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  • #7704

    Darius: Christmas 2022

    Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

    It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

    The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

    His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

     

    By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

    Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

    “You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

    Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

    “Sorry,” Darius muttered, setting down his bag. “Flight delay.”

    Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

    The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

    Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

    Darius hesitated. “I haven’t seen him in months,” he said carefully.

    Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

    “I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

    Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

    Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

    “Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

    The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

    For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

    “I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

    Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

    “Yes, I can.” Darius said simply, grabbing his bag.

    “You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

    Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

    :fleuron:

    The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

    His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

    Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

    Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

    As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

    #7682

    Matteo — Autumn 2023

    The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

    His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

    “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

    His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

    Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

    A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

    Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

    “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

    The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

    He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

    Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

    He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

    Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

    Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

    Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

    “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

    #7662

    The Waking 

    Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
    Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
    The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
    “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
    The Endless Chase
    Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
    The Wandering Maze
    Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
    The Woven Tapestry
    Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
    The Scattered Grains
    Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
    The Mandala of Light
    Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

    :fleuron2:

    Dreamtime

    It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

    The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

    The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

    I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

    The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

    I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

    I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

    #7659
    Jib
    Participant

      March 2024

      The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

      He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

      Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

      As always, no hello, no question about his health or anything personal.

      “I didn’t want it”, Lucien said, his voice calm only on the surface.

      “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

      “I already told you, it’s not what I want. I’ve made my decision.”

      Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

      Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

      “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

      Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

      A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

      “We’re never finished”, Lucien muttered as the line went dead.

      Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

      “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

      The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

      The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

      The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

      Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

      He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

      When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

      The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

      “What have we here?” He asked, his voice bordering on disdain.

      Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

      Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

      The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

      Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

      “It’s personal”, he said, his voice low.

      Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

      Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

      Lucien nodded towards the covered stack of canvases near the wall. “Done.”

      “Good. They’ll come tomorrow and take the lot.”

      Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

      Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

      He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

      Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
      He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

      #7647

      Darius: A Map of People

      June 2023 – Capesterre-Belle-Eau, Guadeloupe

      The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

      It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

      Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

      “Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

      It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

      Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

      Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

      “Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

      He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

      But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

      A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

      He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

      Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

      Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

      Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

      Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

      When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

      But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

      Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

      One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

      “Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

      He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

      The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

      “Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

      “Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

      She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

      Darius accepted it with a quiet laugh. “Merci, tatie.”

      As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

      The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

      “Nice scarf,” Darius said casually as he passed.

      The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

      Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

      Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

      The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

      A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

      He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

      “Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

      He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

      As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

      #7645
      F LoveF Love
      Participant

        Amei sat cross-legged on the floor in what had once been the study, its emptiness amplified by the packed boxes stacked along the walls. The bookshelves were mostly bare now, save for a few piles of books she was donating to goodwill.

        The window was open, and a soft breeze stirred the curtains, carrying with it the faint chime of church bells in the distance. Ten o’clock. Tomorrow was moving day.

        Her notebooks were heaped beside her on the floor—a chaotic mix of battered leather covers, spiral-bound pads, and sleek journals bought in fleeting fits of optimism. She ran a hand over the stack, wondering if it was time to let them go. A fresh start meant travelling lighter, didn’t it?

        She hesitated, then picked up the top notebook. Flipping it open, she skimmed the pages—lists, sketches, fragments of thoughts and poems. As she turned another page, a postcard slipped out and fluttered to the floor.

        She picked it up. The faded image showed a winding mountain road, curling into mist. On the back, Darius had written:

        “Found this place by accident. You’d love it. Or maybe hate it. Either way, it made me think of you. D.”

        Amei stared at the card. She’d forgotten about these postcards, scattered through her notebooks like breadcrumbs to another time. Sliding it back into place, she set the notebook aside and reached for another, older one. Its edges were frayed, its cover softened by time.

        She flicked through the pages until an entry caught her eye, scrawled as though written in haste:

        Lucien found the map at a flea market. He thought it was just a novelty, but the seller was asking too much. L was ready to leave it when Elara saw the embossed bell in the corner. LIKE THE OTHER BELL. Darius was sure it wasn’t a coincidence, but of course wouldn’t say why. Typical. He insisted we buy it, and somehow the map ended up with me. “You’ll keep it safe,” he said. Safe from what? He wouldn’t say.

        The map! Where was the map now? How had she forgotten it entirely? It had just been another one of their games back then, following whatever random clues they stumbled across. Fun at the time, but nothing she’d taken seriously. Maybe Darius had, though—especially in light of what happened later. She flipped the page, but the next entry was mundane—a note about Elara’s birthday. She read through to the end of the notebook, but there was no follow-up.

        She glanced at the boxes. Could the map still be here, buried among her things? Stuffed into one of her notebooks? Or, most likely, had it been lost long ago?

        She closed the notebook and sighed. Throwing them out would have been easier if they hadn’t started whispering to her again, pulling at fragments of a past she thought she had left behind.

        #7625
        ÉricÉric
        Keymaster

          Characters list

          Character / Personality TraitsConnection clues to Matteo

          • Lucien
            • The Artist
            • Introspective, dreamy, quietly sarcastic
            • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
            • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
          • Elara
            • The Scientist
            • Analytical, sharp, skeptical
            • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
            • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
          • Darius
            • The Explorer
            • Bold, restless, deeply curious
            • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
            • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
          • Amei
            • The Storyteller
            • Observant, wise, enigmatic
            • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
            • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

          • Matteo
            • The Enigmatic Server
            • Charismatic, cryptic, all-knowing
            • A waiter with an uncanny awareness of the four friends, both individually and collectively.
            • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

          #7565

          When Cromwell ran it by his postcard deciphering department, he realised his mistake. It was from Truella, not Frella.  A second postcard from Truella provided more information.

          Truella had been at the fair in Ireland when she sent the postcard.  There had been a Tudor Camphor Magic stall that she was drawn to, partly because of Frella’s mysterious camphor chest, but not just because of that.  Her encounter with Lovelace Maraschal and his souvenirs and 16th century postcards and paraphernalia was a fleeting obsession.

          Five hundred years later the staff at the National Archives would roll their eyes at the sheer volume of postcards from Truella there were in the Thomas Cromwell collections.

          #7557

          The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.

          She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.

          The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.

          Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.

          As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.

          Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.

          Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.

          “Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.

          Eris took a deep breath and began to chant, her voice steady and resonant:

          “By the light of the harvest moon,
          I call forth clarity, swift and soon.
          Let fog disperse and shadows flee,
          Reveal the truth, illuminate me.”

          She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.

          As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.

          Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.

          “Show me the path,” she whispered. “Guide me through the haze.”

          The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.

          The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.

          Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.

          “Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.

          As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.

          “Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”

          Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.

          #7550

          The fair was in full swing, with vibrant tents and colourful stalls bursting with activity. The smell of freshly popped corn mingled with the fragrance of exotic spices and the occasional whiff of magical incense. Frella turned her attention back to setting up her own booth. Her thoughts were a swirl of anxiety and curiosity. Malové’s sudden appearance at the fair could not be a mere coincidence, especially given the recent disruptions in the coven.

          Unbeknownst to Frella, Cedric Spellbind was nearby. His eyes, though hidden behind a pair of dark glasses, were fixated on Frella. He was torn between his duty to MAMA and his growing affection for her. He juggled his phone, checking missed calls and messages, while trying to keep a discreet distance. But he was drawn to her like moth to flame.

          As Frella was adjusting her booth, she felt a sudden chill and turned to find herself face-to-face with Cedric. He quickly removed his glasses and their eyes met; Cedric’s heart skipped a beat.

          Frella’s gaze was guarded. “Can I help you with something?” she asked, her tone icily polite.

          Cedric, flustered, stammered, “I—uh—I’m just here to, um, look around. Your booth looks, uh, fascinating.”

          Frella raised an eyebrow. “I see. Well, enjoy the fair.” She turned back to her preparations, but not before noticing a fleeting look of hurt in Cedric’s eyes.

          Cedric moved away, wrestling with his conflicting emotions. He checked to make sure his tracker was working, which tracked not just Frella’s movements  but those of her companions. He was determined to protect her from any potential threat, even if it meant risking his own standing with MAMA.

          As the day progressed, the fair continued to buzz with magical energy and intrigue. Frella worked her booth, engaging with curious tourists, all suitably fascinated with the protective qualities of hinges. Suddenly, Frella’s attention was drawn away from her display by a burst of laughter and squeals coming from nearby. Curiosity piqued, she made her way toward the source of the commotion.

          As she approached, she saw a crowd had gathered around a small, ornate tent. The tent’s entrance was framed by shimmering curtains, and an enchanting aroma of lavender and spices wafted through the air. Through the gaps in the curtains, Frella could see an array of magical trinkets and curiosities.Just as she was about to step closer, a peculiar sight caught her eye. Emerging from the tent was a girl wearing a rather large cloak and closely followed by a black cat. The girl looked bewildered, her wide eyes taking in the bustling fairground.

          Frella, intrigued and somewhat amused, approached the girl. “Hello there! I couldn’t help but notice you seem a bit lost. Are you okay?”

          The girl’s expression was a mix of confusion and wonder. “Oh, hello! I’m Arona, and this is Mandrake,” she said, bending down and patting the black cat, who gave a nonchalant twitch of his tail. “We were just trying to find the library in my time, and now we’re here. This isn’t a library by any chance?”

          Frella raised her eyebrows. “A library? No, this is a fair—a magical fair, to be precise.”

          Arona’s eyes widened further as she looked around again. “A fair? Well, it does explain the odd contraptions and the peculiar people. Anyway, that will teach me to use one of Sanso’s old time-travelling devices.”

          Truella wandered over to join the conversation, her curiosity evident. “Time-travelling device? That sounds fascinating. How did you end up here?”

          Arona looked sheepish. “I was trying to retrieve a rare book from a past century, and it seems I got my coordinates mixed up. Instead of the library, I ended up at this… um … delightful fair.”

          Frella chuckled. “Well, don’t worry, we can help you get back on track. Maybe we can find someone who can help with your time-travelling predicament.”

          Arona smiled, relieved. “Thank you! I really didn’t mean to intrude. And Mandrake here is quite good at keeping me company, but he’s not much help with directions.”

          Mandrake rolled his eyes and turned away, his disinterest in the conversation evident.

          As Frella and Truella led Arona to a quieter corner of the fair, Cedric Spellbind observed the scene with growing interest. His eyes were glued to Frella, but the appearance of the time-travelling girl and her cat added a new layer of intrigue. Cedric’s mission to spy on Frella had just taken an unexpected turn.

          #7531
          TracyTracy
          Participant

            Rose lens

            The rose coloured spectacle lens.

             

            Aunt Idle:

            “Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

            1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

            2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

            3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

            4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

            5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

            Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

            Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

            In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

            ~~~

            “A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
            ~Journey of Reflections, Enrich P. Lwellman.

            ~~~

            The Snoot:

            “Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

            Lean close! Such a find whispers soft secrets:

            Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
            Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
            Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

            Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

            ~~~

            Liz:

            Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

            Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

            One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

            Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

            Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

            So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

            ~~~

            Mater:

            Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

            Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

            A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

            Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

            Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

            Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

            Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

            Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

            ~~~

            Finnley:

            Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

            Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

            Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

             

            ~~~

            Mandrake:

            Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

            ~~~

            Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

            Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

            Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

            Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

            Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

            Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

            Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

            Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

            #7523

            Of course! A fleeting flash of illumination lit Truella’s eyes. That’s it!  

            “Thick, yes, deaf, oh! That’s too funny, and the middle ages…. Hildegarde….too late, all too late, it can’t be the nuns! Don’t you see, Eris?” Truella cackled wildly. “We can rule the nuns out!”

            “We can?” Eris was baffled.   What had suddenly come over Truella?

            “We can’t rule the morticians out yet though, What do we know about their background?”

            “Not much,” admitted Eris. “But why are we ruling the nuns out? Ruling them out of what?”

            “Because they are not connected to this place. They’re not old enough.”

            “Well, that’s as clear as mud,” Jeezel said, expecting Truella to explain what she was talking about, but Truella had wandered off saying she needed to think.

            #7293

            thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

            Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

            Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

            Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

            Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

            Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

            And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

            In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

            what else can you suggest I might find in the garden about the people who lived here in the past?

            Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

            Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

            Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

            Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

            You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

            Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

            And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

            Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

            the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

            Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

            Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

            Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

            Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

            You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

            Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

            And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

            In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

            What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

            Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

            Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

            Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

            Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

            The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

            Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

            And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

            The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

            you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

            Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

            Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

            Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

            Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

            Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

            Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

            In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

            Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

            Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

            Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

            Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

            Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

            Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

            The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

            In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

            That’s wonderful. Can you offer anything else, something I haven’t thought of?

            Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

            Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

            Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

            Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

            Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

            What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

            Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

            In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

            Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

            A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

            This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

            And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

            why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

            What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

            In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

            The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

            Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

            Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

            Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

            thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

            Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

            Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

            If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

            Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

            Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

            Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

            Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

            Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

            Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

            Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

            Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

            Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

            Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

            Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

            The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

            what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

            Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

            Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

            If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

            Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

            Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

            Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

            Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

            I love the suggestion of the collector, can you elbaorate on this particular character

            Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

            Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

            Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

            His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

            Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

            Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

            In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

            thank you very much. Very good!

            Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

            sweet dreams

            Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

            #6350
            TracyTracy
            Participant

              Transportation

              Isaac Stokes 1804-1877

               

              Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.

              Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.

              Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.

              (The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).

              In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.

              via digitalpanopticon:

              Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.

              To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
              Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.

              The Justitia via rmg collections:

              Justitia

              Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.

               

              While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.

              Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)

              via freesettlerorfelon website:

              On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.

              SURGEON OLIVER SPROULE

              Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:

              ‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.

              Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.

              Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’

              The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.

              The Lady Nugent:

              Lady Nugent

               

              Isaac’s distinguishing marks are noted on various criminal registers and record books:

              “Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”

              Another includes more detail about Isaac’s tattoos:

              “Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”

               

              Lady Nugent record book

               

              From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):

              “Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
              As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
              Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”

              On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.

              From the Australian government website regarding “convict indulgences”:

              “By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”

               

              In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.

              I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis!  The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct.  I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.

              I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing.  I was unable to find a single record to corroborate this mysterious other Isaac Stokes.

              As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register.  Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.

               

              I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.

              Glenmore Church

               

              From the Wollondilly museum April 2020 newsletter:

              Glenmore Church Stokes

               

              From the Camden History website:

              “The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”

               

              Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden.  His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”.  His wife Catherine died in childbirth in 1870 at the age of 43.

               

              Isaac and Catherine’s children:

              William Stokes 1857-1928

              Catherine Stokes 1859-1846

              Sarah Josephine Stokes 1861-1931

              Ellen Stokes 1863-1932

              Rosanna Stokes 1865-1919

              Louisa Stokes 1868-1844.

               

              It’s possible that Catherine Daly was a transported convict from Ireland.

               

              Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.

              “The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence.  Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”

              Isaac Stokes directory

              #6263
              TracyTracy
              Participant

                From Tanganyika with Love

                continued  ~ part 4

                With thanks to Mike Rushby.

                Mchewe Estate. 31st January 1936

                Dearest Family,

                Life is very quiet just now. Our neighbours have left and I miss them all especially
                Joni who was always a great bearer of news. We also grew fond of his Swedish
                brother-in-law Max, whose loud ‘Hodi’ always brought a glad ‘Karibu’ from us. His wife,
                Marion, I saw less often. She is not strong and seldom went visiting but has always
                been friendly and kind and ready to share her books with me.

                Ann’s birthday is looming ahead and I am getting dreadfully anxious that her
                parcels do not arrive in time. I am delighted that you were able to get a good head for
                her doll, dad, but horrified to hear that it was so expensive. You would love your
                ‘Charming Ann’. She is a most responsible little soul and seems to have outgrown her
                mischievous ways. A pity in a way, I don’t want her to grow too serious. You should see
                how thoroughly Ann baths and towels herself. She is anxious to do Georgie and Kate
                as well.

                I did not mean to teach Ann to write until after her fifth birthday but she has taught
                herself by copying the large print in newspaper headlines. She would draw a letter and
                ask me the name and now I find that at four Ann knows the whole alphabet. The front
                cement steps is her favourite writing spot. She uses bits of white clay we use here for
                whitewashing.

                Coffee prices are still very low and a lot of planters here and at Mbosi are in a
                mess as they can no longer raise mortgages on their farms or get advances from the
                Bank against their crops. We hear many are leaving their farms to try their luck on the
                Diggings.

                George is getting fed up too. The snails are back on the shamba and doing
                frightful damage. Talk of the plagues of Egypt! Once more they are being collected in
                piles and bashed into pulp. The stench on the shamba is frightful! The greybeards in the
                village tell George that the local Chief has put a curse on the farm because he is angry
                that the Government granted George a small extension to the farm two years ago! As
                the Chief was consulted at the time and was agreeable this talk of a curse is nonsense
                but goes to show how the uneducated African put all disasters down to witchcraft.

                With much love,
                Eleanor.

                Mchewe Estate. 9th February 1936

                Dearest Family,

                Ann’s birthday yesterday was not quite the gay occasion we had hoped. The
                seventh was mail day so we sent a runner for the mail, hoping against hope that your
                parcel containing the dolls head had arrived. The runner left for Mbeya at dawn but, as it
                was a very wet day, he did not return with the mail bag until after dark by which time Ann
                was fast asleep. My heart sank when I saw the parcel which contained the dolls new
                head. It was squashed quite flat. I shed a few tears over that shattered head, broken
                quite beyond repair, and George felt as bad about it as I did. The other parcel arrived in
                good shape and Ann loves her little sewing set, especially the thimble, and the nursery
                rhymes are a great success.

                Ann woke early yesterday and began to open her parcels. She said “But
                Mummy, didn’t Barbara’s new head come?” So I had to show her the fragments.
                Instead of shedding the flood of tears I expected, Ann just lifted the glass eyes in her
                hand and said in a tight little voice “Oh poor Barbara.” George saved the situation. as
                usual, by saying in a normal voice,”Come on Ann, get up and lets play your new
                records.” So we had music and sweets before breakfast. Later I removed Barbara’s
                faded old blond wig and gummed on the glossy new brown one and Ann seems quite
                satisfied.

                Last night, after the children were tucked up in bed, we discussed our financial
                situation. The coffee trees that have survived the plagues of borer beetle, mealie bugs
                and snails look strong and fine, but George says it will be years before we make a living
                out of the farm. He says he will simply have to make some money and he is leaving for
                the Lupa on Saturday to have a look around on the Diggings. If he does decide to peg
                a claim and work it he will put up a wattle and daub hut and the children and I will join him
                there. But until such time as he strikes gold I shall have to remain here on the farm and
                ‘Keep the Home Fires Burning’.

                Now don’t go and waste pity on me. Women all over the country are having to
                stay at home whilst their husbands search for a livelihood. I am better off than most
                because I have a comfortable little home and loyal servants and we still have enough
                capitol to keep the wolf from the door. Anyway this is the rainy season and hardly the
                best time to drag three small children around the sodden countryside on prospecting
                safaris.

                So I’ll stay here at home and hold thumbs that George makes a lucky strike.

                Heaps of love to all,
                Eleanor.

                Mchewe Estate. 27th February 1936

                Dearest Family,

                Well, George has gone but here we are quite safe and cosy. Kate is asleep and
                Ann and Georgie are sprawled on the couch taking it in turns to enumerate the things
                God has made. Every now and again Ann bothers me with an awkward question. “Did
                God make spiders? Well what for? Did he make weeds? Isn’t He silly, mummy? She is
                becoming a very practical person. She sews surprisingly well for a four year old and has
                twice made cakes in the past week, very sweet and liberally coloured with cochineal and
                much appreciated by Georgie.

                I have been without George for a fortnight and have adapted myself to my new
                life. The children are great company during the day and I have arranged my evenings so
                that they do not seem long. I am determined that when George comes home he will find
                a transformed wife. I read an article entitled ‘Are you the girl he married?’ in a magazine
                last week and took a good look in the mirror and decided that I certainly was not! Hair dry,
                skin dry, and I fear, a faint shadow on the upper lip. So now I have blown the whole of
                your Christmas Money Order on an order to a chemist in Dar es Salaam for hair tonic,
                face cream and hair remover and am anxiously awaiting the parcel.

                In the meantime, after tucking the children into bed at night, I skip on the verandah
                and do the series of exercises recommended in the magazine article. After this exertion I
                have a leisurely bath followed by a light supper and then read or write letters to pass
                the time until Kate’s ten o’clock feed. I have arranged for Janey to sleep in the house.
                She comes in at 9.30 pm and makes up her bed on the living room floor by the fire.

                The days are by no means uneventful. The day before yesterday the biggest
                troop of monkeys I have ever seen came fooling around in the trees and on the grass
                only a few yards from the house. These monkeys were the common grey monkeys
                with black faces. They came in all sizes and were most entertaining to watch. Ann and
                Georgie had a great time copying their antics and pulling faces at the monkeys through
                the bedroom windows which I hastily closed.

                Thomas, our headman, came running up and told me that this troop of monkeys
                had just raided his maize shamba and asked me to shoot some of them. I would not of
                course do this. I still cannot bear to kill any animal, but I fired a couple of shots in the air
                and the monkeys just melted away. It was fantastic, one moment they were there and
                the next they were not. Ann and Georgie thought I had been very unkind to frighten the
                poor monkeys but honestly, when I saw what they had done to my flower garden, I
                almost wished I had hardened my heart and shot one or two.

                The children are all well but Ann gave me a nasty fright last week. I left Ann and
                Georgie at breakfast whilst I fed Fanny, our bull terrier on the back verandah. Suddenly I
                heard a crash and rushed inside to find Ann’s chair lying on its back and Ann beside it on
                the floor perfectly still and with a paper white face. I shouted for Janey to bring water and
                laid Ann flat on the couch and bathed her head and hands. Soon she sat up with a wan
                smile and said “I nearly knocked my head off that time, didn’t I.” She must have been
                standing on the chair and leaning against the back. Our brick floors are so terribly hard that
                she might have been seriously hurt.

                However she was none the worse for the fall, but Heavens, what an anxiety kids
                are.

                Lots of love,
                Eleanor

                Mchewe Estate. 12th March 1936

                Dearest Family,

                It was marvellous of you to send another money order to replace the one I spent
                on cosmetics. With this one I intend to order boots for both children as a protection from
                snake bite, though from my experience this past week the threat seems to be to the
                head rather than the feet. I was sitting on the couch giving Kate her morning milk from a
                cup when a long thin snake fell through the reed ceiling and landed with a thud just behind
                the couch. I shouted “Nyoka, Nyoka!” (Snake,Snake!) and the houseboy rushed in with
                a stick and killed the snake. I then held the cup to Kate’s mouth again but I suppose in
                my agitation I tipped it too much because the baby choked badly. She gasped for
                breath. I quickly gave her a sharp smack on the back and a stream of milk gushed
                through her mouth and nostrils and over me. Janey took Kate from me and carried her
                out into the fresh air on the verandah and as I anxiously followed her through the door,
                another long snake fell from the top of the wall just missing me by an inch or so. Luckily
                the houseboy still had the stick handy and dispatched this snake also.

                The snakes were a pair of ‘boomslangs’, not nice at all, and all day long I have
                had shamba boys coming along to touch hands and say “Poli Memsahib” – “Sorry
                madam”, meaning of course ‘Sorry you had a fright.’

                Apart from that one hectic morning this has been a quiet week. Before George
                left for the Lupa he paid off most of the farm hands as we can now only afford a few
                labourers for the essential work such as keeping the weeds down in the coffee shamba.
                There is now no one to keep the grass on the farm roads cut so we cannot use the pram
                when we go on our afternoon walks. Instead Janey carries Kate in a sling on her back.
                Janey is a very clean slim woman, and her clothes are always spotless, so Kate keeps
                cool and comfortable. Ann and Georgie always wear thick overalls on our walks as a
                protection against thorns and possible snakes. We usually make our way to the
                Mchewe River where Ann and Georgie paddle in the clear cold water and collect shiny
                stones.

                The cosmetics parcel duly arrived by post from Dar es Salaam so now I fill the
                evenings between supper and bed time attending to my face! The much advertised
                cream is pink and thick and feels revolting. I smooth it on before bedtime and keep it on
                all night. Just imagine if George could see me! The advertisements promise me a skin
                like a rose in six weeks. What a surprise there is in store for George!

                You will have been wondering what has happened to George. Well on the Lupa
                he heard rumours of a new gold strike somewhere in the Sumbawanga District. A couple
                of hundred miles from here I think, though I am not sure where it is and have no one to
                ask. You look it up on the map and tell me. John Molteno is also interested in this and
                anxious to have it confirmed so he and George have come to an agreement. John
                Molteno provided the porters for the journey together with prospecting tools and
                supplies but as he cannot leave his claims, or his gold buying business, George is to go
                on foot to the area of the rumoured gold strike and, if the strike looks promising will peg
                claims in both their names.

                The rainy season is now at its height and the whole countryside is under water. All
                roads leading to the area are closed to traffic and, as there are few Europeans who
                would attempt the journey on foot, George proposes to get a head start on them by
                making this uncomfortable safari. I have just had my first letter from George since he left
                on this prospecting trip. It took ages to reach me because it was sent by runner to
                Abercorn in Northern Rhodesia, then on by lorry to Mpika where it was put on a plane
                for Mbeya. George writes the most charming letters which console me a little upon our
                all too frequent separations.

                His letter was cheerful and optimistic, though reading between the lines I should
                say he had a grim time. He has reached Sumbawanga after ‘a hell of a trip’, to find that
                the rumoured strike was at Mpanda and he had a few more days of foot safari ahead.
                He had found the trip from the Lupa even wetter than he had expected. The party had
                three days of wading through swamps sometimes waist deep in water. Of his sixteen
                porters, four deserted an the second day out and five others have had malaria and so
                been unable to carry their loads. He himself is ‘thin but very fit’, and he sounds full of
                beans and writes gaily of the marvellous holiday we will have if he has any decent luck! I
                simply must get that mink and diamonds complexion.

                The frustrating thing is that I cannot write back as I have no idea where George is
                now.

                With heaps of love,
                Eleanor.

                Mchewe Estate. 24th March 1936

                Dearest Family,
                How kind you are. Another parcel from home. Although we are very short
                of labourers I sent a special runner to fetch it as Ann simply couldn’t bear the suspense
                of waiting to see Brenda, “My new little girl with plaits.” Thank goodness Brenda is
                unbreakable. I could not have born another tragedy. She really is an exquisite little doll
                and has hardly been out of Ann’s arms since arrival. She showed Brenda proudly to all
                the staff. The kitchen boy’s face was a study. His eyes fairly came out on sticks when he
                saw the dolls eyes not only opening and shutting, but moving from side to side in that
                incredibly lifelike way. Georgie loves his little model cars which he carries around all day
                and puts under his pillow at night.

                As for me, I am enchanted by my very smart new frock. Janey was so lavish with
                her compliments when I tried the frock on, that in a burst of generosity I gave her that
                rather tartish satin and lace trousseau nighty, and she was positively enthralled. She
                wore it that very night when she appeared as usual to doss down by the fire.
                By the way it was Janey’s turn to have a fright this week. She was in the
                bathroom washing the children’s clothes in an outsize hand basin when it happened. As
                she took Georgie’s overalls from the laundry basket a large centipede ran up her bare
                arm. Luckily she managed to knock the centipede off into the hot water in the hand basin.
                It was a brute, about six inches long of viciousness with a nasty sting. The locals say that
                the bite is much worse than a scorpions so Janey had a lucky escape.

                Kate cut her first two teeth yesterday and will, I hope, sleep better now. I don’t
                feel that pink skin food is getting a fair trial with all those broken nights. There is certainly
                no sign yet of ‘The skin he loves to touch”. Kate, I may say, is rosy and blooming. She
                can pull herself upright providing she has something solid to hold on to. She is so plump
                I have horrible visions of future bow legs so I push her down, but she always bobs up
                again.

                Both Ann and Georgie are mad on books. Their favourites are ‘Barbar and
                Celeste” and, of all things, ‘Struvel Peter’ . They listen with absolute relish to the sad tale
                of Harriet who played with matches.

                I have kept a laugh for the end. I am hoping that it will not be long before George
                comes home and thought it was time to take the next step towards glamour, so last
                Wednesday after lunch I settled the children on their beds and prepared to remove the ,
                to me, obvious down on my upper lip. (George always loyally says that he can’t see
                any.) Well I got out the tube of stuff and carefully followed the directions. I smoothed a
                coating on my upper lip. All this was watched with great interest by the children, including
                the baby, who stood up in her cot for a better view. Having no watch, I had propped
                the bedroom door open so that I could time the operation by the cuckoo clock in the
                living room. All the children’s surprised comments fell on deaf ears. I would neither talk
                nor smile for fear of cracking the hair remover which had set hard. The set time was up
                and I was just about to rinse the remover off when Kate slipped, knocking her head on
                the corner of the cot. I rushed to the rescue and precious seconds ticked off whilst I
                pacified her.

                So, my dears, when I rinsed my lip, not only the plaster and the hair came away
                but the skin as well and now I really did have a Ronald Coleman moustache – a crimson
                one. I bathed it, I creamed it, powdered it but all to no avail. Within half an hour my lip
                had swollen until I looked like one of those Duckbilled West African women. Ann’s
                comments, “Oh Mummy, you do look funny. Georgie, doesn’t Mummy look funny?”
                didn’t help to soothe me and the last straw was that just then there was the sound of a car drawing up outside – the first car I had heard for months. Anyway, thank heaven, it
                was not George, but the representative of a firm which sells agricultural machinery and
                farm implements, looking for orders. He had come from Dar es Salaam and had not
                heard that all the planters from this district had left their farms. Hospitality demanded that I
                should appear and offer tea. I did not mind this man because he was a complete
                stranger and fat, middle aged and comfortable. So I gave him tea, though I didn’t
                attempt to drink any myself, and told him the whole sad tale.

                Fortunately much of the swelling had gone next day and only a brown dryness
                remained. I find myself actually hoping that George is delayed a bit longer. Of one thing
                I am sure. If ever I grow a moustache again, it stays!

                Heaps of love from a sadder but wiser,
                Eleanor

                Mchewe Estate. 3rd April 1936

                Dearest Family,

                Sound the trumpets, beat the drums. George is home again. The safari, I am sad
                to say, was a complete washout in more ways than one. Anyway it was lovely to be
                together again and we don’t yet talk about the future. The home coming was not at all as
                I had planned it. I expected George to return in our old A.C. car which gives ample
                warning of its arrival. I had meant to wear my new frock and make myself as glamourous
                as possible, with our beautiful babe on one arm and our other jewels by my side.
                This however is what actually happened. Last Saturday morning at about 2 am , I
                thought I heard someone whispering my name. I sat up in bed, still half asleep, and
                there was George at the window. He was thin and unshaven and the tiredest looking
                man I have ever seen. The car had bogged down twenty miles back along the old Lupa
                Track, but as George had had no food at all that day, he decided to walk home in the
                bright moonlight.

                This is where I should have served up a tasty hot meal but alas, there was only
                the heal of a loaf and no milk because, before going to bed I had given the remaining
                milk to the dog. However George seemed too hungry to care what he ate. He made a
                meal off a tin of bully, a box of crustless cheese and the bread washed down with cup
                after cup of black tea. Though George was tired we talked for hours and it was dawn
                before we settled down to sleep.

                During those hours of talk George described his nightmarish journey. He started
                up the flooded Rukwa Valley and there were days of wading through swamp and mud
                and several swollen rivers to cross. George is a strong swimmer and the porters who
                were recruited in that area, could also swim. There remained the problem of the stores
                and of Kianda the houseboy who cannot swim. For these they made rough pole rafts
                which they pulled across the rivers with ropes. Kianda told me later that he hopes never
                to make such a journey again. He swears that the raft was submerged most of the time
                and that he was dragged through the rivers underwater! You should see the state of
                George’s clothes which were packed in a supposedly water tight uniform trunk. The
                whole lot are mud stained and mouldy.

                To make matters more trying for George he was obliged to live mostly on
                porters rations, rice and groundnut oil which he detests. As all the district roads were
                closed the little Indian Sores in the remote villages he passed had been unable to
                replenish their stocks of European groceries. George would have been thinner had it not
                been for two Roman Catholic missions enroute where he had good meals and dry
                nights. The Fathers are always wonderfully hospitable to wayfarers irrespective of
                whether or not they are Roman Catholics. George of course is not a Catholic. One finds
                the Roman Catholic missions right out in the ‘Blue’ and often on spots unhealthy to
                Europeans. Most of the Fathers are German or Dutch but they all speak a little English
                and in any case one can always fall back on Ki-Swahili.

                George reached his destination all right but it soon became apparent that reports
                of the richness of the strike had been greatly exaggerated. George had decided that
                prospects were brighter on the Lupa than on the new strike so he returned to the Lupa
                by the way he had come and, having returned the borrowed equipment decided to
                make his way home by the shortest route, the old and now rarely used road which
                passes by the bottom of our farm.

                The old A.C. had been left for safe keeping at the Roman Catholic Galala
                Mission 40 miles away, on George’s outward journey, and in this old car George, and
                the houseboy Kianda , started for home. The road was indescribably awful. There were long stretches that were simply one big puddle, in others all the soil had been washed
                away leaving the road like a rocky river bed. There were also patches where the tall
                grass had sprung up head high in the middle of the road,
                The going was slow because often the car bogged down because George had
                no wheel chains and he and Kianda had the wearisome business of digging her out. It
                was just growing dark when the old A.C. settled down determinedly in the mud for the
                last time. They could not budge her and they were still twenty miles from home. George
                decided to walk home in the moonlight to fetch help leaving Kianda in charge of the car
                and its contents and with George’s shot gun to use if necessary in self defence. Kianda
                was reluctant to stay but also not prepared to go for help whilst George remained with
                the car as lions are plentiful in that area. So George set out unarmed in the moonlight.
                Once he stopped to avoid a pride of lion coming down the road but he circled safely
                around them and came home without any further alarms.

                Kianda said he had a dreadful night in the car, “With lions roaming around the car
                like cattle.” Anyway the lions did not take any notice of the car or of Kianda, and the next
                day George walked back with all our farm boys and dug and pushed the car out of the
                mud. He brought car and Kianda back without further trouble but the labourers on their
                way home were treed by the lions.

                The wet season is definitely the time to stay home.

                Lots and lots of love,
                Eleanor

                Mchewe Estate. 30th April 1936

                Dearest Family,

                Young George’s third birthday passed off very well yesterday. It started early in
                the morning when he brought his pillow slip of presents to our bed. Kate was already
                there and Ann soon joined us. Young George liked all the presents you sent, especially
                the trumpet. It has hardly left his lips since and he is getting quite smart about the finger
                action.

                We had quite a party. Ann and I decorated the table with Christmas tree tinsel
                and hung a bunch of balloons above it. Ann also decorated young George’s chair with
                roses and phlox from the garden. I had made and iced a fruit cake but Ann begged to
                make a plain pink cake. She made it entirely by herself though I stood by to see that
                she measured the ingredients correctly. When the cake was baked I mixed some soft
                icing in a jug and she poured it carefully over the cake smoothing the gaps with her
                fingers!

                During the party we had the gramophone playing and we pulled crackers and
                wore paper hats and altogether had a good time. I forgot for a while that George is
                leaving again for the Lupa tomorrow for an indefinite time. He was marvellous at making
                young George’s party a gay one. You will have noticed the change from Georgie to
                young George. Our son declares that he now wants to be called George, “Like Dad”.
                He an Ann are a devoted couple and I am glad that there is only a fourteen
                months difference in their ages. They play together extremely well and are very
                independent which is just as well for little Kate now demands a lot of my attention. My
                garden is a real cottage garden and looks very gay and colourful. There are hollyhocks
                and Snapdragons, marigolds and phlox and of course the roses and carnations which, as
                you know, are my favourites. The coffee shamba does not look so good because the
                small labour force, which is all we can afford, cannot cope with all the weeds. You have
                no idea how things grow during the wet season in the tropics.

                Nothing alarming ever seems to happen when George is home, so I’m afraid this
                letter is rather dull. I wanted you to know though, that largely due to all your gifts of toys
                and sweets, Georgie’s 3rd birthday party went with a bang.

                Your very affectionate,
                Eleanor

                Mchewe Estate. 17th September 1936

                Dearest Family,

                I am sorry to hear that Mummy worries about me so much. “Poor Eleanor”,
                indeed! I have a quite exceptional husband, three lovely children, a dear little home and
                we are all well.It is true that I am in rather a rut but what else can we do? George comes
                home whenever he can and what excitement there is when he does come. He cannot
                give me any warning because he has to take advantage of chance lifts from the Diggings
                to Mbeya, but now that he is prospecting nearer home he usually comes walking over
                the hills. About 50 miles of rough going. Really and truly I am all right. Although our diet is
                monotonous we have plenty to eat. Eggs and milk are cheap and fruit plentiful and I
                have a good cook so can devote all my time to the children. I think it is because they are
                my constant companions that Ann and Georgie are so grown up for their years.
                I have no ayah at present because Janey has been suffering form rheumatism
                and has gone home for one of her periodic rests. I manage very well without her except
                in the matter of the afternoon walks. The outward journey is all right. George had all the
                grass cut on his last visit so I am able to push the pram whilst Ann, George and Fanny
                the dog run ahead. It is the uphill return trip that is so trying. Our walk back is always the
                same, down the hill to the river where the children love to play and then along the car
                road to the vegetable garden. I never did venture further since the day I saw a leopard
                jump on a calf. I did not tell you at the time as I thought you might worry. The cattle were
                grazing on a small knoll just off our land but near enough for me to have a clear view.
                Suddenly the cattle scattered in all directions and we heard the shouts of the herd boys
                and saw – or rather had the fleeting impression- of a large animal jumping on a calf. I
                heard the herd boy shout “Chui, Chui!” (leopard) and believe me, we turned in our
                tracks and made for home. To hasten things I picked up two sticks and told the children
                that they were horses and they should ride them home which they did with
                commendable speed.

                Ann no longer rides Joseph. He became increasingly bad tempered and a
                nuisance besides. He took to rolling all over my flower beds though I had never seen
                him roll anywhere else. Then one day he kicked Ann in the chest, not very hard but
                enough to send her flying. Now George has given him to the native who sells milk to us
                and he seems quite happy grazing with the cattle.

                With love to you all,
                Eleanor.

                Mchewe Estate. 2nd October 1936

                Dearest Family,

                Since I last wrote George has been home and we had a lovely time as usual.
                Whilst he was here the District Commissioner and his wife called. Mr Pollock told
                George that there is to be a big bush clearing scheme in some part of the Mbeya
                District to drive out Tsetse Fly. The game in the area will have to be exterminated and
                there will probably be a job for George shooting out the buffalo. The pay would be
                good but George says it is a beastly job. Although he is a professional hunter, he hates
                slaughter.

                Mrs P’s real reason for visiting the farm was to invite me to stay at her home in
                Mbeya whilst she and her husband are away in Tukuyu. Her English nanny and her small
                daughter will remain in Mbeya and she thought it might be a pleasant change for us and
                a rest for me as of course Nanny will do the housekeeping. I accepted the invitation and I
                think I will go on from there to Tukuyu and visit my friend Lillian Eustace for a fortnight.
                She has given us an open invitation to visit her at any time.

                I had a letter from Dr Eckhardt last week, telling me that at a meeting of all the
                German Settlers from Mbeya, Tukuyu and Mbosi it had been decided to raise funds to
                build a school at Mbeya. They want the British Settlers to co-operate in this and would
                be glad of a subscription from us. I replied to say that I was unable to afford a
                subscription at present but would probably be applying for a teaching job.
                The Eckhardts are the leaders of the German community here and are ardent
                Nazis. For this reason they are unpopular with the British community but he is the only
                doctor here and I must say they have been very decent to us. Both of them admire
                George. George has still not had any luck on the Lupa and until he makes a really
                promising strike it is unlikely that the children and I will join him. There is no fresh milk there
                and vegetables and fruit are imported from Mbeya and Iringa and are very expensive.
                George says “You wouldn’t be happy on the diggings anyway with a lot of whores and
                their bastards!”

                Time ticks away very pleasantly here. Young George and Kate are blooming
                and I keep well. Only Ann does not look well. She is growing too fast and is listless and
                pale. If I do go to Mbeya next week I shall take her to the doctor to be overhauled.
                We do not go for our afternoon walks now that George has returned to the Lupa.
                That leopard has been around again and has killed Tubbage that cowardly Alsatian. We
                gave him to the village headman some months ago. There is no danger to us from the
                leopard but I am terrified it might get Fanny, who is an excellent little watchdog and
                dearly loved by all of us. Yesterday I sent a note to the Boma asking for a trap gun and
                today the farm boys are building a trap with logs.

                I had a mishap this morning in the garden. I blundered into a nest of hornets and
                got two stings in the left arm above the elbow. Very painful at the time and the place is
                still red and swollen.

                Much love to you all,
                Eleanor.

                Mchewe Estate. 10th October 1936

                Dearest Family,

                Well here we are at Mbeya, comfortably installed in the District Commissioner’s
                house. It is one of two oldest houses in Mbeya and is a charming gabled place with tiled
                roof. The garden is perfectly beautiful. I am enjoying the change very much. Nanny
                Baxter is very entertaining. She has a vast fund of highly entertaining tales of the goings
                on amongst the British Aristocracy, gleaned it seems over the nursery teacup in many a
                Stately Home. Ann and Georgie are enjoying the company of other children.
                People are very kind about inviting us out to tea and I gladly accept these
                invitations but I have turned down invitations to dinner and one to a dance at the hotel. It
                is no fun to go out at night without George. There are several grass widows at the pub
                whose husbands are at the diggings. They have no inhibitions about parties.
                I did have one night and day here with George, he got the chance of a lift and
                knowing that we were staying here he thought the chance too good to miss. He was
                also anxious to hear the Doctor’s verdict on Ann. I took Ann to hospital on my second
                day here. Dr Eckhardt said there was nothing specifically wrong but that Ann is a highly
                sensitive type with whom the tropics does not agree. He advised that Ann should
                spend a year in a more temperate climate and that the sooner she goes the better. I felt
                very discouraged to hear this and was most relieved when George turned up
                unexpectedly that evening. He phoo-hood Dr Eckhardt’s recommendation and next
                morning called in Dr Aitkin, the Government Doctor from Chunya and who happened to
                be in Mbeya.

                Unfortunately Dr Aitkin not only confirmed Dr Eckhardt’s opinion but said that he
                thought Ann should stay out of the tropics until she had passed adolescence. I just don’t
                know what to do about Ann. She is a darling child, very sensitive and gentle and a
                lovely companion to me. Also she and young George are inseparable and I just cannot
                picture one without the other. I know that you would be glad to have Ann but how could
                we bear to part with her?

                Your worried but affectionate,
                Eleanor.

                Tukuyu. 23rd October 1936

                Dearest Family,

                As you see we have moved to Tukuyu and we are having a lovely time with
                Lillian Eustace. She gave us such a warm welcome and has put herself out to give us
                every comfort. She is a most capable housekeeper and I find her such a comfortable
                companion because we have the same outlook in life. Both of us are strictly one man
                women and that is rare here. She has a two year old son, Billy, who is enchanted with
                our rolly polly Kate and there are other children on the station with whom Ann and
                Georgie can play. Lillian engaged a temporary ayah for me so I am having a good rest.
                All the children look well and Ann in particular seems to have benefited by the
                change to a cooler climate. She has a good colour and looks so well that people all
                exclaim when I tell them, that two doctors have advised us to send Ann out of the
                country. Perhaps after all, this holiday in Tukuyu will set her up.

                We had a trying journey from Mbeya to Tukuyu in the Post Lorry. The three
                children and I were squeezed together on the front seat between the African driver on
                one side and a vast German on the other. Both men smoked incessantly – the driver
                cigarettes, and the German cheroots. The cab was clouded with a blue haze. Not only
                that! I suddenly felt a smarting sensation on my right thigh. The driver’s cigarette had
                burnt a hole right through that new checked linen frock you sent me last month.
                I had Kate on my lap all the way but Ann and Georgie had to stand against the
                windscreen all the way. The fat German offered to take Ann on his lap but she gave him
                a very cold “No thank you.” Nor did I blame her. I would have greatly enjoyed the drive
                under less crowded conditions. The scenery is gorgeous. One drives through very high
                country crossing lovely clear streams and at one point through rain forest. As it was I
                counted the miles and how thankful I was to see the end of the journey.
                In the days when Tanganyika belonged to the Germans, Tukuyu was the
                administrative centre for the whole of the Southern Highlands Province. The old German
                Fort is still in use as Government offices and there are many fine trees which were
                planted by the Germans. There is a large prosperous native population in this area.
                They go in chiefly for coffee and for bananas which form the basis of their diet.
                There are five British married couples here and Lillian and I go out to tea most
                mornings. In the afternoon there is tennis or golf. The gardens here are beautiful because
                there is rain or at least drizzle all the year round. There are even hedge roses bordering
                some of the district roads. When one walks across the emerald green golf course or
                through the Boma gardens, it is hard to realise that this gentle place is Tropical Africa.
                ‘Such a green and pleasant land’, but I think I prefer our corner of Tanganyika.

                Much love,
                Eleanor.

                Mchewe. 12th November 1936

                Dearest Family,

                We had a lovely holiday but it is so nice to be home again, especially as Laza,
                the local Nimrod, shot that leopard whilst we were away (with his muzzleloader gun). He
                was justly proud of himself, and I gave him a tip so that he could buy some native beer
                for a celebration. I have never seen one of theses parties but can hear the drums and
                sounds of merrymaking, especially on moonlight nights.

                Our house looks so fresh and uncluttered. Whilst I was away, the boys
                whitewashed the house and my houseboy had washed all the curtains, bedspreads,
                and loose covers and watered the garden. If only George were here it would be
                heaven.

                Ann looked so bonny at Tukuyu that I took her to the Government Doctor there
                hoping that he would find her perfectly healthy, but alas he endorsed the finding of the
                other two doctors so, when an opportunity offers, I think I shall have to send Ann down
                to you for a long holiday from the Tropics. Mother-in-law has offered to fetch her next
                year but England seems so far away. With you she will at least be on the same
                continent.

                I left the children for the first time ever, except for my stay in hospital when Kate
                was born, to go on an outing to Lake Masoko in the Tukuyu district, with four friends.
                Masoko is a beautiful, almost circular crater lake and very very deep. A detachment of
                the King’s African Rifles are stationed there and occupy the old German barracks
                overlooking the lake.

                We drove to Masoko by car and spent the afternoon there as guests of two
                British Army Officers. We had a good tea and the others went bathing in the lake but i
                could not as I did not have a costume. The Lake was as beautiful as I had been lead to
                imagine and our hosts were pleasant but I began to grow anxious as the afternoon
                advanced and my friends showed no signs of leaving. I was in agonies when they
                accepted an invitation to stay for a sundowner. We had this in the old German beer
                garden overlooking the Lake. It was beautiful but what did I care. I had promised the
                children that I would be home to give them their supper and put them to bed. When I
                did at length return to Lillian’s house I found the situation as I had expected. Ann, with her
                imagination had come to the conclusion that I never would return. She had sobbed
                herself into a state of exhaustion. Kate was screaming in sympathy and George 2 was
                very truculent. He wouldn’t even speak to me. Poor Lillian had had a trying time.
                We did not return to Mbeya by the Mail Lorry. Bill and Lillian drove us across to
                Mbeya in their new Ford V8 car. The children chattered happily in the back of the car
                eating chocolate and bananas all the way. I might have known what would happen! Ann
                was dreadfully and messily car sick.

                I engaged the Mbeya Hotel taxi to drive us out to the farm the same afternoon
                and I expect it will be a long time before we leave the farm again.

                Lots and lots of love to all,
                Eleanor.

                Chunya 27th November 1936

                Dearest Family,

                You will be surprised to hear that we are all together now on the Lupa goldfields.
                I have still not recovered from my own astonishment at being here. Until last Saturday
                night I never dreamed of this move. At about ten o’clock I was crouched in the inglenook
                blowing on the embers to make a fire so that I could heat some milk for Kate who is
                cutting teeth and was very restless. Suddenly I heard a car outside. I knew it must be
                George and rushed outside storm lamp in hand. Sure enough, there was George
                standing by a strange car, and beaming all over his face. “Something for you my love,”
                he said placing a little bundle in my hand. It was a knotted handkerchief and inside was a
                fine gold nugget.

                George had that fire going in no time, Kate was given the milk and half an aspirin
                and settles down to sleep, whilst George and I sat around for an hour chatting over our
                tea. He told me that he had borrowed the car from John Molteno and had come to fetch
                me and the children to join him on the diggings for a while. It seems that John, who has a
                camp at Itewe, a couple of miles outside the township of Chunya, the new
                Administrative Centre of the diggings, was off to the Cape to visit his family for a few
                months. John had asked George to run his claims in his absence and had given us the
                loan of his camp and his car.

                George had found the nugget on his own claim but he is not too elated because
                he says that one good month on the diggings is often followed by several months of
                dead loss. However, I feel hopeful, we have had such a run of bad luck that surely it is
                time for the tide to change. George spent Sunday going over the farm with Thomas, the
                headman, and giving him instructions about future work whilst I packed clothes and
                kitchen equipment. I have brought our ex-kitchenboy Kesho Kutwa with me as cook and
                also Janey, who heard that we were off to the Lupa and came to offer her services once
                more as ayah. Janey’s ex-husband Abel is now cook to one of the more successful
                diggers and I think she is hoping to team up with him again.

                The trip over the Mbeya-Chunya pass was new to me and I enjoyed it very
                much indeed. The road winds over the mountains along a very high escarpment and
                one looks down on the vast Usangu flats stretching far away to the horizon. At the
                highest point the road rises to about 7000 feet, and this was too much for Ann who was
                leaning against the back of my seat. She was very thoroughly sick, all over my hair.
                This camp of John Molteno’s is very comfortable. It consists of two wattle and
                daub buildings built end to end in a clearing in the miombo bush. The main building
                consists of a large living room, a store and an office, and the other of one large bedroom
                and a small one separated by an area for bathing. Both buildings are thatched. There are
                no doors, and there are no windows, but these are not necessary because one wall of
                each building is built up only a couple of feet leaving a six foot space for light and air. As
                this is the dry season the weather is pleasant. The air is fresh and dry but not nearly so
                hot as I expected.

                Water is a problem and must be carried long distances in kerosene tins.
                vegetables and fresh butter are brought in a van from Iringa and Mbeya Districts about
                once a fortnight. I have not yet visited Chunya but I believe it is as good a shopping
                centre as Mbeya so we will be able to buy all the non perishable food stuffs we need.
                What I do miss is the fresh milk. The children are accustomed to drinking at least a pint of
                milk each per day but they do not care for the tinned variety.

                Ann and young George love being here. The camp is surrounded by old
                prospecting trenches and they spend hours each day searching for gold in the heaps of gravel. Sometimes they find quartz pitted with little spots of glitter and they bring them
                to me in great excitement. Alas it is only Mica. We have two neighbours. The one is a
                bearded Frenchman and the other an Australian. I have not yet met any women.
                George looks very sunburnt and extremely fit and the children also look well.
                George and I have decided that we will keep Ann with us until my Mother-in-law comes
                out next year. George says that in spite of what the doctors have said, he thinks that the
                shock to Ann of being separated from her family will do her more harm than good. She
                and young George are inseparable and George thinks it would be best if both
                George and Ann return to England with my Mother-in-law for a couple of years. I try not
                to think at all about the breaking up of the family.

                Much love to all,
                Eleanor.

                 

                #4818

                “Don’t you want to stay a little longer here?” Vincentius said to Arona after his bath in the hot springs of the Doline. Arona’s attention was caught by the dripping drops of water on the chiseled muscles, and took a while to answer.

                She stretched lazily on the deck chair, slightly disturbing Mandrake who was napping by her side. He rolled on his side and resumed his nap.

                “I don’t know, the place is nice enough. To speak true, it lacks a bit in decor and natural light; still… you wouldn’t find a nicer place to rest. Look at this white sandy beach… And to think that this pool connects to virtually anywhere, anywhen. Endless opportunities of explorations and travels are drawing you towards an adventure, don’t you think.”

                “I think I only live to please you, just say the word, and I’ll follow you anywhere.”

                “Aw, you’ve always been good at sweet-talking me. Don’t get me wrong, I like our occasional flings… for lack of a better word, but I like my independence. I have to keep exploring myself.”

                Seeing a sadness fleeting in his eyes, she added “if only to meet you again and again.”

                #4502
                Jib
                Participant

                  Shawn-Paul exited Finn’s Bakery on the crowded Cobble street with his precious cargo of granola cookies. They were wrapped in a cute purple box pommeled with pink hearts. He put on a disdainful attitude, adjusting his scarf for better effect, while already salivating in anticipation of the granola melting in his hot chocolate at home. He was sure that would revive his fleeting inspiration for his novel.
                  It was hard not to swallow as saliva accumulated in his mouth, but he had had years of practices since he was eight. His aunt Begonia had just given him a snicker bar that he had swallowed in one gulp, spreading some chocolate on his face in the process. She had accused him of being a dirty little piglet and he was so upset of being compared to the animal, that he had vowed to never show his love for food again. Instead he developed a public dislike of food and a slender frame quite fitting his bohemian lifestyle, while always having some cookies in store.

                  Shawn-Paul turned right on Quagmire street. It was bordered with Plane trees that kept it cool and bearable in summer. He was thinking about the suggestion of his writing coach to spend some time with his artist self, thinking that he had not done it for quite some time, but immediately felt guilty about not writing and firmed his resolution to go back home and write. He walked past a group of two elder woman and a man arguing in front of Liz’s Antique. One of the woman had a caved in mouth and used her hands profusely to make her point to the man. She was wearing pink slippers with pompon.

                  Italian tourists, Shawn-Paul thought rolling his eyes.

                  He swallowed and almost choked on his saliva when he glimpsed an improbable reflection on the Antique’s window. A woman, smiling and waving at him from a branch of a plane tree behind him, balancing her legs. He particularly noticed her feet and the red sandals, the rest of the body was a blur.

                  As Shawn-Paul turned, the toothless Italian tourist whirled her arms about like an inflated tubewoman, frightening a nearby sparrow. The bird took off and followed a curve around Shawn-Paul. Caught together in a twirl worthy of the best dervishes, the man and the bird connected in one of those perfect moment that Shawn-Paul would long but fail to transcribe into words afterwards.

                  There was no woman in the tree. A male dog stopped to mark his territory. A bit disappointed and confused, Shawn-Paul felt the need to talk.

                  “Did you see her?” he asked the Italian tourists. They stopped arguing and looked at him suspiciously for a moment. “She was right there with her red sandals,” he said showing the branch where he was sure she had sat. “I saw her in the window,” he felt compelled to add, not sure if they understood him.

                  The other tourist woman, who had all her teeth, rolled her eyes and pointed behind him.

                  “There’s a woman in red right over there!” she said with a chanting accent.

                  Shawn-Paul turned and just had the time to glimpse a woman dressed all in red, skirt, vest, hat and sandals before she disappeared at the corner of Fortune street.

                  Moved by a sudden impulse and forgetting all about his writing, he thanked the tourist and ran after the red woman.

                  #4496
                  TracyTracy
                  Participant

                    Lucinda could hear the neighbours dog whining through the thin walls between the apartments, but she liked the dog, and she liked her neighbour Maeve, so the noise was a comfort rather than a bother. Moments earlier a movement from the window had caught her eye: fleetingly it looked like some sort of dust devil or whirlwind of dry leaves. Perhaps that was what had upset Caspar.

                    She went out onto the kitchen balcony and looked across at Maeve’s identical balcony and called softly to the dog. He came sidling out looking guilty, with a lowered head and nervous tail wag. Lucinda noticed that her neighbours tomato plants were ripening nicely, while her own were still hard shiny green, thanks to the shade of the big oak tree. A blessing in some ways, keeping the hot afternoon sun off the kitchen, but not so good for the tomatoes. Not that it was particularly hot so far this summer: glancing down she noticed the guy from the apartment on the other side of Maeve was wearing a scarf as he sauntered out onto the sidewalk. Surely it’s not cold enough for a scarf, though, thought Lucinda. Still, perhaps he’s just wearing it because it matches his socks. A trifle vain, that one, but a nice enough fellow. Always a ready friendly smile, and Maeve said he was quiet enough, and never complained about her dog.

                    Lucinda had been passing by one day as Shawn-Paul had opened his door, and she couldn’t help but notice all his bookcases. He’d noticed her looking ~ she hadn’t been subtle about her interest and was trying to peer round him for a better look inside ~ and he’d invited her to come round any time to borrow a book, but that he was late for an appointment, and didn’t have time to invite her inside that day. Lucinda wondered why she’d never gone back, and thought perhaps she would. One day. One of those things that for some reason gets put off and delayed.

                    There was nothing Lucinda liked more than to find a new ~ or a newly found old ~ book, and to randomly open it. The synchronicities invariably delighted her, so she did know a thing or two about the benefits of timing ~ otherwise often known as procrastination. When she did decide to visit Shawn-Paul and look at his books, she knew the timing would be right.

                    “Don’t lean on me man, la la la la, synchronicity city…” she started singing an old Bowie song that popped into her head from nowhere, barely aware that she was changing the words from suffragette to synchronicity.

                    Meanwhile unbeknown to Lucinda, Shawn-Paul had just rounded the corner and bumped into the gardener, Stan, who was on his way to the apartments to mow the lawns. They exchanged pleasantries, and patted each others shoulders in the usual familiar friendly way as they parted. The two guys were not friends per se, they never socialized together, but always enjoyed a brief encounter outside with an easy pleasant greeting and a few words. Shawn-Paul always inquired about Stan’s family and so on, and Stan often complemented Shawn-Paul’s scarves.

                    Granola, temporarily rustling around in the big oak tree, noticed all of this and immediately recognized the connecting links, and peered eagerly at the three people in turn to see if they had noticed. They hadn’t. Not one of them recalled the time when they were all three suffragettes chained to the railings near an old oak tree.

                    #4369
                    Jib
                    Participant

                      The door bell rang and Finnley left Liz confused by the present the maid had brought her from Bali. It was the statue of a man in a strange position. Liz had no clue what he was doing, but the statue was so big she could imaging using it as a stool with small silk cushion to make it more comfortable. It was made of wood. Liz touched the head of the statue and felt a momentary lapse.

                      “hum!”
                      Liz started. “Oh you’re back”, she said to Finnley with a smile. Finnley looked at her suspiciously.

                      “Did you take something while I was answering at the door?”

                      “Oh! right the door. Who was that?”

                      “Journalists. They are here for the documentary movie.”

                      The fleeting state of bliss was gone. “Journalists? For me?”

                      “For who else?” asked Finnley, raising her eyes. “Godfrey?”

                      #4305

                      Looking at what was left in his bag, it made Rukshan realise he was walking in the Dragon Heartswood for longer than he thought.
                      It was a maze with layers of concentric circles of tree, and seemed far bigger and vast once you were inside that it should have been.
                      He had been presumptuous to venture in it, without any guidance or map, knowing very well that most of those who had entered it, never came out. There was a magical distress beacon that was in the bag, but he guessed it would only help him retrace his steps back to where he entered. He didn’t want to use it. He could still feel the glowing confidence infused in his heart by the potion, and now, it was as though it was telling him to do nothing, and just not worry. So he chose one of the trees, to just sit under, and meditate for a while.

                      There was a bird, high in the small patch of sky that the treetops didn’t cover. Or at least, it looked like a bird. I had been there for a moment, as if watching him.

                      “Don’t you like birds?” the voice said “They are my favourite creatures, so smart and graceful. Ah, and the joy of the flight!”
                      He wouldn’t open his eyes, not sure the feminine voice was in his head or not. She was one and the same with the large bird hovering —it was one of her projections, but she was human.
                      “You know who I am, Rukshan, you have been searching for me.”
                      “You are the Hermit, aren’t you?”
                      “Yes, and here I am, saving you a long trip to the mountains.” There was a smile in her voice.

                      He didn’t know what to say, but feared to open his eyes, and risk the spell to vanish.

                      “You can open them, your eyes. They are deceivers anyway, they are not the senses that matter.”

                      She was there, in front of him, looking ageless. There was no telling if she was a projection or real.

                      She had put something in front of him. A sort of flat braid, not very long, and made with different threads of diverse nature and impractical use, yet artfully arranged, revealing clever and shifting patterns.

                      “It is for you Rukshan, to help you remember. I have worked on it for the past days, and it is now ready for you.”

                      He looked at the patterns, they were clear and simple, yet they changed and seemed to elude understanding. The braid was only loosely attached at the end, and threatened to unravel as soon as moved.

                      “These are your lives, intertwined. You and six others. You don’t know them, in this life —however long yours has been. But you are connected, and you have know each other before, and you have intertwined before. Some of these past stories can be read in the patterns, and some are tragic, and they all bear fruits in this life and the next. It is no mystery why you have been attracted to the Heartswood, because it is where the Sundering started, and where you and the others have left things unresolved. If you don’t look deep now, and take steps to correct course, you will go from this life to the next and repeat your torments and endless search.”

                      While Kumihimo spoke, Rukshan had fleeting images and impressions, some linked to the visions the gingkos and the trees had sent him before, of the others, linked to his quest.

                      “Yes, you are starting to remember… That day, when you and the others tried to rob the Gods of the flame of creation. They cursed you, even their pet Dragon who was supposed to guard their treasure and sided with you against them.”

                      She showed him the ring of charred trees that marked that particular period in the middle of all the rings for each ages of growth of the Heartswood.

                      “The Sundering” he spoke softly, reminded of fables in the legends of the Fae. That was the ancient age, when most of the Gods had disappeared, some said, gone through the doorway that was at the very heart of the Heartswood, the very source of life and death, and creation. There had been new Gods after that. They also possessed great powers, but none with the aura of the Old Ones —no Old God would have been trapped in stone by a mere witch’s enchantment.

                      Rukshan turned to the Hermit with deep pondering. “What can we do?”

                      She was starting to fade away, turning again into a bird. “Each of you has a special power, that you stole in that past life, and with each new life, you carry it with you, and with it, its curse. Find who you were, find what you stole, and give it back. Then the threads will unravel and the knot of all the curses will be undone.”

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