Search Results for 'come'

Bert raised an eyebrow at Elizabeth’s obvious sarcasm, which unfortunately caught her eye and put him in the spotlight of her penetrating gaze.

“How about you Bert? Were you listening?” she asked, raising an eyebrow of her own to match Berts.

Finnly, always on the lookout for an opportunity to out do Liz, raised both of her eyebrows simultaneously; then looked quickly down, pretending to examine her nails.

Bert decided that in this case honestly was the best policy and replied “No. I was wondering if Prune had cleaned up the blood spattered corridor.”

While Liz was momentarily speechless, Finnley quickly interjected another line from the book she had hidden under the table.

“Then why did none of us hear the blood crazed howl?”

“Ah! Aha! I’ll tell you why nobody heard the blood crazed howl!” Elizabeth had become alarmingly animated, leaning forward and rapping sharply on the table with her cigarette lighter. “The walls of isolation that surround you, the windows you keep closed and shuttered for fear of a draft of passion, the fences of barbed trotted out dogma you use as protection ~ but I ask you, protection from what?”

“Buggered if I know, Liz. Can I go now?” said Bert.

Flora came to her senses muttering something about a coachload of American tourists in Italy. Bert had been the first to arrive at the scene of the accident. Not one to flap in a crisis, he calmly picked up the injured woman and carried her to the sofa in the living room, instructing Prune to fetch the mop and clean the blood off the floor. By the time Bert had seen to the wound on Flora’s head, she was starting to come round, muttering gibberish and apparently confused.

“Where am I? Is this Florence or Rome? Am I late?” she asked, telling Bert she was perfectly alright now thank you, although she clearly wasn’t.

“No, you aint late, dear, it’s still quite early,” Bert replied soothingly.

“But I must get to the Vatican Library, I must be getting on now,” she said, trying to stand up.

Bert gently but firmly pushed her back down, saying, “Have a nice cup of tea first, plenty of time for that later.”

“What the dickens is going on now?” asked Mater. “What’s all this about Rome? Anyone seen my reading glasses?” she asked, peering around the room from the doorway.

Bert explained briefly, and asked Mater to sit with Flora while he went to make the tea.

Mater:

I am picking some grass for the guinea pigs. Delicate wee things; they don’t handle the heat well and I have moved them to the shelter of the shed. The wind has come up strong and I am enjoying the cooling it brings with it. The long grass bends away from me as though seeking safety from the scissors I hold in my hand. For a moment the wind subsides and I can feel how the sun is burning my neck so I take refuge in the shade of a tree.

Thinking time.

I heard Prune crying out last night in her sleep. She had already fallen back asleep when I went to check on her. It crossed my mind when she cried out that she may have seen the ghost too. I asked her about it in the morning but she did not seem to recall her nightmare.

“I slept liketh a log but I thanketh thou for thy kindness in asking dearest Mater,” she said to me.

”Enough of that cheek!” I told her, but was privately relieved she was okay.

Anyway, It has been twice now. I wake and there he is, over by the antique oak chest in the corner of my room. At first I can’t move or call out. And by the time I can he has gone. When I say “gone”, I don’t mean he walks out the door. He just sort of fades away. He has his back to me so I can’t tell you what his face is like. All I can tell you is that he is tall and he has on a blue robe, in a silky fabric, almost like a dressing gown with a tie in the middle.

There, I have told you now. You may be thinking it is just a silly old woman’s dream. But you don’t get to my age without having plenty of dreams, and this was nothing like any dream I have ever had.

Aunt Idle:

Flora arrived, hot and dusty from the travelling, in the late afternoon. A shower and a well iced gin and tonic soon revived her, and I got the girls to see to supper and the oddball in room 8, and asked Bert to keep an eye on them while Flora and I sat on the porch. It did me a power of good to sit chatting and joking with a friend, a woman of my own age and inclinations, after the endless months of nothing but the company of kids and old coots.

She looked pretty much the same as I’d gathered from the videos and photos online, although her bum was a lot bigger than I expected considering her slender frame, but she was an attractive woman with a merry gurgle of a laugh and warm relaxing energy.

I asked her about the video she was planning to make, but it all sounded a bit vague to me. “Frame” it was to be called, and there were various period costumes involved and a considerable amount of improvisation, from what I could gather, around the theme of “frame of reference”. What that meant exactly I really couldn’t say, but she said we were all welcome to play a role in it if we liked.

We’d been sitting out there until well past sundown, enjoying the cool evening air and a bit of Bert’s homegrown pot, posting selfies together on Spacenook and giggling at the comments, when we heard an ear splitting scream coming from an upstairs window. Flora looked at me with a raised eyebrow, and I just cracked right up for some reason, don’t ask me why. I laughed until the tears were rolling down my cheeks, and my ribs ached. I tried to stand up and fell back in the chair, which made me laugh all the more. I was wiping my eyes with a paper hanky when Clove appeared, saying Prune had had a nightmare.

“Oh thank goodness for that!” I exclaimed, which set me off again, and this time Flora joined in. I did wonder later when I was getting ready for bed what she must have thought about it all, me having hysterics at the sound of a screaming child. But it did me a world of good, all that laughing, and I was still tittering to myself when I lurched into bed.

Bert crept past room 8 again, listening. There it was again, the voice of a woman. How the heck did the dusty old geezer manage to smuggle a woman into his room? It didn’t make sense, there were so few people in the town that a strange woman would have been noticed, someone would have mentioned it. And the woman had a strange accent, Bert couldn’t place it, but it wasn’t an accent he was familiar with. Sounded almost old fashioned, although he couldn’t be sure. His hearing wasn’t so good these days. A foreign woman in town, and not a mention anywhere? No, it didn’t make sense.

Bert had a few jobs to do, but wanted to keep an eye on the door of room 8. Whoever was in there would need to come out to use the bathroom sooner or later. He decided to ask Prune to keep watch while he fed the chickens, Prune would enjoy keeping a secret, and he wanted to keep quiet about his suspicions until he knew a bit more. Nobody would find it odd to see Prune lurking around in a dark corridor.

“Do you not see that satchel o’er yon upon that fine stout table? Do but hand it this way, noble sir.”

Prune pressed her ear to the door and frowned. It was a woman’s voice, but what was she on about?

“Your Grace, I would sit with thee and spake…”.

Her name must be Grace, deduced Prune, wondering why the old dusty bugger was speaking funny as well.

“…..whence I have received from thee the artefact. Get to it, you lay about excuse for a man, I do ha’e me most urgent and important things to apply my considerable value upon.”

What a rude tart, thought Prune, and she hadn’t even paid for a room. She heard no more from inside the room because at that moment Aunt Idle came roaring and crashing down the corridor with the hoover. Prune scuttled off past her and went to find Bert.

Prune had just started to explain to Bert about Grace when Mater came beetling across the yard to join them.

“Bert, where’s the fish gone?”

Bert and Prune looked at each other. “What fish?”

“The flying fish that’s been hanging on the wall all these years, it’s gone,” she said, pointing towards the house with her walking stick.

Open mouthed in astonishment, Prune raced back to the house to check for herself.

Aunt Idle:

After all the fuss had died down about the missing Mater, I lost interest in the map and the strange note. It was as if the distraction interrupted my train of thought (some might say another of Idle’s hamster wheels, or another ludicrous tangent), so I gave the maps back to the girls and the mysterious note was mostly forgotten. If it meant anything, well, sooner or later it would become clear.

Truth be told, it wasn’t just the fuss about Mater that distracted me, it was the phone call from my old friend in New Zealand. Flora Fenwick was making another of her arty party videos, wanted to come over to check out some of the empty properties for filming. I’d seen all her arty farty party videos online, and we’d been friends for years via Spacenook, but we’d never met in person.

The timing was perfect.

“Good Lord, what’s all the fuss?” I asked, walking into the kitchen. “You all look like you have seen a ghost.”

Exhausted by my busy day, I had come home and gone straight to bed. I had slept through dinner and had come downstairs thinking to fix myself a wee snack and a cup of hot chocolate.

And walked crash bang into some sort of a drama going on.

Another one!

Aunt Idle:

I took the rolled up bundle of torn maps into my bedroom and locked the door. I turned the key silently, almost furtively, and then leaned my back on the door. If there had been a security cam in the room, I’d have looked to anyone watching like I was over dramatizing. Ham acting drama queen. Hoped none of the Laptop Lazuli’s, my remote viewing buddies, were tuning in. Thinking about them gave me an idea, but I’d think about that some more later.

After spreading the maps on the floor and sending a half dozen dust bunnies scampering off, I went over to my desk to get the note. I found it in the end, after flapping a bit when it wasn’t where I thought I’d left it.

It didn’t take long to start matching up the letters on the note with the holes in the maps. I started jotting the place names down as best as I could work it out, and of course there were plenty of letters on the note without a corresponding map segment. But it was clear that the letters on my note had come from these maps.

The funny thing was, and it was more creepy than funny, was that all of the places on the map with a missing letter were places of particular significance to me. Either I’d been to that place, or it was a place in The Tales, the stories I’d been writing with the Lazuli’s online.

One of the I’s was from Paris, one from Sri Lanka and another from Siberia. There was an R from New York, a D from London and an H from Shanghai, and so on. After awhile I started to notice that all the letters on the signature of Hilde Didier were from locations in The Tales, and that the content of the note, so far, was constructed of letters ripped from places I had been to. Places I’d been to where I’d left in a hurry.

I needed to find the rest of the maps to complete the picture.

Corrie:

Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.

“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”

How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.

Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.

Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:

“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”

Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.

Sighing, I refocused on the article.

“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”

No mention of a room full of map covered mannequins in the Brundy place though.

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

“Godfrey, go and put the kettle on. Finnley wants a cuppa. Finnley come and sit down and tell me all about it.”
“All about what?” asked Finnley.
“Anything, dear, just make something up. The whole world is insane, and I’ve decided that the only solution is to ..to….”
“Godfrey, don’t just stand there with your mouth open like a goldfish, put the bloody kettle on. Liz needs a cuppa,” said Finnley.

Mater:

I feel myself moving slowly today. The thought of death and my poor little guinea pig is still nagging. It occurs to me that perhaps I am walking slowly because I don’t want to move too fast into the inevitable.

Or perhaps it is just that I did not sleep so well last night. It is so damned hot and night time offers little respite from the heat.

At least the kids have stopped fighting. I worry about them. Always shut away in their rooms on that internet thing.

I am so tired. More tired than I should be. It is not the usual aches and pains. Something feels wrong. I have made up my mind to go and visit Jiemba, the local aboriginal healer. It is a wee bit of a walk, so I will need to start early, before the heat gets up. I don’t want to ask Dido to take me. “Just go and see the doctor in town!” she will say to me. For all her alternative ways, Dido can still be pretty closed minded about some things—and she thinks I am a crazy old fool anyway.

But I think Jiemba has the gift—special healing powers—and he comes from a family of aboriginal healers. His father was a healer and his grandfather too. I went to see him once, his father, years ago. My back was bad and the doctor in town said I would need an operation. He did some chanting, calling up spirits I think, put his hand on my back and pulled out a stone. He said the stone was the sickness causing my back pain, or some such thing. I was sceptical at the time, but my back never did give me any more bother. I’ve read up on it since then and I think there is something in it all. The older I get the more I realise I don’t know it all.

Besides, there is something else I want to ask him about and I don’t know who else I can talk to. That’s the problem with getting old—one of the problems anyway—people tend to assume you are losing your marbles if you say anything out of the ordinary.

But I think the Inn is haunted.

Another bang on my bedroom door, my hands suspended over the keyboard. “Go away Prune!” I shouted, exasperated. “If you bang on my door again, I’ll come out and give you such a wallop, now bugger off, will you!”

“It’s me, Corrie” came Clove’s voice. Walked over to the door and unlocked it. A chat with my sister might help me with this project. Unlike Prune, who would be guaranteed to disrupt my train of thought.

Locking the door again I tell Clove what I’m writing about. We don’t go to school, me and Clove, we’re what they call “homeschooled” but what that actually means in our case is that we’re left to our own devices most of the time. Aunt Idle asks us (when she remembers) what we’ve been working on, and as long as we’ve been writing something or researching something, she’s happy.

So when I saw the group project about alternative timelines to avoid the disaster timeline, I had some ideas. Well, to be honest, I didn’t have any definite ideas until I saw the other suggestions. All Americans, and all of them talking about changing the timelines by changing the results of presidential elections!

“Not much chance of a different timeline there then!” remarked Clove astutely.

“Exactly!” I knew Clove would get it, she knows were I’m coming from, but then, everyone knows twins are like that.

“So this is what the plan is, right: “The goal of this exercise is to discuss amongst the group and choose significant past moments, and then As a Group, focus on creating alternate histories, thus sparking alternate timelines. We should vividly imagine moving forward from those probability forks and creating a more viable and desirable future.” Oh, and this bit here: “ our current timeline is convoluted to the point where many probabilities are leaning towards a disaster scenario simply to shake out of the current focus.” And then all these suggestions about different presidents, and then this: “My suggestion would be also to consider how we would like our current time frame to appear,” so I’m thinking…”

“I’m thinking” interrupted Clove, continuing my train of thought, “Of all those states and communities that got with the programme ten years ago, and took their kids out of school and built those Earthships so they didn’t need money for water and electricity..”

“And started cooperative worker owned businesses like they do in South America….”

“And they all started a guaranteed basic income years ago, so everyone was doing what they did best, especially the kids, cos they had such great ideas and weren’t stuck in boring schoolrooms…..”

“and there was no poverty, and nobody without a home…”

“Yeah, and they all stopped paying taxes so there was no money for the military, and then loads more people stopped paying taxes too…”

“Good one, Clove!”

“So nobody gave a fuck what president was elected anyway, because they were all sorting themselves out, and those states and communities were doing so well…”

“Because they’d already been doing it for years” I added.

“…that other states and communities started doing it too.”

“So that it snowballed, like dominoes, and there were more and more of these places..”

“And they had exchange students and stuff like that to learn from each other, and shared stuff online..”

“So when the disasters struck, it wasn’t half so bad because there were already a bunch of people managing perfectly well without dollars or oil, and they could help the people in the disaster. Makes more sense that electing another blimmin president, huh?”

“Bloody obvious if you ask me” replied Clove. “Pity we don’t have basic income, did you see Mater’s face when she was talking to that debt collector?”

That made me laugh, remembering her waving the stick around. “Her face was as purple as her cardigan.”

In unison, we both starting singing Start Wearing Purple and dancing around, acting the fool. I had a purple wig hanging on the back of my chair, so I put that on, and Clove grabbed a purple feather boa off the coat stand. No shortage of wigs in this town, though god only knows why. Just about every damn trunk in every empty house is full of wigs.

The first time one of the guinea pigs died I went up to my bedroom, closed the door and cried. Not just cried. I sobbed my eyes out. Great gasping sounds such as I had not uttered in many a long year. An old lady shouldn’t be crying like that over a damned rat-like critter so I made sure no one else heard me. It’s peculiar that it took me so hard, because I always disapproved of the children having pets. It was that Prune. Begged and pleaded with her Aunt Dido when they went into town one day. And Dido is so damned soft with the kids. I’m always telling her that. Not that she listens. Spoils them rotten to make up for them not having parents around when what they really need is a good slap across the backside. Of course the lazy child cared for the poor wee things for about 5 minutes before she got bored. So I took over their care. Now another one is poorly and I can feel the familiar fear clutching at my heart.

Death. He’s got his ugly scent all around this damned town.

Like that debt collector that came by this morning. I could smell death on him soon as I saw him at the door. I got rid of him quick smart. Told him I couldn’t hear a word he was saying and shook my walking stick at him. It’s not my walking stick—I can still walk just fine. I can even get a bit of a gentle jog going if the situation warrants it. No, I found it at the back of one of the cupboards when we were cleaning out the guest rooms. It sure comes in handy sometimes. Nothing like a bit of walking stick brandishing to show who’s the boss around here.

He’ll be back of course. With some big fancy official letter and maybe a bit of back up next time. Now he knows who he is dealing with.

Most of the houses in Bonemarsh were uninhabited, in various stages of dust and decay. A number of them had been left with their interiors intact though, as if the occupants had just not come home from work one day. Exploring the empty houses was a wonderful game for the few children left in the town ~ full sized play houses, complete with full sized toys. No tiny prams or miniature tools were required to play pretend with, as they had the real things at their disposal.

Exploring the wardrobes and trunks under the beds had given them many strange costumes and unexplainable objects to play with. The children didn’t really wonder about all the wigs, not at the time, they were just delighted to have so many to play with. Later, in retrospect, they wondered why a mining town had quite so many wigs.