Search Results for 'ground'
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Search Results
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In reply to: Circle of Eights, Stories
Once Illi had realized she was dead and could ‘go’ anywhere she liked simply by creating the ‘place’ around her, she decided to take a long relaxing holiday on a deserted tropical island. She would float in the warm lagoon, feast on coconuts and pina coladas and mangoes, play with the dancing lemurs and build fantastic sand castles on the beaches. As she visualized it, it appeared as if by magic all around her…the sun warm on her head, the sand between her toes, the gentle breeze fragrant with exotic blooms and the sound of gossiping parrots filled her senses. She closed her eyes and flung her arms wide in appreciation for the physical joys she had recreated, breathed deeply and relaxed for the first time since she had died. Finally, she felt like she knew where she was, even if that ‘somewhere’ was as ‘nowhere’ as ‘anywhere’ else, just another ‘elsewhere’ really…..
Illi stretched out on her back on the golden sand and squinted up at the cloudless deep blue sky. How nice, she thought, not to have any aches and pains, not to have to worry about shifting and those bloody belief systems, how simply lovely to just BE, with no perceived responsibilities, no interruptions…
Just then out of the corner of her eye, Illi saw movement in the sky. Something was descending onto the island. Illi couldn’t make out what it was, and wished she had a pair of binoculars. Silly Illi, she said to herself, reaching for the binoculars that had appeared beside her. I keep forgetting I can create anything at all.
Holy Moly! A great fat roly poly nun with a huge jolly grin was wafting down from the heavens, with an irridescent turquoise fairy in tow. They were landing on her island! We’ll see about that! Illi jumped to her feet and stomped off the beach and into the mangroves, sloshing angrily through the watery roots….. until she realized she could hover above the ground, which was a much easier way to travel.
Hovering was much quieter too, and the jolly fat nun and the bluegreen fairy were quite unaware that Illi was peering at them from behind a peachy hibiscus bush. In fact, the blooms on the hibiscus had grown to a most ridiculous size, and Illi could hardly see past them. She hovered to the side a bit, and decided on impulse to make her presence known to the intruders.
BOUH!
In reply to: Circle of Eights, Stories
India Louise shivered in the draughty corridor and glanced furtively over her shoulder. Bill! she hissed into the keyhole. She tapped softly on the door again, afraid of waking Manon in the next room. It would be difficult enough to explain to Bill, let alone trying to explain to the nosy and rather batty cook.
She wrapped her dressing gown tightly round her, and felt the weighty key clunk against her thigh. Eugenia and India Louise had been playing ‘let’s pretend’ with the key that Grandad Wrick had thrown on the bonfire (that India found in the ashes the next day and thought would make a super present for Eugenia….. they both loved odd little gifts).
For days they’d been wandering around the many corridors and wings of the Wrick castle, and Eugenia’s ancient rambling Sandlebright Hall. On fine days they’d explored the grounds, the aviaries and stables and hay barns, the meadows and follies, the lodges and farm cottages, through the spinney to the river and the boathouse, and back through the rose arbours… imagining themselves in different times and places, as different people, making up stories and weaving the key into each little story…… the murder at the boathouse and the key to the mystery… the key to the kitchen and the affairs of the cook… the parrots and the key to the bird cage…… the key to the captains trunk in the attic…
Until they found the place where the key didn’t fit into the story…that is to say, the one place that should have needed a key, The Locked Room that only great grandad Wrick ever went in, was unlocked.
India Louise couldn’t wait to tell Bill all about it.
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
In reply to: Circle of Eights, Stories
When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.
— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…
— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?
Tina was taken aback…
— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway? — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?
Quintin had answered distractedly, as he was engrossed by his last painting…
Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.
She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…
— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…Wow he had thought, she can really see.
Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.
The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…
— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).
Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.
Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.
The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…
Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.
Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.
She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…
She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.
When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.
Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.
This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.
She started to move again, de-focusing, past the lazy honey drops.
The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.
In reply to: Circle of Eights, Stories
Arona hummed happily to herself. She felt so light without the cape and the tunnel was bathed in the gentle light of many glukenitches. Mandrake the cat followed along too, much to Arona’s delight, although she was a little hesitant to tell this to the grumpy cat
Magic magic magic magic she hummed to herself
Arona almost skipped along the tunnel, and, so wrapped up was she in thoughts of magic, that she tripped and fell heavily, hurting her left hand as she put it out to save herself
Ouch, hells bells and warty wizards, she muttered, for it did hurt quite considerably… and then she had some scarey thoughts. She looked around and realised that really, the fact of the matter was, undeniably, that she was still lost in the darkish tunnel.
What if I don’t believe in magic? and her happy mood plummeted.
Oh fuch, she swore, and sat down on the cave floor. FUCH FUCH FUCH FUCH she shouted as loud as she possibly could, and in fact hurt her throat a little in the process and quite possibly the sensitive ears of many glukenitches.
This blessed cave is doing my head in. I want to see the sunshine, or the rain, no matter, I don’t care what the weather is doing I JUST WANT TO BE OUT OF THIS CAVE.
Ooops that was rather loud
After coaxing Mandrake back, as he had retreated quite some distance at her outburst, she sat down and put her head in her hands and tried to think. Did she believe in magic? Well of course she had no choice. Life without magic was inconceivable to her.
She felt a familiar tiredness sweep over her as she struggled to work it out. Perhaps I will just have a small sleep before I continue, and she curled up on the ground, wishing she had her heavy black cape to wrap around her.
As she gave up the struggle and let sleep come she heard some soft words
It’s easy Arona … magic is easy … it is the thread linking all to all
************
A short while later she woke from her sleep, feeling refreshed and ready to continue.
In reply to: Circle of Eights, Stories
Never speechless for long, Dory wondered out loud if she should just hurry along into the cave and hope to catch up with some other expeditioners, or explore the area around the cave first.
Have a look around, a voice in her head said. Ever the wanderer, always curious to just see what’s around that next corner, and the next….Dory wandered through the strange tall rock shapes. In a sort of natural passageway between vertical rock faces she came upon a group of people squatting next to a large oblong hole in the ground. The womans shawls and headscarves were flapping madly in the wind as she conversed with a boy of about 13, and it seemed to Dory as though they were discussing moving something so that it wouldn’t be found. Dory stood perfectly still just watching, and somewhat strangely they didn’t seem to notice her standing there.
An older man with curly grey hair and a long maroon djelaba and a tall narrow brimless black hat started to hurry away, as if a decision had been made.
Dory watched him until he disappeared from view. When she looked back towards the hole in the ground, it had vanished, and so had the woman and the boy.
PPFFFT! Dory had been deserted again. She turned and headed back towards the cave. Suddenly she felt hungry, and an image of a plate of cool crunchy coleslaw popped into her head.
I hope they’ve laid food on in the cave, she said.
In reply to: Circle of Eights, Stories
Dory stretched and yawned, and took in her surroundings. The terrain was dry and desert-like, with strange tall rock formations with sheer sides, and hard dusty ground. A strong dry and hot wind whipped her shawl around her shoulders and face. Momentarily blinded, she turned her back to the wind to disentangle her shawl. She finally surfaced from the flapping tangle of cloth just in time to see the van disappearing in a cloud of dust.
PPFFT! I’m on an expedition all on my own. Dory was momentarily speechless.
In reply to: Circle of Eights, Stories
After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.
She found this quite irritating. They are really bit rude around here, she muttered.
Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.
It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.
(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)
All I have done is wander around dark passageways really.
And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?
AND if one more person tells me to use my magic I will probably scream or something!
Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.
And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.
Oh cute, said Arona, a talking cat.
Cute yourself, responded Mandrake, love your cape by the way.
(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)
Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.
Mandrake sighed in an impatiently eggsagerated sort of a way.
Heavens to murgatroyd¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?
All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.
of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!
—
[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .In reply to: Circle of Eights, Stories
But the brave front Arona had put on for the dragon crumbled as she looked at the door.
She sat down on the ground and started to cry, and once she started she found she could not stop.
She was so afraid. The courage she felt earlier had deserted her and been replaced by a sadness she did not really even fathom herself.
I am tired of this no man’s land, this endless searching. And I am so afraid that behind the door is just yet another dark tunnel. I hate riddles, people should say what they mean, and yes, I am very tired of this heavy black cape.
And so saying Arona angrily took off the cape and threw it to the ground.
She cried and cried and cried, and the little glukenitch lying unseen in the darkest corner luxuriated in the extra dampness her tears added to the ground.
When she had done crying she found her strength again, enough to keep going with the journey
In reply to: Circle of Eights, Stories
The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.
Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.
They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.
That is, until Leörmn had it all changed again.
So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.
Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…
Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…
As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…
You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…
In reply to: Circle of Eights, Stories
Hells Bells muttered Arona to herself , this had better not be some sort of a test that dragon is putting me through
As she stepped forward into the darkness of the chosen path, she had a sudden sense she was walking off the edge of a cliff.
Arona had been practising quietness for a long time. The journey had been lonely at times and offered her many opportunities to practise her skills. There were so many parts of her wanting to have a say, discuss, analyse her every move, so that she would become paralysed and unable to move at all. In desperation almost she had learned to still the voices and find that part of herself she most believed herself to be. The part which believed in the existence of magic.
Well done, and shall you fly?
Arona hesitated. It was that voice again. She was not sure if this new voice came from her own thoughts, but she felt not.
Great, she thought, perfect time to finally lose it. Stuck in a dark cave with a troublesome dragon.
Shrugging her shoulders she went still inside and moved her body forward.
Leormn (with two little dots above the “o”) felt deeply humbled when he saw the extraordinary bravery of Arona.
It was hard for the proud dragon to consider, but he did wonder if sometimes he went too far with his joking. After all for him the cave was a playground, clay he could mould at will, or at a whim. Perhaps one could even call it a work of art, he thought proudly.
But he did realise that for the girl, who was newer to the ways of magic (although showed the most tremendous potential he grudgingly had to admit), he realised it represented something far deeper, a dual potential, the hope of light, but also the possibility of the deepest darkness.
For a moment he even considered revealing his whereabouts.
She is fine , Malvina answered his thoughts, she loves the challenge. It is what drew her here.
In reply to: Circle of Eights, Stories
Illi set off at a brisk trot in search of the cave. A deafening clap of thunder made her flinch and lose her footing. She slipped, and slid down a steep slippery wet bank, tumbling and rolling out of control. Arrgghh! How embarrassing, she thought, I hope no-one is watching….OUCH! She banged her head on a strangely perfect long oblong stone, which catapulted her into the air and into a cork oak tree. Lordy! She clung onto the knobbly grey bark, trembling and gasping.
Well, I may as well have a smoke and catch my breath, she thought, at least it’s fairly dry here in this tree. She inched upwards until she found a comfortable fork in the branches and leaned her back against the trunk, fishing in the pockets of her tartan jacket for her Camels and her lighter.
Ahhhh….that’s better! Now, where are we? Illi felt more optimistic, and surveyed the terrain. AHA! In a little dip behind the tree was a dark hole in the ground. That will lead to a cave, I’m sure of it! Illi lit another smoke, musing that she might never have found the cave entrance had she not banged her head on the strange oblong stone, and hurtled into the tree.
Feeling much more enthusiastic, Illi climbed down out of the tree and went to investigate the dark hole in the ground. HHmmmm…no sign of a rope, or steps, no light, she wondered what to do next. A voice boomed in her head TRUST! Trust is the key!
Suddenly feeling very devil-may-care and adventurous, Illi dived into the hole head first… wwwwhhhheeeeeee HOOOOO…… the free-fall was exhilarating, exciting, wildly fun….and then a little voice of doubt crept in, Are you stark raving MAD?
Whallop! Illi landed on something soft, something sodden and smelling a bit of mold. Momentarily stunned, she just lay there, in a heap on the soft wet lump.
“Holy MOLY” the soft wet lump shouted “Get OFF me! How incredibly RUDE to land on me like that without so much as an introduction!”
Illi trembled.
In reply to: Circle of Eights, Stories
where… the sound…
of my tears hits the ground
Just like the rain
Just like the rain…Just like the rain (Richard Hawley)
Dory has felt like the singer lately, “walking a world of empty streets”, but this had been a fruitful time to gather much information on herself; and now, there was something new she felt was coming her way. Or perhaps it was the other way around, she was coming to it, but in fact, it couldn’t matter less.
It had been, now she thought of it, it had been like a settling down of winter, so that the magic snow could appear, and be laid upon the barren lands, to provide a renewed enjoyment and vista on the landscape.
And the drops of the rain created a playful symphony of waves on the surface of the pond she was looking at through the window, and she rejoiced with the goldfishes of what was to come now.
