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March 9, 2025 at 10:34 pm #7862
In reply to: The Last Cruise of Helix 25
Sue Forgelot couldn’t believe her eyes when she came to her ringing door.
Of course, after the Carnival party was over and she’d taken an air shower, and put on her bathrobe with her meerkat slipper, slathered relaxing face cream topped with two slices of cucumber, she was quite groggy, and the cucumber slices on her eyelids made it harder to see. But once she’d removed them, she could see as bright as day.
The Captain was standing right here, and she hadn’t aged a day.
“Quickly, come in.” Sue wasted no time to usher her in. She looked at the corridor suspiciously; at that time of night, only a dusting robot was patrolling the corridors, chasing for dust motes and finger smears on the datapads.
Nobody.
“I haven’t been followed, Sue, will you just relax for a moment.”
“V’ass, it’s been so long. How did you get out?… What broke the code?”
“I don’t know, Sue. I think —something called back, from Earth.”
“From Earth? I didn’t know there was much technology left, or at least one that could reach us there. And one that could bypass that darned central AI —I knew it couldn’t keep you under lock and key forever.”
“Seems there is such tech, and it’s also managed to force the ship to turn around.”
Silence fell on the two friends for a moment, as they were grasping for the implications of the changes in motion.
Veranassessee couldn’t help by smile uncontrollably. “Those rejuvenation tricks do wonders, don’t they. You don’t look a day over a 100 years old.”Sue couldn’t help but chuckle. “And you don’t look so bad yourself, for an old forgotten popsicle.” She tilted her head. “You do know you’ve been in the freezer longer than some of our newest passengers have been alive, right?”
V’ass shrugged. “And yet, here I am—fit, rested, and none the worse for wear.”
Sue sighed. “Meanwhile, I’ve had three hip replacements, a cybernetic knee, and somebody keeps hijacking my artificial leg with spam messages.”
V’ass blinked. “…You should probably get that checked.”
Sue waved her off. “Bah. If it’s not trying to sell me ‘hot singles in my quadrant,’ I let it be.”After the laughter had dissipated, Sue said “You need my help to get back your ship, don’t you?”. She tapped on her cybernetic leg with a knowing smile. “You can count on me.”
Veranassessee noded. “Then start by filling me in, what should I know?”
Sue leaned in conspiratorially. “Ethan is dead, for one.”
“Death?” Veranassessee was weighing the implications, and completed “… Murder?”
Sue shrugged “As much as it pains me to say, it’s all a bit irrelevant. The AI let it happen, but I doubt she pushed the button. Ethan wasn’t much of a threat to its rule. Makes one wonder why, maybe it computed some cascade of events we don’t yet see. They found ancient DNA on the crime scene, but it’s all a mess of clues, and I must say we’re pretty inept at the whole murder mystery thing. Glad we don’t have a serial killer in our midst, or we would have plenty of composting to do…”
Veranassessee started to pace the room. “Well, if there isn’t anything more relevant, we need to hatch a plan. I suspect all my access got revoked; I’ll need a skeleton key to get in the right places. To regain control over the central AI, and the main deck.”
“Of course, the Marlowes…” Sue had a moment of revelation on her face. “They were the crypto locksmiths… With Ethan now dead, maybe we should pay dear old Ellis a visit.”
March 1, 2025 at 3:21 pm #7849In reply to: The Last Cruise of Helix 25
Helix 25 – The Genetic Puzzle
Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.
She took a sip of her long-cold tea and exhaled sharply.
Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.
The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.
Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.
Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.
But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.
Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.
Except in this case, there was evidence that something had triggered them.
The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.
And more surprisingly… it wasn’t truly random.
Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.
The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…
She rubbed her forehead.
“Impossible.”
And yet—here was the data.
On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.
Earth – The Quiz Night Reveal
The Golden Trowel, Hungary
The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.
Once the postcards shared, everyone was listening as Tala addressed the group.
“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”
Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.
She turned toward Vera, who was already inspecting her own card with keen interest.
“Tower of London, anything exciting to share?”
Vera arched a perfectly sculpted eyebrow, lips curving in amusement.
“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”
She spun the postcard between her fingers before answering.
“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”
“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”
Molly inhaled sharply.
Remnants of the Lady of the Lake ?
Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.
If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…
Her fingers tightened around the postcard.
Unless there was something behind her ravings?
Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”
Finja had spent most of the evening pretending not to exist.
But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.
“Alright,” she muttered. “But just one.”
Molly exhaled in relief.
The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.
Because it wasn’t just Molly who wanted to ask.
Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.
Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.
So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.
Finja closed her eyes.
The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.
The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.
She reached out—
And the voices crashed into her.
Too much. Too many.
Hundreds of voices, drowning her in longing and loss.
“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”Her head snapped back, breath shattering into gasps.
The crowd held its breath.
A dozen pairs of eyes, wide and unblinking.
Finja clenched her fists. She had to shut it down. She had to—
And then—
Something else.
A presence. Watching.
Her chest seized.
There was no logical way for an AI to interfere with telepathic frequencies.
And yet—
She felt it.
A subtle distortion. A foreign hand pressing against the link, observing.
The ship knew.
Finja jerked back, knocking over her chair.
The bar erupted into chaos.
“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”Her breath came in short, panicked bursts.
She had never thought about the consequences of calling out across space.
But now…
Now she knew.
They were not the last survivors. Other lived and thrived beyond Earth.
And Synthia wanted to keep it that way.
Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.They were coming back.
March 1, 2025 at 10:12 am #7844In reply to: The Last Cruise of Helix 25
Base Klyutch – Dr. Markova’s Clinic, Dusk
The scent of roasting meat and simmering stew drifted in from the kitchens, mingling with the sharper smells of antiseptic and herbs in the clinic. The faint clatter of pots and the low murmur of voices preparing the evening meal gave the air a sense of routine, of a world still turning despite everything. Solara Ortega sat on the edge of the examination table, rolling her shoulder to ease the stiffness. Dr. Yelena Markova worked in silence, cool fingers pressing against bruised skin, clinical as ever. Outside, Base Klyutch was settling into the quiet of night—wind turbines hummed, a sentry dog barked in the distance.
“You’re lucky,” Yelena muttered, pressing into Solara’s ribs just hard enough to make a point. “Nothing broken. Just overworked muscles and bad decisions.”
Solara exhaled sharply. “Bad decisions keep us alive.”
Yelena scoffed. “That’s what you tell yourself when you run off into the wild with Orrin Holt?”
Solara ignored the name, focusing instead on the peeling medical posters curling off the clinic walls.
“We didn’t find them,” she said flatly. “They moved west. Too far ahead. No proper tracking gear, no way to catch up before the lionboars or Sokolov’s men did.”
Yelena didn’t blink. “That’s not what I asked.”
A memory surfaced; Orrin standing beside her in the empty refugee camp, the air thick with the scent of old ashes and trampled earth. The fire pits were cold, the shelters abandoned, scraps of cloth and discarded tin cups the only proof that people had once been there. And then she had seen it—a child’s scarf, frayed and half-buried in the dirt. Not the same one, but close enough to make her chest tighten. The last time she had seen her son, he had worn one just like it.
She hadn’t picked it up. Just stood there, staring, forcing her breath steady, forcing her mind to stay fixed on what was in front of her, not what had been lost. Then Orrin’s hand had settled on her shoulder—warm, steady, comforting. Too comforting. She had jerked away, faster than she meant to, pulse hammering at the sudden weight of everything his touch threatened to unearth. He hadn’t said a word. Just looked at her, knowing, as he always did.
She had turned, found her voice, made it sharp. The trail was already too cold. No point chasing ghosts. And she had walked away before she could give the silence between them the space to say anything else.
Solara forced her attention back to the present, to the clinic. She turned her gaze to Yelena, steady and unmoved. “But that’s what matters. We didn’t find them. They made their choice.”
Yelena clicked her tongue, scribbling something onto her worn-out tablet. “Mm. And yet, you come back looking like hell. And Orrin? He looked like a man who’d just seen a ghost.”
Solara let out a dry breath, something close to a laugh. “Orrin always looks like that.”
Yelena arched an eyebrow. “Not always. Not before he came back and saw what he had lost.”
Solara pushed off the table, rolling out the tension in her neck. “Doesn’t matter.”
“Oh, it matters,” Yelena said, setting the tablet down. “You still look at him, Solara. Like you did before. And don’t insult me by pretending otherwise.”
Solara stiffened, fingers flexing at her sides. “I have a husband, Yelena.”
“Yes, you do,” Yelena said plainly. “And yet, when you say Orrin’s name, you sound like you’re standing in a place you swore you wouldn’t go back to.”
Solara forced herself to breathe evenly, eyes flicking toward the door.
“I made my choice,” she said quietly.
Yelena’s gaze softened, just a little. “Did he?”
Footsteps pounded outside, uneven, hurried. The clinic door burst open, and Janos Varga—Solara’s husband—strode in, breathless, his eyes bright with something rare.
“Solara, you need to come now,” he said, voice sharp with urgency. “Koval’s team—Orrin—they found something.”
Her spine straightened, her heartbeat accelerated. “What? Did they find…?” No, the tracks were clear, the refugees went west.
Janos ran a hand through his curls, his old radio headset still looped around his neck. “One of Helix 57’s life boat’s wreckage. And a man. Some old lunatic calling himself Merdhyn. And—” he paused, catching his breath, “—we picked up a signal. From space.”
The air in the room tightened. Yelena’s lips parted slightly, the shadow of an emotion passed on her face, too fast to read. Solara’s pulse kicked up.
“Where are they?” she asked.
Janos met her gaze. “Koval’s office.”
For a moment, silence. The wind rattled the windowpanes.
Yelena straightened abruptly, setting her tablet down with a deliberate motion. “There’s nothing more I can do for your shoulder. And I’m coming too,” she said, already reaching for her coat.
Solara grabbed her jacket. “Take us there, Janos.”
February 3, 2025 at 10:10 pm #7733In reply to: The Last Cruise of Helix 25
Leaving the Asylum
They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.
“Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.
“Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”
Vera sniffed. “I prefer genealogist, thank you very much.”
“Petro,” Anya continued, “probably about to grumble.”
Petro scowled. “I was thinking.”
“Jian, our mystery man.”
Jian raised an eyebrow in acknowledgment.
Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”
The twins—Luka and Lev—nodded and grinned at exactly the same time.
“Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”
“Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”
Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.
“We can’t,” Mikhail said firmly. “And he can look after himself.”
She huffed. “Well, I expect we could if we tried.”
“And finally, old Gregor, who I gather would rather be taking a nap.”
Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”
Anya frowned, scanning the group again. “Wait. We’re missing Finja.”
A small scraping sound came from behind them.
Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”
Anya sighed. “Finja, leave the gate alone.”
Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”
Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”
They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.
The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.
The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.
“It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”
“That’s enough of the old business,” puffed Vera, pulling her shoulders back.
Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.
The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.
After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”
Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.
“Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”
“I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”
Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”
Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”
Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.
Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”
“Oh, stop that, Petro,” Anya admonished. “Remember our plan?”
“We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”
“And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.
Jian shrugged. “The world doesn’t erase itself overnight.”
Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”
They sat in silence, watching the fire burn low. The evening stretched long and uneasy.
February 3, 2025 at 7:54 am #7731In reply to: The Last Cruise of Helix 25
The colours were bright, garish really, an impossibly blue sea and sky and splashes of pillar box red on the square shaped cars and dated clothes, but it was his favourite postcard of them all. It wasn’t the most scenic, it wasn’t the most spectacular location, but it was an echo from those long ago days of summer, of seaside holidays, souvenirs and a dozen postcards to write at a beachside cafe. The days when the post was delivered by conscientious postmen such as he himself had been, and the postcards arrived at their destinations before the holidaymakers had returned to their suburban homes and city jobs. The scene in the postcard was bathed in glorious sunshine, but the message on the back told the usual tale of the weather and the rain and that it might brighten up tomorrow but they were having a lovely time and they’d be back on Sunday and would the recipients get them a loaf and a pint of milk.
Ellis Marlowe put the Margate postcard to the back of the pile in his hand and pondered the image on the next one. He sighed at the image of the Statue of Liberty, sickly green, sadly proclaiming the height of a lost empire, and quickly put it at the back of the pile. Nobody needed to dwell on that story.
His perusal of the next image, an alpine meadow with an attractively skirted peasant scampering in a field, was interrupted with a bang on his door as Finkley barged in without waiting for a response. “There’s been a murder on the ship! Murder! Poor sod’s been dessicated like a dried tomato…”
Ellis looked at her in astonishment. His hand shook slightly as he put his postcard collection back in the box, replaced the lid and returned it to his locker. “Murder?” he repeated. “Murder? On here? But we’re supposed to be safe here, we left all that behind.” Visibly shaken, Ellis repeated, almost shouting, “But we left all that behind!”
December 20, 2024 at 1:44 am #7701In reply to: Quintessence: Reversing the Fifth
Amei attached a card and ribbon to the last of the neatly wrapped gifts and placed it under the tree. This one was for Paul—a notebook with a cover of soft fabric she’d block-printed with delicate, overlapping circles in muted blues and greens. The fabric was left over from a set of cushions for a client, but she had spent hours crafting the notebook, knowing all the while Paul probably wouldn’t use it. He was impossible to buy for, preferring things he picked out himself. Tabitha had been far easier: Amei had secretly made a dress out of a soft, flowing fabric that Tabitha had fallen in love with the moment Amei showed it to her.
The house felt calm for the moment. Tabitha had gone out earlier, calling over her shoulder that she’d be back in time for dinner. Amei smiled at the memory of her daughter’s laughter. Her excitement about Christmas was palpable, a bright contrast to the quietness that had settled over everything else. Amei used to feel like that about Christmas too. This year, though, she was only making the effort for Tabitha.
Somewhere down the hallway, Paul’s voice murmured on a call—distant, like everything about him lately. The air smelled faintly of cinnamon and cloves from the mulled wine simmering on the stove, but even that warm, festive scent felt like it was trying too hard.
The house felt big, despite the occasional bursts of life it saw on days like this. It had felt that way for months now, the weight of unspoken things pressing against the faded walls.
She sighed and reached for the decoration box, pulling out a small clay angel with chipped wings. The sight of it made her pause. Lucien had given it to her years ago, one Christmas, and declared it “charmingly imperfect,” insisting it belonged at the top of her tree. She smiled faintly at the memory, turning it over in her hands. Every year since, it had held its place at the top of the tree.
“Still not done?” Paul’s voice cut into her thoughts. She turned to see him standing in the doorway. At the sound of Paul’s voice, Briar, their elderly cat—or technically Paul’s cat—emerged from behind the curtain, her tail curling as she wove around his legs. Paul crouched slightly to scratch behind her ears, and Briar leaned into his touch, purring softly
“She thinks it’s dinner time,” Amei said evenly.
“You always go overboard with these things, Amei,” Paul said, straightening and nodding towards the gifts.
“It’s Christmas,” she snapped, the irritation slipping through before she could stop it. She turned back to the tree, her fingers moving stiffly as she busied herself with strands of sparkly tinsel.
Paul didn’t respond, but she could feel his gaze linger. It was the silence that had grown between them in recent months, filled with everything they couldn’t bring themselves to say…yet.
The sound of the front door banging shut and brisk footsteps broke the tension. Tabitha burst past Paul into the room, her cheeks flushed from the cold. “Hey, Paul. Hey, Mumma Bear,” she said brightly. Her eyes lit up as they landed on the tree. “The tree looks gorgeous! Don’t you just love Christmas?”
December 14, 2024 at 6:42 pm #7682In reply to: Quintessence: Reversing the Fifth
Matteo — Autumn 2023
The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.
His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.
“They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”
His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.
Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.
A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.
Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”
“Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.
The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.
He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.
Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”
He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”
Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.
Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.
Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:
“Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”
December 11, 2024 at 4:41 am #7662In reply to: Quintessence: Reversing the Fifth
The Waking
Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023 Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light. “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.” The Endless Chase –
Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.The Wandering Maze –
Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”The Woven Tapestry –
Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.The Scattered Grains –
Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.The Mandala of Light –
Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.
Dreamtime
It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.
The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.
The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.
I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.
The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.
I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.
I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.
December 9, 2024 at 4:15 pm #7659In reply to: Quintessence: Reversing the Fifth
March 2024
The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.
He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.
“Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”
As always, no hello, no question about his health or anything personal.
“I didn’t want it”, Lucien said, his voice calm only on the surface.
“It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”
“I already told you, it’s not what I want. I’ve made my decision.”
Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”
Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”
“Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”
Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”
A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”
“We’re never finished”, Lucien muttered as the line went dead.
Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.
“You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”
The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”
The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”
The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”
Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”
He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.
When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.
The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.
“What have we here?” He asked, his voice bordering on disdain.
Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.
Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”
The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.
Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”
“It’s personal”, he said, his voice low.
Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”
Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”
Lucien nodded towards the covered stack of canvases near the wall. “Done.”
“Good. They’ll come tomorrow and take the lot.”
Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.
Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.
He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.
Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.December 4, 2024 at 8:44 am #7641In reply to: Quintessence: Reversing the Fifth
The luxury of an afternoon nap was one of the finer pleasures of retirement, particularly during the heat of an Italian summer. Elara stretched like a cat on the capacious sofa, pulling a couple of kilim covered cushions into place to support her neck. She had only read a few pages of her book about the Cerne Abbas giant, the enigmatic chalk figure on a hill in Dorset, before her eyes slid closed and the book dropped with a thud onto her chest.
The distant clang of a bell woke her several hours later, although she remained motionless, unable to open her eyes at first. Not one to recall dreams as a rule, Elara was surprised at the intensity of the dream she was struggling to awaken from, and the clarity of the details, and the emotion. In the dream she was at the CERN conference, a clamour and cacophony of colleagues, some familiar to her in waking life, some characters complete strangers but familiar to her in the dream. She had felt agitation at the noise and at the cold coffee, and an indescribable feeling when Florian somehow appeared by her side, who was supposed to be in Tuscany, whispering in her ear that her mother had died and she was to make the funeral arrangements.
Elara’s mother had died when she was just a child, barely eight years old. She was no longer sure if she remembered her, or if her memories were from the photographs and anecdotes she’d seen and heard in the following years. Her older sister Vanessa had said darkly that she was lucky and well out of it, to not have had to put up with her when she was a teenager, like she had. Vanessa was ten years older than Elara, and had assumed the role of mother. She explained later that she’d let Elara run wild because she didn’t want to be bossy and domineering, but admitted that she should perhaps have reined her younger sister in a bit more than she had.
Again, the distant bell clanged. Shaking her head as if to dispel the memories the dream had conjured, Elara rose from the sofa and walked out on to the terrace. Across the yard she could see Florian, replacing the old bell on the new gate post.
“Sorry, did I wake you?” he called. “I had a bit of linen round the clanger so it didn’t make a noise while I screwed it to the post, but it slipped. Sorry,” he repeated.
Squinting in the bright sun, Elara strolled over to him, saying, “Honestly, don’t worry, I was glad to wake up. What a dream I had! That’s great Florian, nice job.”
December 4, 2024 at 6:22 am #7638In reply to: Quintessence: Reversing the Fifth
The Bell’s Moment: Paris, Summer 2024 – Olympic Games
The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.
1st Ring of the Bell: Matteo
The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.
“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”
Matteo nodded. “And after that?”
The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”
Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.
When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.
Somewhere, miles away, the bell rang its first note.
2nd Ring of the Bell: Darius
In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.
A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.
“Sometimes,” Darius replied, his pen still moving.
“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”
Darius chuckled. “You recruiting me?”
“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”
The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.
3rd Ring of the Bell: Elara
The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.
The voicemail notification glared at her, and she tapped it reluctantly.
“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”
Her coffee cup trembled slightly as she set it down.
Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.
Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.
She would have to travel to Montrouge for the funeral arrangements.
In that moment, the bell in Les Reliques rang a third time.
4th Ring of the Bell: Lucien
The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.
Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.
He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.
He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.
The bell rang again in Paris, its resonance threading through the quiet hum of the train.
5th Ring of the Bell: …. Tabitha
In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.
“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”
“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”
Her friend raised an eyebrow. “Pretending?”
“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”
The bell rang faintly in Paris, though neither of them could hear it.
“Maybe you should tell her to come with you,” the friend suggested.
Tabitha grinned. “Now that would be a trip.”
Last Ring: The Pawn
It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.
Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.
“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.
“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”
The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”
“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”
“Not anymore,” the shopkeeper murmured, handing him a stack of bills.
The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.
And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.
November 18, 2024 at 9:40 pm #7605In reply to: The Incense of the Quadrivium’s Mystiques
Although the small hotel was tucked in a relatively quiet corner, and despite the authentic but delightfully shabby interior of soothing dimensions ~ roomy and airy, but not vast and terrifyingly empty ~ the constant background hum of city life was making Truella yearn for the stillness of home. Not that home was silence, indeed not: the background tranquility was frequently punctuated with noises, many strident. A dog barks, a neighbour shouts, a car drives past from time to time. But the noises have an identifiable individuality and reason, unlike the continual maddening drone of the metropolis.
She was pleased to find her room had a little balcony. Even if the little wooden chair was rickety and uncomfortable, it was enough to perch on to enjoy a cigarette and breathe in the car fumes. Truella slept fitfully, waking to remember Tolkeinesque snapshots of dreams, drifting off again and returning to wakefullness with snatches of conversations in unknown tongues. Sitting on the balcony in the deep dark hours of the night, the street below, now quiet, shivered and changed, her head still swimming with dream images. She caught glimpses of people as they passed, vivid, clear and full of character. Many who passed were carrying bunches of grasses or herbs or wildflowers in their hands, the women with a basket over their arm and a shawl draped over their head or shoulders.
Hardly any men though, I wonder why?
When Truella mentioned it over breakfast the next moring, Eris said “You’ve been reading too much of that new gender and feminist anthropology stuff over on GreenGrotto.”
Laughing, Truella tipped another packet of sugar in her coffee. “I love the colour of the walls in here,” she said, gazing around the breakfast room. “A sort of bright but muted sun shining on a white wall. Nice old furniture, too.”
“Tell me about the old furniture, the mirror in my room is all speckled, makes me look like I have blemishes all over my face,” said Zeezel with a toss of her head. “Can I have your sugar, Frella, if you’re not having it,” adding I’m on holiday by way of excuse.
Absentmindely Frella passed over the paper packet. “I had strange dreams last night too…about that place we’re supposed to be going to a picnic to later.”
Catching everyones attention, she continued, “The abandoned colosseum with Giovanni, with all the vines and flowers. It was like a game board and the stone statues were the players and they moved around the board, Oh! and such a beautiful board it was with all the vines and flowers ….. ”
“Gosh” said Truella, leaning back and folding her hands. What an idea.
November 5, 2024 at 10:08 am #7582In reply to: The Incense of the Quadrivium’s Mystiques
The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable. The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.
“Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”
“There be no boatman by that name on the masters barge, lad. Are you speaking my language?” replied boatman Rafe.
“Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”
“Aye, I can tell you that. He’s asleep in the barge.”
“Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”
“Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about. Being in two places at once was becoming difficult to conceal. He would have to employ a man of concealment to cover for him while he was in Malove’s body.
I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me. That will be all.”
“Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”
“Whatever you say, master, just tell me where it is.”
“Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.
While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.
A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals. Cromwell made a mental note to streamline the future coven with more efficient simple magic.
“Take all your clothes off, Rafe.” Astonished, the boatman removed his hat and his cloak. Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours. Get out of the boat and go and find somewhere under a bush to hide until I come back. I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”
Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest. He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold. God save us all, he whispered, knowing that God wouldn’t.
In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves. I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.
“Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one. There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”
“The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.
Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.
“Some dry ones would be nice,” Truella admitted.
“It’s not that your clothes are too wet,” he replied, frowning. He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear? They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.
Lord Thomas Cromwell cast another eye over Truella. She was a similar build to Anne of Chives.
“If you think I’m dressing up as one of Henry’s wives…”
Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one. No need for her to be the death of both of us.”
“Look, just drop me off in Limerick on the way home, it’s barely out of your way. It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”
Cromwell gave her an approving look and agreed to her idea. Within a split second they were in Ireland, but Cromwell was in for a surprise.
“Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”
Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment. “You! Fancy seeing YOU here! Uncle Thomas!”
October 29, 2024 at 7:54 am #7575In reply to: The Incense of the Quadrivium’s Mystiques
“Why are you grunting like that Chantelle”, Maurice asked, “Are you in pain?”
Laughing, she replied that she was only grunting out of politeness because the woman in the future expected it. “I don’t think they’re very bright, to be honest. You should see the postcards she sends, everywhere looks weird. Hardly any trees or animals, but all cluttered with strange lumps of grey. And their writing has no sound, not like ours. I’m struggling to decipher the messages”
Maurice leaned his best spear up against the cave wall. “Here, I brought you some nice feathers for your hair.” He wasn’t sure what to make of Chantelle’s invisible friend, and rather wished she’d drop it and do some more painting on the walls.
“Ooh, how pretty! Glad you didn’t bring any more shellfish home, I’m absolutely stuffed on shellfish.”
July 19, 2024 at 12:26 pm #7536In reply to: The Incense of the Quadrivium’s Mystiques
The rainbow was neon bright, one end disappearing behind a spinney in the distance, and the other end landing squarely in the middle of the glamping pods. A good sign! thought Truella, the first of the coven to arrive. For a moment she imagined herself digging a hole right there, and finding the elusive pot of gold. I wouldn’t be able to do that in a fancy hotel. For once, Truella was happy with Austreberthe’s choice. A week or two in a green field sounded relaxing, refreshing. So much more to her taste than the endless fitted carpets, closed windows, and artifically controlled air blasting out of metal grilles in hotels.
Taking a deep breath of cool fresh air, she surveyed the site before checking into reception. The neighbouring fields were full of cows, perfect for her to practice her Bubona spells on before she set up her Goddess Spell Booth. The Goddess spell tents were to be open in the evenings, after the games each day, along with other stalls selling handicrafts, homemade cakes and jams, wines and potions, trinkets and souvenirs, and all the other tat that people on holiday enjoyed browsing. Obviously the coven would have a stall selling incense. No doubt Austreberthe would have hatched some hard sell plan for that.
Inside the reception office, Truella pinged the bell and waited for someone to attend. The registration book was open on the counter and Truella craned her neck to read the names on the list. She planned to ask for a pod in a far corner, near the hedgerow. It might make it easier to slip out unnoticed, if she should have a mind to do so. The door behind the counter opened and a young man appeared, smiling a welcome. But not before Truella had seen the name on the list. She sucked her breath in sharply. Malove! Nobody was expecting her. Did Austreberthe know?
“Welcome to Finnegan’s Farm Glampsite, I’m Liam,” said the young man, pushing long mousy hair out of his eyes, “You’ve a booking I take it, because we’re fully booked up for the next fortnight. Because of the Games, you see.”
Replying that she did, Truella asked for a pod in the furthest corner. Liam looked at a list and frowned. “The corners are all taken, I’m afraid. But I tell you what,” he said, “As you’re the first to arrive I’ll swap your pod, let’s see…” He scanned the list. “Ah yes, the late booking. I can put you in the one we’ve assigned to Mrs …Malone I think it says, and put her in yours.”
“Thank you very much, Liam,” Truella said as he handed her a key with a big wooden tag with the number 33 etched on it.
“I’ll carry your bags over and show you where it is, follow me.”
July 5, 2024 at 6:39 pm #7531In reply to: Washed off the sea ~ Creative larks
The rose coloured spectacle lens.
Aunt Idle:
“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.
1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.
2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.
3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.
4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.
5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.
Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.
Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”
In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”
“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman.The Snoot:
“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.
Lean close! Such a find whispers soft secrets:
Balance Broken, Yet Bright Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!
Liz:
Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.
Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.
One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.
Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.
Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.
So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.
Mater:
Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?
Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.
A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.
Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.
Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?
Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.
Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.
Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.
Finnley:
Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.
Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.
Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?
Mandrake:
Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.
Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?
Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.
Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.
Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.
Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?
Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?
Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.
Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.
June 17, 2024 at 9:11 am #7488In reply to: The Incense of the Quadrivium’s Mystiques
Despite her initial misgivings, Truella was looking forward to the weekend at the Cloisters. It had belatedly come to her attention that another group were joining them for the event, the Mortician’s Guild. She wondered if Austreberthe had bitten off more than she could chew, introducing all these new characters at the same time. But the more people, the more confusion, the better the opportunities to slip off unnoticed and investigate the grounds.
Truella was the first to arrive. Before entering the building, she paused under the shade of a towering eucalyptus tree, taking it all in, receptive to the ancient whispers calling from the surrounding forrest. A nightingale beckoned from the trees beyond one of the terraces, and Truella was irresistably drawn towards it. Crunching softly on the crisp dry leaves underfoot and squinting in the bright sunlight, a flash of movement caught her eye. Was it a bear in the woods? Surely not, not so close to habitation. Truella inched closer, curious, her muscles tense, keyed in readiness to flee. But she was overdramatising, and made a little self deprecating snort of mirth.
The tall man clad in a floor length leather coat heard a snort and paused, wondering how close the wild boar came to the old building. Surely they kept away from people, people were so dangerous. Pull yourself together, Rufus, old boy, he said to himself. Why did this place remind him of… well it was no good harking back to that…maybe he should go back inside. He threw his broad shoulders back and strode out from the cover of the trees, the hem of his coat gathering prickly seeds from the undergrowth.
Truella clapped her hands delightedly, and laughed. “Well look at you, you big bear in the woods, you must be one of the guys from the Mortician’s Guild.”
Rufus spun round, his duster coat flaring open to reveal the crimson satin lining, his face a picture of moody glowering. Truella was momentarily nonplussed. Handsome guy, but what an attitude. But maybe she should not judge too quickly, after all, he probably resented having to come here. Maybe she could soften him up over the course of the weekend.
“We may as well go in and meet the others. I’m Truella, pleased to meet you,” she said, offering a hand in greeting. To her surpise, than man took her hand and kissed it. “Rufus, at your service,” he said with a slight bow. He peered at her and added, “Have we met before? You seem strangely familiar.”
“Why yes, so do you!” He didn’t, but Truella’s hand was tingling warmly from the kiss and she decided to play along.
April 17, 2024 at 8:09 pm #7434In reply to: The Incense of the Quadrivium’s Mystiques
Getting this out in the room did bring a tide of emotions; pent-up frustration, indignation, bits of bruised egoes, the whole spectrum. Truella’s tirade had managed to uncork a complete bundle of electricity in the atmosphere, but the genie had left the building.
Eris had suddenly felt like scrambling away, but had stayed along with spaced out Frigella and Jeezel as she’d felt a pang of responsibility.
Surprisingly, Malové had remained composed throughout the heated ensuing exchanges, trying to be constructive at every turn, and managing to conclude most of the debates —even when was not fully settled, and by far, a round of collected feedback afterwards, she’d clapped appreciatively saying. “Congratulations team, seeing how we are no longer covertly disagreeing behind everyone else’s back, I can see improvement in our functioning as a cohesive Coven. Believe it or not, being in a place to openly voice disagreement is a sign of progress, we’ve moved past the trust issues, into constructive conflict. There is still much to be done to commit, be accountable and focus on results together, but I feel we are on track to a brighter future, you’ve all done well.”
Back in her cottage in Finland, Eris was wondering “then why do I feel so bloody exhausted…”
She played back in her head some of the comments that Malové had shared in private after, when Eris had enquired if there would be some consequences for her witch’s friend actions. Once more, Malové has shown a unusual restraint that had put her worries at ease for now.
“Truella’s actions during the Adare Manor workshop presentation displayed boldness and conviction, two qualities that are essential for any individual, executive or otherwise, who wishes to effect change within an organization or a venture. Standing up for oneself is not only about self-assurance; it’s about ensuring that your voice and perspective are heard and considered.
However, the manner in which one stands up for oneself is crucial. Berating others, especially in a public forum such as a workshop presentation, can be counterproductive. It can create resistance and diminish the opportunity for constructive dialogue. While I understand her frustration, it is important to channel such energies towards a more strategic approach that fosters collaboration and leads to solutions.
As a leader, I advocate for clear communication and assertiveness, tempered with respect for all members of the coven. The success of our ventures, vaping or otherwise, depends on our ability to work cohesively towards our common goals. Truella’s passion is commendable, but it must be directed appropriately to benefit the coven and our business endeavors.”
She had asked Eris to convey the same to Truella. She’d made no promises —her friend was known to be more difficult to herd than cats. But with time, there would be a chance she would see reason.
Meanwhile, their sales targets had not gone away, and they had to keep the Quadrivium afloat. With Truella checking out of the game, and clearly not overly engaged on results, it fell onto the rest of the team to deliver.
A second session of workshop and celebration was planned in a month’s time in Spain with all top witches. With Eris’ last experience in Spain and her elephant head, she was starting to dread another mishap. Plus, she sighed when she looked at the invite. She would have to fetch a cocktail attire. A vacation was long overdue…
March 13, 2024 at 7:10 pm #7406In reply to: The Incense of the Quadrivium’s Mystiques
During the renovations on Brightwater Mill Truella’s parents rented a cottage nearby. It was easier to supervise the builders if they were based in the area, and it would be a nice place for Truella to spend the summer. One of the builders had come over from Ireland and was camping out in the mill kitchen. He didn’t mind when Truella got in the way while he was working, and indulged her wish to help him. He gave her his smallest trowel and a little bucket of plaster, not minding that he’d have to fix it later. He was paid by the hour after all.
When the builder mentioned that his daughter Frigella was the same age, Truella’s mother had an idea. Truella needed a little friend to play with, to keep her from distratcing the builders from their work.
And so a few days later, Frigella arrived for the rest of the summer holidays. He father continued to camp out in the mill, and Frigella stayed with Truella. But even with the new friend to play with, Truella still wanted to plaster the walls with her little trowel. Frigella didn’t want to stay cooped up all day in the dusty mill with her father keeping an eye on her all day, and suggested that they go and dig a hole somewhere in the garden to find treasure.
Truella carried the little trowel around with her everywhere she went that summer, and Frigella started to call her Trowel. Truella retaliated by calling her friend Fridge Jelly, saying what a silly name it was. It wasn’t until she burst into tears that Truella felt remorseful and kindly asked Frigella what she would like to be called, but it had to be something that didn’t remind Truella of fridges and jellys. Frigella admitted that she’s always hated the G in her name and would quite like to be called Frella instead. Truella replied that she didn’t mind being called Trowel though, in fact she quite liked it.
The girls spent many school summer holidays together over the years, but it wasn’t until Truella was older and staying in one of the apartments with a boyfriend that she found the trunk in the attic. She put it in the boot of the car without opening it. She only had the weekend with the new guy and there were other activities on the agenda, after all. Work and other events occupied her when she returned home, and the trunk was put in a closet and forgotten.
March 11, 2024 at 3:48 am #7402In reply to: The Incense of the Quadrivium’s Mystiques
The perfume, ‘Liz n°5’, was to have been Frigella’s piece de resistance. In her spare time, she diligently crafted it, adding all the usual witchy razzmatazz: notes of night jasmine here, a dab of moonflower there and perhaps just the smallest whiff of hemlock to top it off.
With the help of her familiar, Quillonia, she also wove the potion with her intentions; powerful and ancient spells which would would offer the wearer protection from harm; Liz n°5 was to be the olfactory epitome of Frigella’s magical prowess! She aspired to do more than just freshen up a room; she intended to fortify spirits, boost morale, and ward off influences that might lead their little group of witches into harm’s way. It was her way of doing a silent, scented good, like a secret benefactor in a tale of old.
Frigella hadn’t told the other witches she was working so hard on the perfume. Even when Malove berated her for the excessive time she was taking to produce anything, Frigella had held her silence. Inwardly though, she bubbled with excitement as she imagined how she would unveil her perfume to the doubting Malove and the other witches. She could all but hear their oohs of admiration and gasps of appreciation. At last Malove would surely be convinced of her worth!
So when Malove had announced her own plans for a new line of incense, and summarily whisked them all off to the carnival in Rio, Frigella was deflated. And the sense of despondency lingered, even once back at home in Ireland. When she expectantly sniffed her sample of Liz n°5′ , hoping to rekindle her enthusiasm, Frigella discerned it had lost its magic.
“I’m done with stupid perfume making”, she confided to Quillonia. She was seated outside in the garden of her small cottage, enjoying the last of the day’s sun while Quillonia snuffled around in the leaves. “Malove can stick it,” she added, and giggled guiltily. She sounded like Truella.
Quillonia’s rustling stopped and her quills shimmered brightly. Her bright little eyes stared intently at Frigella.
Frigella listened attentively. Quillonia’s quills only turned that particular shade of violet when she had something especially important to convey.
“Oh, you say I should bottle what makes me truly happy?”
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