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Linda Paul was reviewing the leather-bound copy of the anthology of Walt van Wharff works she’d received weeks ago from an anonymous source. Van Wharff was apparently from XVIIth century in Newherland a leading authority in walvissen wetenschap or whalology as it were.
Linda wasn’t really even remotely interested in whales, but the book had picked her curiosity, or more exactly, the pink post-it on it, signed with a glitter lipstick lips mark, on which was written in some mysterious handwriting PBWY AND BO if you see that dearie, you know what it means

She had no clue what it was about, but the antique book had some interesting qualities, and she soon had found herself inexplicably engrossed in its reading.
The theory behind it was baffling, dealing with whale sightings, aperiodic tiling and crystal diffraction, but she managed to intuit that it had to do with detection of whale migratory patterns.

Given the literary quality of the book (or lack thereof) and his very confuse language constructs, its author was by no doubt dead in a state of miserable unfamousness. Notwithstanding, Linda Paul understood there was an unfinished equation that would reveal when they would appear next, which was likely to reveal a huge crystal of exotic properties.
So long as it glittered, she was already hooked onto that quest.

A few investigations and equations-solving on her ezapper later, she had found the next coordinates that she’d texted to her only current operatives, Sadie and her misfits.
She hoped they wouldn’t sabotage this one, and thus offer them all a second chance to book a full season for their adventures.

Jonbert had developed an interesting theory while doing his morning ablutions about time travel and catching butterflies. He had a gorgeous butterfly nursery inside the submarine, and got the strange idea that trying to fiddle with time was like catching a prized butterfly among lots of others looking alike.

His thoughts were interrupted when the horn signaled they had arrived in 2222 in one of the blind spots of the ocean’s depths close to the particular spot where… some interesting butterflies would be attracted.

The submarine was mostly entirely roboted. There was little for him to take care of, so instead of pacing around in his tartan kilts, he sat back in a comfortable 1980s garish sofa from his antique collections, and revisited his memories in his memory palace.

He had taken him great patience and cunningness to hatch the plan. Through many of his Time Tourist outlets and a few shell corporations, the last of one which was named Vague, he had manipulated events to design and hire the Drag Queen time contest. Drag queens wasn’t the original plan, more of an unexpected deviation, not that it really mattered. All he needed was just one mission. Then, he only had to make sure the contestant would be diverted to a carefully selected time zone, and given a key to smuggle.
The key wasn’t really important, what it collected along the way was.

For him to be able to breach the Time wall of 3333, he needed vast amounts of gold, and to his knowledge, it could only be accomplished through true transmutation.
Artificial gold, like artificial crystal wasn’t created as good as it gets in nature, and for some reason wouldn’t remain stable enough as the machines were propelled too far in time. Of course the irony of that was a conundrum in itself and wasn’t lost to him: after all, wasn’t transmutated gold just artificial too? After what centuries had managed to push as boundaries and envelopes, he wasn’t sure any longer what was artificial or natural. And it was his last ditch effort at living everlastingly.
He didn’t care if he could just chose another of these holobodies to project his thoughts into, he was old school, and stubborn to a fault. He had to see it through, even if, and especially if so many before him had failed.

The key was designed to capture a complete hologram of the person who seemed to have accomplished the transmutation recipe he desired: St Germain.

The tunnel-sliding in the jelly cart was actually much smoother than the zebra ride prior. “Bless those frogs, aren’t their croaking some delightful melody of the spheres to our ears?” Sanso in his wetsuit was oblivious to the slime around, grinning as widely as a puppy with an old boot to tear to pieces.

Bless that jelly cart… Sadie was thinking instead, beeswax in her ears, thankful for the heart of silence and peace inside. Save for the chitchat of the others, she could temporarily forget about the ezapper (slide safety measures prohibiting the use of ecletical devices during such travels), and retreat in the sweet serenity of her inner peace.

That was,… until the image of Linda Paul abruptly came into her inner eye, almost having her buggering it off with wild manic gestures and in a string of loud swearwords — an emotion which she immediately managed to turn into nothingness, but sadly not the image.
It was a memory of what she’d told her before they left.

It’s high fucking time, honey pie… she’d told her. High fucking time you find yourself a fucking amazing Drag Queen name, sweetie bee. Look, she’d said, drawing closer with an air of grand voodoo priestress, this ain’t no fucking small talk, this is important.
I can come up with ten thousands of names in a minute for you, but you got to choose for yourself.
Sadie had almost rolled her eyes, but just mentioned as lovingly as she could. “Am I not a bit too… female for that?” To which Linda had burst into laughter hysterically, then continued with even more compunction. “Ain’t nothing to do with gender, sweetie, I thought you knew that much.”
“Besides, offering yourself your Drag Queen name is an act of love and empowerment. You should try it when you’re ready. And then, you’ll accomplish miracles.”

Not that Linda Paul was known for euphemisms or understatements, but Sadie found she might give it some thought.
If only to get rid of that annoying affected voice in her face.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

“Oh fuck off” the words came out without her usual countenance.
Fuck the Queen and motherfucking King, and fuck all of that, and the fuck with those stupid drags in tow, I’d better ask for an extraction team right away. “Oops, sorry no budget love” would most likely be the answer.
Fuck fuck fuck. FUCK FUCK FUCK. Sadie was hysterical for a moment.
It felt good, and she knew she had to feel good above anything else.

“Sorry love, I was a tad busy with the whole time travel department reorganization. Had to call HR to fire some of these incompetent nincompooptarts. Can you imagine they not only manage to send you in the wrong period but also… I’m ranting now, sorry about that sweetie pie.

“Look, there’s no nice way to put it, so I’ll cut to the chase. The show’s been canceled by the cable network big potatoes. Too darn expensive not enough audience. You know all that jazz. I tried to argue, but all they wanted was excitement, glamour and bitching and yeah, all they got was a black tunnel and some green vomit. Got to admit, there’s no amount of special effects and sewing mojo you can raise to make your bitches look great in those dresses. Face it darling, they deserve gorgeous, but they’re still as ugly as sin.
Hell, I guess those shareholders twats just couldn’t stand the marvelooks of us…, now I’m ranting again.

“Long story short, forget about the ferret, keys and whatnots and get your pretty asses all right back as fast as you can or they’ll pull the plug out of the time sewers. And you know very well what that means for ye all.”

An ominous sound effect played from the ezapper. Darn Linda Paul always had to amp up the drama.

“And how are we going to lip-synch?” Terry said in horror, realizing the XVIIIth century sound system left too much to be desired. No glittering disco ball, no laser effects, gosh it would be like being naked on stage…

“Well, glad you asked”, Sadie said looking at her ezapper. “You see, this little device can do wonders, such as projecting very convincing holograms to create the most amazing scenes with little props needed, but I’m afraid, it needs a little boost in our case.”

“It needs juice now?” Maurana wondered.
“No, that much is OK, thanks to some fish extract, its battery is now fueled back on for days. All it needs now is an amplifier. That was one of the use of the ferret key, you see.”

“So no key, no extravaganza?” Consuela said with tears in her eyes.

“If you must spell it out that way, yes… But of couse, you can still complete the show without any special effects.” she added mischievously

All three of the queens recoiled in horror at the heretic thought of them performing without any of those bare necessities. The thought of them singing acapella was enough to give them nightmares for days.

“Who are you? Are you part of the show?”
The dragqueens had not noticed the four actors coming in the chapel, who were now standing in the aisle with some doubt clouding their faces about possible unexpected competition.

“And who are you?” Sadie returned the question with suave authority.
“The Wonderful Theater du Soleil, ma chère. You have in front of you Geoffroy du Limon, Lison Tailleur, Jean Pastisse, and Francette Fine, à votre service.”

“Well, that was almost too easy…”
Despite his weight and the various layers of clothes, Reginald who had struggled to get back into Maurana Banana’s tight costume was the first to realize what had just happened, and had rushed to the statue to snatch the prized crocheted ferret, beating Consuela and Terry by a short hand.
Sadie looked with a slight hint of disapproval at his XVIIIth century apparent undergarments, but was glad that this was resolved so efficiently.

“The prize is inside the ferret, ladies.”
“Off with your grabby hands, you tart!” shouted Maurana batting her eyelashes ferociously at Terry Bubble who wanted a closer look at the intriguing tear in the fabric.
“Oh leave it there, you silly bitch, now you can gloat with your tarty breeches, you haven’t get half your costume ready” Consuela was starting to enjoy the argle-bargle.

“And what should we do now? Wasn’t there supposed to be another one?” Maurana turned to Sadie.
“We’re in luck. Obviously there always has been a plan B, dear. The second one was a decoy for the Russian team, I just got it confirmed from the tagging chip of the toy.”

Everyone was hanged to her words, which was a satisfying moment, not so much for the riveted attentions on her loving person but for the temporary silence. Sadie milked it for a few more seconds before adding.

“Let’s open it up carefully, there is a key inside we need. Then, you only need to do one thing before we go home. Get on that scene at the Opera, rock the audience, and we’ll get down the Time Sewer off to our time and your prize.”

She pause before adding, looking down at Maurana’s breeches. “There is obviously some prep’ work left to do.”