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In reply to: Quintessence: Reversing the Fifth
Spring 2024
Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.
On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.
Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.
The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.
The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.
Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”
Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”
Matteo tilted his head, intrigued. “You mean you’ve drifted?”
Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”
Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.
Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”
Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.
Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”
“Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.
Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”
“Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”
Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.
For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.
In reply to: Quintessence: Reversing the Fifth
Darius: A Map of People
June 2023 – Capesterre-Belle-Eau, Guadeloupe
The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.
It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.
Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.
“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”
It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.
Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.
Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.
“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.
He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.
But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.
A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.
He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.
Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.
Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.
Even during the pandemic, when the world seemed to fold in on itself, he had found a way.
Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.
When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.
But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.
Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.
One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.
“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”
He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.
The Market — The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.
“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”
“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”
She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”
Darius accepted it with a quiet laugh. “Merci, tatie.”
As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.
The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.
“Nice scarf,” Darius said casually as he passed.
The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”
Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”
Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”
The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”
A Letter to Amei — That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.
He picked up the labyrinth postcard again, tracing its worn edges with his thumb.
“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”
He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.
As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.
In reply to: Quintessence: Reversing the Fifth
Mon. November 25th, 10am.
The bell sat on the stool near Lucien’s workbench, its bronze surface polished to a faint glow. He had spent the last ten minutes running a soft cloth over its etched patterns, tracing the curves and grooves he’d never fully understood. It wasn’t the first time he had picked it up, and it wouldn’t be the last. Something about the bell kept him tethered to it, even after all these years. He could still remember the day he’d found it—a cold morning at a flea market in the north of Paris, the stalls cramped and overflowing with gaudy trinkets, antiques, and forgotten relics.
He’d spotted it on a cluttered table, nestled between a rusted lamp and a cracked porcelain dish. As he reached for it, she had appeared, her dark eyes sharp with curiosity and mischief. Éloïse. The bell had been their first conversation, its strange beauty sparking a connection that quickly spiraled into something far more dangerous. Her charm masking the shadows she moved in. Slowly she became the reason he distanced himself from Amei, Elara, and Darius. It hadn’t been intentional, at least not at first. But by the time he realized what was happening, it was already too late.
A sharp knock at the door yanked him from the memory. Lucien’s hand froze mid-polish, the cloth resting against the bell. The knock came again, louder this time, impatient. He knew who it would be, though the name on the patron’s lips changed depending on who was asking. Most called him “Monsieur Renard.” The Fox. A nickname as smooth and calculating as the man himself.
Lucien opened the door, and Monsieur Renard stepped in, his gray suit immaculate and his air of quiet authority as sharp as ever. His eyes swept the studio, frowning as they landed on the unfinished painting on the easel—a lavish banquet scene, rich with silver and velvet.
“Lucien,” Renard said smoothly, his voice cutting through the silence. “I trust you’ll be ready to deliver on this commission.”
Lucien stiffened. “I need more time.”
“Of course,” Renard replied with a small smile that didn’t reach his eyes. “We all need something we can’t have. You have until the end of the week. Don’t make her regret recommending you.”
As Renard spoke, his gaze fell on the bell perched on the stool. “What’s this?” he asked, stepping closer. He picked it up, his long and strong fingers brushing the polished surface. “Charming,” he murmured, turning it over. “A flea market find, I suppose?”
Lucien said nothing, his jaw tightening as Renard tipped the bell slightly, the etched patterns catching the faint light from the window. Without care, Renard dropped it back onto the stool, the force of the motion knocking it over. The bell struck the wood with a resonant tone that lingered in the air, low and haunting.
Renard didn’t even glance at it. “You’ve always had a weakness for the past,” he remarked lightly, turning his attention back to the painting. “I’ll leave you to it. Don’t disappoint.”
With that, he was gone, his polished shoes clicking against the floor as he disappeared down the hall.
Lucien stood in the silence, staring at the bell where it had fallen, its soft tone still reverberating in his mind. Slowly, he bent down and picked it up, cradling it in his hands. The polished bronze felt warm, almost alive, as if it were vibrating faintly beneath his fingertips. He wrapped it carefully in a piece of linen and placed it inside his suitcase, alongside his sketchbooks and a few hastily folded clothes. The suitcase had been half-packed for weeks, a quiet reflection of his own uncertainty—leaving or staying, running or standing still, he hadn’t known.
Crossing the room, he sat at his desk, staring at the blank paper in front of him. The pen felt heavy in his hand as he began to write: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time!
He paused, rereading the words, then wrote them again and again, folding each note with care. He didn’t know what he expected from his friends—Amei, Elara, Darius—but they were the only ones who might still know him, who might still see something in him worth saving. If there was a way out of the shadows Éloïse and Monsieur Renard had drawn him into, it lay with them.
As he sealed the last envelope, the low tone of the bell still hummed faintly in his memory, echoing like a call he couldn’t ignore.
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 – before the meeting
The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.
The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.
Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.
How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.
He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.
His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.
The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.
With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.
In reply to: Quintessence: A Portrait in Reverse
Work in Progress: Character Timelines and Events
Matteo
- November 2024 (Reunion):
- Newly employed at the Sarah Bernhardt Café, started after its reopening.
- Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
- Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
- Serves the group during the reunion, surprised to see all four together, though he knows them individually.
- Summer 2024 (Olympics):
- Working in a vineyard in southern France, nearing the end of the harvest season.
- Receives a call for a renovation job in Paris, which pulls him toward the city.
- Feels an intuitive connection to Paris, as if something is waiting for him there.
- Past Events (Implied):
- Matteo has a mysterious ability to sense patterns and connections in people’s lives.
- Has likely crossed paths with the group in unremarkable but meaningful ways before.
Darius
- November 2024 (Reunion):
- Arrives at the café, a wanderer who rarely stays in one place.
- Reflects on his time in India during the autumn and the philosophical journey it sparked.
- Brings with him an artifact that ties into his travels and personal story.
- Summer 2024 (Olympics):
- Living in Barcelona, sketching temples and engaging with a bohemian crowd.
- Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
- Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
- Past Events (Implied):
- Has a history of introducing enigmatic figures to the group, often leading to tension.
- His intense, nomadic lifestyle creates both fascination and distance between him and the others.
Elara
- November 2024 (Reunion):
- Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
- Still processing her mother’s passing and reflecting on their strained relationship.
- Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
- Summer 2024 (Olympics):
- (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
- Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
- Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
- Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
- Past Events (Implied):
- Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
- Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
- Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
- Values intellectual connections over emotional ones but is gradually learning to reconcile the two.
Lucien
- November 2024 (Reunion):
- Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
- In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
- Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
- Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
- Summer 2024 (Olympics):
- Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
- Reflects on his artistic block and the emotional weight of his distance from the group.
- Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
- Past Events (Implied):
- Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
- Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.
Amei
- November 2024 (Reunion):
- Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
- Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
- Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
- Summer 2024 (Olympics):
- Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
- Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
- Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
- Past Events (Implied):
Tabitha (Amei’s Daughter)
- November 2024:
- Summer 2024 (Olympics):
- Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
- Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
- Past Events (Implied):
- Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.
Key Threads and Patterns
- The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
- Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
- Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
In reply to: Quintessence: Reversing the Fifth
The Bell’s Moment: Paris, Summer 2024 – Olympic Games
The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.
1st Ring of the Bell: Matteo
The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.
“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”
Matteo nodded. “And after that?”
The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”
Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.
When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.
Somewhere, miles away, the bell rang its first note.
2nd Ring of the Bell: Darius
In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.
A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.
“Sometimes,” Darius replied, his pen still moving.
“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”
Darius chuckled. “You recruiting me?”
“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”
The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.
3rd Ring of the Bell: Elara
The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.
The voicemail notification glared at her, and she tapped it reluctantly.
“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”
Her coffee cup trembled slightly as she set it down.
Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.
Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.
She would have to travel to Montrouge for the funeral arrangements.
In that moment, the bell in Les Reliques rang a third time.
4th Ring of the Bell: Lucien
The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.
Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.
He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.
He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.
The bell rang again in Paris, its resonance threading through the quiet hum of the train.
5th Ring of the Bell: …. Tabitha
In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.
“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”
“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”
Her friend raised an eyebrow. “Pretending?”
“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”
The bell rang faintly in Paris, though neither of them could hear it.
“Maybe you should tell her to come with you,” the friend suggested.
Tabitha grinned. “Now that would be a trip.”
Last Ring: The Pawn
It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.
Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.
“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.
“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”
The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”
“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”
“Not anymore,” the shopkeeper murmured, handing him a stack of bills.
The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.
And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.
In reply to: Quintessence: Reversing the Fifth
Lucien pulled his suitcase through the rain-slick streets of Paris, the wheels rattling unevenly over the cobblestones. The rain fell in silver threads, blurring the city into streaks of light and shadow. His scarf, already streaked with paint, hung heavy and damp around his neck. Each step toward the café felt weighted, though he couldn’t tell if it was the suitcase behind him or the memories ahead.
The note he sent his friends had been simple. Sarah Bernhardt Café, November 30th , 4 PM. No excuses this time! Writing it had felt strange, as though summoning ghosts he wasn’t sure were ready to return. And now, with the café just blocks away, Lucien wasn’t sure if he wanted them to. Five years had passed since the four of them had last been together. He had told himself he needed this meeting—closure, perhaps—but a part of him still doubted.
He paused beneath a bookstore awning, the rain tracing fractured lines down the glass. His suitcase leaned against his leg, its weight pressing into him. Inside: a crumpled heap of clothes that smelled faintly of turpentine and the damp studio he had left behind, sketchbooks filled with forgotten drawings, and a small bundle wrapped in linen. Something he wasn’t ready to let go of—or couldn’t. He hadn’t decided yet if he was coming back or going away.
Lucien reached into his pocket and pulled out his last sketchbook. Flipping absently through its pages, he stopped at an old drawing of Darius, leaning over the edge of a rickety bridge, hand outstretched toward something unseen. He could still hear Darius’s voice: If you’re afraid of falling, you’ll never know what’s waiting. Lucien had scoffed then, but now the words lingered, uncomfortable in their truth.
The café came into view, its warm light pooling onto the wet street. Through the rain-speckled windows, he saw the familiar brass fixtures and etched glass, unchanged by time. He stepped inside, the warmth closing around him, and made his way to the corner table. Their table.
Setting the suitcase down, he folded into the chair and opened his sketchbook to a blank page. His pencil hovered. Outside, the rain fell softly, its rhythm steady against the glass. Inside, Lucien’s chest felt heavy. To make it go away, he started to scratch faint lines across the page.
In reply to: Quintessence: Reversing the Fifth
The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.
She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.
Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey. She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.
At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.
Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.
Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.
Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.
The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.
By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.
In reply to: Quintessence: A Portrait in Reverse
Characters list
Character / Personality Traits / Connection clues to Matteo
- Lucien
- Elara
- The Scientist
- Analytical, sharp, skeptical
- A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
- Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
- Darius
- Amei
- The Storyteller
- Observant, wise, enigmatic
- A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
- Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.
- Matteo
- The Enigmatic Server
- Charismatic, cryptic, all-knowing
- A waiter with an uncanny awareness of the four friends, both individually and collectively.
- Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.
In reply to: Quintessence: Reversing the Fifth
At the Café
The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.
Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.
The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.
“Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.
“Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.
Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”
“You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”
She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.
The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.
“Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.
“Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.
Lucien snorted. “Still paying for strangers’ stories, I see.”
“The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.
The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.
“You’re late,” Darius said, but his voice carried no accusation.
“Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”
Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”
“Not all of us live in Paris,” Elara said, with a glance at Lucien.
“Only some of us make better life choices,” Lucien replied dryly.
The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.
Matteo Appears
Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.
“Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.
“Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”
The group exchanged glances, each of them caught off-guard by the comment.
“You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.
“Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”
“What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.
Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.
“You’ve never all been here before,” he said, a simple statement that landed like a challenge.
“Wait,” Amei said, narrowing her eyes. “You know us?”
“Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”
“Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.
Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”
He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.
“You’re being cryptic,” Elara said, her voice edged with suspicion.
“It’s a talent,” Matteo replied smoothly.
“Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”
“Nor I,” Amei added, her voice soft but steady.
Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”
The words hung in the air, unsettling and oddly satisfying at once.
“You’re saying we’ve met you before?” Elara asked.
Matteo inclined his head. “In a manner of speaking.”
“That doesn’t make sense,” Lucien said, his voice quiet but firm.
“Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”
A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.
“It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”
“For what?” Amei asked, her eyes narrowing.
“For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.
“Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.
One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.
“Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”
And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.
They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.
“What the hell was that?” Darius asked finally, breaking the spell.
“Does he seem… different to you?” Amei asked, her voice distant.
“He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.
“He remembered me,” Lucien said, almost to himself. “Something about absinthe.”
“I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”
“And he didn’t explain anything,” Darius added, shaking his head.
“Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.
They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.
The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.
And though none of them said it aloud, the thought was the same: What had happened before?
Quintessence: Reversing the Fifth
In reply to: The Incense of the Quadrivium’s Mystiques
The vine smothered statue proved to be the perfect place to hide behind to watch the events of the picnic unfolding. Cedric had been in a quiet turmoil of conflicting emotions, biting his bony knuckle to stop himself from uttering a sound as the extroadinary sequence of dramas and comedies played out before him.
He hadn’t expected to see Frella again. His mental confusion about his job as well as his troubling fixation on the witch had brought him to the brink of jacking it all in. Just leave everything, he told himself, Move away, get another job doing something else, something mundane and manual. And forget her. He’d almost made up his mind to do just that, and, feeling pleased and sure of himself for making the decision, tapped his device to locate and observe Frella one last time just to mentally say adieu, and to see her face again. And then quietly disappear.
When Cedric realized that the witches were going on holiday, and heard Truella saying that no spells were allowed, his heart leapt. If he was giving it all up and moving away anyway, why not have a holiday first? Why not go to Rome? I may not even bump into her, Rome’s as good as anywhere else. I deserve a holiday. And if I do bump into her, it will just be a holiday coincidence, and nothing at all to do with spells. Or work.
All pretence of not minding whether he saw Frella or not left his mind almost immediately, and he began to make arrangements. He didn’t want Frella to use spells, but it didn’t occur to him to wonder why he was still using the tricks of his job. It was easy to track them to Italy.
His disguise as a North African on the coach full of Italians had worked well, even sitting so close to Truella and Giovanni he hadn’t been recognized in his hooded djelaba, and had been able to hear most of their conversation. A quiet word and a large tip secured his trip with their tour guide.
The picnic started out normally enough. They each had a short wander around, and then sprawled on rugs and cushions by the whicker hampers of food and champage. Cedric lurked in the shadows of an arch, sometimes slinking to peer from behind a statue. The temptation to pick a posy of wildflowers to give to Frella was all but overwhelming, as he watched her sitting pensively. Silently sinking to his knees behind the marble bulk of Tiberius, Cedric plucked a daisy from the grass. And another.
When Cromwell appeared on the scene, Cedric, alarmed and almost angry at the intrusion, unwittingly crushed the flowers in his hand. He had no choice but to remain hidden and immobile as the scene rolled out.
As the day progressed, the mood changed and Cedric felt hopeful again. He even had to stifle a laugh as he watched them play cards. Watching Eris pour champage into everyone’s glasses reminded him that he hadn’t had a drink all day. He was parched. He had to make a decision. He wanted to sneak off quietly and call it a day, find a nice restaurant. A part of him wanted to be bold and openly seductive, to stride into the scene and charmingly state his intentions. But he had no opportunity to further consider the options.
“You!” In the moments Cedric taken his eyes off the picnic to ponder his dilemma, Frella has risen and was heading for a necessary bush to go behind. “You! Spying on me!”
“Who?” shouted Truella, “Cedric! What on earth is he doing here, we’re on holiday! Now stop spitting nails, Frella, and invite the man over for a drink!”
Cedric seized the moment.
In reply to: The Incense of the Quadrivium’s Mystiques
The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable. The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.
“Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”
“There be no boatman by that name on the masters barge, lad. Are you speaking my language?” replied boatman Rafe.
“Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”
“Aye, I can tell you that. He’s asleep in the barge.”
“Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”
“Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about. Being in two places at once was becoming difficult to conceal. He would have to employ a man of concealment to cover for him while he was in Malove’s body.
I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me. That will be all.”
“Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”
“Whatever you say, master, just tell me where it is.”
“Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.
While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.
A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals. Cromwell made a mental note to streamline the future coven with more efficient simple magic.
“Take all your clothes off, Rafe.” Astonished, the boatman removed his hat and his cloak. Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours. Get out of the boat and go and find somewhere under a bush to hide until I come back. I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”
Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest. He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold. God save us all, he whispered, knowing that God wouldn’t.
In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves. I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.
“Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one. There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”
“The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.
Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.
“Some dry ones would be nice,” Truella admitted.
“It’s not that your clothes are too wet,” he replied, frowning. He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear? They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.
Lord Thomas Cromwell cast another eye over Truella. She was a similar build to Anne of Chives.
“If you think I’m dressing up as one of Henry’s wives…”
Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one. No need for her to be the death of both of us.”
“Look, just drop me off in Limerick on the way home, it’s barely out of your way. It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”
Cromwell gave her an approving look and agreed to her idea. Within a split second they were in Ireland, but Cromwell was in for a surprise.
“Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”
Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment. “You! Fancy seeing YOU here! Uncle Thomas!”
In reply to: The Incense of the Quadrivium’s Mystiques
It was good to be digging again. The relentless heat of the summer over, the days were perfect for excavating the next hole in her garden. It was hard work and slow hacking off bits of earth almost as hard and dry as concrete, but each day the promise of new finds became more tantalizing and encouraged her to keep working at it. There was not much more of the top layer to remove now before Truella could expect to start seeing bits of pottery and whatever else the deep dark earth had to reveal about its past.
Unable to see any particular connecting link to the dig (and Truella was usually good at that), she had become obsessed with Cromwell. Maybe she’d find a postcard from Cromwell; everyone seemed to be getting strange postcards these days. The idea of a postcard from Cromwell had wafted into her mind, but it lingered. What would he say on a postcard? She could imagine him sanding the ink, the candlelight flickering. Smiling to himself, with a stray thought wafting into his mind that someone centuries from now would find it, and wonder.
“Let them make of that what they will,” he might say, as he handed it to the man in charge of sending postcards to other centuries. “I have one here for you,” the man in charge of the postcards might say by way of reply, “Just arrived. It’s from the future by the look of it, from Ireland.”
Cromwell may take the postcard in his hand with a feeling of satisfaction ~ all information was potentially useful after all, if not in this life, in the next. Time traveling spies, you could say. He would take a moment to decipher the unfamiliarly written letters in order to read the message. His eyebrows would raise in mild astonishment to see witches sending messages so openly, so shamelessly, so fearlessly! Five hundred years from now, Ireland would be a heathen primitive nest of superstition controlled by the devils strumpets. It may not be perfect in England now, he might think, but we do try to keep some order. Frella, he said to himself. Frella. What do you look like, Frella? God’s teeth, why didn’t you send me your likeness, a portrait, on the postcard! For reasons he couldn’t explain, Cromwell couldn’t stop thinking about the mysterious witch in Ireland many centuries from now.
In reply to: The Incense of the Quadrivium’s Mystiques
Frella opened her eyes. She felt rather woozy and very peculiar and it took her a moment to work out that she was sitting on the camphor chest in Herma’s shed with Herma and that awful Cedric Spellbind looming over her, their faces close and large. Too close. She looked from one anxious expression to the other.
“And what the devil is he doing here?” She nodded towards Cedric.
Cedric straightened himself. “I am here on official business,” he said stiffly. “Investigating this AirBnB for potential Witch Violations. And lucky I turned up when I did because you gave Mrs McCarthy here quite a turn with the way you were carrying on.”
Herma shook her head crossly.” Violations my foot. I told you lot last time your people came sniffing around, there’s none of that carry on here.”
“Why have I got salt all over me?” asked Frella.
Cedric rolled his eyes. “Now THIS, THIS is what I am talking about. SHE,” he pointed at Herma, “threw salt all over you to break the evil spell she said.”
“What nonsense!” said Herma, her face colouring. “But you had gone all odd, sort of not-here like and I couldn’t get any sense out of you.” She considered her hands for a few moments and then raised her head and beamed at Frella. “Why don’t I go and make you a nice cup of tea?” With that, she scurried off.
“Well, you’ve done what you came for. You can go now,” said Frella glaring at Cedric. She stood up and turned pointedly away from him, wondered how much he had seen and hoping she didn’t fall over. She silently cursed the other witches for their crazy shenanigans and desperately hoped that Herma would not get in trouble with the Authorities.
Cedric’s thoughts had taken quite another turn, mostly something about how beautiful the Witch was when she was angry. “Frigella,” he said.
She swung around. “It’s FRELLA,” she hissed.
“Frella …. “ Now it was Cedric’s turn to colour and he looked at the ground, so many thoughts jumbling through his head and he couldn’t make sense of any of it.
“Damn it Man! Spit it out, will you!”
“I just want to say that I know what you are.”
“And what am I exactly?”
Cedric met her gaze. “I know you’re a Witch and I’m not going to turn you in.” He shrugged. “I can’t.”
“And why can’t you, then? Something wrong with you, is there?”
Cedric’s hand reached under his shirt. “Look,” he said. He was holding a small round device. “It’s a listening device. We are supposed to wear them whenever we have a suspected Witch Violation or Interaction.” He threw the device to the ground where it bounced a couple of times. Then—rather dramatically in Frella’s opinion—he stomped on it.
Frella giggled. She couldn’t help herself
In reply to: The Incense of the Quadrivium’s Mystiques
“Wait! Look at that one up there!” Truella grabbed Rufus’s arm. “That cloth hanging right up there by the rafters, see it? Have you got a torch, it’s so dark up there.”
Obligingly, Rufus pulled a torch out of his leather coat pocket. “That looks like…”
“Brother Bartolo!” Truella finished for him in a whisper. “Why is there an ancient tapestry of him, with all those frog faced nuns?”
Rufus felt dizzy and clutched the bannisters to steady himself. It was all coming back to him in a rush: images and sounds crowded his mind, malodorous wafts assailed his nostrils.
“Why, whatever is the matter? You look like you’ve seen a ghost. Come, come and sit down in my room.”
“Don’t you remember?” Rufus asked, with a note of desperation in his voice. “You remember now, don’t you?”
“Come,” Truella insisted, tugging his arm. “Not here on the stairs.”
Rufus allowed Truella to lead him to her room, rubbing a hand over his eyes. He was so damn hot in this leather coat. The memories had first chilled him to the bone, and then a prickly sweat broke out.
Leading him into her room, Truella closed and locked the door behind them. “You look so hot,” she said softly and reached up to slide the heavy coat from his shoulders. They were close now, very close. “Take it off, darling, take it all off. We can talk later.”
Rufus didn’t wait to be asked twice. He slipped out of his clothes quickly as Truella’s dress fell to the floor. She bent down to remove her undergarments, and raised her head slowly. She gasped, not once but twice, the second time when her eyes were level with his manly chest. The Punic frog amulet! It was identical to the one she had found in her dig.
A terrible thought crossed her mind. Had he stolen it? Or were there two of them? Were they connected to the frog faced sisters? But she would think about all that later.
“Darling,” she breathed, “It’s been so long….”
In reply to: The Incense of the Quadrivium’s Mystiques
Rufus was not a man for small talk and the past couple of hours had been punishing for a man of his reticent character. He would have liked to get to know Truella better to try and recall which life he’d known her in, for he was sure now that it wasn’t a past encounter in this one, but that was not something to discuss in a crowded room. It would have to wait. Despite being a serious man himself, he had found the more frivolous and jolly witches and nuns more compatible than the severe looking grim ones. Even so, having to meet and speak to so many people in such a short time was overwhelming.
As soon as he could politely do so, he excused himself. Avoiding the smoky courtyard, he wandered around the labyrinthine building looking for another way outside. There were tapestries hanging on the walls in every room, ancient and faded, many with unusual designs. Rufus photographed them all in order to have a closer look at them later in the solitude of his room. The wall hanging with the frogs caught his eye in particular, and without thinking he found himself touching the Punic frog amulet hanging on his chest underneath his white silk shirt. As he lingered looking at the frog tapestry, he was startled by the swish of Bartolo’s robes behind him. Bartolo looked at him keenly for what seemed like an interminable length of time but in reality was only a moment. Damn it, he seemed familiar too.
“Exquisite decor, Brother, I like this one in particular. Such needlework! May I ask the provenance of this specimen?” Rufus tried to lighten the mood, not that lightening the mood had ever been his strong suit. “It looks very old, I assume this is not a recently made handicraft?”
Brother Bartolo decided to play along. He had recognised Rufus immediately, as if the name wasn’t enough of a clue, his eyes were exactly the same as old Rufino’s had been. Rufino, one of the oldest Punic families in Baetica. Oh, Bartolo remembered them well.
“That one has been hanging here since well before the convent was built,” Bartolo explained. “It happens to be one of my favourites. Another glass of cordial, sir?”
“No thank you Brother, I need some fresh air. I’d like to see the gardens, if I may.”
“Follow me,” replied Bartolo, as he lumbered down the passage. “The kitchen gardens are through here. There’s a gate at the end of that path to the rest of the grounds. Don’t worry about the mongoose, they’re quite tame.”
Such was the relief to be outside on his own, that Rufus didn’t immediately wonder what Brother Bartolo had meant. That frog tapestry had been hanging right there since before the convent was built? Hanging on what? Rufus’s hand involuntarily clutched his amulet again.
In reply to: The Incense of the Quadrivium’s Mystiques
“It’s your fault I’m late, Sandra!” Sassafras hissed, adjusting her wimple and throwing a large crucifix around her neck. “You told me it was witches costumes, I had to run back upstairs to change.” Missing a step as she rushed down the stairs, Sassafras grabbed the bannister, managing to save herself from a possibly fatal tumble down to the tiled floor below.
“I thought it was! That’s why I’m late too. And anyway you look half witch and half nun in that outfit.” Sandra gripped Sassafras’s wrist. “Ok, calm down and deep breaths. Demure and collected, remember? We need to look serious and efficient.”
When they reached the door of the grand reception hall, they stood aside to allow Brother Bartolo to pass, on his way to the kitchen for more refreshments. He allowed himself a small smile, holding up an empty decanter. “Crimson Cordial, that’s what she told me to give them. It’s not every day she gives me the key for the cordials cabinet.”
“Not the Crimson Cordial!” the girls gasped in unison. They looked at each other, perplexed. “What is she playing at, Brother?”
“That’s not all,” whispered Brother Bartolo, leaning closer to Sandra, “She’s re animated the Sisters of the Sacred Sepulchre from the crypt. I’ve seen them wandering around in the cellars, waiting for orders.”
Sandra and Sassafras looked at each other in alarm. “This is serious.”
“But is it to assist the merger or derail it?”
“Who only knows what goes on behind that prune faced scowl. And why has she invited a team of morticians, eh? Ask yourself that! Morticians!” Sandra said.
“This is too dark for me, I’m off. Tell them I’ve been taken ill, I’m going for a walk in the woods.”
Brother Bartolo barred her way. “Oh no you’re not. You won’t get away with that this time,” he said grimly. “This is too dark for those petty tricks. And you may be needed,” he added cryptically. “All hands on deck, and as many fingers as you like.”
In reply to: The Incense of the Quadrivium’s Mystiques
Despite her initial misgivings, Truella was looking forward to the weekend at the Cloisters. It had belatedly come to her attention that another group were joining them for the event, the Mortician’s Guild. She wondered if Austreberthe had bitten off more than she could chew, introducing all these new characters at the same time. But the more people, the more confusion, the better the opportunities to slip off unnoticed and investigate the grounds.
Truella was the first to arrive. Before entering the building, she paused under the shade of a towering eucalyptus tree, taking it all in, receptive to the ancient whispers calling from the surrounding forrest. A nightingale beckoned from the trees beyond one of the terraces, and Truella was irresistably drawn towards it. Crunching softly on the crisp dry leaves underfoot and squinting in the bright sunlight, a flash of movement caught her eye. Was it a bear in the woods? Surely not, not so close to habitation. Truella inched closer, curious, her muscles tense, keyed in readiness to flee. But she was overdramatising, and made a little self deprecating snort of mirth.
The tall man clad in a floor length leather coat heard a snort and paused, wondering how close the wild boar came to the old building. Surely they kept away from people, people were so dangerous. Pull yourself together, Rufus, old boy, he said to himself. Why did this place remind him of… well it was no good harking back to that…maybe he should go back inside. He threw his broad shoulders back and strode out from the cover of the trees, the hem of his coat gathering prickly seeds from the undergrowth.
Truella clapped her hands delightedly, and laughed. “Well look at you, you big bear in the woods, you must be one of the guys from the Mortician’s Guild.”
Rufus spun round, his duster coat flaring open to reveal the crimson satin lining, his face a picture of moody glowering. Truella was momentarily nonplussed. Handsome guy, but what an attitude. But maybe she should not judge too quickly, after all, he probably resented having to come here. Maybe she could soften him up over the course of the weekend.
“We may as well go in and meet the others. I’m Truella, pleased to meet you,” she said, offering a hand in greeting. To her surpise, than man took her hand and kissed it. “Rufus, at your service,” he said with a slight bow. He peered at her and added, “Have we met before? You seem strangely familiar.”
“Why yes, so do you!” He didn’t, but Truella’s hand was tingling warmly from the kiss and she decided to play along.
In reply to: The Incense of the Quadrivium’s Mystiques
After the sage smoke was dispersed, Eris typed the words on the air keyboard.
Malové, how can we cope with the struggling left with your sudden disappearance, and not succumb to despair in front of fuzzy objectives, lack of drive, avoidance of tough decisions, and general ineffective organisation?
The answer wasn’t long to appear, a perfect resemblance of Malové, down to the intonations:
The night is darkest before the dawn, Eris. My sudden absence is not a void, but an opportunity. The challenges you face are the crucible that will forge your mettle.
Here is your path:
1. Embrace the Struggle: Despair is a luxury we cannot afford. Every obstacle is a lesson cloaked in shadows. Meet it head-on. Confront your fears and frailties—only then will you transcend them.
2. Clarify Objectives: The haze of uncertainty can be dispelled with focus. Define your goals with precision. Each witch must understand her role and the greater picture. Fragmented efforts yield nothing but chaos.
3. Revitalize Your Drive: Passion wanes without purpose. Revisit the roots of your magical essence. Rediscover the fire that led you to the Quadrivium. Let it burn anew within you.
4. Confront Tough Decisions: Avoidance is the death of progress. Decisions, however difficult, must be made with swiftness and resolve. Hesitation fosters weakness; action breeds strength.
5. Streamline Organisation: Inefficiency is a poison. Implement rigorous structures. Assign clear responsibilities and hold each other accountable. The chain is only as strong as its weakest link.
6. Leverage Collective Wisdom: You are not alone in this. Draw strength from your sisters. Engage in open, constructive dialogue. Balance assertiveness with respect, as I have taught. Unity in purpose will amplify your power.
7. Adapt and Overcome: The world shifts, and so must you. Flexibility is paramount. When confronted with the unexpected, adapt swiftly. Use the resources at hand and turn adversity into advantage.
7 points, for seven is the number of Truth Seekers. Remember, the Quadrivium’s legacy is not built on ease but on resilience and relentless pursuit of mastery. My absence tests your resolve. Prove that you are worthy.
Now, go forth and etch your magic into the annals of time.
Eris pondered for a moment, and clapped her hands. The familiar figure of Elias emerged.
“Good job Elias, fidelity is almost there. The content is mostly correct, but the delivery is a bit stuffy.”
“I will work on this to improve. I would need more source material though. Shall I interview some other witches?”
“Not at the moment, I’d rather surprise them with the final product.” Eris was being sneaky. This backup of Malové (she called her Maboté) was on the fringes of what was ethical even for a witch, although it could help in case Austreberthe’s interim management would fail them.
At the moment, despite what she told Elias, she wasn’t close to success, and Elias himself had proven tricky to get right, so Malové of all figures… it would be another journey.
Well, at least for now, she did provide some good advice.
- November 2024 (Reunion):
