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March 2024

The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

“Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

As always, no hello, no question about his health or anything personal.

“I didn’t want it”, Lucien said, his voice calm only on the surface.

“It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

“I already told you, it’s not what I want. I’ve made my decision.”

Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

“Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

“We’re never finished”, Lucien muttered as the line went dead.

Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

“You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

“What have we here?” He asked, his voice bordering on disdain.

Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

“It’s personal”, he said, his voice low.

Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

Lucien nodded towards the covered stack of canvases near the wall. “Done.”

“Good. They’ll come tomorrow and take the lot.”

Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

Spring 2024

Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.

On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.

Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.

The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.

The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.

Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”

Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”

Matteo tilted his head, intrigued. “You mean you’ve drifted?”

Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”

Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.

Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”

Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.

Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”

“Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.

Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”

“Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”

Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.

For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.

The luxury of an afternoon nap was one of the finer pleasures of retirement, particularly during the heat of an Italian summer.  Elara stretched like a cat on the capacious sofa, pulling a couple of kilim covered cushions into place to support her neck.  She had only read a few pages of her book about the Cerne Abbas giant, the enigmatic chalk figure on a hill in Dorset, before her eyes slid closed and the book dropped with a thud onto her chest.

The distant clang of a bell woke her several hours later, although she remained motionless, unable to open her eyes at first.  Not one to recall dreams as a rule, Elara was surprised at the intensity of the dream she was struggling to awaken from, and the clarity of the details, and the emotion.  In the dream she was at the CERN conference, a clamour and cacophony of colleagues, some familiar to her in waking life, some characters complete strangers but familiar to her in the dream. She had felt agitation at the noise and at the cold coffee, and an indescribable feeling when Florian somehow appeared by her side, who was supposed to be in Tuscany, whispering in her ear that her mother had died and she was to make the funeral arrangements.

Elara’s mother had died when she was just a child, barely eight years old. She was no longer sure if she remembered her, or if her memories were from the photographs and anecdotes she’d seen and heard in the following years.  Her older sister Vanessa had said darkly that she was lucky and well out of it, to not have had to put up with her when she was a teenager, like she had. Vanessa was ten years older than Elara, and had assumed the role of mother.  She explained later that she’d let Elara run wild because she didn’t want to be bossy and domineering, but admitted that she should perhaps have reined her younger sister in a bit more than she had.

Again, the distant bell clanged.  Shaking her head as if to dispel the memories the dream had conjured, Elara rose from the sofa and walked out on to the terrace.  Across the yard she could see Florian, replacing the old bell on the new gate post.

“Sorry, did I wake you?” he called. “I had a bit of linen round the clanger so it didn’t make a noise while I screwed it to the post, but it slipped.  Sorry,” he repeated.

Squinting in the bright sun, Elara strolled over to him, saying, “Honestly, don’t worry, I was glad to wake up. What a dream I had!  That’s great Florian, nice job.”

“Well, this is a surprise,” Amei said, smiling at the phone.

“Hi, Mum,” came the cheerful reply, slightly muffled by background noise. “I thought I’d catch you before it got too late over there.”

“You’ve caught me all right. I’d nearly forgotten I had a daughter. It’s been so long.”

Tabitha laughed lightly. “Sorry about that … things have been… hectic.”

“Hectic in Goa or hectic in your head?” Amei teased, though she knew the answer. Her daughter had always thrived in chaos, diving into life with a zeal Amei envied.

“Both I guess. The school’s been keeping me busy, and, well, India has a way of throwing surprises at you.”

“I’d expect nothing less.”

“Speaking of surprises,” Tabitha continued, her voice shifting slightly, “I thought I saw one of your old buddies at the airport the other day. I was dropping a friend off … what’s his name? Daria?”

Amei frowned and sat up a little straighter. “Darius? At the airport? I’ve not seen him for a few years now. Are you sure?”

“Well, not completely sure. He was in some kind of weird get up, like a disguise … a big hat, sunglasses, scarf. ”

“That’s very … odd,” said Amei. She felt a tightening in her belly but managed to keep her voice level.

Her daughter’s laugh was soft.. “I guess it was just a feeling. He looked like he was trying not to be noticed. He saw me and sort of hurried away.” She paused. “I remembered something… wasn’t Darius the one that turned up with that strange couple? You know, the ones everyone was obsessed with for a while? Like gurus or something?”

The memory was sharp and cold. “Yes,” she said eventually. “Darius often had waifs and strays tagging along.”

“There was a falling out or something? You never did tell me.”

“Nothing to tell really.”

There was a silence. “Well, it was definitely weird,” Tabitha said at last. “Anyway, just thought I’d mention it. Maybe it wasn’t even him.”

“Maybe,” Amei murmured but the unease lingered long after the call ended.

The vine smothered statue proved to be the perfect place to hide behind to watch the events of the picnic unfolding. Cedric had been in a quiet turmoil of conflicting emotions, biting his bony knuckle to stop himself from uttering a sound as the extroadinary sequence of dramas and comedies played out before him.

He hadn’t expected to see Frella again. His mental confusion about his job as well as his troubling fixation on the witch had brought him to the brink of jacking it all in. Just leave everything, he told himself, Move away, get another job doing something else, something mundane and manual.  And forget her.   He’d almost made up his mind to do just that, and, feeling pleased and sure of himself for making the decision, tapped his device to locate and observe Frella one last time just to mentally say adieu, and to see her face again. And then quietly disappear.

When Cedric realized that the witches were going on holiday, and heard Truella saying that no spells were allowed, his heart leapt. If he was giving it all up and moving away anyway, why not have a holiday first? Why not go to Rome? I may not even bump into her, Rome’s as good as anywhere else. I deserve a holiday. And if I do bump into her, it will just be a holiday coincidence, and nothing at all to do with spells. Or work.

All pretence of not minding whether he saw Frella or not left his mind almost immediately, and he began to make arrangements.  He didn’t want Frella to use spells, but it didn’t occur to him to wonder why he was still using the tricks of his job. It was easy to track them to Italy.

His disguise as a North African on the coach full of Italians had worked well, even sitting so close to Truella and Giovanni he hadn’t been recognized in his hooded djelaba, and had been able to hear most of their conversation.  A quiet word and a large tip secured his trip with their tour guide.

The picnic started out normally enough.  They each had a short wander around, and then sprawled on rugs and cushions by the whicker hampers of food and champage. Cedric lurked in the shadows of an arch, sometimes slinking to peer from behind a statue. The temptation to pick a posy of wildflowers to give to Frella was all but overwhelming, as he watched her sitting pensively.  Silently sinking to his knees behind the marble bulk of Tiberius, Cedric plucked a daisy from the grass. And another.

When Cromwell appeared on the scene, Cedric, alarmed and almost angry at the intrusion, unwittingly crushed the flowers in his hand.  He had no choice but to remain hidden and immobile as the scene rolled out.

As the day progressed, the mood changed and Cedric felt hopeful again. He even had to stifle a laugh as he watched them play cards.  Watching Eris pour champage into everyone’s glasses reminded him that he hadn’t had a drink all day. He was parched.  He had to make a decision. He wanted to sneak off quietly and call it a day, find a nice restaurant. A part of him wanted to be bold and openly seductive, to stride into the scene and charmingly state his intentions. But he had no opportunity to further consider the options.

“You!” In the moments Cedric taken his eyes off the picnic to ponder his dilemma, Frella has risen and was heading for a necessary bush to go behind. “You! Spying on me!”

“Who?” shouted Truella, “Cedric! What on earth is he doing here, we’re on holiday! Now stop spitting nails, Frella, and invite the man over for a drink!”

Cedric seized the moment.

Frella rolled her eyes. What were the odds of Truella turning up now!

“Well, don’t look so pleased to see me,” Truella said sarcastically. “I could have drowned you know, if Thomas hadn’t saved me. Are you going to introduce me to your friend?”

Frella looked helplessly at Oliver.  “Perhaps you’d better go now, it’s all getting too complicated.”

“My good lady, would you curtail my pleasure at this unexpected  meeting with a nephew I knew not existed?” Thomas interrupted, taking control of the situation, in as much as an out of control situation could be managed.

“My good man,” Frella replied tartly, “Would you curtail my pleasure with your nephew?”

“Now, now,” butted in Truella, trying to get a handle on the situation, “Surely nobody needs to have any pleasure curtailed.  But Thomas has to get the boat back quickly, so I suggest someone explains to him who his nephew is.  Then he can get back to the Thames. And I’ll walk back to your cottage, Frella, and borrow some dry clothes if you don’t mind, and then you can get on with….it, in peace.”

“Get on with what exactly!” Frella retorted, blushing furiously.  “Oliver, why don’t you go back with your uncle, you know where the Thames is, don’t you?  It just seems easier that way.”

Oliver laughed at the very idea of not knowing where the Thames was.  “But my great great grand uncle Thomas died before I was born.   I know of him, but he knows not of me. Well, he does now, admittedly.”

“So your name is Oliver,” mused Thomas, “Oliver Cromwell. And by the look of your doublet and hose, you’re a wealthy man. We have much to talk about. Pray step into the boat, my good sir, and we’ll find a way to get you back to your own time later. We must make haste for the sake of my boatman, Rafe.”

And with that they were off in a puff of river mist.

The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable.  The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.

“Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”

“There be no boatman by that name on the masters barge, lad.  Are you speaking my language?” replied boatman Rafe.

“Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”

“Aye, I can tell you that. He’s asleep in the barge.”

“Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”

“Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about.  Being in two places at once was becoming difficult to conceal.  He would have to employ a man of concealment to cover for him while he was in Malove’s body.

I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me.  That will be all.”

“Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”

“Whatever you say, master, just tell me where it is.”

“Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.

While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.

A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals.  Cromwell made a mental note to streamline the future coven with more efficient simple magic.

“Take all your clothes off, Rafe.”  Astonished, the boatman removed his hat and his cloak.  Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours.  Get out of the boat and go and find somewhere under a bush to hide until I come back.  I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”

Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest.  He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold.  God save us all, he whispered, knowing that God wouldn’t.

In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves.   I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.

“Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one.  There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”

“The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.

Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.

“Some dry ones would be nice,” Truella admitted.

“It’s not that your clothes are too wet,” he replied, frowning.  He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear?  They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.

Lord Thomas Cromwell cast another eye over Truella.  She was a similar build to Anne of Chives.

“If you think I’m dressing up as one of Henry’s wives…”

Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one.  No need for her to be the death of both of us.”

“Look, just drop me off in Limerick on the way home, it’s barely out of your way.  It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”

Cromwell gave her an approving look and agreed to her idea.   Within a split second they were in Ireland, but Cromwell was in for a surprise.

“Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”

Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment.  “You! Fancy seeing YOU here! Uncle Thomas!”

In a dream that night, Jeezel connected to one of her Neanderthal ancestry who lived and died in Gibraltar. While that Gibraltar Woman, as affectionately named by archaeologists grunted her name with prehistoric fabulousness, Jeezel thought that nowadays her ancestor would deserve a name like Chantelle.

Chantelle de Gibraltar, a name with flair, mystery and a touch of French elegance.

Jeezel giggled and her ancestor grunted with satisfaction in recognition of their eternal bond.

Frella woke with a start. The sun peeked through the curtains of her cottage, softly lighting her room. She lay there quietly trying to hang on to the dream: the bustling fair, the strange cloak-wearing girl with the black cat who said her name was —well she couldn’t remember now—, and even Cedric had made an appearance! Now he was infiltrating her dreams as well! She may need to do a spell for that. As the fog of sleep lifted, the vividness of the dream lingered at the edges of her consciousness and she played it over a few times, wondering what the message was. The fair was months ago, funny that it was coming up in her dreams now.

Her alarm buzzed on the bedside table and a warm tone chimed: “Good morning, Frella. The time is 6:45 a.m. Today’s forecast is mild with a chance of light rain in the morning. Would you like to review today’s tasks?”

Frella snorted and waved her hand in the air, silencing the digital assistant with a flicker of magic. It was far too early for that nonsense. The alarm faded into a soothing melody and the device shifted to Dream Journal mode:  “It looks as though you had a vivid dream. Would you like my help to record it while it’s still fresh?”

Ignoring the prompt, Frella sat up and swung her legs over the side of the bed. Her feet made soft taps on the wooden floor as she walked over to the window. She pulled apart the curtains and opened the window, letting the cool morning air fill the room. Birds called in the distance, and she smiled as she leaned on the windowsill and let the fresh breeze stroke her face.

As she turned away from the window, her eyes fell on the postcard which had arrived in the mail yesterday, still sitting on her dressing table. The edges were slightly worn as if it had travelled a very long way to reach her and the spindly writing was indecipherable even with the help of a decrypting spell. The thought crossed her mind that perhaps it was somehow connected with her dream. She picked it up and studied it again; did that signature read Arona? Wasn’t that the name of the girl in the dream!

The rose coloured spectacle lens.

Aunt Idle:

“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman.

The Snoot:

“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

Lean close! Such a find whispers soft secrets:

Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

Liz:

Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

Mater:

Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

Finnley:

Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

 

Mandrake:

Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do.  Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia. 

Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

 When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive. 

In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices.  The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

 

So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?