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India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

India Louise looked up from her drawing.

What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

It is beautiful India Louise.

What did the letter say Grandpa. Why is it making you so sad?

It is just an old letter, India Louise.

Yes it looks very old. Was it bad news?

Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

Sanso was beginning to feel an urge to move. Waiting under the door in the ceiling in the cave tunnel, just watching India Louise and Illi fade in and out of view, and waiting for Dory and the parrot to return was getting boring. He was a wanderer by nature, and so he wandered off along the tunnel. He didn’t stop to wonder which tunnel to choose when he came to a junction, he just went with whatever one he happened to choose. He didn’t really mind where he ended up, that was the thing. This philosophy had always seemed to work well for him, because he ALWAYS ended up somewhere interesting; somewhere where he couldn’t imagine not being, once he was there, as if it was always the ‘right’ place to be, and at the ‘right’ time to be there.

The cave tunnel was becoming wider and less cramped. Sanso straightened his back and quickened his pace, and started to sing.

Hello Dolly, oh helloooo Dolly, do de dooo de do do dodedodedooooo……. chuckling to himself and wondering where on earth did THAT come from….. Oh helloooooo Dolly……

and walked right into a coatstand, of all things, getting splodged in the face with a rather smelly wet blue cape. The coatstand teetered and Sanso grabbed it to stop it falling over. There was a note pinned onto it:

Watch my shifting, Tell the time; Shape me wet, and Lose me dry; Colour me pink and grey and gold, and Find the secrets that I hold, What am I?

Sanso didn’t hesitate for a single moment. SAND!

Sanso grinned with delight at guessing the riddle so quickly, and then laughed out loud. How clever am I, he said, I guessed the answer to my own riddle! Still chortling, Sanso gave the wet cape a fond pat and set off again.

The tunnel was widening and eventually broadened into a cavern. Bright sparkling shafts of sunlight were beaming down from several holes in the cavern roof.

Sanso blinked a few times and squinted until his eyes became accustomed to the light. The cavern was huge, and everywhere he looked were paintings and markings on the walls, even the places impossible to reach. Some were creatures, some were symbols, in black and red and yellow and orange.

Sanso was entranced. He sank down to a sitting position, and then stretched out flat on his back, gazing at the markings on the walls. He stretched his arms out, filling his palms with sand and then letting it go, and trailing his fingers through the sand…sand…..

Sand! I may have got the riddle, thought Sanso, but I didn’t get the POINT of the riddle being there in the first place!

HHMM, I’m not so clever after all……

As the parrot set off in search of Dory he came to a fork in the tunnels. Down one tunnel he would find Dory, and down another tunnel he wouldn’t. HHMM. Well, I’ll just do bother, he decided, (chuckling to himself that he’d said bother when really he meant both) and probability parrot one set off down the right tunnel and probability parrot two set off down the left. Probability parrot one (or PP1 for short) did indeed find Dory, and was heading back towards Sanso and the door in the ceiling with Dory tripping along behind him, when he came to another crossroads. PP1 went right, and PP3 went left, and so on, and before long the caves were full of parrots.

Illi was getting bored waiting for Dory under the door on the cave ceiling with this motley crew. Sanso was looking slightly bemused, but smiling happily, as if he was enjoying the company after years of travelling alone. India Louise was yawning and fading in and out, there one minute and gone the next, and then back again. The parrot had flown off to look for Dory.

Watching India Louise drift in and out was making Illi fuzzy. She started to drift in and out as well. She started to piece together the out-bits until they all stuck together and formed a picture.

She was squatting next to a hole, a dry hole in the desert with the hot dry wind flapping her shawls. A boy, her son she thought, was leaning towards her, earnestly talking, and then a decision was reached…..

Then the scene changed and she was in a swirling mist, a pea souper, must be London. Illi’s thought intruded slightly into the scene, making it wobble and the images jumble up. Illi saw a tuppence on a grey pavement and as her eyes rose she could just make out through the mist a sign for an exhibition of artifacts. Illi felt herself drawn to the picture on the sign and felt the hot dry wind and the flapping of the shawls in the wind on her face again. The flapping was getting louder and louder and Illi opened her eyes.

The parrot was back, and Dory was with him.

Everything started to happen at once. As Sanso sat up, craning his neck looking at the door in the ceiling, a terrific flapping and squalking noise approached from behind him, starting as a distant vibration and rising in an unbearable crescendo as it rounded the last bend in the tunnel. Suddenly the noise stopped as Sanso felt a weight on his shoulder, and then a thud on the sandy floor. Bugger this, the parrot screeched in his ear. Bugger this bugger this bugger bugger bugger…

Sanso was momentarily speechless, as his eye fell on the key. He picked it up and turned it over in his hand, feeling the rusty weight of it. He turned to look at the parrot on his shoulder, who thankfully had stopped his shrill squalking.

This must be the key to that door, he whispered to the parrot. Let’s try it and see.

Wait for Dory dear Wait for Dory!

Bugger this, sighed the parrot, Here I am bringing the key, remembering everything everyone else forgets, running the show here and I don’t even have a name in this silly story.

The singing in the next room was getting louder. As Dory started to sing along, she felt better. Bugger this! she shouted, and leapt off the musty sofa. The trip to the cave! She felt around the floor with her feet for her shoes, and wasn’t altogether surprised to find her magic flying sandals. Perfect, how perfect is that! She looked around the cluttered shop store room as she buckled the sandals straps. She grabbed a bright blue energy blanket off a pile of coloured shawls, a pith helmet off a hatstand, a mini magic tool kit in a terracotta patterned kilim bag, and on impulse, a glass egg timer with bright fuchsia pink sand.

As she ran out of the back door a parrot in an elaborate wrought iron cage squalked ‘Don’t forget the key, dear, don’t forget the key’.

Key? What key?

‘Don’t forget the key dear don’t forget the key dear don’t forget the key…’

WHAT bloody key dear! Dory was really anxious to get to the cave now, but something held her back.

The key, the key… There was something she couldn’t quite remember about a key. She looked around the room in a panic, It could take me HOURS to find the key in here, she ranted. Ok, ok, I tell you what, she said to the bird, I’ll let you out of that cage, you find the key, and catch me up. Meet me at the cave with the key, OK?

Sanso was very hungry. He’d been living on the fungus that grew inside the dampest parts of the cave, but the recent stretches of tunnel had been much drier, sandy even. He hadn’t found a cave entrance for days and longed to step out of the cave into air and sunlight and green things, and find something fresh and juicy to eat.

Beginning to feel quite despondent, and with the hunger and thirst making his body ache terribly, he sat down, crumpled into a heap on the sandy floor. He lay back, stretching out flat and slept for what seemed like days.

He woke up mumbling the name Eggleton, which reminded him of a dish he’d encountered at one of the cave entrance worlds. He’d wandered into a beautiful strange green and rainy land, and followed the delicious aroma of something that seemed so delightfully familiar, that he couldn’t quite place, something that reminded him of mornings. Coffee! He remembered now. The smell of coffee had led him to a door with big brass numbers on it: 57. He opened the door and peered round it, wondering if he’d be welcome. It had seemed as though nobody was there, but a table was laid for one, with scrambled eggs on toast (freshly cooked as if whoever had prepared it had known eggsactly when he would arrive) and a steaming pot of black coffee.

Sanso stretched and realized his many aches and pains had been eased by the sleep on the soft sand on the cave floor, and the dry atmosphere, and slowly opened his eyes. Lying flat on his back, he was looking directly up at the tunnel ceiling. There was a door in the ceiling, strangely parrallel to the floor, an odd position for a door, he thought. His heart lurched and his stomach growled again with hunger as he noticed the large brass numbers on the door: 57.

Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

Use your magic, she had said.

When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 ^st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

Thank you for having me room, she said as she left.

No, thank YOU, replied the sleepy glukenitch.

The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

Why sad?

I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

You always know, just feel it

So Arona closed her eyes tightly and allowed herself to feel the answer.

Because you know who you are, and it made me realise I have no idea who I am.

Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

Arona, who had felt immediately connected with the young child frowned.

Doesn’t the little girl feel left out?

Go in, said the woman, Go inside the picture and feel the answer.

Oh, and you might want to leave your cloak behind.

So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

Arona returned to the cave.

You look troubled

Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

Arona shuddered a little. I might not jump into that one .

The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

Well I gave her the same advice, years ago.

More damn riddles, Arona thought to herself, and the woman laughed.

One final painting of yours I would like to show you. It is beautiful is it not?

Arona stared mesmerised for a moment, and then leapt right in.

She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

Dance Arona, she heard the woman’s voice

I can’t dance like that, I’m not good enough.

It doesn’t matter

And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

Things are shifting she said

Oh lordy, are they said Arona, What should I do now?

Feel the answer

Arona felt. I am very hungry, eggceptionally so.

But the brave front Arona had put on for the dragon crumbled as she looked at the door.

She sat down on the ground and started to cry, and once she started she found she could not stop.

She was so afraid. The courage she felt earlier had deserted her and been replaced by a sadness she did not really even fathom herself.

I am tired of this no man’s land, this endless searching. And I am so afraid that behind the door is just yet another dark tunnel. I hate riddles, people should say what they mean, and yes, I am very tired of this heavy black cape.

And so saying Arona angrily took off the cape and threw it to the ground.

She cried and cried and cried, and the little glukenitch lying unseen in the darkest corner luxuriated in the extra dampness her tears added to the ground.

When she had done crying she found her strength again, enough to keep going with the journey

The life I lead is mere hours or less
I serve all my time by being consumed
I am quickest when thin, slowest when fat
And wind is the bane of the gift that I bring

Dragon, is that you?, Arona looked around, peering into the half light, but she could not see the crafty dragon, who had once again taken the form of a tiny weaszchilla. He had however retained his own voice, for a weaszchilla cannot be heard easily by human ears

Why should you care, do you want to see my stupid dragon face now?

I said silly, not stupid, and perhaps your face is not really so silly for a dragon, however your personality is certainly not that endearing, grumbled Arona

It doesn’t bark
It doesn’t bite
But still won’t let you in the house

Arona thought for a moment, a lock

Well I suggest you turn your attention to it then, because it is the only way out now.

Arona was alarmed, What do you mean?

The dragon laughed and as Arona turned around again in search of him, she discovered to her horror that the tunnel she had just traversed had disappeared, and was now a wall.

What’s the matter? Were you thinking of turning back? Leormn grinned to himself. He was enjoying this, but perhaps it was time to return to his other business and let the girl get on with her adventure.

Oh well, perhaps just time for one more for riddle before I go, the dragon thought, he was having so much fun.

The more that there is
The less that you see
Squint all you like
When surrounded by me

Oh that is too easy Dragon. The answer is darkness said Arona in a quiet voice.

The dragon had to hand it to her, she wasn’t stupid.

By the way, he called as he disappeared down a weaszchilla sized tunnel he had created for himself, aren’t you rather hot with that cape on?

The life I lead is mere hours or less … oh he means the candle said Arona to herself, and pulling her cloak around her, turned to face the door.

The silent humid inky darkness closed in on Arona as she chose her path. She could not see the way but it did not matter. She trusted the darkness and the silence. She knew the way and yet could not have explained that even to herself..

She felt the music before she heard it. She did not know where it came from but the sound grew in intensity until it filled the whole space. She heard voices singing and could not understand the words and yet she felt her spirit soar and fly though her body did not move. The music was achingly beautiful and Arona felt her face wet with tears of happiness that something so beautiful existed.

Arona did not know how long she stood like that listening, but even after it ended she could still hear the music softly in her mind.

As she moved forward on her journey Arona saw a faint glimmer of light up ahead and moved towards it. The source of light was a burning candle, valiantly offering some respite from the darkness, and illuminating a door at the end of the tunnel.