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  • #310
    TracyTracy
    Participant

      Allow me to explain, George said kindly. But first, come with me. We’ll have our chat somewhere bright and sunny, we’ve spent long enough in this dark cave. Waiting for who knows what, he added with a wink. If you hold my hand and allow me to guide you, we’ll have a picnic on the banks of the Little Brook.

      Dory hesitated. After all, it was George who had given her that drugged coleslaw. The thought of the Little brook and the sunshine was appealing though, and Dory decided to take her chances and go with George.

      She held his hand and closed her eyes, and sank herself back to the back of her mind and relaxed. She felt her body buzz a bit and a ‘falling into a vortex’ kind of feeling, not at all unpleasant, and in no time at all felt the sun warm on the top of her head and the bright sunlight lighting up the back of her eyelids. When she opned her eyes she was surrounded by ferny bracken and dappled silver birch trees and sheep nibbling the close cropped carpet of grass.

      #307

      Chiara got quite a fright and spun round quickly. She stood gazing at the funny creature, a woman who had a sort of cattish feel, who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.

      Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large woman who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a tiny figure emerged from behind a rather large pebble.

      Hello, said a little pink fairy. I am the Fairy Princess of the Land of the Long White Cloud. Did you fly here? Look I can do magic and she waved her magic wand, said abracadabra and produced some small white feathery fairy wings for the delighted Chiara.

      Frowdup she called excitedly. A round green blobby creature who blended seamlessly into the environment like some sort of exotic plant hopped over.

      Yes Dear Fairy Princess?

      Please could you play the music for us?

      Oh delighted to oblige answered Frowdup, producing a flute like instrument.

      At first the sweet notes of the instrument floated tentatively on the warm air. They rang like pure crystal, cool and pure, then slowly gained in confidence and multiplied, as though possessed of supernatural powers. It seemed the simple melody Frowdup played was accompanied by a whole orchestra of instruments.

      The little fairy laughed in delight and grabbed the giggling Chiara. They began to dance instinctively with the energy of the earth, swaying at first like a tree in the wind, then whirling like the wind itself, soaring high into the air, imitating the flight of a parrot, then swooping joyfully back to the ground. They were connected to the magic of the music.

      ***

      Whanga, one of the 13 Witches of Loathing was feeling rather bad tempered as she gazed into her glass ball. hmmmm bugger, she said crossly that little Fairy Princess from the Land of Long White Cloud is having way too much fun. She seems impervious nowadays to my magic spells of loathing

      Whanga had to confess to being a little puzzled. For a while she felt she nearly had the Fairy Princess in her clutches, but one day something seemed to have changed, and the Fairy Princess did not seem to be so affected by her whispered spells any longer. What sort of magic had she found to protect herself Whanga wondered. .

      ***

      It had begun to rain gently whilst Finn was in the enchanted fairy ring. She didn’t mind, she loved the rain and the trees protected her from the getting too wet. It felt cosy and magical. She had such a strong sense of the presence of her younger self. The younger Finn was three years old. Finn remembered the day,it was etched in her memory as a turning point, and yet it was also as though she were there again. She talked with her younger self, wanting so much to give the younger Finn a gift to help her make a different choice that day. Finn knew she had to trust with her heart, not reason it with her head, because there were just too many questions she could not make sense of, and magic did not seem to be so much about sense anyway. Anyway,whatever, if nothing else she felt lighter within herself .

      #305

      Quintin couldn’t sleep.
      Now he was thinking, he had delayed it for too long.
      They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

      Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
      Well, that would sure mean lots of changes, but after all, no pain no gain.
      Or no abundance.

      ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

      That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

      Actually, that’s it! Quintin had feared the implications, as lots of people did.
      It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
      What a mess it could be for salmons and control freaks as himself.

      Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
      In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
      But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

      OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

      Let’s insert the Shift, now.

      And let the fun continue, and worry wither away.

      ***

      Well, and what’s that Shift all about?

      Quintin’s friends Michaela and Elias had said about it :

      “You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” 1

      #304

      Írtak was playing with the dragon twins in the carved woodstones field. It was mostly faced shaped petrified wood that had been carved surely when it was still wood. The faces were quite hypnotic and made him feel often sleepy, but with the dragons he was feeling all his senses enhanced and sharpened. :face-glasses:

      The dragons were growing fast, hatched only a few days ago, they were already bigger than his father… He knew from Malvina that they could take whatever form they wanted, but he’d always thought that their power were developing from nothing to … something… but apparently they were already fully aware. Their leather skin was glowing emerald green, blended with some purple pink shades, or was it the contrary. It was changing so quickly. He was wondering what they were eating, because he wasn’t the one who was giving them any food. And still they were so big.
      Did they have a “real” form? Whatever that meant.

      One of the dragon gave him a mischievous glance and before he could anticipate what would happen, he was facing a growling troll :yahoo_time_out:. The troll was running right to him, seemingly crushing with his heavy body all the fragile woodstoned faces.

      All his attention was on the troll and he didn’t hear the man coming.
      And now the troll was freezed running and jumping forever… Írtak’s head was like a big storm of boulders falling from the sky. Growling, drumbling apart…

      — You have strange games with your dragons.
      — …

      He was gaping at the man… his skin was bluish with pink also and sometimes a bit of yellow.

      — Who are you?
      — Don’t you recognize me? :face-grin:

      Írtak tried to remember something. had he ever met that man before?

      — Oh right, it’s our first meeting… from your point of view. I’d forgotten that. But you see, for me our first meeting is in your future.
      — …

      Írtak was still gaping at the man, this strange skin of him, it was so ambrulin, that color he’d already see somewhere… was it in a dream?
      The man looked at him, and he felt for a moment a warm fuzzy feeling in his body… not particularly located in any part of it… and he would have… no, it was even in the woodstoned faces around him… how could he feel that?

      — Your dragons are wanting to take part in the fun, the man smiled. I’m going to let them go, as I’m not staying either.
      — Who are you? managed Írtak.

      :yahoo_alien:

      — I’m your father…
      :yahoo_alien:
      HAHAHAHAHAH! No actually that’s a private joke… I’m Andrimiñ (AndruhMiiñ?) we’ll meet again in a few years of your time. Your dragons are really interesting then, and so are you.

      Saying that, the time began to flow again in the right direction, the troll was still running toward him, but he suddenly slowed down and stopped, shape shifting into a bluish boy, with a face so similar to Andrimiñ.

      — Where’s the funny man? he said.

      #1353
      Jib
      Participant

        well it feels warm here :yahoo_daydreaming: just having a break in good company for a big :yahoo_big_hug:

        back again for another choooopine :yahoo_rose: :yahoo_good_luck: :yahoo_rose: :yahoo_good_luck: :yahoo_rose: :yahoo_good_luck:

        :face-glasses:

        HAHAHA, I just noticed I posted the 23rd comment on this thread :yahoo_big_grin: :yahoo_big_hug:

        #301

        Illi was quite pleased with the sand dragons.

        HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!

        Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.

        Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!

        Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.

        ~~~

        When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.

        Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.

        #1448
        TracyTracy
        Participant

          http://www.north-of-africa.com/article.php3?id_article=418

          This might be a better link for the comment about the connection between Egypt and Tuaregs :) :weather-clear:

          as well as the Egypt connection :

          At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

          I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….) :yahoo_thinking:

          ~~~~~~~~~

          AND: The Tassili n’Ajjer

          …..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

          There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

          (this reminds me of Oversoul Seven! # book by Jane Roberts)

          Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
          He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

          more:

          http://www.philipcoppens.com/tassili.html

          ~~~~~~~~~~~~~~~~~~~~~

          ENORMOUS CATS?????? :yahoo_surprise:

          #295

          Becky had decided to take her friends out for the day. Poor Al needed a break from scratching his head in confusion, and dear Tina needed a break from rubbing her aching temples. She knew Sam would enjoy a day out too.

          Becky was enjoying preparing the itinerary.

          Champagne breakfast at the Droles de Dames cafe in Le Touquet~Pu first, a table reserved under the gaily striped awning overlooking the sea. Fresh croissants and hot coffee, Bavarian cream donuts, tangy fresh squeezed Tesorillo orange and Tiki kiwi juice, scrambled dragon eggs on French toast, and Moroccan mint tea.

          The exhibit of Sand Sculpture was next, a pleasant stroll on the beach after breakfast would be just the ticket, Becky thought.

          Next, a little side trip to place a few hibiscus blooms on the grave of Oscar Wilde. He was buried at the Father Chase Memorial Garden on a mossy knoll overlooking the sand sculptures, a short stroll from the beach.

          A golden coach and six dappled grey horses would meet them at Father Chase gardens and take them to the lawns of Sandlebright Hall, for the hot air balloon ride. The big red balloon would land on Isla de los Perdidos, a magical island in the Rift Straits, for a picnic lunch under the coconut trees and a relaxing swim in the deliciously warm lagoon. Balti had agreed to provide head massages for the little party of day trippers, and had suggested a big iced jug of crop juice as the perfect accompaniament.

          A paddle steamer would arrive to take them back to the mainland after the sojourn on the magical isle. There were comfortable whicker steamer chairs on the deck with cosy tartan blankets for those wishing to snooze a little, or raucous poker games inside the red plush interior for those who chose to exercise their creating skills on the green baize tables.

          The Cirque de Paradoxia matinee was on the agenda for the afternoons entertainment, with the new sonic stone juggling as one of the highlights.

          A theatre supper in Covent Garden, Becky had decided, and the Orient Express was the perfect way to get there. Hercule Poirot had kindly agreed to serve drinks and nibbles on the journey. Becky perused the entertainment section of The Reality Times, wondering which play to take her freinds to. Aha! Salome, of course!

          Becky considerately booked rooms at the Hogwarts Hotel on Queen Street for her friends to freshen up and change, ready for the evenings festivities. A hot pink stretch limosine would call for them and escort them to the Blue Man Group show, and then on to the party at the Dragondrome Stadium.

          Becky booked rooms at the Taj Mc Fal Hotel for her friends to retire to after the party, whenever they so wished…the pink limo would be available all night.

          There, said Becky in satisfaction, they will love it.

          #287
          TracyTracy
          Participant

            India Louise and Eugenia momentarily forgot about the gold locket and walked over to the exceptionally long trunk. India dropped the locket into her pocket as she investigated the exterior of the trunk, which didn’t appear to have an opening. It seemed to have been made around whatever it housed, and permanently.

            ‘How strange’, mused India, ‘it must not be intended to open, ever!’

            ‘That makes me want to open it’, said Eugenia. ‘Let’s! Let’s open it!’

            Eugenia was rummaging in the desk drawers for a suitable tool.

            ‘Wow, look at this, Indy’. She held a heavy black letter opener up to show India, with an elaborate carved dragon on the handle. The dragon had glittering amethyst eyes, and a serpentine line of coloured stones along its back.

            India shivered involuntarily at the sight of the dragon. Horrid nasty creatures, dragons, she muttered, resisting an urge to cross herself. ‘Peace be with you, now bugger off’ she whispered the spell under her breath so Eugenia wouldn’t hear her and think she was a silly goose. Horrid scaley slimy stinky reptiles.

            ‘You go first, Genie, try and prise the trunk open.’ India didn’t want to touch the letter opener, but she was rather curious about the contents of the trunk.

            Eugenia was a strong and capable lass, with a practical methodical mind ~ unlike India Louise ~ and before long the first piece of wood came splintering off.

            ‘Nice one, Genie, well done.’ India said as Eugenia wrenched off another few planks.

            ‘Oh MY GOD!’ ‘Jumping Jehosophat!’ ‘What the……’ ‘Holy Moly, Genie, what the….’. After a few initial exclamations, the girls were silent, the hair standing up on their arms.

            They were looking down at the shrivelled features of a dried up body, covered in bits of disintegrating faded fabric.

            ‘A mummy! It’s a friggen mummy!’

            ÉricÉric
            Keymaster

              This is a thread for referencing terms, creatures and other funny words that may be useful to find easily…
              Don’t hesitate to post your suggestions below, that I will integrate later.

              Races

              • Dragons
              • Gripshawks [ ˈgrip-ˌshȯk ]: feline-like race.
              • Humans
              • Uglings

              Creatures

              • capricorn [ ˈka-pri-ˌkȯrn ]: goat-like fish-tailed aquatic creature
              • fincheon [ ˈfin-chən ]: grey ugly birds, with the particularity of being extremely discreet (almost invisible) with a great sense of orientation, and loyalty to their owner. They are mostly used as message deliverers
              • glukenitch [ ˈglu̇-ˌken-nitch ] (Gripshawk dialect: [ ˈglu̇k-ˌnitch ]) : Slimy wet creatures fearing light, sharing one mind, found in Malvina’s cave. Useful recyclers of garbage, their droppings emit a glowing bluish halo, until they dry up completely and coalesce into a glassy substance.
              • golfindel [ ˈgōl-ˌfin-dəl ] : golden coloured cetacean, found in Golfindely.
              • grake [ ˈgrāk ]: big birds of Golfindely, with colours like mandarin ducks and shaped as geese.
              • indogo [ ˈin-dō-ˌgō ]: blue type of flamingo living in the Eastern Lagunas of Lan’ork.
              • langoat [ ˈlan-ˌgōt ]: daft three-eyed goat-like creature living in the Dragon Head Peninsula, the wool of which has many magical uses (enchanted cloaks, tapestries etc.). Their milk is known to have remarkable healing powers too.
              • marmoth [ ˈmär-məth ]: big toothed hibernating woolliphants
              • saurhse [ ˈsȯr-əs ] : bidepal saurian used as a mount in Asgurdy.
              • schpurniatz [ ˈshpər-ˌniats ] : bat-like creatures, found in dark caves.
              • sparfly [ ˈspär-ˌflī ] : birds usually seen in couples, loving to nest in silgreen trees, and their songs is one of the Treasure of the Worlds.
              • weaszchilla [ ˈwēz-ˌchi-lə ]: little mouse-like ferret

              Magical Artefacts

              • buntifluën [ ˈbənti-ˌflün ] (or [ ˈbau̇nti-ˌflün ]): A magical artefact having in most of its variations the form of a knot-like object, which allows the wearer or bearer to communicate directly with the energy of sentient beings.
              • glubolín [ ˈglü-bȯ-ˌlin ]: A device made from unhatched dragon eggs of the same brood, that allows people to communicate through it.
              • sabulmantium [ ˈsā-bəl-ˌman(t)-shəm ] (or [ ˈsā-bu̇l-ˌman(t)-shəm ]): A device made from rare unhatched dragon egg with crystalline transparent shells, which is filled with sands. May be used as a divination device or as a compass, in any case as an intent focusing device.

              Plants

              • buckberry [ ˈbək-ˌbe-rē ]: fruit of wild buckberries shrubs, in the form of big electric blue-vermilion reddish berries, known to have thwarted all attempts to be grown in gardens.
              • grogonut [ ˈgrō-ˌgə-nət ] tree: a tree indigenous of the warm coasts of Golfindely, known to provide grogonuts, which have a wide range of uses (food, drinks, cups etc.) depending on the maturation level of the nut.
              • silgreen [ ˈsil-ˈgrēn ] tree: a big decorative shrub, blooming sparkling flowers of emerald and silver once every moon. Leafs can have medicinal use too.

              More here later…

              #279

              Once Illi had realized she was dead and could ‘go’ anywhere she liked simply by creating the ‘place’ around her, she decided to take a long relaxing holiday on a deserted tropical island. She would float in the warm lagoon, feast on coconuts and pina coladas and mangoes, play with the dancing lemurs and build fantastic sand castles on the beaches. As she visualized it, it appeared as if by magic all around her…the sun warm on her head, the sand between her toes, the gentle breeze fragrant with exotic blooms and the sound of gossiping parrots filled her senses. She closed her eyes and flung her arms wide in appreciation for the physical joys she had recreated, breathed deeply and relaxed for the first time since she had died. Finally, she felt like she knew where she was, even if that ‘somewhere’ was as ‘nowhere’ as ‘anywhere’ else, just another ‘elsewhere’ really…..

              Illi stretched out on her back on the golden sand and squinted up at the cloudless deep blue sky. How nice, she thought, not to have any aches and pains, not to have to worry about shifting and those bloody belief systems, how simply lovely to just BE, with no perceived responsibilities, no interruptions…

              Just then out of the corner of her eye, Illi saw movement in the sky. Something was descending onto the island. Illi couldn’t make out what it was, and wished she had a pair of binoculars. Silly Illi, she said to herself, reaching for the binoculars that had appeared beside her. I keep forgetting I can create anything at all.

              Holy Moly! A great fat roly poly nun with a huge jolly grin was wafting down from the heavens, with an irridescent turquoise fairy in tow. They were landing on her island! We’ll see about that! Illi jumped to her feet and stomped off the beach and into the mangroves, sloshing angrily through the watery roots….. until she realized she could hover above the ground, which was a much easier way to travel.

              Hovering was much quieter too, and the jolly fat nun and the bluegreen fairy were quite unaware that Illi was peering at them from behind a peachy hibiscus bush. In fact, the blooms on the hibiscus had grown to a most ridiculous size, and Illi could hardly see past them. She hovered to the side a bit, and decided on impulse to make her presence known to the intruders.

              BOUH! :yahoo_skull:

              #278
              TracyTracy
              Participant

                India Louise shivered in the draughty corridor and glanced furtively over her shoulder. Bill! she hissed into the keyhole. She tapped softly on the door again, afraid of waking Manon in the next room. It would be difficult enough to explain to Bill, let alone trying to explain to the nosy and rather batty cook.

                She wrapped her dressing gown tightly round her, and felt the weighty key clunk against her thigh. Eugenia and India Louise had been playing ‘let’s pretend’ with the key that Grandad Wrick had thrown on the bonfire (that India found in the ashes the next day and thought would make a super present for Eugenia….. they both loved odd little gifts).

                For days they’d been wandering around the many corridors and wings of the Wrick castle, and Eugenia’s ancient rambling Sandlebright Hall. On fine days they’d explored the grounds, the aviaries and stables and hay barns, the meadows and follies, the lodges and farm cottages, through the spinney to the river and the boathouse, and back through the rose arbours… imagining themselves in different times and places, as different people, making up stories and weaving the key into each little story…… the murder at the boathouse and the key to the mystery… the key to the kitchen and the affairs of the cook… the parrots and the key to the bird cage…… the key to the captains trunk in the attic…

                Until they found the place where the key didn’t fit into the story…that is to say, the one place that should have needed a key, The Locked Room that only great grandad Wrick ever went in, was unlocked.

                India Louise couldn’t wait to tell Bill all about it.

                #275

                Oh well bugger it, said Arona, I have had enough of this. Perhaps we had better just play it by ear if no one really knows how this thing works.

                Which is really, although not in so many words, if I may be so rude as to remind you, what I was suggesting, said the charming Sanso, rather rudely.

                Well yes, that is true … but whatever, let’s not argue, shall we just get going? Are you ready Mandrake? All of a sudden Arona was feeling unaccustomably energised and assertive, and was totally fed up with herself for wasting time so much time sitting around. This was causing her to be a bit sharp with the others.

                You know my problem? she asked, rhetorically, although of course Mandrake felt compelled to offer a reply.

                Hmmmm and which one would that be?

                Ahahahah Mandrake, laughed Arona, well the one I was thinking of was that I think too much. I need to be more like our friend Sanso here. I mean, what does it matter where we end up, it is all a big adventure anyway.

                Well I for one, would prefer to end up somewhere in the vicinity of food, responded Mandrake.

                Sanso wasn’t really listening but was gazing at the sabulmantium with a look of awe and muttering to himself. This really is a remarkable find. I have never actually used a sabulmantium before but I gather that one uses it as a tool to focus their intention, which is a crucial component of the magical creative process. Tremendously powerful tool and when used with awareness by the pure of heart it has great potential.

                Oh great! shall we just get going then, said Arona picking up the Sabulmantium, and next thing you know, after a little bit more wandering down a few more tunnels, which isn’t really that interesting to write about, our three intrepid adventurers found themselves gazing in astonished delight at a most wonderous sight.

                #1308

                In reply to: Yuki’s Livrary

                ÉricÉric
                Keymaster

                  September 24 th

                  Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

                  Relevant extracts:

                  At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
                  […] HE KNEW HIS WAY INSIDE !
                  When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
                  focus opening/doors ; time/space…
                  The central cavernous part is some kind of key center, where anyone can meet…

                  This has inspired Quintin to write some notes too.
                  He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

                  September 26 th

                  The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

                  Here would be what we will say to him, if he wants to listen:

                  « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
                  Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
                  These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
                  And you begin to really experience it, and really pay attention.

                  « As was expressed many times, “essence” is no thing. It is an action.
                  The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
                  In that, your purpose, you see, is only to experience, nothing more, nothing less.
                  And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
                  Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
                  Just as your dreams at night overlap and blend into each other.
                  Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

                  « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

                  « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
                  In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

                  « Let us explain this in other terms.
                  When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
                  In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
                  You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
                  Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

                  « We will let you ponder this, and we will continue our own story, writing about you… »

                  September 28 th

                  This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
                  Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

                  Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
                  It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
                  And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
                  It is almost limitless in your understanding.
                  As is your magic.

                  This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
                  The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
                  The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

                  As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
                  In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

                  With that said, let us see how much more will appear from that sandbox…

                  September 30 th

                  The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

                  The Secret Life of Margaret Wrick , a newspaper cut from 2033.

                  October 7 th

                  The dragon Naasir’s dream
                  A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

                  And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

                  #79
                  ÉricÉric
                  Keymaster

                    These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                    Note: for the reader not familiar with all the names here is a quick reminder:

                    • Araili > Yann, Írtak, Sam, Jacob …
                    • Armelle > Fiona, Arona, Tina, Qixi …
                    • Rafaela > Dory, Illi, Becky, Rodney …
                    • Yuki > Quintin, Al, Janice …

                    September 12 th, 2007

                    Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                    Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                    Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                    I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                    September 13 th

                    Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                    This first comment seems very promising.

                    Right now, it feels easy and fun.

                    Quintin seems to think that everything is very straightforward.
                    The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                    The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                    But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                    That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                    But the thing is, that he missed the point in thinking one World is more “real” than the other.
                    We’ll be having some fun soon…

                    First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                    We will appeal to his imagination.
                    It seems he has heard the suggestion.

                    September 14 th

                    For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                    But as I expected, some challenges seem to appear already.
                    Is it raining or not in that world?
                    The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                    He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                    At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                    How will it unfold?
                    Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                    September 15 th

                    Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                    Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                    Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                    September 16 th

                    Halcyons days…
                    My dear friend Archie is answering some of Quintin and Yann’s questions.
                    Something starts to dawn on Quintin. But his mind is on other matters.

                    He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                    September 18 th

                    Quintin has been drawing some of the characters of the story. It’s interesting.
                    He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                    Characters drawn:

                    • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                    • Malika, Quintin, Yann, Fiona and Dory

                    Interestingly, Fiona resolves her issues in her cave.
                    Dory too, but she did not need the cave to do this.

                    September 21 st

                    For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                    And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                    Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                    But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                    Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                    There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                    Of course, some things still matter, and one of the point of the story is also to discover these.

                    September 22 nd

                    Quintin has been drawing new characters.

                    Characters drawn:

                    • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                    • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                    • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                    A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                    She had at first thought they were whiskers, which was not Quintin’s intent…

                    September 23 rd

                    Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                    Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                    Up to now, here are the names he could find:

                    • North: the Icy Lands, and Dragon Cemeteries
                    • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                    • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                      Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                    • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                    When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                    #273

                    On the shores of Golfindely, a young boy was playing in the carmine fields of ripe Scotch bonnets.

                    Since the captain Bone had left, Tomkin Sharple was feeling a bit sad.

                    The old captain always had fascinating stories to tell him, and he would indulge the endlessly curious little boy in telling him for hours all about what he had discovered in all the parts of the Worlds he had been traveling to.

                    Now, all he had to do was to take care of the herd of grakes of his parents, and while they were eating the weeds of the crops, he would sat on the cliff, looking at the sea, glimmering in the sunlight.

                    Grakes were funny to play with, as they were big birds, with a slender neck as geese, colourful patterns as mandarin ducks, and Tomkin always had fun jumping on the back of the alpha one, and ride it, leading the whole herd to the crops where they helped the farmers by eating all kinds of nuisances.

                    But after Captain Bone’s departure, it was no longer fun.

                    Tomkin was contemplating a strange thing that the captain had given him before he’d left. It was a sort of knot, shaped as a eight, and the captain had told him it was magic and meant that all was connected, but that he had to discover that magic for himself.

                    Tomkin had asked the captain to tell him about this object, but all he had told him was a legend which did not reveal much about the circumstances in which the old sea dog had acquired it. Perhaps the captain had fooled him about the magic…

                    Stuffing the thing again in his pocket, Tomkin let his mind wander on the sea waves, dreaming of being a cabin boy on a big boat, when he saw something on the horizon.

                    At first he thought that it was a group of swimming golfindels, but golfindels were more brilliant and smaller than the shapes he was seeing, and moving less heavily too…

                    #261

                    In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…

                    It said:

                    I’ve been wandering through the valleys of death
                    Where time knows no ending and all is gray
                    And shadows seek nothing but oblivion itself
                    In mazes of mist, minds’ errands led astray…

                    Perhaps it was time to let go of useless things, Bill thought to himself.

                    He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.

                    :fleuron:

                    Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.

                    She had giggled at his surprise, telling him that yes, she was catching up with him…

                    :fleuron:

                    The City, year 2255 (%)

                    Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.

                    It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.

                    Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.

                    When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.

                    Then she opened her eyes.

                    She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.

                    — Good morning!
                    — Good morning Cyprus, you wanted to say something to me?
                    — In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
                    — Yes, I thought so. Is it about what I am choosing to do as an activity?
                    — Correct.
                    — You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
                    — Yes, I am aware. And you wanted me to highlight some misconceptions about that.
                    — Oh, misconceptions?
                    — Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
                    — It feels like a tremendous responsibility.
                    — It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
                    — OK, I will do that…
                    — Ahaha, there is another thing, my dear.
                    — Oooh…
                    — You also wanted me to make sure you understood what I meant.
                    — Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
                    — Nothing is hidden from you, as always.

                    So Janice took a look at the sheet of paper on top of her own school desk.

                    — I’ll be around if you need me, reassured Cyprus.
                    — Thank you, said Janice

                    The paper was like a spot test, with a few questions on it.

                    :fleuron2:

                    Study on a Few Contradictory Beliefs

                    1. GUILT

                    a. An old lord has lost contact with his son, because of harsh things said in the past.

                    Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.

                    b. Detail the main beliefs you can see associated with this action of guilt.

                    2. FEAR

                    a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.

                    Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.

                    b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.

                    DUPLICITY

                    In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.

                    :fleuron:

                    Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.

                    Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.

                    #260
                    F LoveF Love
                    Participant

                      Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

                      So what shall we make now Mandrake? Something we both like maybe?

                      A fish perhaps? suggested Mandrake

                      Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

                      Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

                      Some milk for me, said Mandrake

                      Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

                      Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

                      Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

                      The glass ball was now filled with a miniature world of sand objects.

                      Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

                      Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

                      Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

                      She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

                      #259

                      Jadra slept fitfully. He was in the forest and he dreamed of a great tidal wave sweeping over him. He was holding on for dear life to the branches of a tree while angry faces swept by him in the water, shouting abuse at him, although he could not make out the words.

                      “Sticks and stones may break my bones, but words will never hurt me” he shouted back.

                      But then, to his horror he saw his left hand separate from his arm and he could no longer hold on. He saw his hand being swept out to sea and all that mattered was that he find it again. He let to of the safety of the tree and felt himself being pulled by the waves.

                      Jadra awoke trembling and shaking in terror. He looked for his left hand on the end of his arm, where it should be, but he could not see it. He knew what had happened. He had thrown his hand in the river. He thought it was sticks and stones he had thrown in, but he had been mistaken. He knew that now. He had to go and find his hand in the river.

                      Jadra felt such anguish. Not so clever Jadra Iamaman. You stupid old Fool

                      Forgive me! he shouted to the Gods. Whimpering in pain he rushed back the way he had come, back through the forest to the spot where he had last seen his hand. He threw himself into the water and dived down deep, not caring he could not swim, only knowing his hand was in there somewhere.

                      ***

                      There were very few people around that early in the morning, but a small boy saw Jadra go in the water and stood watching. He waited and waited, and when he knew for sure there was something wrong he raised the alarm.

                      ***

                      Jadra felt a great peacefulness sweep over him. He stopped fighting and abandoned himself to the mighty current of the water. A unicorn swam by him in the water and whispered to him she would take him to safely home.

                      ***

                      They pulled Jadra’s body from the water a mile down river.

                      #256

                      Yann have been working on the drawing sporadically, several subject were coming to his mind at the same time and he wanted to treat them all… All what he could do for the moment was just draw some sketches of all that… there was that scene with his niece and the dragon-boy, and that other scene where he could see that man on a dinosaur-like mount…

                      At times he could also feel the gentle energy of his dear friend Amanda. He’d wanted to meet her in Vienna in June, but unfortunately she couldn’t attend the meeting. She was participating in his current exploration of art. It was like he could feel many energies from different people and different beings and he could choose to express them as he wanted.

                      Some could be translated just in movement, like just drawing lines and create a harmonious disposition and interactions between them, suggesting other lines that weren’t fully expressed or weren’t expressed at all.

                      Some others could be translated as colors and shades, contrast and iridescence… possibilities were infinite.

                      He was wondering how he could introduce the gentle energy of his friend, but maybe it had already been incorporated.

                      :fleuron:

                      Salome was feeling a draw to the cave…

                      She was focusing her energy slightly differently now, in order to manifest in this dimension an aspect of herself.

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