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  • #326
    ÉricÉric
    Keymaster

      The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
      So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

      The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

      This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
      The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
      He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

      The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

      But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

      :fleuron:

      The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

      Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

      The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
      Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

      #317

      Ibn al’ Gruk was weary.
      That lone grake he had seen flying over the desert settlement this morning had baffled him.
      Usually, such creatures where not migrating at this season, and this one was lone too, which was all the more baffling.

      The old gripshawk had seen many things in his life, but this was surely a presage of importance. In the myths of his people, the big colourful birds were once thriving in the desert oasis, where they were thought to have appeared in the Old Times. But having been extensively hunted down as food for the gripshawk tribes, they had moved away, and the balance had been broken.
      It had prompted lots of the tribes to move apart, in search of food and exchanges, and few of them were now still living in the deserts as they did in the old ways. Many of them, for many generations now, had been creating cities on the coast, and the most flourishing one was Chafik’ An, where a traveling portal had been erected by the humans from Lan’Ork to facilitate exchanges and trades.

      All of that, despite his old age (that his long mop of white angora hair under his chin could account for), Ibn al’ Gruk had only heard all of this through the lineage of his ancestors, but he had seen some of the conflicts that had been created, and he understood that change again was in the air.

      He felt like he could weave a new tale to entertain the settlement tonight, and perhaps give them inkling as to the new changes to come.
      For he felt changes were coming, and that they had been in motion already.

      ***

      The night was clear, and lots of people had gathered around the big bonfire. They all loved these regular meetings where everyone would meet and share food, drinks and over all, gaiety.

      He started to drum low deep sounds and cleared his throat.
      A fit of cough got him by surprise, but it was just a hairball that he spat in the fire, which set ablaze immediately, providing some dramatic effect that hushed everyone down.

      “In a mysterious land far far away,” started Ibn al’ Gruk, with a growling voice…

      ***

      Egypt, 2657 B.C.

      Lekshen had dreamt of Set that night. The god had appeared to him in one of his familiar forms, that of a long snouted animal .
      Lekhsen was wondering why the god had requested such a task for him to do, but he was certainly in the perfect position to accomplish such a task.
      Like Set, Lekhsen came from Upper Egypt, the arid land, and he had managed to get a high-ranking responsibility in fertile Lower Egypt as a scribe thanks to the unification efforts of Pharaoh.

      But Pharaoh’s daughter had just died… right after her 10 year old brother, and Pharaoh’s himself felt He would not live much longer.
      Which would mean that the closest male in the family would be likely to get on the throne of Egypt. And that would be bad news for people like him, as the brothers and brothers-in-law of Pharaoh did not appreciate much His policy.

      In the dream, the strange creature had asked him to hide something with the mummy of Pharaoh’s daughter. It had told him people would forget about how Set was fighting for Ra, the Sun, each night that the bark was traveling on the dangerous underworld waters. They would forget, and would demonise him and his people, and he, Lekhsen would have to write the story, and bury it with the Princess. His status would allow him to do it unscathed.

      “Would people ever remember they once were One?” had asked Lekshen to the god.
      “Only you can tell” had the creature answered.

      #1354
      ÉricÉric
      Keymaster

        Ahahaha, funny :D

        And today’s quote is YAWN ! :bounce:

        #280

        When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
        The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

        So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

        But Bådul knew better.
        He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
        He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

        :fleuron: :fleuron:

        A few months earlier, Northern Åsgurdy

        A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

        He knew that such a shelter wouldn’t be far away now.
        That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
        At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
        He had felt he could trust that man known to him only by a strange name, something like Gheorg.
        There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
        He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

        ~~~

        Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
        It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
        She needed to move on.

        ~~~

        When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

        In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
        Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

        He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

        It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

        :fleuron: :fleuron:

        Austor did not believe his eyes…
        They had crossed the Rift, all three of the ships.
        And it was nothing like the dark void they had nearly expected behind.

        It was an open sea, glistening in the sun, and all hope had come back through them all.

        #1308

        In reply to: Yuki’s Livrary

        ÉricÉric
        Keymaster

          September 24 th

          Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

          Relevant extracts:

          At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
          […] HE KNEW HIS WAY INSIDE !
          When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
          focus opening/doors ; time/space…
          The central cavernous part is some kind of key center, where anyone can meet…

          This has inspired Quintin to write some notes too.
          He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

          September 26 th

          The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

          Here would be what we will say to him, if he wants to listen:

          « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
          Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
          These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
          And you begin to really experience it, and really pay attention.

          « As was expressed many times, “essence” is no thing. It is an action.
          The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
          In that, your purpose, you see, is only to experience, nothing more, nothing less.
          And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
          Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
          Just as your dreams at night overlap and blend into each other.
          Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

          « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

          « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
          In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

          « Let us explain this in other terms.
          When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
          In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
          You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
          Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

          « We will let you ponder this, and we will continue our own story, writing about you… »

          September 28 th

          This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
          Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

          Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
          It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
          And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
          It is almost limitless in your understanding.
          As is your magic.

          This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
          The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
          The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

          As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
          In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

          With that said, let us see how much more will appear from that sandbox…

          September 30 th

          The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

          The Secret Life of Margaret Wrick , a newspaper cut from 2033.

          October 7 th

          The dragon Naasir’s dream
          A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

          And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

          #79
          ÉricÉric
          Keymaster

            These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

            Note: for the reader not familiar with all the names here is a quick reminder:

            • Araili > Yann, Írtak, Sam, Jacob …
            • Armelle > Fiona, Arona, Tina, Qixi …
            • Rafaela > Dory, Illi, Becky, Rodney …
            • Yuki > Quintin, Al, Janice …

            September 12 th, 2007

            Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
            Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

            Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

            I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

            September 13 th

            Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
            This first comment seems very promising.

            Right now, it feels easy and fun.

            Quintin seems to think that everything is very straightforward.
            The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
            The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

            But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
            That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
            But the thing is, that he missed the point in thinking one World is more “real” than the other.
            We’ll be having some fun soon…

            First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
            We will appeal to his imagination.
            It seems he has heard the suggestion.

            September 14 th

            For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

            But as I expected, some challenges seem to appear already.
            Is it raining or not in that world?
            The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

            He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
            At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
            How will it unfold?
            Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

            September 15 th

            Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

            Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

            Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

            September 16 th

            Halcyons days…
            My dear friend Archie is answering some of Quintin and Yann’s questions.
            Something starts to dawn on Quintin. But his mind is on other matters.

            He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

            September 18 th

            Quintin has been drawing some of the characters of the story. It’s interesting.
            He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

            Characters drawn:

            • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
            • Malika, Quintin, Yann, Fiona and Dory

            Interestingly, Fiona resolves her issues in her cave.
            Dory too, but she did not need the cave to do this.

            September 21 st

            For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
            And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
            Quintin will soon realize that he himself is doing this constantly, though he does not register it.

            But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

            Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
            There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

            Of course, some things still matter, and one of the point of the story is also to discover these.

            September 22 nd

            Quintin has been drawing new characters.

            Characters drawn:

            • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
            • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
            • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

            A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
            She had at first thought they were whiskers, which was not Quintin’s intent…

            September 23 rd

            Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

            Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

            Up to now, here are the names he could find:

            • North: the Icy Lands, and Dragon Cemeteries
            • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
            • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
              Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
            • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

            When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

            #261

            In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…

            It said:

            I’ve been wandering through the valleys of death
            Where time knows no ending and all is gray
            And shadows seek nothing but oblivion itself
            In mazes of mist, minds’ errands led astray…

            Perhaps it was time to let go of useless things, Bill thought to himself.

            He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.

            :fleuron:

            Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.

            She had giggled at his surprise, telling him that yes, she was catching up with him…

            :fleuron:

            The City, year 2255 (%)

            Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.

            It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.

            Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.

            When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.

            Then she opened her eyes.

            She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.

            — Good morning!
            — Good morning Cyprus, you wanted to say something to me?
            — In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
            — Yes, I thought so. Is it about what I am choosing to do as an activity?
            — Correct.
            — You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
            — Yes, I am aware. And you wanted me to highlight some misconceptions about that.
            — Oh, misconceptions?
            — Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
            — It feels like a tremendous responsibility.
            — It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
            — OK, I will do that…
            — Ahaha, there is another thing, my dear.
            — Oooh…
            — You also wanted me to make sure you understood what I meant.
            — Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
            — Nothing is hidden from you, as always.

            So Janice took a look at the sheet of paper on top of her own school desk.

            — I’ll be around if you need me, reassured Cyprus.
            — Thank you, said Janice

            The paper was like a spot test, with a few questions on it.

            :fleuron2:

            Study on a Few Contradictory Beliefs

            1. GUILT

            a. An old lord has lost contact with his son, because of harsh things said in the past.

            Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.

            b. Detail the main beliefs you can see associated with this action of guilt.

            2. FEAR

            a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.

            Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.

            b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.

            DUPLICITY

            In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.

            :fleuron:

            Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.

            Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.

            #257

            When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

            — I saw him too, she said to her brother.
            — I don’t want to see him again, these books are scarey.
            — It’s intriguing, I want to know more, India Louise said, egging on him.
            — When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
            — He has found a friend to help him cross the Dark Forest to the traveling portal.
            — A friend?
            — Yes, a friend. She’s special.
            — Tell me more…
            — She’s a white unicorn, only him can see her.
            — Wow…
            — She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

            :fleuron:

            — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

            Tina was taken aback…

            — Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
            — Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

            :fleuron:

            — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

            Quintin had answered distractedly, as he was engrossed by his last painting…

            Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

            She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

            Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
            — Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
            Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
            There are some that are being shone to me on the bottom of the ocean floor.
            What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

            Wow he had thought, she can really see.

            :fleuron:

            Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

            The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

            — Will you stop being so buffoonish! raved Tina again.
            — Perhaps I should let someone else continue then? said Albert.
            — Well, that’s entertaining, replied Becky mechanically.
            — OK. I’ll jump in, said Samuel, with a wide grin.

            It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

            Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

            :fleuron:

            Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

            The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

            :fleuron:

            Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

            Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

            She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

            She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

            When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

            Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

            This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

            She started to move again, de-focusing, past the lazy honey drops.

            The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

            #256

            Yann have been working on the drawing sporadically, several subject were coming to his mind at the same time and he wanted to treat them all… All what he could do for the moment was just draw some sketches of all that… there was that scene with his niece and the dragon-boy, and that other scene where he could see that man on a dinosaur-like mount…

            At times he could also feel the gentle energy of his dear friend Amanda. He’d wanted to meet her in Vienna in June, but unfortunately she couldn’t attend the meeting. She was participating in his current exploration of art. It was like he could feel many energies from different people and different beings and he could choose to express them as he wanted.

            Some could be translated just in movement, like just drawing lines and create a harmonious disposition and interactions between them, suggesting other lines that weren’t fully expressed or weren’t expressed at all.

            Some others could be translated as colors and shades, contrast and iridescence… possibilities were infinite.

            He was wondering how he could introduce the gentle energy of his friend, but maybe it had already been incorporated.

            :fleuron:

            Salome was feeling a draw to the cave…

            She was focusing her energy slightly differently now, in order to manifest in this dimension an aspect of herself.

            #248

            New York, October, 4 th 2033

            Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

            (click for article)

            :fleuron:

            Dublin, October 5 th 2033

            Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

            That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

            He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

            He was pleased to read from her, and wanted to enjoy it fully.

            So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

            Dear Sean, Becky was writing

            I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

            I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

            I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

            In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

            Love,

            Becky.

            :fleuron:

            Orkney Islands, October 4 th, 2057

            This year again, Sean Doran had not answered his father’s calls.

            This September 23 th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

            Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

            Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

            #232

            A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

            Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

            Sorry for being late! said Al a bit uneasy.
            — Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
            — Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

            A silence was on the scene.

            :fleuron:

            At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

            :fleuron:

            Somewhere in Malvina’s cave.

            Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

            She asked Leörmn to come.

            :fleuron:

            Quintin’s bedroom.

            [1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

            :fleuron:

            Leörmn came almost instantly, appearing in a puff of teal smoke.

            Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

            :fleuron:

            — Why hasn’t that pirate, Badass…
            Badul, corected Al
            — Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
            — Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
            — Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
            — OK. So, for me, they have forgotten much about magic in his land.
            — Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
            — Which would explain the quest… said Al
            — Yeah, and he would have hidden that to the rest of the crew, probably… said Tina

            :fleuron:

            Leörmn had now finished assembling the magical artifact.

            — That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
            — Oh yes it is. And how would you call it?
            — Let’s see…

            :fleuron:

            sabulmantium !

            Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

            — Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
            — Hahahaha, the others continued
            — Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
            — Wow! Tina couldn’t help but say.

            :fleuron:

            Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

            #228

            Salome had felt Georges closer… he was coming, though not here entirely yet.

            She was feeling like he was in between worlds. And there was that other energy personality with him, a bit confused but ready to move on.

            Salome was about to meet with another close aspect of herself in this dimension. She knew the connections and her other self knew she was coming. Malvina was her name.

            Salome was moving fast through the elements of this dimension… it seemed she already had experienced it before, but it was different. New energies and new aspects were adding to the experience and the diversity of it. A movement that could be translated as a big Cheshire smile rippled from her center throughout the entire dimension, and Malvina’s giggle responded in different times.

            Salome was not yet fully focused on the time and space of the encounter, it was not yet necessary, though it has already been done and they were all meeting in the cave(s)… These caves were a translation of the interconnectedness of the dimensions and were constantly reshaping in the timeline of this dimension —though with the particular focus she could experience most of the ramifications.

            She was in a manner of speaking waiting for someone, someone has yet to do a little thing before she would send a focus of herself in the joyful party.

            >> :yahoo_big_hug: <<

            #208

            When Bernhard, making his black panther puppet Archie speak, had answered the tongue-in-cheek burning question that was on everyone’s lips:

            Does Dory’s part of the story seem logical to you?

            the answer had come as a surprise to many…

            Yes he had answered… adding a few moments afterwards, though that there is some mistranslation within the interpretation. [¹]

            Archie also said that we were moving to a center of a seesaw which represents within your understanding an awareness of “it matters not”.

            Ahahah, how greatly befuddling a new riddle would that be? Perhaps the answer was very simple too. Something like “egg”…

            All that Quintin was sure, was that Dory surely enjoyed bouncing on seesaws juggling with a basketful of eggs!

            Perhaps, it mattered not after all… Perhaps, perhaps not… or not yet…

            Well, Archie had also admitted during the night he didn’t really care being a parrot in that story… Perhaps he had finally lost it too, as would certainly say Fiona, who was their last beacon of sanity in that insane adventure.

            [¹] Note from your impartially unbiased reporter: :yahoo_whew: (phew)

            #188

            This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

            Quintin: Your story was great!

            Fiona: Thank you :) So was yours.

            Have you written any more since I last looked at the story?

            Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

            Fiona: no, wrap it up if you feel.

            I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

            Quintin: Ahahaha! Don’t restrict yourself ;)

            Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

            Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

            Fiona: The endearing dragons…

            Quintin: Yeah…

            But I had strictly no idea about the rest. It was just a bet, on luck…

            That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

            Fiona: And did she have any impression of what form that could take? Like books, or games or what…

            Quintin: No, it was much more “real” in fact…

            Fiona: you know like the card-captor game which I suppose is interactive, so real

            Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

            Fiona: So a little bit like I have done with the story, to resolve something

            Quintin: yeah, exactly, or with your paintings

            Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

            Quintin: Yeah, people can unleash their imagination.

            And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

            Fiona: such as? eggsamples?

            Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

            Fiona: Yeah, I told you I did, but you just said some riddle!

            Quintin: Did I? That’s not like me ;)

            Fiona: Ahahhaha! It is you to the core

            Quintin: LOL, damn me!

            Fiona: Well, that is a bit strong, but …

            Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

            Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

            Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

            Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

            Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

            Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

            Quintin: Ahahaha, the story has a willing of its own too…

            Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

            Quintin: And actually, I don’t think everyone will be interested in dragons…

            Fiona: How does a dragon help one learn magic powers?

            Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

            Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

            Fiona: And how having a baby dragon could help unleash our magic powers then?

            Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

            Fiona: I am not sure if i have dark corners ;)

            Quintin: it was a metaphor :D

            Fiona: ahahahhahahahahahah

            Fiona: I know, so was mine :D

            Quintin: ahahahahah

            Fiona: I was thinking I feel really accepting of myself

            Quintin: Yeah, that’s the point in the little adventure before you meet it.

            You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

            Fiona: Well I think it sounds scarey now, what if no dragon picked me…

            Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

            Fiona: True.

            Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

            Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

            Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

            Fiona: Ahahahaha yes

            Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

            Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

            Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

            Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

            Quintin: Of course, you know :)

            Fiona: That I related most to the figure of blue hat… and big feet

            Quintin: Ahahaha, stomping on the poor key-fish

            Fiona: Nearly…

            Quintin: Have to go now, thank you for this enjoyable conversation

            Fiona: See you! :)

            #186
            F LoveF Love
            Participant

              Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

              She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

              She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

              Use your magic, she had said.

              When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

              Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

              :fleuron: :fleuron: :fleuron:

              The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

              Thank you for having me room, she said as she left.

              No, thank YOU, replied the sleepy glukenitch.

              :fleuron: :fleuron: :fleuron:

              The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

              Why sad?

              I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

              You always know, just feel it

              So Arona closed her eyes tightly and allowed herself to feel the answer.

              Because you know who you are, and it made me realise I have no idea who I am.

              Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

              Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

              The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
              The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

              Arona, who had felt immediately connected with the young child frowned.

              Doesn’t the little girl feel left out?

              Go in, said the woman, Go inside the picture and feel the answer.

              Oh, and you might want to leave your cloak behind.

              So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
              I remember feeling like that, thought Arona, before the magic went.
              She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
              As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

              :fleuron: :fleuron: :fleuron:

              Arona returned to the cave.

              You look troubled

              Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

              On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

              Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

              Arona shuddered a little. I might not jump into that one .

              The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

              Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

              Well I gave her the same advice, years ago.

              More damn riddles, Arona thought to herself, and the woman laughed.

              One final painting of yours I would like to show you. It is beautiful is it not?

              Arona stared mesmerised for a moment, and then leapt right in.

              She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

              Dance Arona, she heard the woman’s voice

              I can’t dance like that, I’m not good enough.

              It doesn’t matter

              And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

              :fleuron: :fleuron: :fleuron:

              Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

              Things are shifting she said

              Oh lordy, are they said Arona, What should I do now?

              Feel the answer

              Arona felt. I am very hungry, eggceptionally so.

              #131

              Arona was lost. She had been lost for quite some time now and had got over the initial surprise this realisation had given her. It was not very often now that she questioned her decision to leave the others. She had tired of their endless journeying, always in circles, always moving and yet never seeming to move beyond the confines of the small village.

              One day she told them she was leaving. She wasn’t even sure if they heard her but still she set off, wearing her heavy black cape and carrying a small bag of her most treasured possessions.

              Arona had not been sure of the cape, it was so heavy, yet she feared the cold nights and loved the security of it’s warmth. It had been a gift from her parents, a long time ago, when she was just a child. Wear this cape and one day it will bring you happiness, her mother had said.

              Her mother said many odd things and had left on a journey of her own a many years ago, so Arona had never really been able to find out what she meant. Magically the cape had grown with her body, moulding itself to her.

              The worst of the winter cold was over now and Arona found the cape almost unbearably heavy at times, yet she could not quite bring herself to leave it behind. Sometimes she would take it off, relishing in the lightness and feeling the warmth of the sun on her body. She always put it back on though, just in case she needed it one day.

              Arona pulled out a well worn map from her bag. The map had been a gift from a travelling wizard who visited the village a few years ago. Arona had given him food and shelter and he repaid her kindness with the map. He seemed to think it was quite generous of him and Arona had thanked him politely. To be honest it was not really much use to her as she had no sense of direction, not even knowing which way north was, and not knowing where she was going anyway. She preferred just to follow whichever way seemed lightest at the time. But it was handy having the map because when she met others on the journey who asked her where she was going, she would wave her map at them. It made her look good, she thought, and saved her from too many questions.

              That day as she sat on a rock pretending to ponder her map she became aware of a faint sound of music in the distance. She had not heard music for such a long time. Once on her journey she had passed a wandering minstrel and begged him to play for her so that she could dance. In exchange she had lent him her cloak for a while to keep him warm.

              She felt the music beckoning her.

              :fleuron:

              Fiona loved Quintin’s drawings. They had a feel of magic and lightness and she was entranced by them. They were like the children’s films she had been watching lately, with many layers to them and touching something inside her mind, a distant memory which felt strangely close.

              Her own drawings felt heavy to her, and she had made a decision not to paint again unless she felt inspired. She did not really understand inspiration, only knew that she was tired of trying so hard.

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