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— The legend of Mævel — (Part VII)

Today was the Day of the Forgotten. Mævel had slept well, nestled into the soft and warm depth of her dreams, her head resting on the short blue fur of the fox.
In sharp contrast with the lovely night, she awoke strangely irritated. Even the birds songs were like noise to her ears, and every sound of the forest she heard with acute intensity and a sense of being submerged by many sensory inputs.
Hopefully, the blue fox voice was still very comforting, and she started to wonder how they could come across a Forgotten One in need.

— I think I know where we can find some Forgotten One in need.
— Where? asked Mævel

The fox paused, then answered her question:
— Near your human parents’ home.

Mævel was surprised. She trusted the fox, and never had really questioned him, because more than that she trusted her own feelings, but now her feelings were telling her that there was something the fox had not told her. Or had told her partially. She was silent, pondering the unseen implications.

— Mæ, I’ll try my best to answer your questions, but remember I cannot tell you everything. I can help you remember some things, but there are things that my curse does not allow me to reveal. You have to find them by your own, in order to free us…
— Free us? I thought you were the one Cursed?…
— Yes I am, and…
— How do you know my parent’s home? How much do you know about me?
— I know you since you are a baby actually. And even before…
— Before? I don’t understand a thing… I feel there are some unseen links, that I cannot decipher, yet they are so close to…
— You’re right, there are links, links that are important, and that I cannot reveal.
— Why can’t you reveal them?
— Let’s go to your human parent’s home…
— Why do you always say my human parents?

The fox blew in front of him, creating a wobbling sound into the air in the form of a ring large enough for them to go through it. And he hopped inside, disappearing in mid-air.

Mævel was perplexed, but did not hesitate. She hopped too into the watery ring in front of her and found herself falling into a void, to reemerge on a bed of dry leaves in front of her parent’s home. Blohmrik the blue fox was seated in front of her, observing a shadowy form at a distance in front of them.

— Is that the Forgotten One we will help?
— Yes.
— Why do you need me? You could help her, couldn’t you?
— She wouldn’t see me, Forgotten Ones are usually obsessed by a few people, those who they feel can remember them, and don’t usually see other people. Their perception is quite different than ours.
— Hang on a minute… Why do you think she will see me?

Mævel looked into the eyes of the fox, and she knew.

— We are linked.

It was more an affirmation than a question.
Mævel wondered who that shadowy figure was. When she focused on her, the form was getting more solid, and she could catch glimpses of how she looked like. And she was surprised. She was about her age, with long blond hair as hers.
Mævel’s voice was broken:
— My parents had told me I was about to die when I was a baby, then by a sort of miracle, I became healthy… Was that true?… I mean… Was that a gentle way of telling me that I had a twin who died or…
— No, Mæ. She is not you. She is not linked to you by blood. You can talk to her, she will listen to you.

So Mævel went to see the shadowy figure. She had stopped wandering and trying to find an opening around the house, for there were none for spirits: all openings were locked by stripes of red cloth hung onto the doors and windows.
Mævel felt the pain of the Forgotten One as she approached her.

— Who are you? she suddenly asked Mævel, raising her head at her approach.
— I am Mævel.
— Mævel… It means marvel of Maÿ… I was born in Maÿ…
— What are you doing here?
— This is my parents’ home.
— How is that possible?
— Twenty one year ago, I was taken away from them, given to Shaint Lejüs in place of a fairy princess. But Shaint Lejüs was no fool, he had sent his apprentice to spy on the fairy king.
— Blohmrik?!
— Yes, Blohmrik… But Blohmrik disobeyed the Elder God, and when he saw the exchange that was about to happen, he let it happen. He wanted to protect the fairy princess from his master. Because Shaint Lejüs wanted the princess as a bride. Ahahaha, how disappointed Lejüs was when he saw that I could not perform the most basic magic spells. I was good at nothing, so he let me go wandering into his Realm. He’d just thought the half-fairy princess had inherited no magic from her father.
— How do you know all that?

— I told her, the blue fox said. I was hoping to bring her relief. But she started to look for her parents, and Lejüs discovered the truth… Because she was not looking for a fairy king. She was heading here, year after year.
— That’s the reason of your curse, is it?
— Yes. She can’t see me because I was Forgotten too, in that form of a blue fox. But as Forgotten Ones don’t forget, I didn’t forget. I couldn’t tell her, because she couldn’t see me.
— So, I am that fairy princess you are talking about… that strange idea was starting to dawn on Mævel.
— Yes. When Lejüs discovered who you were, he wasn’t interested in you any longer, because he thought your magical potential had been irremediably damaged by all those years spent in human company.

— Who are you talking to? the shadowy figure asked, bemused.
— Blohmrik, he is here. But it’s untrue, Mævel said, there is magic in me.
— Yes there is, answered the blue fox, and you can undo what has been done with it.

Mævel remembered the useless key she had manifested when she had tried to go out of her human parents’ house. She had not even looked at it closely.

— You can manifest it again Mæ, said the fox. It is with you. You are its lock.

And no sooner had Mævel thought of the big rusted key, than it appeared in her hand again. But this time the rust on it was crackled, and it started to disintegrate, and a brilliant shiny metal started to show beneath it.

Scratching what was left of the rust, Mævel started to look at the beautiful key, it was shaped as a musical note, and it had some word written on it, in an ancient language she didn’t know how to read. But she knew the sound when she ran her finger on the surface of the word.

« Araoni »

That was her. She was remembering, and everything started to change.

The wedding of the God Blohmrik, son of Mirÿnda, Goddess of Mirth and of Bälias, God of the Sparkles with Araoni, daughter of the Fairy Queen Theÿa and the Fairy King Aldurion was pronounced on a bright day of Maÿ, in a beautiful orchard in the presence of Araoni’s human parents and sisters and brothers.

Even Lejüs had been invited, even though he would have preferred to be Forgotten…

And so my story ends… said Captain Bone to Tomkin.

— And was the shadow remembered by her true parents? had asked Tomkin.
— Oh, yes she was… Of course. She just didn’t want to steal the limelight from Mævel, you see. Her parents were happy of course to find back their true daughter.
— You didn’t tell me the name of the true daughter, did you?
— No, I didn’t, said Captain Bone with a wink.

November, 1 ^st 2057

Sean took another glass of scotch to give him some courage to call.

— It’s your twelfth now, that’s supposed to give you courage
— Oh, Maggie, my live is such a mess…
— It’s not, and you know it. Look at all our beautiful children, and Becky who went through so much just out of love for you…

Sean didn’t know whether he was actually seeing the ghost of his deceased wife, or a projection of her, still alive in another part of the Universe, but she always had been a comforting presence.
He had started to see her a few months after her disappearance.
Yes, during that T.R.A.P. expedition, yeah, “live-changing experience” they had said… True, too true… Perhaps the electromagnetic field had messed up with his brains, but now he could see her clear as day.

That had been a bit freaky in the beginning, and when they made love with Becky, he was a bit anxious to see her appear not invited. But Margaret had been discrete, well mostly. At times, he wondered if she had not sneaked into the bedroom and merged her energies with Becky’s, just to be closer to him… Becky’s acts did not always make sense anyway, so that was hardly a criterion to judge of that.

All his live had been like that. A jumble of incoherent stuff. Oh, he had enjoyed it, especially at the beginning. His father Lord Wrick was obsessed with the Shift, and had found some ancient knowledge in his youth. Mostly rubbish by nowadays standards, bunches of rotten books of prophecies handed down to a few chosen ones, who were supposed to be forewarned of doom to come. Now, they knew that they were only a wake up call, but at that time, it was another thing altogether.

Of course, the wealth accumulated over the centuries by the Wrick family had been helpful to access these precious archaeological documents. A few of them had played a key role.
For instance, the in-extenso Life and Deeds of Lord Gustard Willoughby Fergusson, a rare version of the diary of Lord Fergusson, annotated by his daughter, Illi, was telling an account of history much different than the one romanced after his death by his wife Floribunda von Grott.
Thanks to it, Lord Wrick had been able to acquire some inkling as to ancient treasures. Old fool…
It had killed his wife, Artemisia, devastated by the madness of her husband, and it had alienated the other part of the family too.
But all that counted was to make the discoveries, and perhaps enlight the masses.

Sean had never really forgave his father that he wanted to utilise Margaret and have her fit into his plans of grandeur. Of course, his father had willingly accepted the union, and despite all appearances (for the sake of those rapacious journalists) he had even pushed Sean to do it quickly. But all he was really interested in was her precious discoveries.

— Oh, but I was not innocent, Sean
— I know Maggie, you were obsessed by what we could offer to you, especially when you read about the botanical experiments in the deserts, which were related in that old book. But still…
— We all had grown up through that, you know…
— Yes, and what showed me that, was that I was concerned that the old vampire would suck my own children into his web, but Peregrine was too free for that, and Guinevere preferred to live her live outside of this madness too.
— Becky had a good influence. Do me a favour, be kind to her.
— You know what?… Yes of course you’d know,… but let me tell you, so that we can laugh together… I found myself really happy and free when I stole the two magical books out of the Old Fool’s clutch. God knows how he acquired them, but one thing was sure, he was obsessed with them. I couldn’t get the mummy, but the books were a great take.
— And a funny idea to give them to your cousin…
— Yes, Dorean was the perfect person. I couldn’t leave them anywhere, my father would have found them again. At least he wasn’t in good terms with his brother and sister-in-law, so they were safe in their care. And at least, they were more grounded than my father, the perfect keepers for the books… I’m wondering what happened to them…
— That will upset you, but Perry’s twins got them.
— Oh really?
— Yes, and they are having fun with them, as was intended.
— That’s fine then, and we are less obsessed now than we were before, so I guess my father isn’t as much as a pain in the butt as he was…
— You father meant good
— Yes, like everyone, but why can’t we leave people alone at times? People can sort out their issues without the commiseration, and the good intentions… It’s poison even worse… Like I can drink and still be healthy, and nice, and…

Sean started to sob.

— I know, darling, but you’re as much of a sore as your father was… You focus so much on what’s not going right, and you don’t even appreciate that you can talk with your departed wife… That was nothing as easy in the old days.
— Do you think my father talks with mum to?
— I think he would be too proud to admit he is sorry… That may hinder the communication… But Arty wouldn’t bear grudge now. When we let go of the physical, things become so clear, we can only be accepting of everything. Perhaps you prefer to wait for your father to cross over? I can tell you something, that won’t be easier. That much I know.
— You’re right. It’s just that I don’t know how to start…
— Be yourself, talk about what you enjoy, where is your passion now… Perhaps that is the problem. You’re drowning your passion in your scotch.
— You’re right… I’ll tell him Léan will have a baby.
— Oh, he’ll love it!
— How time flies… sighed Sean, I still remember the little sweetie as a blue-eyed laughing baby herself, with Oliver and Illana. She was the only one of the triplet to have inherited her mother’s dark complexion. She’s so beautiful…
— Let’s call your father darling
— Yes, let’s call him.

Lord Wrick had not expected to received that call. Well, he had renounced it so long ago.
He had been a bit shaken, but also relieved. He had proposed, on an impulse, to invite that whole part of the family he barely knew, Sean’s new partner, and all their children for next Christmas in the castle. Sean had told him they would probably come with Becky but that the children were now having their own lives, and it would have to be for another time.

Lord Wrick went to see Bill, who was now painting the portraits of Peregrine and Linda in the veranda.
He would probably have to stay longer, to paint a lot of new family portraits.

That probably would come perfectly, as ever, as the Lord could tell India Louise loved to spend time with the painter. Perhaps she would become an artist too…

— The legend of Mævel — (Part IV)

Mævel’s mind was made up, she was leaving tonight. She took a few of her belongings in a little bundle, and all very silently, moved to the door, the bundle in one hand, and the key in the other.

But when she tried to put the key into the lock, she noticed something was wrong. The key was way too big for the small lock. What was the purpose of materializing a big key unfit to the locks that were in front of us? she wondered.
Perhaps the key will have another use, she said to herself, and she put it into her bundle, and wondered whether she could find another way to get out of the bedroom.

« Use your magic,… you don’t need to play by the rules » a tiny voice whispered in her ear.
« What does that mean? » she asked, befuddled, as perhaps her parents where right after all, she was becoming nuts… Well, that might attract squirrels and have them gnaw a hole in that wall, she said giggling to herself.
« You don’t need draw squirrels,… you can draw a door directly »

What a strange idea, Mævel thought, drawing a door… It sounded so funny at the moment, that she could feel her heart lift and her spirits as well. What could she use to draw that door… Her gaze ran quickly through the bedroom, looking for a bit of chalk, or charcoal, or whatever else. What a terrible thing that she was so obsessed by dusting, as there wasn’t even a single dust bunny left to draw that door.

« Now, will you pay attention? »
« I beg your pardon? »
« What did I told you? »
« Mmmm, let me think… Oh! I don’t have to play by the rules… »

So, in a bout of genius, Mævel ran her finger on the wall, starting from the floor, straight upwards, then to the right, and straight down again, until… well, nothing happened.

« That wall hasn’t budged any! »
« Are you sure?… Look closer »

And Mævel saw that the wall had become like a shiny surface of water, right inside where she had drawn the limits of that imaginary door. And when she pressed her finger, it was simply going through it, as though the surface had just been an illusion.

With a thank for the helpful voice in her head, she was about to cross the surface, but was stopped in her track by a moment of hesitation. Could she change the destination behind the wall as well?
Why not, after all, she didn’t have to play by the rules.

« To the forest! » Mævel ordered intently to the wall before jumping in.

The voice smiled to her fondly.

Of course, as soon as they had stepped into the powerful magnetic field generated inside the T.R.A.P., the reality around them was transphormed as if they all had been into a huge deFørmiñG mirror, that they could shape with their strangest thoughts.

Obviously, they had all started to hallucinate some funny stuff…

It was happening so quick, Sam noticed. Sean’s breath was smelling of whiskey, and Sam felt Sean had forgotten something on his way to New York. He felt compelled to ask him if there was something on his mind…
— Peregrine!
— Who’s that?
— Oh, he will be so disappointed… Sean started to sob. I’m such a bad father!

Sean couldn’t find a composure. Hopefully, Becky wrapped her sensual arm around his shoulders, and hugged him tenderly.

— Hey, look, she said, the children are more adept at these games than we are,… if we want, we can have him project here from his bedroom and share the fun with us. What do you reckon?

And she started to yell:

— Peeeeerrrry ! Peerrrry !

When Al met the others, he was rather nonplussed by the profusion of capillar effects. Hairs colours were now a bit out of fashion, but he had to admit that Sam’s colours were radiant… Well, had it been for himself, he would have preferred something a tad bluer.

When Becky had made her appearance, he was really impressed. He found Becky had made a “bald” move that was suiting her dark complexion to a T.
(Becky was indeed sporting her African ancestry, coming from her mother Sabine Baina N’Diaye, with as much pride as her expensive boots).

As for himself, Al was not displeased that he had followed the good-hearted advice of sweet Tina about his hair loss. But, as he had discovered along with Hari Amgic, it all boiled down to the fact that was he was finding the tonsure rather elegantly distinguished, and giving him the looks of a wise old monk.
That had made Tina laugh of course, as she was finding him looking more like a monkey than anything else. Well, fine then, a Capuchin and that’ll make us agree on something at least, he had retorted a bit vexed.
The truth was that now, with the help of Hari, he was growing hair so fast that he had to shave them in the morning, and they would be knee-long and thick in the evening… But that was fun.
He was laughing now; he couldn’t have the monk look, but at least he had the sadhu look.

He said to Tina with a mischievous wink that he really loved her hot pink dress with the little white kitty cats patterns on it. Perfect Goldilocks look.

— The legend of Mævel — (Part III)

When the blue fox had disappeared, deep into the woods, Mævel was left wondering if all of that had only been a dream. Perhaps it was just a dream, and something that would make her parents raise their shoulders in dismay.
Especially since she had lost their gift carelessly they would say, the little pearl white ribbon…

She picked up the clothes that were left hanging to dry up in the wind, and came back to the little house.

Of course, her father Jorg noticed that she was not wearing the ribbon, but he was not much of a question asker, and things were or were not, and analyzing them was unnecessary for him. But of course, Ilga noticed it too, and she felt sad for poor Jorg who had endured so many sacrifices to buy the little ribbon that Mævel was no longer wearing. She wanted an explanation! Was it no longer to Mævel’s tastes, had Mævel lost it?

So Mævel, who could not lie to anybody, told them her encounter with Blohmrik, the cursed god in the woods, in the shape of a wounded blue fox… and at each of her words, was seeing their faces more and more disconcerted.
Their poor girl, who was already so different, had completely lost it,… ribbon and all that was left of common sense in her.

So they locked her up in the bedroom, that she was now occupying alone, as all of her brothers and sisters had left. Just to save her from herself, and see if that would help her gain some more solid sense of reality.

Mævel understood her parents, but she was deeply contrite that they could not understand what she had lived. Mævel was still doubting the reality of her meeting the blue fox, so she asked for some sign from the Gods before going to sleep, to see clearly.

That night, Mævel dreamt of a dark-haired young man with a white diadem¹ around his head, dressed in a cerulean blue tunic and wearing a sword. He was enshrouded in a warm light and as she took the hand he was extending, they were carried away by a springing scented wind into a meadow of multicoloured flowers, some of which she had not even known could exist. She had felt at home.
When she woke up, in the middle of the night, Mævel was transfixed by the beautiful soothing dream. She could not remember much more, but he had told her something. That there was deep magic in her, and it would help her find her true home, but that she would have to gain back her true name from the Elder God who had took it from her.

She quickly took her decision. She knew she had to search for the blue fox in the forest. But how could she escape the locked bedroom? She was starting to feel desperate again, but she remembered that there was some magic in her, and how she had felt it deeply true in her dream.
As she was focusing on the warm expanding feeling of her dream, an old rusty key materialized in her hand.

—

¹ diadem: [ ˈdī-ə-ˌdem (dəm) ] from Greek diadēma, from diadein to bind around; akin to Sanskrit dāman rope — was originally a white ribbon, ending in a knot and two strips that were placed often on the shoulders, that surrounded the head of the king to denote his authority.

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…