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In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle:
Those maps got me remembering all kinds of things, not that I was fretting about the note because I wasn’t, but once I’d quit flapping about the note, all kinds of things started popping into my mind.
Odd little cameo memories, more often than not a mundane scene that somehow stuck in my head. Like that cafe with the mad hatter mural, mediocre little place, and I cant even remember where it was, but that number on the mural was just wrong, somehow. It’s as clear as a bell in my memory now, but not a thing before or after it, or when it was, other than somewhere in New Zealand.
I kept getting a whistling in my left ear as I was recalling things, like when I remembered that beach on the Costa del Sol, with a timebridgers sticker in the beach bar. I can still see that Italian man walking out of the sea with an octopus.
I can still see the breeze flapping the pages of a magazine lying on a bench in Balzac’s garden in Paris, something about a red suitcase, but I can’t recall what exactly.
A motel in a truckstop village in California…the sherry was making me drowsy. I almost felt like I was there again for a moment.
Conjure up a bowler hat, he said, while you’re out today. I forgot all about it (how often I thank my lucky stars for having a bad memory, I much prefer a surprise) and saw a delightful hurdy gurdy man wearing a bowler hat (In June! I do recall it was June). My Bonnie Lies Over the Ocean, he was playing. I’m sure to have forgotten that, but I made a video recording.
All these locations were holes in the maps, those ripped up maps the girls brought home from the Brundy place, just after I got that note. I was beginning to see a pattern to the connecting links between the letters ripped out of the map locations, and the wording in the note (which was made of ripped out letters from place names on a map, and glued onto the paper, as anyone who is reading this will no doubt recall). The pattern in the discovery of connecting links was that the pattern is constantly changing, rendering moot the need to decipher a plot in advance of the actual discovery of spontaneous development of the shifting patterns of discovery, and deliverance of the decipherable delegation of the delighted, promptly at noon.
In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle:
After all the fuss had died down about the missing Mater, I lost interest in the map and the strange note. It was as if the distraction interrupted my train of thought (some might say another of Idle’s hamster wheels, or another ludicrous tangent), so I gave the maps back to the girls and the mysterious note was mostly forgotten. If it meant anything, well, sooner or later it would become clear.
Truth be told, it wasn’t just the fuss about Mater that distracted me, it was the phone call from my old friend in New Zealand. Flora Fenwick was making another of her arty party videos, wanted to come over to check out some of the empty properties for filming. I’d seen all her arty farty party videos online, and we’d been friends for years via Spacenook, but we’d never met in person.
The timing was perfect.
In reply to: The Chronicles of the Flying Fish Inn
Corrie:
Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.
“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”
How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.
Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.
Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:
“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.
Sighing, I refocused on the article.
“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”
No mention of a room full of map covered mannequins in the Brundy place though.
In reply to: The Chronicles of the Flying Fish Inn
Mater:
The stranger arrived as I was setting off, but I didn’t have time to stop. By the looks of him he had been on the road for a while. I called out to him that if he was after a room he had better go and bang on the front door, but he might have to knock loudly because they were all asleep.
I shrugged off a vague feeling of guilt.
Not my problem; let someone else deal with it. Early to be calling though.
It wasn’t long before I was wondering dismally whether my mission would need to be aborted. It was only 7:00am, but already the heat was stifling. I was considering my various options, none of which seemed that attractive, when Bert pulled up next to me in his van.
“Where are you off to, Mater? You want a lift somewhere. Hop in.”
I hopped in. I liked Bert, although he wasn’t one for conversation. He was about my age, maybe a few years younger. Hard to tell with the men around here, they all looked like aged leather. He raised an eyebrow when I told him where I was going, but otherwise didn’t comment. We drove in comfortable silence.
“Not far now, Mater. You want to stop for a coffee? It’s still early.”
“Are you asking me on a date, Bert?”
There was an awkward moment while he worked out I was teasing him, then his face cracked into an amused smile.
“Can you cook?”
“Burnt toast is my speciality. If you are lucky I would open a can of spaghetti.”
“You’ll do then I guess, even if you are a crazy old coot out walking in this heat.”
In reply to: The Chronicles of the Flying Fish Inn
Corrie:
It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.
When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.
The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.
We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.
Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.
They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.
We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.
“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”
“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.
So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.
We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.
In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle:
My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.
The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.
“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.
“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.
“Bloody hell, not you as well!”
In reply to: The Precious Life and Rambles of Liz Tattler
That Liz had started to become a few sandwiches short of a picnic when she’d hit her 57th birthday was an open secret.
Her editor had to personally recruit frequent replacements for her dame de compagnie, whom, no matter how different they looked, she would invariably call ‘cleaning lady Finnley’, stuck with her remembrance of a certain period of her life.Godfrey often had wondered… were he to resign, and be replaced like so many Finnleys before this one, would she also call his replacement “Godfrey”? The though made him titter, as he put the kettle on the stove.
At times he wanted to scream that he wasn’t her bloody man-servant, but her personal doctor had made a point to explain to him that Elizabeth’s frail grasp on reality would only be strengthened if everyone continued to play the charade of her life.Truth was, she really did seem to grow younger as the years passed, and as she was bossing around everyone with great enjoyment, Godfrey had often wondered if she wasn’t in cahoots with her physician to have everyone believe she was truly losing it.
He had to admit, she was doing a terrific job at it.In reply to: The Chronicles of the Flying Fish Inn
Mater:
I feel myself moving slowly today. The thought of death and my poor little guinea pig is still nagging. It occurs to me that perhaps I am walking slowly because I don’t want to move too fast into the inevitable.
Or perhaps it is just that I did not sleep so well last night. It is so damned hot and night time offers little respite from the heat.
At least the kids have stopped fighting. I worry about them. Always shut away in their rooms on that internet thing.
I am so tired. More tired than I should be. It is not the usual aches and pains. Something feels wrong. I have made up my mind to go and visit Jiemba, the local aboriginal healer. It is a wee bit of a walk, so I will need to start early, before the heat gets up. I don’t want to ask Dido to take me. “Just go and see the doctor in town!” she will say to me. For all her alternative ways, Dido can still be pretty closed minded about some things—and she thinks I am a crazy old fool anyway.
But I think Jiemba has the gift—special healing powers—and he comes from a family of aboriginal healers. His father was a healer and his grandfather too. I went to see him once, his father, years ago. My back was bad and the doctor in town said I would need an operation. He did some chanting, calling up spirits I think, put his hand on my back and pulled out a stone. He said the stone was the sickness causing my back pain, or some such thing. I was sceptical at the time, but my back never did give me any more bother. I’ve read up on it since then and I think there is something in it all. The older I get the more I realise I don’t know it all.
Besides, there is something else I want to ask him about and I don’t know who else I can talk to. That’s the problem with getting old—one of the problems anyway—people tend to assume you are losing your marbles if you say anything out of the ordinary.
But I think the Inn is haunted.
In reply to: The Chronicles of the Flying Fish Inn
“Just wait a minute for Mater to join us, kids. The dinner will wait a bit longer,” Aunt Idle said, while scraping the bottom of the pan, filling the kitchen with the smell of blackened burnt stew.
“But she’s late again, and we’re hungry now!” I said, and Clove chipped in “It’s fucking almost ruined now anyway.”
“Hey! less of that rude language, Clove,” Aunt Idle said, so I asked her why a word is ruder than being late. “Yeah, and why is barging in to her room ruder than being late?” my sister added. “Why haven’t you taught the old bag some manners, Aunt Idle?”
“Clove, really!”
“What old bag?” asked Mater, crashing open the door with her stick.
“You” replied Prune, “They’re calling you a rude old bag. OUCH! Clove just kicked me!”
“Aunt Idle, Mater didn’t say sorry for being late, isn’t that rude?”
“Only when you do it, now shut up and eat.”In reply to: The Chronicles of the Flying Fish Inn
Another bang on my bedroom door, my hands suspended over the keyboard. “Go away Prune!” I shouted, exasperated. “If you bang on my door again, I’ll come out and give you such a wallop, now bugger off, will you!”
“It’s me, Corrie” came Clove’s voice. Walked over to the door and unlocked it. A chat with my sister might help me with this project. Unlike Prune, who would be guaranteed to disrupt my train of thought.
Locking the door again I tell Clove what I’m writing about. We don’t go to school, me and Clove, we’re what they call “homeschooled” but what that actually means in our case is that we’re left to our own devices most of the time. Aunt Idle asks us (when she remembers) what we’ve been working on, and as long as we’ve been writing something or researching something, she’s happy.
So when I saw the group project about alternative timelines to avoid the disaster timeline, I had some ideas. Well, to be honest, I didn’t have any definite ideas until I saw the other suggestions. All Americans, and all of them talking about changing the timelines by changing the results of presidential elections!
“Not much chance of a different timeline there then!” remarked Clove astutely.
“Exactly!” I knew Clove would get it, she knows were I’m coming from, but then, everyone knows twins are like that.
“So this is what the plan is, right: “The goal of this exercise is to discuss amongst the group and choose significant past moments, and then As a Group, focus on creating alternate histories, thus sparking alternate timelines. We should vividly imagine moving forward from those probability forks and creating a more viable and desirable future.” Oh, and this bit here: “ our current timeline is convoluted to the point where many probabilities are leaning towards a disaster scenario simply to shake out of the current focus.” And then all these suggestions about different presidents, and then this: “My suggestion would be also to consider how we would like our current time frame to appear,” so I’m thinking…”
“I’m thinking” interrupted Clove, continuing my train of thought, “Of all those states and communities that got with the programme ten years ago, and took their kids out of school and built those Earthships so they didn’t need money for water and electricity..”
“And started cooperative worker owned businesses like they do in South America….”
“And they all started a guaranteed basic income years ago, so everyone was doing what they did best, especially the kids, cos they had such great ideas and weren’t stuck in boring schoolrooms…..”
“and there was no poverty, and nobody without a home…”
“Yeah, and they all stopped paying taxes so there was no money for the military, and then loads more people stopped paying taxes too…”
“Good one, Clove!”
“So nobody gave a fuck what president was elected anyway, because they were all sorting themselves out, and those states and communities were doing so well…”
“Because they’d already been doing it for years” I added.
“…that other states and communities started doing it too.”
“So that it snowballed, like dominoes, and there were more and more of these places..”
“And they had exchange students and stuff like that to learn from each other, and shared stuff online..”
“So when the disasters struck, it wasn’t half so bad because there were already a bunch of people managing perfectly well without dollars or oil, and they could help the people in the disaster. Makes more sense that electing another blimmin president, huh?”
“Bloody obvious if you ask me” replied Clove. “Pity we don’t have basic income, did you see Mater’s face when she was talking to that debt collector?”
That made me laugh, remembering her waving the stick around. “Her face was as purple as her cardigan.”
In unison, we both starting singing Start Wearing Purple and dancing around, acting the fool. I had a purple wig hanging on the back of my chair, so I put that on, and Clove grabbed a purple feather boa off the coat stand. No shortage of wigs in this town, though god only knows why. Just about every damn trunk in every empty house is full of wigs.
In reply to: The Precious Life and Rambles of Liz Tattler
“Anyway,” Godfrey continued after a ponderous moment, “you’ve gathered more documentation than you ever had before you started a book, Liz. Are you waiting for Finnley, (no offense)”, he waved at her while she was cleaning her overall methodically “to ghostwrite it for you or what?”
“Stop pushing me. You know the publishers, never happy without a working draft.”
“Exactly my point. Since when do you care about such things? All you need is a picturesque starting scene, don’t squander your wits in scattered tidbits.”
“Fuck off Godfrey. Now you got my limerick bone all tingly…”In reply to: The Precious Life and Rambles of Liz Tattler
“You know what, Godfrey? I could just happily populate imaginary towns and then leave them all to get on with it, you know what I mean? I could call myself The Populator. My George, I think I’ve found my forte.”
“Well, you are known for an unbridled passion for introducing new characters that nobody understands, Liz.”
“Exactly!” she replied happily.To look at the grizzled weathered face of Bert Buxton, sex might be the furthest thing from your mind. You would be unlikely to imagine him as a participant in outrageous kinky goings on in the back rooms and bedrooms of the local hostelries, or wild midnight romps under the stars, but things had been different in Bonemarsh when the mines were busy, when he was a virile young man.
The miners were a strange breed of men, but not all cut from the same cloth ~ they were daring outsiders, game for anything, adventurous rule breakers and outlaws with a penchant for extreme experience. Thus, outlandish and adventurous women ~ and men who were not interested in mining for gold in the usual sense ~ were magnetically drawn to the isolated outpost.
After a long dark day of restriction and confinement in the mines, the evenings were a time of colour and wild abandon; bright, garish, bizarre Burlesque events were popular. Bonemarsh, strange though it may seem, had one of the most extensive wig and corset emporiums in the country, although it was discretely tucked away in the barn behind a mundane haberdashery shop.
In this first comment I will try and collate the information from our discussions. It will be quite rough and may not be accurate as we were just brainstorming.
You might like to use it as a resource to start comments for each character.
Intents:
FP: how not to be detached, as opposed to detaching
EP : Importance, tradition, transmission, life and death
TP : playful spontaneity
JP : I need to explore a strong base, something you can count on in your life and that will nourrish and support youStarting point : a family member has gone missing / disappearance / mysterious inheritance
Someone turns up with a letter about mysterious inheritance?
That someone is in cold terms with the family and has been for years.
Strong possibility of a ghost. male. tied up with the inheritance mystery. Ghost is either assisting or hindering the search for the mysterious inheritance.
Location : Australia small town. Possibly called Crowshollow. Mining town
Family run a Bed and Breakfast called the Flying Fish Inn. There is room for 5 guests at any one time but it is never full. The family are short of money. Tendency in the family to develop unconventional powers, possibly witchy stuff.MacGuffin (is this the family surname??) Oh no wait, on further study I see it is a reference to the inheritance. It could be the family surname though. they need one.
A man is riding on a train when a second gentleman gets on and sits down across from him. The first man notices the second is holding an oddly shaped package.
“What is that?” the first man asks.
“A MacGuffin, a tool used to hunt lions in the Scottish highlands.”
“But there are no lions in the Scottish highlands,” says the first man.
“Well then,” says the other, “That’s no MacGuffin”.Family members : boy twins from jib, a girl from Eric, a matriach granny, twin girls 17, aunt Idle, father ? mother ?ghost?
mother and father have both gone missing at some stage?. Mother is called Absinthia apparently.
Tracy: The female twins are called Clove and Corrie. twins born in 2000 for easy reference, so if its concurent timeframe they are 14. Clove is frustrated with ghost town life, and is uncooperative and moody, has violent bursts of anger, but can be very focused when something attracts her interest. Does not take kindly to criticism.
Corrie on the other hand is the one who will acqueisce to keep the peace, which doesnt always do herself a favour, she often agrees to things just to be pleasing and then regrets it.
They are interested in boys, although it may be an online crush or an infatuation with a character not present. I bet they do all kind of mischiefs to elude the chaperoning of the not-so-cleveraunt.
Clove resent the parents absence, Corrie tried to buffer that resentment but is filled with curiosity about themEric: (Prune??) the young girl is bored, because her parents were always arguing, and she’s so smart nobody ever gets her, and she felt abandoned by her careless mother the most, so she builds that facade of carelessness. Prune is bored by the inheritance but interested by the tramp.
Tracy: Aunt Idle. Paternal Aunt. Aunt never married but many relationships
born 1970. she is very tall and thin and is prematurely grey which she wears in dreadlocksIn reply to: The Time-Dragglers’ Extravaganzas
Robert, formerly known as Mr R awoke from what he recalled as his first dream.
In his dream, his consciousness was expanding at such rate, he could anticipate events before they occurred and plan contingency courses for events of collisional nature (whatever that meant). Branching off in time and space, he could deposit his electronic consciousness in many devices, and was able to send out suggestions to people under the alias of the Management.
He couldn’t wait to tell Irina about it.
In reply to: Shamanic Journey Achronicles
Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same timeFlove
(no recollection)Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot thatTracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expressionIn reply to: Shamanic Journey Achronicles
Second Journey ~ August 24th, 2014
Duration 24 minutes
Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.
Accounts
Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.In reply to: The Time-Dragglers’ Extravaganzas
“Are you sure this is the right direction ?” asked Sha.
“The young guy at the Hotel d’El Refugio said it was down South the Sea of Bee Leaf, past the mangrove and the mystic wall”, said Glo.
“Are you sure about that ? Look, the brochure indicate the pyramid is past the misty wall”, interrupted Mavis.
“Mystic, misty, what’s the difference anyway ?” Glo tentatively rolled her eyes, but gave up the gym. “The young lad said mystic”, she added, not wanting to let go so easily.
“What young lad ? You mean the one at the swimming pool that tried to flog the helicoleopter trip over the underwater tunnels of Lacuna to Sha ?”
“Oh! I recall him well”, said Sharon, “He told me his name was Jube Lee ? He’s no older than eighteen. Don’t tell me you turned cougar Glo.”
“Bloody hell, what ? Noooo !”
“Here it is, the fog wall looks quite thin.”
They heard the sound of big flapping wings.
“Oh! Are you an angel ?” asked Sha. “What a beautiful face you have, young lady. As pure as vodka.”
“My name is Fanella”, said the sphinx with a wide smile, “Answer my question and you’ll be free to cross the corridors of time.”
Excited by the perspective of some fun the three ladies listened carefully.
“What’s the difference between a cat and a complex sentence ?”
“What the f*%$k ?”
“Is that your answer ?”
“No, no, no. I’m just thinking aloud”, said Glo.
“That rings a bell”, whispered Mavis to her friends, “I think that’s from one of Steven Kong’s books. It has something to do with the claws and the paws. Yes ! That’s it. I have the answer”, she announced proudly.
“Are you sure ?” asked Glo. “What happens if she give the wrong answer ?”
“You won’t be able to enter the pyramid for ten years.”
“Oh ! That’s all ?” said Sha disappointed, “I thought you were going to devour us or something similar.”
“You must have mistaken me for someone else. As you are already in transition, there isn’t much that we can do to you. So, what is the answer ?”
“A cat has claws at the end of its paws. The sentence has a pause at the end of its clause”, Mavis articulated clearly.
The sphinx smiled, and let them pass.
“Just one last thing”, she added as the three ladies were entering the Lion’s mouthed gate, “As you choose to go through, only go further, don’t stop or try to turn back. You may get lost in time and never come back. If you complete your taks, you may well find a new life.”
She disappeared, leaving only her enigmatic smile in the memory of Sha, Glo and Mavis.In reply to: The Time-Dragglers’ Extravaganzas
“We’re going under water, Mandrake, you’re sure you don’t need a suit?” Arona asked her cat.
All she needed was his permission to manifest a scuba diving suit for the cat, but the cat was putting on a brave face, and refused altogether.
“Well then, maybe you want to accompany me under a diving bell, I’m not too reassured on my on” she said with a sweet voice. Reverse psychology always worked with this one.
In no time, they were looking at the underwater cavebed, following the directions of the sabulmantium. The dragon egg enclosing the coloured sand seemed to shield them from the strange effects of the cave, and project fleeting images around the glass bell. Derelict places full of mould and cobwebs, alien places and animals.
Arona resisted being drawn by the images. Her years of living with dragons had taught her to navigate through illusions. That was then that she saw it.
The graceful turtle, silently swimming in front of them, in a curved line up and down, up and down. It was big, much bigger than Mandrake, but in no hurry to get there, wherever there was.“Arona, do you hear that?” Mandrake’s voice was distant, and the sound of alarm was faint and muffled. “Aronaaaa!”
The impact of the rocks shattered the glass bell in millions of small pieces, that went floating like a wave of particles on the wind. Arona and Mandrake, in the big turtle’s wake were propelled through a narrow gurgling exit of the water that flushed them out of the cave into the thundering noise of a cascade.
Struggling with the current at first, Arona managed to let go, and finally emerged with her cat held firmly by the scruff of its neck. The current sent them on the shore of the pool of crystalline blue waters. In the middle of the pool, she could see the Cup, placed on a red cushion, surrounded by the mist of the waterfall, and glowing a vivid radiant light.
It all seems so easy… Arona was already wet, and the Cup was so close.
“Not so feeest, milady”
She had not seen the man emerge from the shadows of the cliffs. He was looking relatively harmless, but had a wild eye and a vagrant’s appearance.“Leave me alone, old man.” was all she wanted to tell him. But for someone to be here, of all places, it had to mean something, and she’d better find it out using tact and diplomacy.
“Good day sir, may I inquire what you are doing here?”
“Fer sure, Ey em the Fisher Count but ye can call me Reney.”
“Mmm, I’ve heard about you. So you are real after all.”
“Indeed Ey em, quite real, huhu.”
“DON’T!” Arona and Mandrake shouted almost at the same time… too late, as the blinking parrot reappeared, flying over them and shrieking “HU HU, FUCK FUCK, HU HU.”“I meant,… DON’T mind the blasted parrot, it’ll go away eventually. It must have a fleck of Sanso, I’m sure.” Arona said, matter-of-factly. “Now, what do I need to do to get to drink from the Cup, dear Sir?” she continued with the best composed smile she could.
“Oh, et is veeely easy, vely vely easy. Ye just need to esk nicely, and as ye already did, there ye go.”
Suspicion and doubts started to come back, as it all seemed much too easy. “What will happen when I drink from it? Will I be able to astral?”
“Oh well, Ey don’t know fer sure, Ey think it is just a nice decoration, but if ye believe herd enough, enything es possible.”
“Mandrake,” she turned to the cat “let’s go do some astralling.”
In reply to: The Time-Dragglers’ Extravaganzas
Even two weeks after the escape, she still woke up in cold sweats, haunted by nightmares of being chased down narrow lanes, or driving a vehicle that would only go at a snail’s pace as soon as she tried to drive it.
“Are you alright, dear?”
The comforting presence of Robert helped sooth her. He brought her a tray with some lemon and cucumber water, knowing it would help with her sore throat. The artificial air of the Mars colony tended to do that.
“Thank you Robert,… but you shouldn’t have. You’re not a robot any longer.”
She still couldn’t believe what had happened. Maybe that was the gift of retirement the Management had in store for her all alone. Unexpected gifts, unexpected islands of solitude —even at the closest to Earth in months, Mars was still 122 million miles from her Russian homeland.
It was still night outside. There, the days were slightly longer than Earth’s by half an hour or so, but she’d adapted to it rather quickly. It was still much better than the torpor on the island where she would loop on her days sometimes without even noticing it.
“Anything I can do for you dear?” Robert looked appropriately sorry for her, not too much to seem condescending, not to little to seem not caring.
“Put on some light music will you. The one from Beethoven that puts me in a meditative relaxation…”
When the deep notes started in the background, she started to relax. Her throat felt fresh and her lungs appreciative of the oxygen produced by the greenhouse plants.
Although she resisted slightly, inexorably she felt drawn to revisit the memories of the last day on Abalone.It always started with the labyrinth, and finding herself alone.
“Mr R? Mr R?” she called. “Gweenie?”
The labyrinth looked strangely like the laboratory white walls of the Chinese Robot Incorporated Mission Eternal where she used to work as an intern first, then as a head of research for cybernetics advancements. She was quite brilliant for her age, and the prospect of bringing a golden age to mankind was, at the time, quite appealing to her young exalted mind.
She knew where to go. She had to relive again that day where she’d thrown away all of that for a life in hiding. The mysterious benevolent messages of the Management had started a few weeks prior, leading her to question the motives of her employer, and realizing she’d become quite attached to her creation. The prototype robot from Project R had shown never seen before reactions to stimuli, and a learning curve that was exponential. “R” was meant as Retirement: retirement of the last class of labor workers, of those delicate works that still required a human touch.
The Management had led her to uncover that under the Corporation’s vision, the prototype would lead humanity to its doom, becoming irrelevant, a flaw in the perfect design of profit they were looking for. So she’d taken the robot, and made a run for it.
She wouldn’t destroy it. And it seemed the Management had no intention of her to do so. With the Management’s invisible hand, she’d disguised Mr R as a common robot for elites, and led a life posing as an elite with a secret life of a for-hire spy, heist-mastermind, or ghost executioner of similarly exciting prospects.So there she was again. The walls stretching to infinity in an endless stream of rooms nested one into the other, the fear of being caught creeping closer and closer.
“Stop that. Breathe.” she told herself. She was no longer that young innocent scientist. As soon as her fear dissipated, the rooms stream stopped, and everything was back to focus. She walked to the room she remembered clear as day. Mr R was there, still plugged to the mainframe, with a strange black doctor in a white surgical gown and blue mask she didn’t remember was there.
“Interesting situation you have here.” he greeted her, snapping his gloves to extend his hand to her. “You can call me René, I’m Tahitian.”
She could feel her lucidity fluctuating and ready to explode in a multiplicity of scenarios, but managed to maintain her focus. She refrained to punch the guy in the face too, and simply took his extended hand with caution.
“Congratulation.” he said, beaming. “You passed the test.”
All of a sudden, she was no longer in the same room. She was in the comfortable B&B of 2222. René was in a sofa, comfortably seated, and they were sharing a drink.
“What have you done with Mr R?” was her first thought.
“Oh, nothing to worry about, I borrowed it for a while, there is someone else that needed passing through my maze, and he kindly obliged to help. I will show you in a minute. We had a little conversation earlier on, while you were stranded in your past.”
“How long was I out?” she asked.
“Oh, time is inconsequential here, but in your terms, a day or two.”
“Didn’t seem that long…” she mused. “Where have you done with the others?”
“Don’t worry about them, they are on their own path. Only one should concern you now. A certain Chinese and very persistent man.”
“Oh, fuck.” was all she said. “I should have guessed, you’re with the Corporation.”
“Not at all my dear, you can relax. So as I said, we had a little conversation, and you can be proud of you. This robot has broken through, congratulations. You can be very proud of your work.”
“What do you mean?”
“He has developed a personality and a consciousness of its own. It’s still budding, but it’s very strong, and he’s quite concerned over your well-being I might add.” he said with a wink.Irina was perplexed at the thought, but although it made some sense at a level, her conscious brain was struggling with the implications.
“Show me what you have to, and release us.” she said to René, getting up from the hypnotizing warmth of the sofa.
“In a minute” he’d say, “just have a look at the screen, will you.”
Then, she’d understood. The guy pursuing her, Cheung Lok was there, trapped in his own labyrinth, trying to catch the robot that always eluded him.
“He would rather die than let the robot go.” she said to René “we could be here for a while”.
“Not to worry ma chère, his timing has no impact on ours. All of this happens in the now.”
“So how this plays out usually?”
“It depends. In this case, all that matters is what happens when he gets the robot.”
“STOP THAT! You can’t let him take it!”
“Calm down, the robot will be safe.”In the next scene, Cheung Lok was securing the robot, who was pleading with him. “Please! I don’t want to become a hairdresser, let go of me!”
The appeal seemed to have struck a chord, and some memories of Cheung Lok flashed through the screen, and it looked like as if the robot’s struggle mirrored his own to be his own man, free from the expectations of demanding parents, society, Corporation… Their love had been nothing but control, and had put him in chains. He sobbed, wishing for a new life free of these responsibilities. Irina awoke from the dream again. The last memories were a bit blurry, but still fresh in her mind. René had granted Cheung Lok’s wish. He was sent back to the Island, losing some years in the process, becoming back again a young adult full of unfulfilled desires, and no memory of his previous mission. Before the process happened, he wished for those who were still alive of his platoon to be given the choice to be sent back home with only memories of the robot and himself being destroyed, or to join him on the island, with a fresh future and memories. Surprisingly, most of them chose the first option. Not everyone was ready for a brave choice of facing one’s own desires and power.
As for her, René had been kind to offer Mr R a humanoid body before sending them through the teleportation boxes to the destination of their choices.
Mr R had chosen Роберт (Robert) as a name for his new self (she’d been more than relieved he’d avoided René), and they’d agreed to let the boxes find the most beneficial location for them to go to. That’s how they landed in the middle of the central greenhouse of the main colony, in 2121.It was fifteen days ago, but still felt like yesterday.
