Search Results for 'come'

In the kitchen, Fox beheaded the chicken in a swift move. He tried not to be horrified when the creature’s body kept on running around, headless like a peaslander. He felt vaguely aware that’s what he’d been doing all that time. Running around without a very clear idea about what he was doing.

“Don’t let it run around bloody n’all!” said Margoritt, “Who do you think is going to clean that mess?” The old woman, huff and puff, limped rhythmically after their dinner. Someone had heard her scream and came into the kitchen. It was that tall Fae guy, Rukshan, who looked so successful and handsome. Fox felt depressed. The Fae had caught the dead body, which had eventually stopped moving, and put it in the basket Margoritt had taken on the table.

“Thanks my dear,” she said with a giggle. “Would you be so kind as to pluck it for me?” She then looked at Fox. “Sorry, lad, but with a name like yours I’m not sure I can trust you on this one.” The old lady winked.

Fox couldn’t be annoyed at Margoritt, he wouldn’t trust himself with a chicken, dead or alive. And the old lady had saved him from the blizzard and from that strange curse. He attempted a smile but all he could do was a grimace. Margoritt looked at him as if noticing something.

“Why don’t you go with Rukshan,” she said, “A bit of fresh air would do you good.”
Fox shrugged, and followed the Fae outside.

“And send me that Eleri girl, I’d like to have a word with her while she clean the blood on the tiling.”

Outside it was noisier. Fox found the woman arguing with her male friends, one of whom looked like a statue with big wings. She seemed relieved to have a reason to get away from the crowd and her own problems and left with a smile. He wondered how she could stay happy while being surrounded by conflict. Maybe she liked it. Fox shrugged again.

He walked to the small courtyard, sat on a log and watched the handsome Fae removing the feathers. Rukshan’s hands looked clean, the blood was not sticking on his fair skin and the chicken feathers were piling neatly on a small heap at his feet.
“Aren’t Faes supposed to be vegetarian,” he said. He cringed inwardly at his own words. What a stupid way of engaging a conversation.

Without stopping, Rukshan answered: “I think you think too much. It’s not doing you much good, and it deepens the shadow under your eyes. Not that it doesn’t suit you well.” The Fae winked. Fox wasn’t sure of how to take it. He stayed silent. He saw the bag the Fae was always carrying with him and wondered what was inside.

“It’s a story,” said Rukshan.
Fox was confused and looked puzzled.
“In the bag. It’s a story. But it’s not finished.”

Fox felt warmth rise to his face. If the Fae could read his thoughts… he preferred not to think about it. Rukshan smiled gently.

“I need help to complete it and better understand the characters. Would you like to help me?”
Fox wasn’t sure what made him answer yes. Did it matter if it was for the welcomed distraction from his dark thoughts, or if it was for the promise of more time spent with the Fae?

“That’s all very well and old books in a sack is one thing …,” began Inspector Melon.

“What are you doing back here, Walter? Didn’t you just leave a few minutes ago!” snapped Liz. “Can’t you see I am in the middle of a crisis … you never did have any sensitivity. If you’ve come to ask me to get back with you, then you are out of luck.”

Inspector Melon’s face reddened again, whether from embarrassment or frustration it was difficult to tell.

“The Jingly girl what’s missing. That tip I got said this was definitely the last place she was seen. Now, do any of you lot know anything about the lass or do I have to round you all up and take you to the station?”

“Pssst Glynis, are you awake?”

There was no response so Sunshine, the parrot, leapt from his shelf onto the bed and nudged Glynis with his beak.

“Ouch! Sunshine!”

“I’ve got a joke for you. It’s a good one this time! You will be glad I woke you.”

Glynis groaned.

“What’s smarter than a talking parrot?”

“Don’t know. Don’t care.”

“Come on! you aren’t even trying!”

“Aargh. Most things are.”

“Oh how rude. You really aren’t at your best this hour of the night. It’s a spelling bee! Get it? A spelling bee. A bee that spells. Not that anything is really smarter than a parrot. Hmm maybe I should have let you sleep,” cackled the parrot.

“Extremely hilarious. Now be quiet, Sunny, and get some sleep. We have to get away extra early in the morning.”

“You can go to bed,” said Gorrash. “I’ve been used to spend the whole night alone with only a couple of shrews, insects and crying bats when I lived in that garden.” He sounded more bitter than he had wanted, so he smiled. But even his smile was forced.

“Yes, you’re right! I won’t be of such good company at that late hour,” said Margoritt. “I’m afraid your friend also need some sleep for now. He’s exhausted.” They looked at Fox who was sleeping soundly in a side bed. Tak was looking after him with curiosity in his eyes. As if he had recognised the touch of Gibbon in him. Margoritt had helped remove the blizzard curse before she let Fox entered the house. It was a mild curse which he had certainly caught as they passed the melancholic spring the day before. Gorrash wasn’t affected because he was in his stone slumber at that time.

“I don’t know why, but lately visitors seem to always need some sleep,” added Margoritt. “Anyway, I know an owl of good company that often fly around the house at that hour. If you want to wander around, feel free to do so. I’ll let the door ajar so you can come and go as you please,” she said as she stood up. “Tak. Time to go to bed too.”

The young boy looked at her, then at Fox.

“He’ll be there in the morning, don’t worry.”

That seemed to be enough for Tak who went to his own bed. Margoritt went to her bedroom and the house soon became silent. Gorrash decided to have a conversation with the owl and left the house silently.

Glynis had been staying with the Bakers for a few weeks now, since the night of the storm.

She had taken refuge on their porch, as the gale tore through the pitch black streets, blowing anything not nailed down along in its wake. Intending to leave early before anyone in the house was up, she found a dry corner and wrapping her burka tightly around herself for warmth, she fell into a deep, exhausted sleep.

“Well, what have we here! Good Lord, girl, you must be freezing!” said a booming male voice. Glynis started awake, trying to work out where she was.

“This is no place to be in a storm. Come inside to the warm,” the man continued. And before she could gather her senses and protest, he took hold of her arm and gently but firmly pulled her into a cosy warm kitchen already filled with the delicious aroma of baking bread.

“Anne!” he called to his wife, “look what I found on the front porch!”

“Oh you poor dear! You are shivering! Come with me and let’s get you into some dry clothes.”

Anne Baker was a portly woman with a purple scar covering a large part of her face. Glynis never mentioned the scar and likewise the Bakers never said a word about the dragon scales, seeming completely unperturbed by Glynis’s unusual appearance. In fact, in their kindly presence, Glynis sometimes found herself forgetting.

To repay their kindness, Glynis helped with the baking. With her knowledge of herbs, she had created several new recipes which had proved to be most popular with the customers. This delighted the Bakers; they were people who were passionate about what they did and every little detail mattered. They rose early, often before the sun was up, to lovingly prepare the dough; in their minds they were not merely selling bread; they were selling happiness.

Glynis was most surprised the day the stone parrot arrived in the mail.

“This is very peculiar. Who is this “laughing crone” and what does she want with me,” said Glynis to the stone parrot. “I wonder, did Aunt Bethell send you to me? She is very good at stories — perhaps she sent me the dream as well.”

But surely Aunt Bethell would not call herself a laughing crone! No, that is definitely not her style!

Glynis stared at the concrete parrot and an uneasy feeling had come over her. “You are alive inside that concrete, aren’t you,” she whispered, patting the stone creature gently. “Have you too been caught in the spell of some malevolent magician?”

The snow had turned into blizzard and it was hard to see even a few meters ahead. It was hard to move because of the wind and of the thick white layer covering the forest ground. Fox looked behind him, his footsteps were already gone. He felt worried for the dwarf. Fox thought he shouldn’t have left his friend like that. There was no point now looking for him, and anyway Fox wasn’t really sure in which direction he came from. He shivered, his clothes were soaked and covered with snow and ice. He felt cold inside his bones. He was too tired to even wish for shelter. He was about to sit in the snow when he felt something bumping into his left leg.

“Oh! you’re there,” said Gorrash. “What strange weather. I have never seen something like it.”

Fox was too cold to answer but he felt relieved that his friend was well. The dwarf seemed so lively. Fox noticed his friend was carrying three colourful eggs in his little arms. They reminded him of the glowing eggs of that strange creature, except they weren’t glowing. He wanted to ask where Gorrash had found them, but his mouth wouldn’t respond.

“Anyway,” said the dwarf, “You’d better come this way, there is a wooden house with a fire burning inside.”

Fox looked at the dwarf jumping over the thick snow as if it was a game. He hesitated but decided to follow. He had nothing to lose.

They soon arrived in front of a wooden house. The door opened and an old lady got out, opening an umbrella. She was waving her other arm and saying something that Fox couldn’t hear with the raging wind. He continued to advance and the old lady looked horrified. She hurried toward him still talking. Fox eventually heard what she was saying.

“Don’t come closer! My house will not resist that blizzard.”

It was so strange that Fox stopped where he was. The old woman had no difficulty approaching despite the wind and the snow. When she was close enough, she covered Fox with the umbrella and the world became still around them.

“Is that a magic umbrella?” he asked.

“Sort of,” said the woman. “It’s more of an anti-curse thingy that my friend Mr Minn gave me some time ago. I didn’t think it would be useful, until today.”

“Margoritt Loursenoir?” repeated Eleri, a frown furrowing her brow as she considered the unexpected proposal. A detour sounded appealing, particularly as she had been considering just buggering off anyway. She was in no hurry to encounter that rampaging statue that had come to life and was hunting her down. Perhaps she would be inspired by the author to continue her own writing.

Decision made, she announced to Yorath, “Lead on, my good man! I will accompany you. But only if I can borrow your red silk jacket,” she added, thinking it was worth a shot to get her hands on that divine fabric.

Liz thought about it for a moment, having a sudden inspiration. “No. No, let’s keep her. She might come in handy,”

Finnley wondered what strange plot was brewing in the rude, dictatorial, bossy tarts mind, but refrained from commenting.

“But we must be vigilant. Tie her up or something until we know what to do with her,” added Liz. “Oh, and be sure and gag her, too.”

“I’m not quite sure that fits my job description…” Finnley started to say.

“Get that new gardener to do it then, I heard rumours that he was into bondage, he will know what to do.”

That night Glynnis had a strange dream. She knew that it was no ordinary dream and in the morning diligently recorded it in her dream journal.

I was walking on a windy path through the forest. A young woman with bizarre hair and a cackling laugh appeared before me, blocking my path.
“Tell me your name!” I commanded.
“My name is Eleri, and I have a parrot to accompany you on your journey.”
“A parrot! What would I do with a parrot?”
“This is no ordinary parrot. This parrot can tell jokes,” responded the woman.
“A funny parrot! Well why didn’t you tell me that in the first place. Give me the parrot and I will be on my way.”
“Hold your horses. It’s not such an easy thing as that,” said the woman. “It never is you know. First you must tell me what is going on.”
I sighed and handed her a manuscript. “Read this a dozen times and all will be made clear.”
A look of petulant fury distorted the young woman’s face.
“ Tell me what is going on, you rude tart!“ she said crossly.
Here is what I told her:

Glynnis is a young woman living in the enchanted forest in an abandoned mansion. She practices magic and has a great affinity for nature. She also has the face of dragon after she annoyed a powerful sorcerer. She is being troubled by dreams which seem to be calling her on a mission—the purpose of which she is unsure. Glynnis sells her potions at a stall in the city. One day she finds a map hidden behind a painting and knows that she needs to follow the path shown on the map.
Rushkan is fae. He works as the city ‘chief overseer’ looking after the clock tower. He isn’t that keen on his job. Rushkan has a half-formed vision to assemble a team but for what purpose he is not sure. He has also discovered something worrying, dark even, about the clock tower.
One day, Rushkan uses his magic to call for an Oliphant. He packs a small bag of belongs and departs on a journey. Before departing, he leaves a gift for Olliver, the office errand boy.
Rushkan is a little irritated to find that the forest has been fenced off and a toll-booth erected—who wouldn’t be annoyed by this needless bureaucracy? Anyway, after farewelling the helpful Oliphant he continues his journey on foot.
He hears a cry for help and comes across a dying Gibbon. The Gibbon entrusts her infant to his care. He takes the baby—named Tak—to an old woman who lives in a lodge close to the Dragon Heartwood: Margoritt Loursenoir, a writer. It seems Tak is a shape-shifter and can also take the form of a child. Perhaps that is his true form. Rushkan stays with Margoritt for a while to recoup but it isn’t very long before he feels compelled to continue his journey to find the hermit, Kumihimo,in the forest. Kumihimo seems to be weaving seven braids.
To get to the hermit Rushkan has to cross Fae land. He isn’t overjoyed about this because he has left the ‘old ways’ of his people. Rushkan has to declare his presence to the Fae people—it’s a rule. The Queen is a bit annoyed because her empire is not as powerful as it once was and she has had to use precious resources to protect Rushkan on his journey. Anyway, she doesn’t stay uppity for long and ends up in bed with him.
Gorash is a dwarf statue who abides in the grounds of the deserted mansion in the enchanted forest. At night he comes to life. He has a friend called Rainbow. Gorash assists Rainbow in stealing Glynis’s magic potions and they make seven colourful eggs which Rainbow is infatuated with.
Mr Fox lives in a hut outside the city walls. At sunset he can shapeshift into a fox. He prefers being in animal form. Fox is quite a character. Not much gets past him.
Fox’s master is a Gibbon who taught him how to shapeshift. After going on a journey into the forest to find Gibbon, Fox is told that it is time to learn the wisdom of the Heart. Gibbon gives Fox an assignment: “You’ll find a lost soul in the enchanted forest. Bring it back to its rightful owner. Then you shall find your master.”
Fox goes back to the mansion in the deserted forest just as Glynnis is leaving on her journey. He befriends Gorash who has become increasingly lonely since Rainbow now has the eggs.

“That’s brilliant,” said the woman called Eleri. “You should probably get lots of points for doing that.” She gave one more loud cackle and shouted: “I am off to pick some mushrooms. You will find the parrot when you wake up from this crazy dream!”

The night was almost there, the dwarf would come out of his heavy daysleep any minute now. Fox had been collecting mushrooms along with twigs and branches to make some fire. He hoped the constant drizzle of these last few days had not rendered them too wet.

The differences of his needs and cravings depending on his being a fox or a human had always amazed him. When he was a fox, he feared fire and would avoid it at all cost. When he was a human, he couldn’t spend a night out in the cold without a fire. His body was simply not good at keeping warmth inside when he had no fur. Today was no exception and Fox was certain the dwarf would also appreciate it to get rid of the cold of the stone.

After piling up the wood for the fire, Fox smelled his harvest of fresh mushrooms. He imagined them accompanying a good rabbit stew and felt saliva water his mouth. His diet as an animal was mostly meat, whereas as a human he was oddly attracted to vegetables, and even enjoyed the taste of mushrooms. He might not enjoy them so much had he not met a girl once, so long ago when he was a still a cub learning to transform into a human. He remembered the girl had said she was called Eleri, which he had found amusing because in French “Elle rit” means “she’s laughing”.

“How do you know French?” she had asked.
“Oh! My master Gibbon teaches me French, he says it would give me another way of thinking the world.”
“Your master must be fond of Romance stories,” she giggled.

Fox didn’t really understood what she meant by that, and he thought it was not so important because what she had in her bag smelt so funny.

“What’s that?” he asked.
“You want some?” She handed a bunch of butterstache fungi to the handsome redhead boy. “I realise I don’t know your name.”

“I’m Fox,” he said his eyes fixed on the strange looking things in her hands. He sniffed and wrinkled his nose. “Is it safe?”

He remembered the look of incredulity in her eyes, her beautiful eyes. She was the first girl he had seen. He didn’t know much about humans except what Master Gibbon had told him in French, which didn’t really make sense at that time.

“It’s totally safe, you might only have some funny experiences if you take the wrong ones in the forest,” Eleri laughed and Fox remembered the meaning of her name in French. He thought the name suited her well. He accepted her gift, for her eyes, and for her sincere laugh.

Since that time, eating mushrooms was always coloured with joy and a sense of daring. The last rays of the Sun faded away.

“It smells like mushrooms, and butterstache if I’m not mistaken,” said the raspy voice of the dwarf.

“More bones?” asked Yorath, smiling, as Eleri caught up with him on the forest path.

“I ask you, why is it,” she asked, leaning against a tree to catch her breath, “Why is it that we collect bones to make a complete one, but never go back to the same place for bones?”

Yorath paused and turned, raising an eyebrow.

“Never mind, don’t answer that, that’s not what I’m getting at ~ not now anyway ~ I just remembered something, Yorath.”

He waited expectantly for her to continue, but she didn’t reply. He mouth had dropped open as she gazed vacantly into the middle distance, slightly cross eyed and wonder struck.

“You were saying?” he prompted gently.

Her attention returned and she grabbed his arm and pointed down towards the lowlands. “Look! Down there,” she said, giving his elbow a shake. “It was down there when I was a child and it was that one day in spring and I saw it. I know I did. They all said I read the story first and then imagined it, but it was the other way round.” Noticing her friends unspoken suggestion that she slow down and clarify, Eleri paused and took a few deep breaths.

“I’d sort of half forgotten about it,” Eleri laughed. “But suddenly it all makes sense. There is a legend,” she explained, “that on one day of the year in spring all the things that were turned to stone to hide them came to life, just for the day. One of my earliest memories, we were out for a picnic in the hills on the other side of the valley and everyone had fallen asleep on rugs on the grass, and I wandered off. I was four years old, maybe five. You know when you see a rock that looks like a face, or a tree that looks like an animal or a person? Well on this one day of the year, according to the legend, they all come back to life ~ even the clouds that look like whales and birds. And it’s true, you see, Yorath. Because I’ve seen it.”

“I’ve heard of it, and the tree that guards it all comes to life, did you see her?”

“Yes. And she said something to me, but I don’t remember what the words were. I knew she said something, but I didn’t know what.”

The door whines on rusty hinges as Glynis shuts it for the last time. She hesitates, thinking. It doesn’t seem right to lock the door but still she tucks the key away in the bottom of her bag. This small act gives her a sense of entitlement, the feeling she can return whenever she chooses.

Funny things … keys, Glynis thinks, briefly remembering a pretty carved treasure box with a key-hole she had as a child. Nobody knew where the key was or if there ever was a key. She lets this small memory slip through, inconsequential as she knows it to be.

This house has been her safe place for so many years. It has welcomed her in and cradled her when she could barely move with grief and loss. And though at times she has sensed the presence of phantoms and ghosts in its aging walls, not once have they given her trouble or even acknowledged her presence.

This morning as she is leaving, the sadness threatens to overwhelm her. And though the day is already bright with sunshine and birdsong, sorrow has settled on her like a heavy mist, greying her spirit. In this sadness Glynis can allow herself no thoughts of past or future, there is just the present moment and in its sanctuary she must stay.

A gust of wind sweeps through her hair before it slips away into the forest to rustle the leaves.

Inviting her.

Kumihimo was rummaging through the content of a wooden chest at the back of the cave. According to the smell it had spent too much time in the dark and humid environment. She might have to do some spring cleaning one day. But the chest was now too heavy for her to carry. I need an apprentice for this, she thought not knowing if if was a wish or a regret.

In that chest, she had her many tools of the thread. Some were made of bones and she had carved them herself under the direction of her spirit guides. Each one had a specific purpose, either to catch, to extract, to guide, or to dissipate, and many more usages that even she had forgotten after so many years spent in that place.

She had accumulated so many things in that chest. Fortunately she liked miniature, and most of her creations were seldom bigger than her little finger. However that made it difficult to keep things in order and finding something was often a real challenge. So she sang lullabies to lure the object she was looking for out of their sanctuary.

Victory! she exulted in the ancient tongue, which would translate also as ‘I have done all that is necessary to harvest the benefits of the next crop’. Kumihimo liked simple things and she liked when one word could signify a very complex meaning. Under an old donkey skin that she often used to camouflage herself when she was going down in the valley, she had found the loom she had been looking for.

The loom was made from the right shoulder blade of a bear. It was one of the first objects she had carved when she arrived in the vicinity. It had a yellowish patina and felt very smooth in her hands. Its shape was octagonal and each side had seven notches under which were three rows of symbols, some of the ink was gone after so many years, but she could still feel the groove where she had carved them. She smiled at the fond memories and at the dear friend who allowed her to take his bone when he died of old age.
In the centre of the loom was a heart with a circular hole in it. It was where the braid would emerge.

Holding the precious object, Kumihimo could feel all the braids she had already made and all the potential braids that waited to come into existence. She felt warmth bloom in her heart at the task at hand.

Each notch corresponded at the same time to a time of the year, to a direction on earth and in the sky, and some rather obscure references to many other phenomenon and concepts. The weaving depended on very complex rules that she had discovered from experience. Actually the meaning weaved itself into the braid through a subtle interaction between her and Spirit. That way she didn’t have to bother about what to do or what notch to use as it would all unfold during the weaving.

She stood up and walked outside. The day was still young and she had a lot to do. The weaving ceremony was an act of spontaneity, but it required some preparation. She put the loom on a round rock to dry in the Sun and went to examine the hanging threads. She had to choose carefully.