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In reply to: Circle of Eights, Stories
Nora Long was dying. She knew she didn’t have long left, and she had some affairs still to attend to before she was no longer able. Nora was a childless spinster, a frugal recluse with an uncanny knack for winning premium bond and lottery prizes; nothing big enough to attract much attention, but more than enough for her needs. Consequently, she had quietly amassed a fortune over the years ~ and she wasn’t about to let the state have it all.
Nora had spent most of her 88 years dreaming, and talking to ghosts and spirits. She wrote all of it down in notebooks, hundreds and hundreds of them, until the advent of the computer in more recent years. She had splashed out and bought one, and gamely taught herself how to use it, keeping her journals online from then on.
Nora discovered how to google one day. Wondering what in the world she might want to search for, a name popped into her head: Yurara Fameliki.
Nora had learned to trust her impulses, and she searched for the unusual name, double checking first with the voice in her head as to the correct spelling.
Nora began to read the story on the websites first page. Three days later, she was still reading it, as it grew day by day. Nora was almost sorry she had already chosen to die. At last she had found some people she could relate to!
But Nora was too weary to change her mind. She did have a plan though, a plan that cheered her greatly. On the websites pages she had noticed a little sign saying ‘Buy a Drink’.
October, 22 nd
There is always a beginning… adding stuffs later
October, 24 th
Continuing.
It appears that the physical laws in this dimension are quite different from those in the dimension of Quintin and the others.
The inhabitant of this dimension do not limit their land in the same way as the inhabitants of Earth do. There is still much to discover, much that is not inhabited yet.The 4 Warring Kingdoms are about to reconfigure their borders, outwardly and inwardly… they are 4 parts of the same people. Once they were 12, and they are in a manner of speaking reuniting. They are going through a kind of mini shift and will have to move their attention to other beliefs…
At the moment Baul is part of the changes as are the others… each playing his own role quite playfully.
Baul’s intention is not what it would appear, and he’s not aware yet of all the implications of what he’s about to ask the Assassin.The Marshlands are inhabited by a race of small silver Armelides. With powerful innermagic… they are yet to be discovered by the Warring Kingdoms.
In reply to: Circle of Eights, Stories
Yann was wandering about in a pet shop, looking for nothing in particular.
Quintin had said something about inserting the shift now… well, that sucked… Yann was in a very bad mood, feeling like everyone was against him, nothing was going as he wanted to, and most of all he had lost inspiration. No desire to draw, or to write anything. His life was not fitting. Or so it seemed.
Looking closer to the bird cages, and the birds inside, he was amazed at their similarities and their differences. Their shapes and sizes, their colors was the obvious parts. Their shouting also, it was quite messy, and stridulent. But what he noticed most was their behavior, some were just living their own life, proud of themselves and quite fearful when Yann was getting closer to the cage, and others were just flocking together like they couldn’t live apart. Some were singing, some crying, some just quiet and moving nervously or randomly…
He went to the parrots room, it was written babies on the cages… they were like full sized parrots to him, very big birds!!! very colorful and impressive. But looking closer, they were not so healthy, their feathers were sort of dull, and even bad shaped and like the parrot had been attacked savagely :yahoo_thinking:. Not very impressive eventually.
A few days ago things had become quite erratic at his work… he had felt a strong desire to change, change everything. First he couldn’t understand that desire and he resisted strongly, but soon he created some uncomfortable manifestations. Breathing difficulties, headaches, itching, and even boredom. He just felt the desire to tell bugger off to everyone.
The birds were getting boring actually, he left the shop.
Walking in the street among the crowd was kinda soothing his uneasiness… though at times he was like feeling what they were strongly projecting. There was that Muslim woman with her chador, and as she went right past him he had that twinge of anger against her, coming from nowhere, and as soon as he noticed that, he just moved his attention to his energy and it was over, no more anger or polarization. Was it his own feelings or was it from that young woman?
Whatever, he just enter another shop, home shop, with little thingies and furniture… all these statues, the ones looking like 1920’s ladies were the most appealing… and there were these fairies also, wasn’t it Fiona who had told him about a dream where she was the fairy princess?
Oh! that pic… the man had a blue skin… with dolphins on his face creating shadows… the pic was a blend of sort, very funny, and the man was cute
as was the shop assistant…Time to leave… he went off the shop and continued walking. Bright sun, fresh air, all was clearing. His mood also. He thought again about what he and Quintin had been planning. It seemed something crazy, but it also seemed related to what was happening in his life. Since Vienna, their relation had become closer and closer, and for the most part it was very endearing, very fun and also very intense. All these energies, all this creativity, it had to be part of a bigger picture.
Thinking about that, his friend Dory had told him about a bigger picture once, and he was teasing her about that… but now it was making sense. His abilities to remember his dreams had increased in a way, though most of the time he did not remember his dream in the morning. He’d noticed he could if he was just relaxing a bit and let his attention go back to that dream self of his… At times he had also some weird experiences about parallel realities and shift of perception, like the room is translucent and he can move through it in another dimension, very freaky that one
In reply to: Circle of Eights, Stories
Írtak was playing with the dragon twins in the carved woodstones field. It was mostly faced shaped petrified wood that had been carved surely when it was still wood. The faces were quite hypnotic and made him feel often sleepy, but with the dragons he was feeling all his senses enhanced and sharpened.
The dragons were growing fast, hatched only a few days ago, they were already bigger than his father… He knew from Malvina that they could take whatever form they wanted, but he’d always thought that their power were developing from nothing to … something… but apparently they were already fully aware. Their leather skin was glowing emerald green, blended with some purple pink shades, or was it the contrary. It was changing so quickly. He was wondering what they were eating, because he wasn’t the one who was giving them any food. And still they were so big.
Did they have a “real” form? Whatever that meant.One of the dragon gave him a mischievous glance and before he could anticipate what would happen, he was facing a growling troll :yahoo_time_out:. The troll was running right to him, seemingly crushing with his heavy body all the fragile woodstoned faces.
All his attention was on the troll and he didn’t hear the man coming.
And now the troll was freezed running and jumping forever… Írtak’s head was like a big storm of boulders falling from the sky. Growling, drumbling apart…— You have strange games with your dragons.
— …He was gaping at the man… his skin was bluish with pink also and sometimes a bit of yellow.
— Who are you?
— Don’t you recognize me?
Írtak tried to remember something. had he ever met that man before?
— Oh right, it’s our first meeting… from your point of view. I’d forgotten that. But you see, for me our first meeting is in your future.
— …Írtak was still gaping at the man, this strange skin of him, it was so ambrulin, that color he’d already see somewhere… was it in a dream?
The man looked at him, and he felt for a moment a warm fuzzy feeling in his body… not particularly located in any part of it… and he would have… no, it was even in the woodstoned faces around him… how could he feel that?— Your dragons are wanting to take part in the fun, the man smiled. I’m going to let them go, as I’m not staying either.
— Who are you? managed Írtak. — I’m your father…
—
— HAHAHAHAHAH! No actually that’s a private joke… I’m Andrimiñ (AndruhMiiñ?) we’ll meet again in a few years of your time. Your dragons are really interesting then, and so are you.Saying that, the time began to flow again in the right direction, the troll was still running toward him, but he suddenly slowed down and stopped, shape shifting into a bluish boy, with a face so similar to Andrimiñ.
— Where’s the funny man? he said.
In reply to: Circle of Eights, Stories
Illi was quite pleased with the sand dragons.
HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!
Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.
Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!
Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.
When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.
Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.
In reply to: Circle of Eights, Stories
Malvina tried to concentrate on the opalescent glubolín, to locate her Sisters.
But that was perhaps too early, because she could feel them close enough, but not focused yet.
Instead of communicating directly with their focused attention, she was getting images in the glubolín, that seemed related to them, but not necessarily directly. Something like an overlapping of different aspects.Oörlaith was very close, and she could make out her surrounding. Malvina could briefly see her discussing with a man and a black dog. She had known that man… But then the image dissipated…
A sparkling shore, a black and white bird and pirates talking with a boy… the little boy had a buntifluën in his possession; how strange, Malvina thought, how could he?
Then the shore changed, she could see herself in a unfamiliar environment of sands, she was wearing a blue shawl and teaching a young impetuous woman, on how to change her features as easily as molding a sand castle. The young woman had just grown cat whiskers for a split second, and was giggling at her first success. How strange again thought Malvina, this simple act had sounded like a feat of importance in that bizarre environment, while it is rather easy to accomplish…
Images flying again, she tried to concentrate on Roselÿn.But Roselÿn was perplexing. Malvina did not manage to connect directly to her environment, but could catch glimpses of a flying plump woman in a black and white attire, and she knew at once it was Roselÿn — though not the Roselÿn she knew. Roselÿn the Sorceress was a tall elegant dark-haired woman, but both women emanated the same joyful and loving energy. Flying Plump Roselÿn was with a little giggling girl, and giggling girl was adventurous… How interesting…
Something drew her out of her rêverie. Guests had arrived it seemed, she could hear Leörmn calling for her. She was excited at the perspective of visitors, especially at the perspective of meeting the young one who had found the sabulmantium, as she was feeling that her presence now was purposeful for them all.
In reply to: Circle of Eights, Stories
The arrival of the noisy pink fairy was the last straw for Illi. She imagined her deserted island again and made sure she paid attention to imagining it completely deserted this time. No more fat nuns appearing from the heavens or squalking fairies!
Illi made the new island a paradise….she magicked up staff when she wanted food or a massage, a gaggle of party people for when she felt like dancing, and blithely disappeared them when she was done. Mostly Illi slept. Her favourite spot was near the lagoon on the sand under the coconut trees. She lay and dozed and drifted and dreamed and imagined and dozed some more, trailing her fingers through the sand, pushing little heaps of sand here and there, pulling them back, making channels and watching the sand sift back in and disappear them. She dreamed of sand sculptures, an astonishing variety and all made from…sand! Tiny grains of sand, made into anything at all…..every tiny grain of conscious energy…made into anything at all…..and in comes the tide and washes and ripples a clean new beach….to make anything at all……
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
Topic: Yuki’s Livrary
These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.
Note: for the reader not familiar with all the names here is a quick reminder:
- Araili > Yann, Írtak, Sam, Jacob …
- Armelle > Fiona, Arona, Tina, Qixi …
- Rafaela > Dory, Illi, Becky, Rodney …
- Yuki > Quintin, Al, Janice …
September 12 th, 2007
Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.
I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…
September 13 th
Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.Right now, it feels easy and fun.
Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.September 14 th
For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.
But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…September 15 th
Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.
Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin
Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.
September 16 th
Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.
September 18 th
Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.Characters drawn:
- Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
- Malika, Quintin, Yann, Fiona and Dory
Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.September 21 st
For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!
Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.Of course, some things still matter, and one of the point of the story is also to discover these.
September 22 nd
Quintin has been drawing new characters.
Characters drawn:
- Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
- Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
- Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter
A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…September 23 rd
Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.
Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.
Up to now, here are the names he could find:
- North: the Icy Lands, and Dragon Cemeteries
- Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
- Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators. - South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.
When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.
In reply to: Circle of Eights, Stories
It’s been a long time since Írtak last paid a visit to his family. But this time would not come now as the twins were just hatching.
The hatchtone, a humming inaudible sound that would help the little dragon break the hard shell, had been resonating for almost an hour now, and Írtak had to constantly refocus and pay attention to himself not to be distracted by the unheard sound. The tone was quite intense and as they were both hatching at the same time the hatchtones were enhancing each other.
Írtak could see the shell resonating with the gluid tones. It was shifting shape slightly, and his eyes were also perceiving a bluid glow around it.
In the hatchtones were the names of the dragons… Írtak was a bit astonished because those names were quite odd, but he was feeling a strange inner giggle of sort coming from some part of himself.
He was translating the hatchtones as Heckle and Jeckle.
“Defunitely!”
The inner laugh of Malvina was still resonating in his ear when the shell began to crack.
In reply to: Circle of Eights, Stories
In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…
It said:
I’ve been wandering through the valleys of death
Where time knows no ending and all is gray
And shadows seek nothing but oblivion itself
In mazes of mist, minds’ errands led astray…Perhaps it was time to let go of useless things, Bill thought to himself.
He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.
Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.
She had giggled at his surprise, telling him that yes, she was catching up with him…
The City, year 2255
Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.
It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.
Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.
When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.
Then she opened her eyes.
She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.
— Good morning!
— Good morning Cyprus, you wanted to say something to me?
— In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
— Yes, I thought so. Is it about what I am choosing to do as an activity?
— Correct.
— You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
— Yes, I am aware. And you wanted me to highlight some misconceptions about that.
— Oh, misconceptions?
— Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
— It feels like a tremendous responsibility.
— It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
— OK, I will do that…
— Ahaha, there is another thing, my dear.
— Oooh…
— You also wanted me to make sure you understood what I meant.
— Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
— Nothing is hidden from you, as always.So Janice took a look at the sheet of paper on top of her own school desk.
— I’ll be around if you need me, reassured Cyprus.
— Thank you, said JaniceThe paper was like a spot test, with a few questions on it.
Study on a Few Contradictory Beliefs
1. GUILT
a. An old lord has lost contact with his son, because of harsh things said in the past.
Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.
b. Detail the main beliefs you can see associated with this action of guilt.
2. FEAR
a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.
Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.
b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.
DUPLICITY
In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.
Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.
Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.
In reply to: Circle of Eights, Stories
When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.
— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest… — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?
Tina was taken aback…
— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway? — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?
Quintin had answered distractedly, as he was engrossed by his last painting…
Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.
She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…
— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…Wow he had thought, she can really see.
Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.
The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…
— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).
Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.
Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.
The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…
Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.
Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.
She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…
She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.
When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.
Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.
This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.
She started to move again, de-focusing, past the lazy honey drops.
The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.
In reply to: Circle of Eights, Stories
Everywhere Jadra went he could feel hostile eyes upon him. He knew why of course; he knew they were jealous because he had been favoured by the Gods. So he kept his hand safely hidden, wrapped in his shirt
Jadra had a plan. He put his shirt back on and pulled the sleeve on the left arm down as far as it would go, till his left hand could no longer be seen. He modelled a new hand roughly out of twigs and plants and walked to the river. On the way he shouted at the top of his voice CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.
After shouting such sentiments till his voice was hoarse and he knew he had drawn sufficient attention he threw the hand in the river. He had cunningly weighted the hand with pebbles he had found in a cave so it would sink to the bottom of the river.
GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.
HA! He thought, tremendously pleased with himself for executing such a perfectly clever plan. That should throw the evil hounds off the scent of Jadra Iamamad.
He felt he was not far from the cave now.
In reply to: Circle of Eights, Stories
“HAHAHA! it is your first step now. Let me just remind you that you need not play MY game, the game is yours, ever.” said Georges.
Dory was feeling a bit confused now. What was he talking about, what game? And first step to what? She couldn’t hold to the anger nor the irritation; all of that was feeling not real or not here, or not there for all she knew.
“The direction you follow is your choice, and where I come from is not relevant to this conversation. You may say I come from yourself
and indeed you called me and I wanted company. Do you want more coleslaw?”Without waiting for her answer he refilled her plate with the tasty food.
All those smells,… she could feel so many different things, things that appeared not to be here. A movement caught her attention in her periphery. As she turned her gaze whatever was there had vanished. And this humming, it was like music, but not very clear… if she could just focus more on it, yes like that, she was feeling sooo calm and she began laughing.
“Hahahah… haha. Did you drug the coleslaw?” She asked, trying to appear angry and unhappy, but all she could do was smile and laugh.
The images around her were shape-shifting, there were many colors, some of them she didn’t know could be possible, the walls were melting of sort and becoming transparent, or just fluid maybe…
“Well you see how it’s easy to relax. Let’s see where you want to go now my dear Rafaela”, he said winking.
And everything turned into a great maelström but she felt secure and could feel his presence reassuring, and there were all those other faces and places, some felt very familiar, had she ever been there before?
In reply to: Circle of Eights, Stories
Illi had not known as powerful an opponent as this other Illi.
At first, she had been remembered of stories of possession by evil sprites (or djinns) that she had heard in her youth, when Ibn al’ Gruk, the old angora storyteller was entertaining the desert settlement beating the rhythm with sonorous drums.
So, she had pushed, and rebelled, and fought, as fiercely as any other gripshawk skilled and trained in the hand-to-hand martial arts would have done.
But the other Illi wasn’t so easily vanquished.
Then Illi had collapsed. She had sorrowfully abandoned the fight to the dreaded adversary.
All of this had been occurring in a twinkle of an eye, but for Illi, the fight had been during ages and ages, while she was trying to focus on what BelleDora was explaining to her about the land where she was now.
And when she had abandoned the fight, everything was again so easy. She did not care any longer, she was free again. Her evil twin could do anything, it could not matter less.
But the evil twin had been in fact doing the same, and she had struggled to keep the focus coherent to her. Didn’t want stupid moth-looking people in her reality, or even spare hair on her face! But that other one was strong, and fierce. And stubborned too!
— Who are you? she finally had asked
— I’m Illi, had the other answered
— I am Illi.
— So we are both Illi…
— Yeah, that may be it, but we are quite different.
— Are we? You feel quite like me, despite your stupid affection for smooth baby face.
— Well, wouldn’t it be for that, I can see some resemblance…
— Will you let me continue my trip?
— Oh, I would have, but you’ve hijacked mine, said Illi Fergusson.
— So you think.
— And where does your trip leads to? asked Illi F. who wasn’t too sure of her trip either
— From traveling portals to traveling portals, to discover all that can be discovered on this world. Magical creatures, I distrust them, but the lands and people are fascinating… And what about yours?
— Hmm, hmm, pondered Illi F. for a moment… Well, I’m dead actually, but I didn’t expect being dead to be so busy. There are so many things to discover, and I like that. I see funny looking people, and this looks like fun. Like a minute ago, I was in some kind of funny cave, with a parrot…
— A what?
— A parrot, you know, a kind of talking bird full of colours…
— Mmm, some kind of demonic creature for sure. Would have slain it without an hesitation!
— Hey! You see, that’s why I didn’t want you to come with me.
— Well, seems like for a moment, we don’t have much more choice…
— At least, look at the bright side, with us merged like that, each of us can provide the other one with some sound experience on each other’s worlds.
— Well, that’s not as airy-fairy as it seems…
— Well, thank you for that, I’ll take that as a compliment.
— You really are dreadfully serious at times!
— Hey, I’m not anybody you see. My parents were aristocrats, I’m not the common hairy lot.
— Ahahah, you’re funny.
— So are you!And they ended laughing blissfully together.
After a moment, Illi asked again:
— Huh, a funny cave you said?
— Well, yes. With lots of people…
— Interesting… I was near some sort of strange cave too a while ago, that is, before I was found by this nice man and his dogs. Perhaps there is some connection here.
— And could you go there again?
— Not sure if I want to; there were some smelly fumes, smelt like demonic magic in there.
— Oh you see, for as long as I’ve been dead, well even if that’s not so long ago, anyway, the point is I’ve not seen any demon so far… blustered Illi F.
— Oh, and I have to take your word like that then?
— Well, do as you please, but I’m going there again…
— Just wait for me now, will you; let’s try to do things hand in hand, because you’re driving me mad!And the deal was made.
BelleDora had continued to explain lots of things about her ancestors, but had not really noticed Illi’s attention had been so far away. She was a bit surprised when she found herself interrupted in a middle of a poetic depiction of the coastal plains of the Peninsula of the Dragon Head, where some glistening Capricorns were sometimes seen swimming in the creeks.
— And how do I get back safely to this hole where I was found? asked Illi abruptly.
In reply to: Circle of Eights, Stories
Jibberacky is…
- Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.
He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.
What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…
So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…
_
- an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.
Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…_
- Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.
Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.
That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.
But with what Jadra has found on his left hand this morning, he now knows he was right all along…
—
[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus
In reply to: Circle of Eights, Stories
Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.
Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.
Raising an eyelid, his cheerful wrinkled face smiled at the little girl.
— And how can I be of assistance, dear little one?
— Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
— Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
— Well, let me think.India Louise took a moment, and asked again
— For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
— Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.
— Areas of consciousness?
— Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.
— And Illi? Who is she?
— This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
— Mmmm, this is quite intricate…
— Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.In reply to: Circle of Eights, Stories
As the moment of dizzyness was fading out, Dory had the weird impression that the coleslaw shouldn’t be there, not like this… she hadn’t smelled anything before that man arrived and then there was only that dusty moisty smell, and now, it was coleslaw…
She didn’t want to go crazy so she moved her attention away from that thought and what it implied.
“Oh you have coleslaw? It was exactly what I wanted to eat.”
“hehehe, I know, I just helped you remember how to create it…”
Again, she moved her attention away deliberately.
“You eat with me? Come on, sit down and tell me how you got there?”
In reply to: Circle of Eights, Stories
Fiona wandered slowly along the road to the supermarket in the Village, deep in thought, pondering a recent dream. In her dream she had been talking to someone from the power company. He was very chatty. Eventually he asked her if she had any issues with her power service. In her dream she had started to focus on some electricity issues she was experiencing. Well as a matter of fact I do, she had replied. At which point the man from the power company had abruptly cut the call short.
In her dream she felt a little put out, although resolved to let the power company know later.
The message of the dream felt clear enough, it was her focusing on the difficulties which cut her connection. Yet this presented Fiona with some difficulty, because she dearly loved to analyse even when this did mean focusing on not so pleasant things, though she had been aware for some time how this mental work would deplete her energy.
Actually there was almost a feeling of grieving in her. To let go of this part of her felt like losing something warm and comforting in it’s familiarity, like a well worn and loved article of clothing. It left her wondering a bit about her own identity.
On the way back home, laden with bags of shopping, Fiona saw Jarrod.
Jarrod was lying on a park bench conversing loudly to himself. Well, Fiona mentally corrected herself, to someone I can’t see anyway.
They just don’t understand reality he was saying vehemently they just don’t get it.
Fiona smiled to herself, noticing Jarrod getting a few concerned looks from the well dressed locals. With his bare feet, unkempt hair and long beard he would stand out even if he wasn’t shouting at the top of his voice. She decided to try and sneak past herself, he looked like maybe today he would not recognise her anyway.
She turned back.
Hey Jarrod
Fiona, here’s the thing. Here’s the question okay. Should we swim up-stream or down? Fiona what do you think? Should we head for the Source or the Ocean? Up river or down? We’re on the edge of a new era Fiona. So what will it be, the shallows or the rapids?
Before she needed to come up with an answer Jarrod’s attention was diverted by the shopping bags.
FOOD! Great is that for me Fiona?
In reply to: Circle of Eights, Stories
Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.
She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.
She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?
Use your magic, she had said.
When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?
Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.
The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.
Thank you for having me room, she said as she left.
No, thank YOU, replied the sleepy glukenitch.
The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.
Why sad?
I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.
You always know, just feel it
So Arona closed her eyes tightly and allowed herself to feel the answer.
Because you know who you are, and it made me realise I have no idea who I am.
Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.
Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.
The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.Arona, who had felt immediately connected with the young child frowned.
Doesn’t the little girl feel left out?
Go in, said the woman, Go inside the picture and feel the answer.
Oh, and you might want to leave your cloak behind.
So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow. Arona returned to the cave.
You look troubled
Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.
On the contrary, perhaps it is very practical. Would you like to see another of your paintings?
Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.
Arona shuddered a little. I might not jump into that one .
The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.
Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.
Well I gave her the same advice, years ago.
More damn riddles, Arona thought to herself, and the woman laughed.
One final painting of yours I would like to show you. It is beautiful is it not?
Arona stared mesmerised for a moment, and then leapt right in.
She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.
Dance Arona, she heard the woman’s voice
I can’t dance like that, I’m not good enough.
It doesn’t matter
And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.
Back in the cave the woman seemed to be listening to something Arona did not think she could hear.
Things are shifting she said
Oh lordy, are they said Arona, What should I do now?
Feel the answer
Arona felt. I am very hungry, eggceptionally so.
