Search Results for 'manner'

They were thick as theives, freinds for thousands of centuries, or even more; sometimes thick, sometimes theives, and anything else you might imagine. They got together again and again in this time and that, here, there and elsewhere, just for the fun of it. There was nothing they liked more than a puzzling occurance, or a riddle, or a basket full of clues to ponder over, unravel, and turn around and around, toying with meanings until they found one they liked. They had a home in The City, sort of a home base so to speak, where they met regularly each night in the dream state, regardless of which time or place they spent their waking hours. It was sometimes a releif to meet up at home in The City and always a pleasure: sometimes it was hard to stay under the radar back down on the ground, it was part of the job to stand out in the crowd, which often resulted in a lynching, or a ducking, or the stocks, at the very least. All too often it ended up on top of a bonfire, tied to a stake.

One day in one of the Decembers, in amongst all the sweet dreams they often shared, they started having some unsettling group dreams, where they all felt like they were betwixt and between, falling through the cracks you might say. It was a feeling similar to dying of thirst, although it wasn’t really a physical thirst, it was more than that, a hungry yearning sort of thing. Some of them had strange nightmares, of a monstrous beast, and some of them actually saw beasts in the daytime too, especially on those falling through the cracks days. When they met up at home in The City, they compared notes about the beasts, and not always, but sometimes they found they were mirroring each others beasts. That often ended up in a heated debate, because the more mirroring that occurred, the more real the beast seemed. Some said that the beasts that appeared when you fell through the cracks were in a deep ravine, in a manner of speaking, and not of this plane at all. Others argued that if the beasts appeared through the cracks, then they were on this plane.

And so it went on, and on. There were many more puzzling occurances to come, and lots of meanings to be considered, rejected, or taken on board for the friends, as thick as thieves, to turn around and around, and hold up to the mirror for closer inspection and dissection. They were making a tapestry, a huge rich colourful tapestry, and all the puzzling occurences, and even the beasts, were depicted in the colourful threads and patterns. They were the warp, you might say, of the weave. Love was the weft.

“Congratulations, Liz” Godfrey remarked drily. “Are you supposed to use three months worth of creative writing challenges in one entry?”

“Don’t be silly, Godfrey, of course not. Rules are meant to be broken, that’s what they’re for.”

manner: half remember
feeling: leo mean knows write dark
meaning: waiting sudden ones teleport arona soon
create enjoyed: smiled poor silly pee thank large
remarked: choose beautiful wish
details: alien

There’s something, er, fishy, about this here dead cow, Sanso surmised. He was still a little fuzzy after his peregrinations in the Dense Dimension. Suddenly he slapped his forehead and exclaimed D’Oh! This dead cow is no accident! He shook his head, as if trying to shake the cobwebs loose. The effects of the brocolli hadn’t worn off completely yet. I can’t beleive I chose the Brocolli from the ‘You Fool’ Jar instead of the ‘Thank You’ Jar. I should have realized, Sanso was still shaking his head, what the ramifications would be of choosing discounting instead of appreciation. D’OH! he exclaimed again. Really, I had no idea how far reaching and all encompassing the effects would be of that Brocolli choice. I suppose it’s no accident the vegetable in question was brocolli, either, with all those probability branches and probable florets.

Right then Sanso, Old Bean, pull yourself together, he told himself firmly. This here dead cow is a sign. He approached the dead cow slowly, sniffing the ether, in a manner of speaking, for clues. He recalled the Dead Cow Cult
from another elsewhen, and their affiliation with the Arduino
Time Travelling Internet Server, and wondered if there might be a connection.

The Fool Fog of Discounting, caused by the brocolli Choice, in Sanso’s head was starting to clear, and he began to access information. The Cult of the Dead Cow had merged with the Arduino Enterprise at some point, creating an offshoot called the Pirates Association of Time Hackers, otherwise known as P.A.T.H. They had been recruiting members from many times and places, and as usual, had attracted large numbers of teenagers.

One teenager in particular appeared to stand out in Sanso’s mind, a peculiar young man who went by the alias “Holy Cow”.

Oh My God! Sanso slapped his forehead again. (I really must get these AHA moments under control, he said to himself, rubbing his bruised head) It can’t be! Yes, it is! It’s Yikesy!

One thing led to another, as it tends to do, while Sanso sat meditating on the enigma of The Dead Cow. Random and seemingly disjointed images flashed through his mind, not unlike a random google had been back in the old days, the first being an odd word, Kogaionon . Accessing further information, Sanso discovered that it was an ancient Transylvaniun skull. The link between the dead cow and the skull was clear ~ it was a bone sync, they both had bones, there was no denying it. Encouraged, Sanso continued to meditate.

After some images of a battle at sea , presumably Trafalgar, Sanso intuitively felt, he heard the words “Do not go where the path may lead, go instead where there is no path and leave a trail.” Wise words, he thought, and appropriate too. He popped these snippets into his indigo clue bag and continued to meditate. An image of a strange creature, half fish and half lion appeared next, a Merlion, which quickly morphed into an entertaining old movie playing across the screen of his minds eye, so to speak, in which someone who reminded him of Becky arrived in Paris during a rainstorm with just the clothes on her back ~ and interesting clothes they were, too! Sanso was glued to the screen, in a manner of speaking, and watched with amusement as a whole new wardrobe was delivered to the puzzled woman, followed by her mysterious benefactor: Georges.

Well, fancy Georges turning up again like that! Sanso was delighted. Perhaps Georges could shed some light on the mystery of the Dead Cow Blocking the Cave Entrance.

Sanso returned to his meditation and found himself eavesdropping on a conversation.

— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds — worlds that he has no conception of yet.
Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

“Their meeting is not coincidental” Sanso repeated to himself, popping it into his clue bag. “Well, I don’t know about Meanings, but at least I have a new bag of clues now!”

Noticed case
Under details,
Starting itself speaking.
Wait!
Start manner:
Years thought
(Wanted, rather…. )
Focus told: Silly,
Please notice.
Somehow…
Strange

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

Taatje van Snoot was an eccentric character of indeterminate age. That she had been born Dutch was obvious, but when, nobody could tell. Nobody could remember when she hadn’t been an integral part of the Amsterdam scenery, even the most ancient citizens recalled Taatje being around. Nobody knew her well, it seemed, but everyone knew of her existence, everyone saw her from time to time. She never seemed to age, and she didn’t appear to work, for she was never seen doing anything in a routine manner. Sometimes, for example, she would be spotted drinking coffee every morning at the same place; the following week or years therafter, she’d be elsewhere, never visiting that cafe again. Taatje was a bit of a mystery, but a well loved one. She was jolly, always smiling, as she bustled about the city doing whatever she did, polite and charming, delightfully vague, and always endearingly dressed in a random selection of fancy dress outfits and carnival costumes.

Ann wasn’t altogether sure what Godfrey meant when he referred to her new interest in continuity. Ann had always been interested in connecting links, yes, of that there was no doubt, but with so very many connecting links, and so many possible strings of connecting links, with so many possible divergences into yet more strings of connecting links, Ann really couldn’t fathom how anyone could possibly keep track of all those threads of continuity. Even a seemingly discontinuous assortment of unconnected links, once connected into a nonsense thread, became another continuity string. Furthermore, Ann continued ~ in a continuous fashion ~ to ponder, if everything is connected, then what, in actuality, was all the fuss about continuity? What exactly then WAS this concept of continuity? It seemed to Ann to be more like a string of barbed wire, or one of those flimsy but effective electric wire fences, boxing in the free flow of continuity, so that the objectively perceived continuity stayed rigidly within the confines of the preconceived tale. The inner landscape knew no such boundaries, although admittedly the inner landscape was far too vast to map.

Ann smiled to herself as she imagined trying to push pins into various inner landscape locations, tying strings from one to another, in an effort to map and label the inner continuity connections. Of course she was imagining it in a visual manner, because it was hard to imagine all those connections and strings being invisible and not taking up any space, and before long Ann’s inner map of pins and strings quickly resembled a tangle of overcooked spaghetti, perilously speckled with sharp pointy pins.

The image of the glutinous tangle dotted with sharp shiny pointers led Ann off on another tangent, but it was a tangent that soon became utter nonsense. Or was it, she mused. Perhaps it was those symbolically sharp pointy bits that in fact pointed out the immense variety of potential other continuity threads to choose from. Indeed, it could easily be said that having one of her characters dumped in Siberia in the previous story, painful though it was, was not unlike being pricked by a pin amidst the tangle of sticky pasta, a brilliantly effective pointer towards unlimited new directions.

Whichever way she looked at it (and Ann was aware that she might have gone down a side string) she simply couldn’t comprehend how anyone on this side of the veil could possibly even begin to understand the ramifications of the concept of continuity at all. Or how there could ever conceivably be a lack of it.

What was really intriguing Ann at this particular juncture of the experimental exploration of the story was the concept of the World View Library. This wasn’t unconnected to the continuity issue, far from it, it was all tied in (Ann sniggered at the unintentional pun) and connected. There were any infinite amount of potential continuity threads leading from, say, one persons desire or intent, to a particular world view in the library.

AHA shouted Ann, who at that moment had an ‘aha’ moment. Pfft, it’s gone, she sighed moments later.

Ann tried to catch the wisp of an idea that had flitted through her awareness. She had a visual impression of the library, endlessly vast and marvellously grand, with countless blindfolded characters dashing through, grabbing random pages or sentences, bumping into each other, snatching at phrases willy nilly, dropping notes along the way, and racing back out again into the ether. A stray thought here, a picture there, a name or a date, all on separate bits of crumbled paper clutched in the sweaty palms of the blindfolded characters as they rushed headlong back to their own realities to proudly share the new clues. Like magpies they were, snatching at anything that glittered brightly enough.

“I thought you said they were blindfolded?” interrupted Franlise.

Ann ignored the interruption, and continued ~ in a continuous fashion ~ to ponder the imagery of the library.

What the undisciplined purloiners of random snatches didn’t notice on their pell-mell excursions into the library were the characters in the library who weren’t wearing blindfolds. They smiled down from the galleries, calmly watching from above the mayhem that the news of the unlimited library access had occasioned, chortling at the scenes of chaos below. They smiled indulgently, for they too had first visited the library blindfolded, snatching at this and that, and racing home again to inspect the booty; they too had fretted and pondered over the enigmas of the incomplete snippets. Eventually (or not, it was after all a choice), they had bravely removed the blindfolds, slowed the mad race into a sedate stroll through the library, opened their eyes and looked around, sure of the way back home now, and not in a desperate hurry to blast in, snatch anything, and run back home.

After awhile, they began to realize that all the enchanting glittering jewels scattered around to catch their eye would still be there later, there was no urgency to grab them all at once ~ although, as Ann reminded herself, that too was a choice ~ some may well choose to be eternally snatching at glittering jewels.

Ann frowned slightly and wondered if she’d lost the thread altogether, and then decided that it didn’t matter if she had.

It was a choice, therefore, to remove ones blindfold, and stroll through the library ~ a choice to perhaps choose a book, sit down at a polished oak table and open it, a choice to stay and read the book, rather than ripping out a page and dashing back home. That would be one choice of continuity, a coming together of strings.

Ann wondered whether that would then be called a cable, or a rope ~ well perhaps not a rope, she decided, that had other associations entirely ~ but a cable, yes, that had associations of reliable and regular communications. There were always strings of continuity, then, strings of connecting links, between anything and everything, but when one stopped dashing about clutching at the sparkley bits, one might form a cable.

Or not, of course. Thin strings of continuity and connections were not ‘less than’ thick cables of reliable and regular communications. It has to be said though, Ann reluctantly admitted, that thick cables often made more sense.

She decided to hit send before embarking on a pondering of the meaning of Sense.

I told you it is my feeling that in a sense these communications took place one afternoon while I was half dozing.

They could make no sense to me then. The use of unconscious knowledge could not then take place. I do not know the state of your wife’s consciousness, or of your own, at that time in my own past. In any case, your own conscious knowledge of such events apparently had to wait until certain intersections happened.

Awareness of these communications conceivably could have taken place at any time, but certain levels of comprehension had to touch all of our personalities before such communications jelled, or became strong enough to make sense in both of our worlds.

I do not believe that I was aware of these communications either when they first happened. I would have had no way to evaluate or understand them. I assume that the same is true on your parts. At the same time, in a manner of speaking, the communications are enriched as my knowledge of my world when I was alive blends with your present knowledge of your world in your time.

It is as if the three of us all wrote portions of a letter, the words fitting together meticulously, and yet forming a fine puzzle that had to work itself out as we each made our moves in our own realities. It is one thing to send a letter from one portion of the planet to another, as in your mail system — but it is something else when the three individuals involved are constantly changing their alignment, position, and probable activities.

It is like trying to send a letter to a certain address while the mailbox keeps appearing or disappearing, or changing its position entirely, for all three of us are a portion of that one communication, while the position of our consciousness constantly alters.

It is a wonder that such communications take place at all considering the changing coordinates that constantly apply. The communications could all have remained in the dream state on all of our parts, but we were all determined to bring them into some kind of actuality in the same way that the idea of a painting is changed into the physical painting itself.

“Godfrey, that’s got me thinking, you know. Seem to have a bit of an idea brewing, old bean,” Ann said with an enigmatic smile.

“What are you on about now, Ann?” he replied. “Why don’t you tell me what that book is you’re reading, you can’t quote books without mentioning the name of them, so you may as well tell me now.”

“I was wondering how to slide it in, Godfrey” she replied with a snort. “It’s The World View of Rembrandt, by Jane Roberts.”

The fact of the matter was that Ann had been intending to write about Cordella’s twin sister Flagella, but had been hopelessly side tracked when Godfrey had thrown that curve ball. Flagella had been wanting to slap herself rather badly and Ann was more than willing to oblige her by entering a scenario into the Play. The way things had panned out highlighted some interesting parallels with Yoland’s current state of affairs too. Obviously Flagella had chosen not to slap herself after all, although she appeared to have chosen to effect that in a somewhat convoluted manner. It was the unknown factors that were baffling Ann, the missing links in the convoluted manners; she felt painfully aware that she simply wasn’t seeing the whole picture.

Unsure of her footing, that’s what it was, at least that’s what Yoland had noticed. With the puppy always climbing over her feet or somewhere underfoot, she hadn’t been able to take a normal step in a fortnight. It was making her tense and tired, and jittery. Every step she took was halted, mid step, which made her feel permanently off balance.

Flagella had wanted to slap herself for being irritated, which was becoming immensely irritating in itself. Being irritated wasn’t fun at all, it was irritating! The most irritating thing of all was that she didn’t know why she’d started getting irritated in the first place.

Ann wanted to butt in and tell Flagella a thing or two about how dense she was being, but didn’t think there was much point. It wasn’t as if Flagella hadn’t already heard whatever Ann might have to tell her a thousand times or more, so it was doubtful that more words would be any help.

She doesn’t need any help, full stop, Ann reminded herself, and neither does Yoland.

“Hey Leo, I had a blinding revelation last night, after Barb left.”

“Well, do tell, Bea, I’m all ears” said Leonora with an encouraging smile, pouring herself a cup of tea.

“Well the moment was far clearer than I can explain it but it went something like this” Bea continued. “Bearing in mind that the FOCUS DIRECTS so the question of ‘directing’ essence is another choice of puzzle piece of the individual puzzle game at any moment…”

“Ye-es” replied Leonora, making an effort to concentrate.

“To connect to an individual focus is but a baby step towards being able to comprehend the interconnectedness of everything that you create, and that it is all in fact you.” Bea went on, adding “Like a beginner stage as it were, to keep it manageable.”

“Keeping it manageable sounds like a good idea” interjected Leo, pointedly glancing around at the disorder in the kitchen.

Unperturbed, Bea continued “You draw to yourself parts or, if you like, focus points or other focuses of All That Is —of the whole that are at that moment useful.”

“Sounds reasonable, Bea, do continue. Pass the gingerbread men, would you?”

“All of the characters in the stories I write, for example, are my focuses in a manner of speaking, as are all the characters in anything I bring into my world my focuses if I choose to SEE THEM FOR A MOMENT FROM THEIR FOCUS VIEWPOINT.”

“Ok, ok, no need to shout!”

“I’m not shouting, Leo, let me finish and stop interrupting! Adding another focus is an analogy in a way for adding another focus or point of view to mine.
Dividing the actions of adding focus viewpoints into sections is useful in order to comprehend the scope of possible actions, but only initially, and as more actions are experienced objectively, the sections and labels become limiting and confining.” Bea paused for a sip of coffee and a long draw on her cigarette. “But they do keep it manageable to some degree, it must be said” she added.

“Yes, keep it manageable, by all means, couldn’t agree more”

“Everyone’s puzzle game is their own,” Bea was on a roll. “And the same puzzle piece, or other focus in this case, for one, would fit equally well into a completely different puzzle game of someone else’s because all of the surrounding puzzle pieces of each individuals puzzle game are created in each moment and are chosen for their relevance to that moment.”

“Good point, dear.”

“Likewise an individuals puzzle game is a new one in each moment and the puzzle pieces are interchangeable within the same puzzle game, depending on their relevance to the moment and the chosen surrounding puzzle pieces.”

As usual with blazing flashes of illumination, Bea found that they were hard to form into words, and when she did manage to get them into words, they look so screamingly obvious.

“Does that make sense to you, Leo?” she asked.

“Er, I think so Bea, I’m getting the gist…”

Interrupting, Bea continued to describe her revelations to her now glassy eyed friend. “And on the subject of trusting, doubting, confusion and so on”

“Oh, yes, confusion…”

“We are here shiftING, not shiftED, this is what we are choosing.
With the variety of viewpoints we have, the shifted and the unshifted and the semi-shifted, there is always something new to notice from yet another new perspective. Why not get really enthusiastic about the ride itself instead of planning how to float through it with the least fuss ~ it’s more fun on the helter skelter with its many perspectives and view points than on the mill pond for those of us who choose shiftING.”

“I dunno, Bea, from my perspective floating on a millpond sounds rather pleasant.”

“Well, at least now we know that what we don’t know is there to know.”

“Yes, there’s no doubt about that!” relied Leonora, “Have you finished? That was all very interesting but don’t forget we invited everyone over for the Yule Boulder Moving party. We should get a move on with the preparations you know”