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It must be two hundred years at least since we’ve heard a will read at number 26, Cerenise thought to herself, still in a mild state of shock at the unexpected turn of events. She allowed her mind to wander, as she was wont to do.

Cerenise had spent the best part of a week choosing a suitable outfit to wear for the occasion and the dressing room adjoining her bedroom had become even more difficult to navigate. Making sure her bedroom door was securely locked before hopping out of her wicker bath chair  (she didn’t want the others to see how nimble she still was), she spent hours inching her way through the small gaps between wardrobes and storage boxes and old wooden coffers, pulling out garment after garment and taking them to the Napoleon III cheval mirror to try on.  She touched the rosewood lovingly each time and sighed. It was a beautiful mirror that had faithfully reflected her image for over 150 years.

Holding a voluminous black taffetta mourning dress under her chin, Cerenise scrutinised her appearance. She looked well in black, she always felt, and it was such a good background for exotic shawls and scarves. Pulling the waist of the dress closer, it became apparent that a whalebone corset would be required if she was to wear the dress, a dreadful blight on the fun of wearing Victorian dresses.  She lowered the dress and peered at her face. Not bad for, what was it now? One thousand 6 hundred and 43 years old? At around 45 years old, Cerenise decided that her face was perfect, not too young and not too old and old enough to command a modicum of respect. Thenceforth she stopped visibly aging, although she had allowed her fair hair to go silver white.

It was just after the siege of Gloucester in 1643, which often seemed like just yesterday, when Cerenise stopped walking in public.  Unlike anyone else, she had relished the opportunity to stay in one place, and not be sent on errands miles away having to walk all the way in all weathers.  Decades, or was it centuries, it was hard to keep track,  of being a saint of travellers had worn thin by then, and she didn’t care if she never travelled again. She had done her share, although she still bestowed blessings when asked.

It was when she gave up walking in public that the hoarding started.  Despite the dwellings having far fewer things in general in those days, there had always been pebbles and feathers, people’s teeth when they fell out, which they often did, and dried herbs and so forth. As the centuries rolled on, there were more and more things to hoard, reaching an awe inspiring crescendo in the last 30 years.

Cerenise, however, had wisely chosen to stop aging her teeth at the age of 21.

Physically, she was in surprisingly good shape for an apparent invalid but she spent hours every day behind locked doors, clambering and climbing among her many treasures, stored in many rooms of the labyrinthine old building.  There was always just enough room for the bath chair to enter the door in each of her many rooms, and a good strong lock on the door. As soon as the door was locked, Cerenise parked the bath chair in front of the door and spent the day lifting boxes and climbing over bags and cupboards, a part of herself time travelling to wherever the treasures took her.

Eventually Cerenise settled on a long and shapeless but thickly woven, and thus warm, Neolithic style garment of unknown provenance but likely to be an Arts and Crafts replica. It was going to be cold in the library, and she could dress it up with a colourful shawl.

“In the name of god amen I Auftreberthe saint of wafhing and water of the parifh of Gloucefter in the county of Gloucefterfhire being weak of body but of sound and perfect mind and memory do hereby commit my soul to the almighty and hereby do make thif my laft will and teftament in manner and form af followeth…”

And so began the reading of Austreberthe’s will to the small gathering assembled in the library of the emporium. Bartholomew Gosnold, the aged barrister, stood behind the large oak desk, clearing his throat frequently and pausing to peer over his spectacles.  The library was atwinkle with lamps of a variety of styles and ages, but was otherwise dark and vast in the areas outside of the pools of light.  Heavy brocade curtains covered the windows, and a fire glowed in the hearth, for it was winter, the last day of the year, and darkness came early and freshly fallen snow blanketed the town in frigid holy silence.

Despite the fire, it was chilly in the library which was rarely heated, and Cerenise wound her ancient Kashmiri shawl aound her neck and shoulders, pausing to finger the cloth appreciatively. It was an exquisite Kani shawl, woven with intricate floral motifs in warm shades of red and plum, soft as a rabbit. She inched her wicker bath chair closer to the fire, accidentally tipping over a small table and sending the contents of a green glazed Tamegroute bowl skittering across the floor.

Yvoise tutted loudly as she rose from her chair to collect all the buttons and stand the little table back up. Luckily the bowl had landed on the Tabriz rug and hadn’t broken.

Bartholomew Gosnold paused until Yvoise had finished, and then resumed his reading of the will, after first clearing his throat again.

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

---

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

HELIX 25: THE JARDENERY

Finkley pressed herself against the smooth metal doorway of the Jardenery, her small wiry frame unnoticeable in the dim light filtering through the tangle of vines. The sterile scent of Helix 25’s corridors had faded behind her, replaced by the aroma of damp earth. A place of dirt and disorder. She shuddered.

A familiar voice burst through her thoughts.

What’s going on?

Finja’s tone was strident and clear. The ancient telepathic link that connected the cleaner family through many generations was strong, even in space. All the FinFamily (FF) had the gift to some extent, occasionally even with strangers. It just wasn’t nearly as accurate.

Shush. They’re talking about blood. And Herbert.

She felt Finja’s presence surge in response, her horrified thoughts crackling through their link. Blood!

Riven’s skeptical voice: “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

Finkley sniggered. Was that even possible?

It’s not particularly funny, responded Finja. It means someone on the ship is carrying distorted DNA. Her presence pulsed with irritation; it all sounded so complicated and grubby. And god knows what else. Bacteria? Ancestral grime? Generational filth? Honestly Finkley, as if I haven’t got enough to worry about with this group of wandering savages …

Finkley inhaled sharply as Romualdo stepped into view. She held her breath, pressing even closer to the doorway. He was so cute. Unclean, of course, but so adorable.

She pondered whether she could overlook the hygiene. Maybe … if he bathed first?

Get a grip. Finja’s snarl crashed through her musings, complete with eye-roll.

Finkley reddened. She had momentarily forgotten that Finja was there.

So Herbert was looking for something. But what?

I bet they didn’t disinfect properly. Finja’s response was immediate. See what you can find out later. 

Inside, Romualdo picked up a book from his workbench and waved it. Finkley barely needed to read the title before Finja’s shocked cry of recognition filled her mind.

Liz Tattler!

A feeling of nostalgia swept over Finkley.

Yes Liz Tattler. Finley’s Liz. 

Finley—another member of the family. She cleaned for Liz Tattler, the mad but famous author. It was well known—at least within the family— that Liz’s fame was largely due to Finley’s talents as a writer. Which meant, whatever this was, it had somehow tangled itself up in the FF network.

Liz’s Finley hasn’t responded for years —I assumed… Finja’s voice trailed off.

There’s still hope! You never know with that one. She was always stand-offish and mysterious. And that Liz really abused her good nature. 

Finkley swallowed hard. They were close to something big—something hidden beneath layers of time and mystery. And whatever it was, it had just become personal.

Finja, there’s no time to lose! We need to find out more. 

The colours were bright, garish really, an impossibly blue sea and sky and splashes of pillar box red on the square shaped cars and dated clothes, but it was his favourite postcard of them all.  It wasn’t the most scenic, it wasn’t the most spectacular location, but it was an echo from those long ago days of summer, of seaside holidays, souvenirs and a dozen postcards to write at a beachside cafe. The days when the post was delivered by conscientious postmen such as he himself had been, and the postcards arrived at their destinations before the holidaymakers had returned to their suburban homes and city jobs. The scene in the postcard was bathed in glorious sunshine, but the message on the back told the usual tale of the weather and the rain and that it might brighten up tomorrow but they were having a lovely time and they’d be back on Sunday and would the recipients get them a loaf and a pint of milk.

Ellis Marlowe put the Margate postcard to the back of the pile in his hand and pondered the image on the next one.  He sighed at the image of the Statue of Liberty, sickly green, sadly proclaiming the height of a lost empire, and quickly put it at the back of the pile. Nobody needed to dwell on that story.

His perusal of the next image, an alpine meadow with an attractively skirted peasant scampering in a field, was interrupted with a bang on his door as Finkley barged in without waiting for a response.  “There’s been a murder on the ship! Murder!  Poor sod’s been dessicated like a dried tomato…”

Ellis looked at her in astonishment. His hand shook slightly as he put his postcard collection back in the box, replaced the lid and returned it to his locker.  “Murder?” he repeated. “Murder? On here? But we’re supposed to be safe here, we left all that behind.”  Visibly shaken, Ellis repeated, almost shouting, “But we left all that behind!”

Early May 2022

“You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.

It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions.  It’s so nice to have a conversation in English, she couldn’t help thinking.

Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”

Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”

“I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”

“I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.

The year 480 AD. It was there hovering in her mind the moment she woke up the morning after Eris had mentioned the DNA spell idea. 480 AD.  But why? And it seemed strangely familiar, as if she’d dreamed of that date before. Mumbling the date over and over, Truella pushed the bed covers back, noted the welcome slight chill of the October morning, and made her way blindly to the kitchen to make coffee. 480 AD.  Why, though?

Eris’s change of tune yesterday about the paperwork had given her a slight inward chuckle, but it was a good sign. And Eris had been right: Truella did like the DNA idea. At first she’d wondered if she would find something containing DNA.  Then she reminded herself that she herself contained DNA available to use. But what was the year 480 AD to do with it?

Taking her steaming mug of coffee outside, Truella sat down under the porch and lit a cigarette. Too late for Romans but then what was next after Romans?  It would have made more sense if it was 1480 AD, when Cromwell was born.

Oh, but what an idea! Yes!  The DNA of Cromwell! She was reminded of the pieces of Hannibals tunic, and the efficacy of that spell.  If they could find a bit of that old tunic, they could surely time travel back to gather some DNA from old Thomas.  Truella giggled, imagining herself appearing in Cromwell’s chamber, armed with a cotton swab. “If you please, my Lord, open wide, this will only take a moment.”

He would rub his eyes, wondering if the fever had returned. What was this unseemly wench doing in here, bearing an uncanny resemblance to Lizzie, his dead wife.  “Open wide,” she would say, for all the world as if she was the one giving the orders.  “My lady, if you please to explain your purpose?” he would replied calmly, rather amused at the incomprehensible interlude.

“Well if you must know, we need some of your DNA. Yes, yes, I know you don’t know what that is yet, I’ve come from the future you see, and we know a lot more. Well, that’s not strictly true or I wouldn’t be here now.   We know more about some things, but other things haven’t changed much. It’s the sea of paperwork we’re drowning in. Nobody could have more paperwork than you, my Lord Cromwell, but you have a particularly efficient way of dealing with it.”

“Are you referring to the Tower and the …”

“Gosh, no! No, we don’t plan to execute anyone.  We just need a bit, a tiny bit, of your DNA to use in a spell…”

Suddenly Cromwell understood who this woman was. He didn’t need to call for the man who dealt with postcards from the future: everyone knows that Cromwell never forgets any paperwork he’s ever seen. In the future they called it photographic memory, but of course it wasn’t called that in his time.

“You, my lady, are one of those witches from the future, are you not? And why, pray, would I be willing to assist with witchcraft?”

“Well, why not?” retorted Truella. “You won’t be around to be executed for heresy, you were already..”   She clapped her hand to her mouth.  He didn’t know about that yet, obviously.

Cromwell merely raised a sardonic eyebrow. “I don’t want to know when,” he said calmly.  He knew his days were numbered.

“Now, there a number of ways we can collect a bit of your DNA, sir, any bodily fluid will do,” Truella said, and then blushed deeply.  Well, why not? she asked herself, and then wondered, What if he hasn’t had a bath for six months?

“When did you arrive?” asked Truella when they found her in her at her Cloacina booth in faux-fur waterproof boots and a faux-bear-fur cape with a waterproofed silk hood to protect her perfect hairdo from the incessant drizzle. It gave her a look of one of those Fantasy warrior-goddess ready to intervene at the last minute to save her chosen champions from complete destruction by the forces of evil.

“Well, I’ve been there all along,” retorted the glamour witch, moving two little loos in front of the booth closer together. “I’ve been living in Limerick since the start of this story, even if it wasn’t clear where. Granny Linda thinks I’m living in Glamorheaven and Finnley think I’m living in London, but I’m pretty sure it’s Limerick. At least it is in my mind manor,” she said as if for herself. “There!” she said. Her face lit up as she just found the perfect orientation for the loos. “Don’t those miniature loos look cute?”

“Sure,” said Truella. At the same time she looked at Frella as if their friend had gone nut.

“Don’t ask me,” said Frella. “I didn’t make the selection of the goddesses for the olympic set.”

Jeezel took three cups, dipped them into one of the toilet bowl and offered them to her friends to drink.

Truella grimaced.

“I prefer not to drink that early in the morning,” said Frella with a polite smile.

Jeezel lifted the cup to her nose and inhaled deeply before taking a sip. “It’s connected to the purest water source on Earth through a little time sewer spell coupled with a little pump and filter and a nice chime when you throw your worries in. It’s perfectly safe and drinkable sparkling water, and it smells of roses.”

“My gran used to spray rose scent in the bathroom after she used it,” said Truella, cackling nervously.

Frella took the cup, smelled it and continued smiling.

“Anyways, those cuties are for the cleansing prayers,” said Jeezel. “Cleansing and release,” she added pointing her finger up at the banner. “That’s Cloacina’s motto. At least at this booth. And, as I’m sure you asked, I didn’t answer all your messages because I’ve been kept busy with preparing all of those. Here, Truelle, take one of those Sacred Bath Salts. I have two flavors, Moonlight Mist and Sunset Serenity. Take the second one, it’s a blend of Himalayan pink salt and rose petals. It’ll help keep you warm as the salts will absorb the extra humidity, and as an extra it’ll make you think of your gran”, she added with a grin. “As for my friend Frella…”

Truella grabbed the pouch of salts and smelled it. “The smell is not so bad,” she conceded. “And Bubona knows I need their warming qualities,” she said shaking her head to get rid of irritating water drops.

Jeezel then turned to the potion and elixirs section. “No, not purification for Frella, and neither of you need the Lover’s Elixir… Oh! Here it is, take that. A soap made of goat’s milk, honey and calendula oil for radiant skin. And good to keep the hinges perfectly oiled. And as my future gran will say, remember, keeping those hinges oiled is key to avoiding squeaky situations.”

Frella took the soap and chuckled. “Thanks.” She scratched the surface with her nail. “It’s seems good quality. And it smells good. That reminds me I have to prepare my own booth. See you later girls.”

As soon as she left. Truella leaned towards her friend and asked in a conspiratory voice: “Did you know Malove was here?”

“What?”

Jeezel was stirred awake by the unsettling sound of someone throwing up. Her phone said it was 3am.

“Luminia? Are you ok?” she croaked, her throat so sore she wondered if vocal fry was that painful.

“That’s nothing,” said Luminia licking her muzzle. “You can go back to sleep.”

“Nothing, it didn’t sound like nothing.”

She got up and stepped into a warm, wet puddle.

“I’m shedding,” said Luminia as if it explained everything. “I didn’t want to bother you after your bouts of fever. I would have cleaned it before you noticed.”

“Well now I’m awake and my foot noticed. At least I didn’t dream of Concordia potion and missing willow wand.”

Jeezel hopped on one foot to the bathroom, gracefully avoiding any slip on the sleek, newly refinished hardwood floor. She washed her feet and consulted her phone while relieving herself of her evening herbal tea. She smiled at the 557 messages she got from her fellow witches. She didn’t recall where they had been but they seemed to be having fun. She was a bit sad she couldn’t join, but still glad to be able to enjoy it by proxy.

She particularly enjoyed the video tour Truella had made of the ruins she’d discovered in the garden where they were staying. And she sneezed when she saw a picture of Frella with that other woman. Did she just smelled camphor? Eris had written “Frella and Herma” under it. Jeezel wondered who that Herma was. She would have enjoyed meeting new people for real. Her cough reminded her it would have to wait. And she had some cleaning to do. At least she had a renewed sense of being alive.

Jeezel was enjoying a glass of champagne, enveloped by mother of pearl foam in a bathtub that was more like a swimming pool for a siren. Her emerald eyes were looking pensively at the reflections on the golden tiles. She was humming along a playlist carefully selected to help her relax and assimilate all the changes in her life.

Despite the fiasco in Brasil, Malove has been keeping them busy with more projects to come. Jeezel had to come up with new workshops for new recruits with the secret purpose of making witchcraft more accepted by the masses. Then, there were those secret missions for which Frigella and herself also had to procure rare and hard to find ingredients. Of course, all that, she could easily handle. Hadn’t she always managed to get back up on her feet every time she trampled on her train during her first beauty contest.

But now, there was Joe. Jeezel took a sip of champagne.

When she found her cottage, the bathroom was in a state not even a mother could love. Numerous cracks running wild like the worst kind of pantyhose mishap, and humidity creeping in like an unwelcome suitor at a drag ball.

When she put up a picture on Flick Flock, it was like blowing the mythic Cornucopia. Her fans came through like the chorus of a drag space opera. Offers poured in, tips, tricks and contacts. But one offer stood out, a brother of a fan near Limerick with hands skilled in construction.

If Jeezel’s got a heart as big as her hair, she didn’t let just anyone past the sequin curtains. Despite her hesitation to let a stranger wander through her abode, even one vouched for by a fan, she also knew when to delegate. With a few clicks of her carefully crafted nails on her phone screen and an appointment was decided. And Joe entered into her life.

He was more an Anthony Tomkin than her usual Brad Pitt or Chris Hemsworth type. But still she was intrigued. As usual, Lumina warned her not to let her artichoke heart be ruffled again. But, thought Jeezel, she was not a child anymore, she was a powerful witch. She gulped the last trace of champagne and rose, emerging from the foam like a newborn Venus.

What could the man possibly do to her that she couldn’t transmute into gold?

hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

Roberto sighed and scratched a red patch on his left hand. Spring was here. It was obvious as vibrant lime green leaves had grown on freshly sprouted twigs. If it added a nice touch of colour to the garden, the box trees, lined up on the opposite side of the pool that he had dedicated so much time last year to carving them as birds, elephants and rhinos, had now a dishevelled appearance, and that only added to his despair.

The lawn was sprinkled with yellow spots of dandelions. Roberto just tried to remove some of them with his hands, but got badly stung by nettles. They had invaded the garden from the new neighbour’s meadow. That estúpido, had said he wanted nature to grow on its own terms, but looking at the result, Roberto thought it was more of a natural disaster than anything else.

“Don’t get rid of the dandelions,” said Liz. “It attracts bumblebees and wild bees. I’ve heard that we need to save them.”

“You talked with that neighbour again?” asked Roberto.

“Dominic? Isn’t it nice the birds are back?”

Roberto looked at the birdbaths on top of the four Corinthian columns at each corner of the pool. A group of sparrows were fooling around cleaning their feathers. At Roberto’s feet, a hedgehog was drinking in a puddle left by  the 7:30 morning rain, remains of a feast of slugs behind him. Sometimes, he envied their insouciance and joie de vivre. They were content with whatever was provided to them without wanting to change their environment.

“The diggers arrive around 2pm. Just mow the lawn behind the box trees. That’s where Dominic’s son spotted strange growth patterns with his drone. He said that’s highly likely we have roman ruins in our garden.”

Roberto wondered why you needed to cut the grass of a place where you’re going to dig everything out anyway. He rolled his eyes, something he had learned from Finnley, and went to the patch of lawn behind the box trees. From there he could see brambles starting to emerge from the thuja border with Dominic’s jungle. Another thing he could not touch, because Liz wanted to have Finnley make jams with the berries.