…”

Malvina knew of course that it wasn’t the closed door that kept Buckberry here, as he most probably could go wherever Arona was, if she summoned him properly, but it was rather the fact she had left without notice. Malvina laughed heartily “Aahaha, don’t be soft Buckie, she’s probably been tricked by your daddie and your little buggers of brothers, but she’ll come back…”

Balbina had had a quite difficult week. Feeling cold, having trouble to find sleep, not even speaking of being unable to do the kind of out-of-body travel she had managed to do last time.
She was almost starting to doubt she could redo it again.

Of course, the relocation at her son’s cottage was a source of much change in her habits, and although he wasn’t at home most of time, she wasn’t really feeling like she was ‘at home’. Strangest thing really, as for the time she was at the hospice she wasn’t feeling as much an alien as in this cottage. At least, at the hospice, she was in a sort of neutral environment, some place where she wasn’t undesirable (would it be asking for too much to actually be desirable at her age?). Here, the environment wasn’t neutral at all; everywhere everything reminded her of her son: his books, the posters, even the dust on the coffee table was almost looking as though it was his own.

So she had to adjust. Contort her energy to fit —to crumple herself!— into this place, as it would be likely she would spend quite some time here. She wasn’t asking for much really, as she wasn’t able to move from the bed he’d had installed in the spare room. Ghastly room, with a creepy wallpaper from a has-been era of the past days, year 2000 or close she’d guess, gaudy as it was… oriented to the south, with hardly bearable heat during the day. She would have loved to see the coast on the north, but instead, the only window was showing her the shade of the trees, and that ominous alligator-green mountain just behind.

If she couldn’t project in her dreams as she managed to do before, she would soon either die of boredom or of heat. She wasn’t too sure which one would be the most painless and efficient.

She pushed the button to have her bed roll a little closer to the window; once straightened up a bit, she was able to see the passageway to the mountain. She couldn’t explain why she didn’t like this mountain; it was quite beautiful; perhaps she feared to be lost and abandoned. All the more since she could feel so much presence in this environment. Unseen presence, and trickster ones too.

She was tired, and yawned so much her tense jaw’s muscles ached.

On the emerald path to the forest, a moving teal wisp of light caught her attention. Funny plays of light at this hour of the day. But the wisp was persistent, and it started to move towards her.

“Good day Balbina!”

The crazy rabbit was back again. And… she was sleeping? In or out?

“In or out, smell my foot, it’s your choice, and matters not
but be quick, and come forth, for Anita and her folks this wicked way come!”

“The tune is set, the tunnel is close
Of playfulness you’ll need a hefty dose”

— “Dory?”
— “What, hon’?” a distracted Dory answered to young Becky
— “You’d better remove the magnets from the iron, or you’ll ruin another one…”
— “What are you talking about?!” Dory was perplexed, trying to find her way through the airport to Gate 57-¾, but only to find nothing but benches in between Gate 57 and 58.
— “Oh, never mind… It’s only a dream and you probably won’t remember it anyway.”

“There!” the suspicious bag lady of the Heathrow terminal had reappeared briefly just for Dory to spot her entering the restrooms.
Becky was already rolling the heavy bumper-stickers patched suitcase to follow her without question.

— “But why are you taking the suitcase to go to the bathroom, Beck’?”
— “What are you talking about Dory!” Becky was sometimes losing patience. “Can’t you see it’s the entrance for Gate 57-¾?!”
— “Uh?” A moment of clueless mystery on Dory’s face. “Oh…” Another mini-black hole on her face.

“Oh. Okay then. Let’s go…”

If there was something that her exotic life had taught Dory, it was to never question the moment. If the circumstances are here, if the impulse is there, then go for it. Explanations will follow. And in case they don’t, make them up as you roll and rock!

Becky meanwhile was rather surprised at how people, even her own step-mother, as tuned in ghostly stuff as she was, most of the time failed to see the things for what they really are. And if these big painted letters on the door “GATE 57 ¾” weren’t obvious enough, and people preferred to interpret them as restrooms, then… what else could be done? She sighed.
Later on, she would learn that it was a common, well documented trait in human consciousness; that people were sometimes psychologically (but not physically) blind to stuff outside of their current focus of attention, or simply blind to things too far off their beliefs; in other terms, it was a matter of energy reconfiguration. As long as it worked…

“Oh look at that… Yukailli Airlines counter is here! What bloody stupid idea to put a closet door at the entrance…”

After having made the departure arrangements at the counter, Dory came back to Becky who was looking outside at the planes.

— “Ain’t them beautiful?”
— “Yeah, and I suppose you’re seeing planes, aren’t you?”
— “Err, yes of course, what else, silly… Though now you ask me, they seem a bit weird… foggy or something”.

In fact, what Becky was seeing wasn’t conventional planes. It was more like “fly-boats”. Some sorts of hybrid ships made to fly with huge wings transparent and shiny like those of flies.

— “I hope they have crunchy coleslaw for meal, I’m starving” a contented and tired Dory said, when she collapsed into the comfortable seats.

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”

As she was sinking to the bottom of the raging sea, Madame Chesterhope first felt like a boiling rage inside her, at all the thwarted attempts, all the unfulfilled promises.
Not a solid thing on which to carve a few runes or symbols to get herself out, not a single living being to use at her profit, she was alone, at the mercy of gravity.
Not unexpectedly, flashes of her life, of her many lives, flickered like incoherent pieces of an unfinished mosaic in her mind.

When did it went wrong? she thought… When did she lose touch with her magic.
Not the mundane magic, not the one she used for these parlor tricks devoid of meaning, like that beautiful flying motorbike which was drowning even faster than her… She was speaking of her inner magic, her sense of connection with the elements, with herself, Phoebe.

What had become of the frail grey-haired lady the apparency of whom she was so fond of taking years ago?
She was tempted to blame many things; the twenty-first century of her own dimension, for one, which had made her rough and tough, out of need perhaps, and perhaps a bit out of laziness. It was out of tiredness mostly, tiredness to have to constantly justify her appearance to others, that she had chosen a more convenient one; that of the crone with more rotund forms, of whom one would only expect austerity and strength.
You can see where it had led you. she was thinking.

A few more miles further down, and perhaps she would meet the mermaids, like the guy said in that Big Blue motion picture…
Maybe there was some purity left in her heart, that would make the inhabitants of the depths greet her wretched soul. Or perhaps they all died before her, from the pollution of this strange world mutating in pangs and spasms of a painful childbirth.

And what would you do now, if you have the choice? that sweet voice, like that of a thin grey-haired mermaid, was it her own, testing herself?
The quest for magical artifacts seemed so far away at this moment. It had begun a long time ago, led her to discover new other-dimensional places… new tricks, all of them for what? To gain control over the elements, the others, everything that could threaten her, force her to change. How ironic. That the fear of change made her change so drastically.
She wanted to make peace with all of that. The mermaids weren’t coming, but her own voice was still there for her. Perhaps she could muster the strength. To continue…

Mustering all her force, she forcibly expressed the most propelling “prout” she’d ever made. Of course, she’d been learning a few tricks from the legendary Fartiste back in her youth when she went to Paris to perform at the Moulin Rouge… Sweetest time of her life, she had to admit…

On the surface of the waters, bubbles started to form.

Leörmn was erring through the corridors of his draggilish mind. Some of them were nicely painted he’d found, but apart from some friendly glukenitch glowing droppings, it all seemed a bit empty.

Of course, connections were ever there, floating around, and could be summoned as easily as a pleasant memory in the spacious eternal present. But those were not memories the dragon wanted to interact with.
Since they all had made that move of the cave anchoring point to the past, nothing was quite as it was. A truism of course, but sometimes you can’t do much more than state the obvious first, to be able to change it.

The remnants of the dynemotical ström (another word for wortex, or intercrossing of dimensions, or whatever you want to call this mess) was only starting to fray, and it had left them all in a kind of depressed mood. Depressed, as in less pressure, and a bit deflated.
As soon as he imagined the words, they became reality, for dragon speech is about the very essence of things, and it can make things be what they are said to be.
And so he was now morphed into a deflated rubber skin of a dragon, sliding inside the tunnel doing proutish sounds that he tried to put together into harmonious music notes, to entertain the schpurniatz colonies.

The notes started to take some funny foggy shapes and, using the painted walls as a partition, arranged some pretense of a sentence.

Words seem lamp; gives lost Malvina soon damn door, telling unexpected…

Mmm, a door? Of course, little sweet Arona had been painting a door, but why couldn’t he use it too?

The key was in bridging with the past now… that much he could tell, and perhaps that door may help.