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Inspired by the courageous example of Finn, Quintin was thinking of changing his name too.

There were too many Quintins out there, and he needed to find something more suitable. Michaela had mistaken him again for another Quintin, and of course, Quintin had heard Elias laugh in the background.
Yann’s battery of his new phone was charged at 33%, so that was probably a confirmation too.

Why not something like Yurick…
Looking for a confirmation, Quintin found this.

YORICK: Altered form of JORCK. This name was used by Shakespeare for a court jester in his play ‘Hamlet’.
JORCK: Danish form of GEORGE

So that was it… Having recently read some poems from George Gordon Byron, Quintin thought that it was in perfect sync.
Yurick was henceforth adopted.

_{Interestingly, Yurick noticed that it was the 303 ^rd comment posted. So it was obviously another confirmation. Perhaps that with his new name, now Yurick wouldn’t need 3 confirmations in a row…}

Mmmm, Captain,… isn’t that legend a bit long-winded? Tomkin had asked to Captain Bone.

It had been six nights now that the Captain had told bits of that legend to Tomkin, and even if it was entertaining, Tomkin was more and more impatient to get back to meatier stuff, like galleons full of ancient magical treasures, corsairs from the Warring Kingdoms coasts, strange unknown races from far-off lands… that would be more mouth-watering than this endless legend…

Captain Bone had laughed.

— Aaaaah, Tomkin… of course you know I like to tell long stories, and make them longer each time I recall them, but you see, there is also a point in all of that adventure. Mævel’s story is also the story of all of us in a way. Of course, I could tell you how it ends, but in a way it never really ends. More important is for you to see it unfold and that you appreciate the unfolding. The ending is not important in a way. Each and every time this story is recalled, it is different, because it adapts to what is happening right now. Do you see?
— So what is the point of telling me that story? It was supposed to tell me something about this strange knotted object, but I don’t see any link.
— Ahahahaha, the point is precisely that Tomkin. I am telling you my story, but this object makes you hear your own story through my words.

Now, Tomkin Sharple was squatting on the sand near the bonfire lit by Badul’s crew, and he was recalling the words from the Captain. At that time, when he didn’t know a thing about that strange magical object, he had not understood a thing of what the Captain had said.
But now, it started to make sense, some sense at least. Each time the Captain had told him bits of the legend, Tomkin had been fidgeting the strange object, making the Captain smile. Perhaps the object’s magic was not only acting as a translation device…
There was something more about it. He was no longer sure that the Captain’s story had been what he was recalling. Perhaps it was completely different, and he had translated it…
Still, the object had apparently helped him understand what Badul and his men wanted, so it was translating truthfully. But what was a faithful translation?

Then, a flash came into Tomkin’s mind. The Captain had given the object to him. He’d said it was about connections. Being connected.
Till then, Tomkin had been the only one to touch it. He had not even revealed the source of his gift to Badul.
But in the Captain’s case, both of them had been touching it. In sharing that link, they had extended trust to each other, and somehow, they had been mirrors for each other. Perhaps that was what Captain Bone meant when he said that Tomkin was hearing his own story through the Captain’s words.

Tomkin laid down on the warm sand, looking at the clear starry night.

— The legend of Mævel — (Part VI)

Inside the warm burrow, Mævel found a bed of dry leaves and tender moss. She could see some light from the moon, coming through holes in the ground, which were bringing in some fresh air too. Cuddling comfortably into the makeshift bed, she started to sleep peacefully, waiting for her friend the blue fox to come back.

Half-asleep on the beach, Tomkin was wondering… What had happened the next morning… This was fuzzy in this memory, as if the events were moving and reorganising themselves. All that he remember was that Mævel had met the blue fox, but there were myriads of possible events, and all of them were possible, dancing now in front of him.
He could chose any of them… But, would that make the story the same?
Then he recalled that it was his own story… So why make it difficult then…

The voice of Captain Bone was resounding in his ear “You find value in hardships, and value is important to you and our kind. In these lands full of magic, we could just do anything, but somehow you’ll find that rare are the people who constantly use magic. Because when magic is used to make things happen instantaneously, it shifts everything around it to accommodate the changes asked by the summoner of the magic. And it can be overwhelming when too big are the differences between the too states, as we are accustomed to live within a continuity. That’s why I tell you to enjoy the ride of that legend.
Think of it… You could be Emperor of all Lands if you knew how to use magic for such a feat. But would you do that instantaneously? Slim chances. You wouldn’t know how to behave as an Emperor, and on top of that, you probably would find the new aspect of you who is an Emperor to be overwhelming to your present aspect of little Tomkin.”

Okay, Tomkin said… No need to skip directly to the last part… she meets the blue fox in his den, and Mævel learns about the curse of the fox.

— Oh, really? Mævel was saying
— Yes, I was a bit of a fool… the blue fox was telling her. But, the silver lining is that there is a way to counteract the curse. But I will need your help again, if you want.
— I want to help you.
— Fine. You know about Shaint Lejüs Festival?
— Mmm, yes, my parents told me about that. It’s the Day of the Forgotten, isn’t it?
— and of the Accursed Ones.
— Oh…
— That special day of the year, the Gates of Lejüs’ Realm are opened and Forgotten and Accursed Ones are given a chance to be Remembered or Graced.
— Every year? Why then aren’t all of them Remembered?
— Mostly because the Living Ones dread this day. They are the only ones to be able to free the Demanders, and they quickly felt haunted by the Demanders. So they did rituals to keep the Demanders away from them, as certainly your human parents did.
— Yes, I remember now…
— There is another reason actually. Forgotten Ones can only be Remembered when they recover their true name, and only a strong bond like love or some potent magic can force it out of Lejüs’ graps.
— And Accursed Ones?
— For them to be Graced, they need to do one pure act of altruism.
— A simple act?
— Don’t be fooled, it’s not as simple as it seems. See, I tried to rescue a woman who was drowning herself into the river, but that hunter thought I was attacking her… The fact was that she was willing to be Forgotten, and that my act was not purely altruistic.
— How so? You probably saved her life?
— Yes, but that was not what she wanted, and when she cried that I let go of her, I only wanted her out of the waters, because of me…
— I understand. And how can I help?
— One altruistic act for me would be to help a Forgotten One to be Remembered. That’s what they ask for, but it’s difficult for them to get past the barriers of the Living Ones.
— Shaint Lejüs Festival is tomorrow…
— Yes, have as much rest as you need, Mæ. We will see tomorrow what will occur…

November, 1 ^st 2057

Sean took another glass of scotch to give him some courage to call.

— It’s your twelfth now, that’s supposed to give you courage
— Oh, Maggie, my live is such a mess…
— It’s not, and you know it. Look at all our beautiful children, and Becky who went through so much just out of love for you…

Sean didn’t know whether he was actually seeing the ghost of his deceased wife, or a projection of her, still alive in another part of the Universe, but she always had been a comforting presence.
He had started to see her a few months after her disappearance.
Yes, during that T.R.A.P. expedition, yeah, “live-changing experience” they had said… True, too true… Perhaps the electromagnetic field had messed up with his brains, but now he could see her clear as day.

That had been a bit freaky in the beginning, and when they made love with Becky, he was a bit anxious to see her appear not invited. But Margaret had been discrete, well mostly. At times, he wondered if she had not sneaked into the bedroom and merged her energies with Becky’s, just to be closer to him… Becky’s acts did not always make sense anyway, so that was hardly a criterion to judge of that.

All his live had been like that. A jumble of incoherent stuff. Oh, he had enjoyed it, especially at the beginning. His father Lord Wrick was obsessed with the Shift, and had found some ancient knowledge in his youth. Mostly rubbish by nowadays standards, bunches of rotten books of prophecies handed down to a few chosen ones, who were supposed to be forewarned of doom to come. Now, they knew that they were only a wake up call, but at that time, it was another thing altogether.

Of course, the wealth accumulated over the centuries by the Wrick family had been helpful to access these precious archaeological documents. A few of them had played a key role.
For instance, the in-extenso Life and Deeds of Lord Gustard Willoughby Fergusson, a rare version of the diary of Lord Fergusson, annotated by his daughter, Illi, was telling an account of history much different than the one romanced after his death by his wife Floribunda von Grott.
Thanks to it, Lord Wrick had been able to acquire some inkling as to ancient treasures. Old fool…
It had killed his wife, Artemisia, devastated by the madness of her husband, and it had alienated the other part of the family too.
But all that counted was to make the discoveries, and perhaps enlight the masses.

Sean had never really forgave his father that he wanted to utilise Margaret and have her fit into his plans of grandeur. Of course, his father had willingly accepted the union, and despite all appearances (for the sake of those rapacious journalists) he had even pushed Sean to do it quickly. But all he was really interested in was her precious discoveries.

— Oh, but I was not innocent, Sean
— I know Maggie, you were obsessed by what we could offer to you, especially when you read about the botanical experiments in the deserts, which were related in that old book. But still…
— We all had grown up through that, you know…
— Yes, and what showed me that, was that I was concerned that the old vampire would suck my own children into his web, but Peregrine was too free for that, and Guinevere preferred to live her live outside of this madness too.
— Becky had a good influence. Do me a favour, be kind to her.
— You know what?… Yes of course you’d know,… but let me tell you, so that we can laugh together… I found myself really happy and free when I stole the two magical books out of the Old Fool’s clutch. God knows how he acquired them, but one thing was sure, he was obsessed with them. I couldn’t get the mummy, but the books were a great take.
— And a funny idea to give them to your cousin…
— Yes, Dorean was the perfect person. I couldn’t leave them anywhere, my father would have found them again. At least he wasn’t in good terms with his brother and sister-in-law, so they were safe in their care. And at least, they were more grounded than my father, the perfect keepers for the books… I’m wondering what happened to them…
— That will upset you, but Perry’s twins got them.
— Oh really?
— Yes, and they are having fun with them, as was intended.
— That’s fine then, and we are less obsessed now than we were before, so I guess my father isn’t as much as a pain in the butt as he was…
— You father meant good
— Yes, like everyone, but why can’t we leave people alone at times? People can sort out their issues without the commiseration, and the good intentions… It’s poison even worse… Like I can drink and still be healthy, and nice, and…

Sean started to sob.

— I know, darling, but you’re as much of a sore as your father was… You focus so much on what’s not going right, and you don’t even appreciate that you can talk with your departed wife… That was nothing as easy in the old days.
— Do you think my father talks with mum to?
— I think he would be too proud to admit he is sorry… That may hinder the communication… But Arty wouldn’t bear grudge now. When we let go of the physical, things become so clear, we can only be accepting of everything. Perhaps you prefer to wait for your father to cross over? I can tell you something, that won’t be easier. That much I know.
— You’re right. It’s just that I don’t know how to start…
— Be yourself, talk about what you enjoy, where is your passion now… Perhaps that is the problem. You’re drowning your passion in your scotch.
— You’re right… I’ll tell him Léan will have a baby.
— Oh, he’ll love it!
— How time flies… sighed Sean, I still remember the little sweetie as a blue-eyed laughing baby herself, with Oliver and Illana. She was the only one of the triplet to have inherited her mother’s dark complexion. She’s so beautiful…
— Let’s call your father darling
— Yes, let’s call him.

Lord Wrick had not expected to received that call. Well, he had renounced it so long ago.
He had been a bit shaken, but also relieved. He had proposed, on an impulse, to invite that whole part of the family he barely knew, Sean’s new partner, and all their children for next Christmas in the castle. Sean had told him they would probably come with Becky but that the children were now having their own lives, and it would have to be for another time.

Lord Wrick went to see Bill, who was now painting the portraits of Peregrine and Linda in the veranda.
He would probably have to stay longer, to paint a lot of new family portraits.

That probably would come perfectly, as ever, as the Lord could tell India Louise loved to spend time with the painter. Perhaps she would become an artist too…

— But we’ll have to find a pseudonym, Al had said to Becky, as they were discussing the unusual play last day.
— Yes! Becky had said enthusiastically.

And Al had known he was going to love the surprise that Becky would be finding for them.

Now, he was waking up, and the sun was bright and the sky clear above the waters. He’d had dreams of a huge reception, with lots of foods at all levels of a huge building, that people were eating and eating, but still there was always enough for everyone, and more, diversity too.

And there was this groundhog day dream before (and a popping blue dot in his peripheral vision as he was jotting down his thoughts, err he always thought jolted, that would make Becky laugh again), and in his groundhog day, he was winning millions in many different ways, but all that money had a purpose to help him in a rescue mission. He could not die before his mission was accomplish, or everything would start again, and again the abundance would be here in the form of millions…

When he saw Becky’s last entry, he wished he could hug all of them soon…

Yurara Fameliki… I love that name, he said to the noisy bird nesting on top of his window…

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.