Search Results for 'meaning'

Helix 25 – The Genetic Puzzle

Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)

On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.

She took a sip of her long-cold tea and exhaled sharply.

Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.

The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.

Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.

Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.

But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.

Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.

Except in this case, there was evidence that something had triggered them.

The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.

And more surprisingly… it wasn’t truly random.

Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.

The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…

She rubbed her forehead.

“Impossible.”

And yet—here was the data.

On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.

Earth – The Quiz Night Reveal

The Golden Trowel, Hungary

The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.

Once the postcards shared, everyone was listening as Tala addressed the group.

“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”

Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.

She turned toward Vera, who was already inspecting her own card with keen interest.

“Tower of London, anything exciting to share?”

Vera arched a perfectly sculpted eyebrow, lips curving in amusement.

“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”

She spun the postcard between her fingers before answering.

“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”

“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”

Molly inhaled sharply.

Remnants of the Lady of the Lake ?

Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.

If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…

Her fingers tightened around the postcard.

Unless there was something behind her ravings?

Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”

Finja had spent most of the evening pretending not to exist.

But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.

“Alright,” she muttered. “But just one.”

Molly exhaled in relief.

The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.

Because it wasn’t just Molly who wanted to ask.

Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.

Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.

So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.

Finja closed her eyes.

The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.

The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.

She reached out—

And the voices crashed into her.

Too much. Too many.

Hundreds of voices, drowning her in longing and loss.

“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”

Her head snapped back, breath shattering into gasps.

The crowd held its breath.

A dozen pairs of eyes, wide and unblinking.

Finja clenched her fists. She had to shut it down. She had to—

And then—

Something else.

A presence. Watching.

Synthia.

Her chest seized.

There was no logical way for an AI to interfere with telepathic frequencies.

And yet—

She felt it.

A subtle distortion. A foreign hand pressing against the link, observing.

The ship knew.

Finja jerked back, knocking over her chair.

The bar erupted into chaos.

“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”

Her breath came in short, panicked bursts.

She had never thought about the consequences of calling out across space.

But now…

Now she knew.

They were not the last survivors. Other lived and thrived beyond Earth.

And Synthia wanted to keep it that way.

Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.

They were coming back.

Helix 25 – Investigation Breakdown: Suspects, Factions, and Ship’s Population

To systematically investigate the murder(s) and the overarching mystery, let’s break down the known groups and individuals, their possible means to commit crimes, and their potential motivations.

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1. Ship Population & Structure

Estimated Population of Helix 25

• Originally a luxury cruise ship before the exodus.
• Largest cruise ships built on Earth in 2025 carried ~5,000 people.
  Space travel, however, requires generations.
• Estimated current ship population on Helix 25: Between 15,000 and 50,000, depending on deck expansion and growth of refugee populations over decades.
• Possible Ship Propulsion:
  • Plasma-based propulsion (high-efficiency ion drives)
  • Slingshot navigation using gravity assists
  • Solar sails & charged particle fields
  • Current trajectory: Large elliptical orbit, akin to a comet.
    Estimated direction of the original space trek was still within Solar System, not beyond the Kuiper Belt (~30 astrological units) and programmed to return towards it point of origin.
    Due to the reprogramming by the refugees, it is not known if there has been significant alteration of the course – it should be known as the ship starts to reach the aphelion (farthest from the Sun) and either comes back towards it, or to a different course.
    
  • Question: Are they truly on a course out of the galaxy? Or is that just the story Synthia is feeding them?
    Is there a Promised Land beyond the Ark’s adventure?

---

2. Breaking Down People & Factions

To find the killer(s), conspiracies, and ship dynamics, here are some of factions, known individuals, and their possible means/motives.

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A. Upper Decks: The Elite & Decision-Makers

• Defining Features:
  • Wealthy descendants of the original passengers. They have adopted names of stars as new family names, as if de-facto rulers of the relative segments of the space.
  • Have never known hardship like the Lower Decks.
  • Kept busy with social prestige, arts, and “meaningful” pursuits to prevent existential crisis.

Key Individuals:

1. Sue Forgelot –

   • Means: Extensive social connections, influence, and hidden cybernetic enhancements.
   • Motive: Could be protecting something or someone—she knows too much about the ship’s past.
   • Secrets: Claims to have met the Captain. Likely lying… unless?

2. Dr. Amara Voss –

   • Means: Expert geneticist, access to data. Could tamper with DNA.
   • Motive: What if Herbert knew something about her old research? Did she kill to bury it?

3. Ellis Marlowe (Retired Postman) –

   • Means: None obvious. But as a former Earth liaison, he has archives and knowledge of what was left behind.
   • Motive: Unclear, but his son was the murder victim. His son was previously left on Earth, and seemed to have found a way onto Helix 25 (possibly through the refugee wave who took over the ship)
   • Question: Did he know Herbert’s real identity?

4. Finkley (Upper Deck cleaner, informant) –

   • Means: As a cleaner, has access everywhere.
   • Motive: None obvious, but cleaners notice everything.
   • Secret: She and Finja (on Earth) are telepathically linked. Could Finja have picked up something?

5. The Three Old Ladies (Shar, Glo, Mavis) –

   • Means: Absolutely none.
   • Motive: Probably just want more drama.
   • Accidental Detectives: They mix up stories but might have stumbled on actual facts.

6. Trevor Pee Marshall (TP, AI detective) –

   • Means: Can scan records, project into locations, analyze logic patterns.
   • Motive: Should have none—unless he’s been compromised as hinted by some of the remnants of old Muck & Lump tech into his program.

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B. Lower Decks: Workers, Engineers, Hidden Knowledge

• Defining Features:
  • Unlike the Upper Decks, they work—mechanics, hydroponics, labor.
  • Self-sufficient, but cut off from decisions.
  • Some distrust Synthia, believing Helix 25 is off-course.

Key Individuals:

1. Luca Stroud (Engineer, Cybernetic Expert) –

   • Means: Can tamper with ship’s security, medical implants, and life-support systems.
   • Motive: Possible sabotage, or he was helping Herbert with something.
   • Secret: Works in black-market tech modifications.

2. Romualdo (Gardener, Archivist-in-the-Making) –

   • Means: None obvious. Seem to lack the intelligence, but isn’t stupid.
   • Motive: None—but he lent Herbert a Liz Tattler book about genetic memories.
   • Question: What exactly did Herbert learn from his reading?

3. Zoya Kade (Revolutionary Figure, Not Directly Involved) –

   • Means: Strong ideological influence, but not an active conspirator.
   • Motive: None, but her teachings have created and fed factions.

4. The Underground Movement –

   • Means: They know ways around Synthia’s surveillance.
   • Motive: They believe the ship is on a suicide mission.
   • Question: Would they kill to prove it?

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C. The Hold: The Wild Cards & Forgotten Spaces

• Defining Features:
  • Refugees who weren’t fully integrated.
  • Maintain autonomy, trade, and repair systems that the rest of the ship ignores.

Key Individuals:

1. Kai Nova (Pilot, Disillusioned) –

   • Means: Can manually override ship systems… if Synthia lets him.
   • Motive: Suspects something’s off about the ship’s fuel levels.

2. Cadet Taygeta (Sharp, Logical, Too Honest) –

   • Means: No real power, but access to data.
   • Motive: Trying to figure out what Kai is hiding.

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D. AI & Non-Human Factors

• Synthia (Central AI, Overseer of Helix 25)

  • Means: Controls everything.
  • Motive: Unclear, but her instructions are decades old.
  • Question: Does she even have free will?

• The Captain (Nemo)

  • Means: Access to ship-wide controls. He is blending in the ship’s population but has special access.
  • Motive: Seems uncertain about his mission.
  • Secret: He might not be following Synthia’s orders anymore.

---

3. Who Has the Means to Kill in Zero-G?

The next murder happens in a zero-gravity sector. Likely methods:

• Oxygen deprivation (tampered life-support, “accident”)
• Drowning (hydro-lab “malfunction”)

Likely Suspects for Next Murder

Suspect	Means to Kill in Zero-G	Motive
Luca Stroud	Can tamper with tech	Knows ship secrets
Amara Voss	Access to medical, genetic data	Herbert was digging into past
Underground Movement	Can evade Synthia’s surveillance	Wants to prove ship is doomed
Synthia (or Rogue AI processes)	Controls airflow, gravity, and safety protocols	If she sees someone as a threat, can she remove them?
The Captain (Nemo?)	Has override authority	Is he protecting secrets?

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4. Next Steps in the Investigation

• Evie and Riven Re-interview Suspects. Who benefited from Herbert’s death?
• Investigate the Flat-Earth Conspiracies. Who is spreading paranoia?
• Check the Captain’s Logs. What does Nemo actually believe?
• Stop the Next Murder. (Too late?)

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Final Question: Where Do We Start?

1. Evie and Riven visit the Captain’s quarters? (If they find him…)
2. Investigate the Zero-G Crime Scene? (Second body = New urgency)
3. Confront one of the Underground Members? (Are they behind it?)

Let’s pick a thread and dive back into the case!

Helix 25 – Gentle Utopia at Upper Decks

The Upper Decks of Helix 25 were a marvel of well-designed choreography and engineered tranquility. Life here was made effortless, thanks to an artful curation of everyday problems. Climate control ensured the air was always crisp, with just enough variation to keep the body alert, while maintaining a perfect balance of warm and cool, hygrometry, with no crazy seasons or climate change upheaval to disrupt the monotony. Food dispensers served gourmet meals for every individual preferences —decadent feasts perfectly prepared at the push of a button. The Helix cruise starships were designed for leisure, an eternity of comfort — and it had succeeded.

For the average resident, the days blended into one another in an animated swirl of hobbyist pursuits. There were the Arboretum Philosophers, who debated meaningfully over the purpose of existence while sipping floral-infused teas. There were the Artisans, who crafted digital masterpieces that vanished into the ship’s archives as soon as they were complete. There were the Virtual Adventurers, who lived entire lifetimes in fully immersive life-like simulations, all while reclining on plush lounges, connected to their brain chips courtesy of Muck Industries.

And then, there were Sharon, Gloria, and Mavis.

Three old ladies who, by all accounts, should have spent their days knitting and reminiscing about their youth, but instead had taken it upon themselves to make Helix 25 a little more interesting.

“Another marvelous day, ladies,” Sharon declared as she strolled along the gilded walkway of the Grand Atrium, a cavernous space filled with floating lounges and soft ambient music. The ceiling was a perfect replica of a sky—complete with drifting, lazy clouds and the occasional simulated flock of birds. Enough to make you almost forget you were in a closed fully-controlled environment.

Mavis sighed, adjusting her gaudy, glittering shawl. “It’s too marvelous, if you ask me. Bit samey, innit? Not even a good scandal to shake things up.”

Gloria scoffed. “Pah! That’s ‘cause we ain’t lookin’ hard enough. Did you hear about that dreadful business down in the Granary? Dried ‘im up like an apricot, they did. Disgustin’.”

“Dreadful,” Sharon agreed solemnly. “And not a single murder for decades, you know. We were overdue.”

Mavis clutched her pearls. “You make it sound like a good thing.”

Gloria waved a dismissive hand. “I’m just sayin’, bit of drama keeps people from losing their minds. No offense, but how many decades of spa treatments can a person endure before they go barmy?”

They passed a Wellness Lounge, where a row of residents were floating in Zero-G Hydrotherapy Pods, their faces aglow with Rejuvenex™ Anti-Aging Serum. Others lounged under mild UV therapy lamps, soaking up synthetic vitamin D while attendants rubbed nutrient-rich oils into their wrinkle-free skin.

Mavis peered at them. “Y’know, I swear some of ‘em are the same age as when we boarded.”

Gloria sniffed. “Not the same, Mavis. Just better preserved.”

Sharon tapped her lips, thoughtful. “I always wondered why we don’t have crime ‘ere. I mean, back on Earth, it were all fights, robbery, someone goin’ absolutely mental over a parking space—”

Gloria nodded. “It’s ‘cause we ain’t got money, Sha. No money, no stress, see? Everyone gets what they need.”

“Needs? Glo, love, people here have twelve-course meals and private VR vacations to Ancient Rome! I don’t reckon that counts as ‘needs’.”

“Well, it ain’t money, exactly,” Mavis pondered, “but we still ‘ave credits, don’t we?”

They fell into deep philosophical debates —or to say, their version of it.

Currency still existed aboard Helix 25, in a way. Each resident had a personal wealth balance, a digital measure of their social contributions—creative works, mentorship, scientific discovery, or participation in ship maintenance (for those who actually enjoyed labor, an absurd notion to most Upper Deckers). It wasn’t about survival, not like on the Lower Decks or the Hold, but about status. The wealthiest weren’t necessarily the smartest or the strongest, but rather those who best entertained or enriched the community.

Gloria finally waved her hand dismissively. “Point is, they keep us comfortable so we don’t start thinkin’ about things too much. Keep us occupied. Like a ship-sized cruise, but forever.”

Mavis wrinkled her nose. “A bit sinister, when you put it like that.”

“Well, I didn’t say it were sinister, I just said it were clever.” Gloria sniffed. “Anyway, we ain’t the ones who need entertainin’, are we? We’ve got a mystery on our hands.”

Sharon clapped excitedly. “Ooooh yes! A real mystery! Ain’t it thrillin’?”

“A proper one,” Gloria agreed. “With dead bodies an’ secrets an’—”

“—murder,” Mavis finished, breathless.

The three of them sighed in unison, delighted at the prospect.

They continued their stroll past the Grand Casino & Theatre, where a live orchestral simulation played for a well-dressed audience. Past the Astronomer’s Lounge, where youngster were taught to chart the stars that Helix 25 would never reach. Past the Crystal Arcade, where another group of youth of the ship enjoyed their free time on holographic duels and tactical board games.

So much entertainment. So much luxury.

So much designed distraction.

Gloria stopped suddenly, narrowing her eyes. “You ever wonder why we ain’t heard from the Captain in years?”

Sharon and Mavis stopped.

A hush fell over them.

Mavis frowned. “I thought you said the Captain were an idea, not a person.”

“Well, maybe. But if that’s true, who’s actually runnin’ the show?” Gloria folded her arms.

They glanced around, as if expecting an answer from the glowing Synthia panels embedded in every wall.

For the first time in a long while, they felt watched.

“…Maybe we oughta be careful,” Sharon muttered.

Mavis shivered. “Oh, Glo. What ‘ave you gotten us into this time?”

Gloria straightened her collar. “Dunno yet, love. But ain’t it excitin’?”

“With all the excitment, I almost forgot to tell you about that absolutely ghastly business,” Gloria declared, moments later, at the Moonchies’ Café, swirling her lavender-infused tea. “Watched a documentary this morning. About man-eating lions of Njombe.”

Sharon gasped, clutching her pearls. “Man eating lions?!”

Mavis blinked. “Wait. Man-eating lions, or man eating lions?”

There was a pause.

Gloria narrowed her eyes. “Mavis, why in the name of clotted cream would I be watchin’ a man eating lions?”

Mavis shrugged. “Well, I dunno, do I? Maybe he ran out of elephants.”

Sharon nodded sagely. “Yes, happens all the time in those travel shows.”

Gloria exhaled through her nose. “It’s not a travel show, Sha. And it’s not fiction.”

Mavis scoffed. “You sure? Sounds ridiculous.”

“Not as ridiculous as a man sittin’ down to a plate of roast lion chops,” Gloria shot back.

Mavis tilted her head. “Maybe it’s in a recipe book?”

Gloria slammed her teacup down. “I give up. I absolutely give up.”

Sharon patted her hand. “There, there, Glo. You can always watch somethin’ lighter tomorrow. Maybe a nice documentary about man-eating otters.”

Mavis grinned. “Or man eating otters.”

Gloria inhaled deeply, resisting the urge to upend her tea.

This, this was why Helix 25 had never known war.

No one had the time.

Elara — Nov 2021: The End of Genealogix

The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

Work in Progress: Character Timelines and Events

Matteo

• November 2024 (Reunion):
  • Newly employed at the Sarah Bernhardt Café, started after its reopening.
  • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
  • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
  • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
• Summer 2024 (Olympics):
  • Working in a vineyard in southern France, nearing the end of the harvest season.
  • Receives a call for a renovation job in Paris, which pulls him toward the city.
  • Feels an intuitive connection to Paris, as if something is waiting for him there.
• Past Events (Implied):
  • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
  • Has likely crossed paths with the group in unremarkable but meaningful ways before.

 

Darius

• November 2024 (Reunion):
  • Arrives at the café, a wanderer who rarely stays in one place.
  • Reflects on his time in India during the autumn and the philosophical journey it sparked.
  • Brings with him an artifact that ties into his travels and personal story.
• Summer 2024 (Olympics):
  • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
  • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
  • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
• Past Events (Implied):
  • Has a history of introducing enigmatic figures to the group, often leading to tension.
  • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

 

Elara

• November 2024 (Reunion):
  • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
  • Still processing her mother’s passing and reflecting on their strained relationship.
  • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
• Summer 2024 (Olympics):
  • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
  • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
  • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
  • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
• Past Events (Implied):
  • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
  • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
  • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
  • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

 

Lucien

• November 2024 (Reunion):
  • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
  • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
  • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
  • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
• Summer 2024 (Olympics):
  • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
  • Reflects on his artistic block and the emotional weight of his distance from the group.
  • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
• Past Events (Implied):
  • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
  • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

Amei

 

• November 2024 (Reunion):
  • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
  • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
  • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
• Summer 2024 (Olympics):
  • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
  • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
  • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
• Past Events (Implied):
  • The last group meeting five years ago left her with lingering emotional scars.
  • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

 

Tabitha (Amei’s Daughter)

• November 2024:
  • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
  • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
• Summer 2024 (Olympics):
  • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
  • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
• Past Events (Implied):
  • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

Key Threads and Patterns

• The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
• Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
• Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.

“Actually,” Eris ventured, “There’s that spell I’ve been meaning to try for a while, but it’s not entirely safe to do on one’s own.”

“Oh, brazen Eris being cautious, paint me curious now!” tittered Truella.

“It was initially devised as a memory spell, but it soon became clear it was opening more possibilities. It can make us travel in any mentally accessible space, spend as much time as we want there with barely a second passing in the physical world.”

“You’re basically describing dreaming, aren’t you?” Jeezel interjected.

“True, in a sense, it’s like lucid dreaming, but with your physical body —and with an energetic anchoring from the coven, that means you can have a lot more control, and spend as much time there as you’d like.”

“So that means we can have more than one vacation destination at a time!” Truella was starting to see the possibilities.

“Yes, and that’s where it becomes perilous. It’s as physical as real life, so you can die there. And without converging focus, we can be propelled into alternative and unwanted mind spaces. We could spend lifetimes and grow old in realities we’d forget were only mental projections.”

“Right, if we can’t agree an a simple vacation, what could possibly go wrong.”

“Shtt, Frella,” Truella’s imagination was already getting wild. “It also means we can go to fantasy lands as well. Lothlórien, Rivendell,… oh wait! Abalone and Gazalbion, always wanted to see those places!”

“With this one, we’ll need more than one anchor to keep us tethered to reality then…” Frella added sarcastically.

The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.

She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.

The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.

Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.

As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.

Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.

Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.

“Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.

Eris took a deep breath and began to chant, her voice steady and resonant:

“By the light of the harvest moon,
I call forth clarity, swift and soon.
Let fog disperse and shadows flee,
Reveal the truth, illuminate me.”

She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.

As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.

Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.

“Show me the path,” she whispered. “Guide me through the haze.”

The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.

The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.

Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.

“Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.

As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.

“Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”

Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.

Audrey came to herself rather unexpectedly in the middle of the Choir ritual with all the witches and nuns finishing the Canticle from the Psalms of Saint Frogustus.

Luckily for the coven, her sudden gasp for air could have easily passed as a croak or one of the ribbit amens that went with the background aaah and oohs.

“I think something wrong happened to your friend.” she whispered to Jeezel who had been enjoying the unlikely singing. It was already the third ritual done in six, and it had been mostly enjoyable.

Eris whispered in turn as the grand croaking finale started with loud gong banging by Mother Lorena chanting “leaps of faithe, ye, leaps of faithe”.

“What do you mean? Is Frella alright?”

“Something came in the background, but when our minds disconnected, she felt more annoyed than anything… and to be honest maybe a bit… flustered, how to say…” she became red as Saint Frogustus’ hand tips. “Randy is the word you say?”

“Damn it Jeezel, have you done anything?”

“Why you ask me?” Jeezel felt offended. “You haven’t taken into account the strawberry full moon, that’s all.”

“There’s only one potent counter-spell to this situation…” Audrey said. “We should pray to Saint Frigdona saint patroness of unwavering commitment to upholding the sanctity of boundaries and the virtues of righteousness, even in the face of the most enticing temptations!”

“Jeeze, don’t go all religious like this.” a glowing Truella finally said. “I was for one, quite enjoying all that croaking. Dear Rufus told me there is a reason to this ritual! Get that: giant dragon-eating frogs! Dra-gon-frig-ging-eat-ing-frogs! That’s why the famous nuns were revered!”

Eris and Jeezel looked at each other with that puzzled look unequivocally meaning “she’s lost her marbles”.

In the silent moment of the last gong sound droning out, they sighed in unison, turning to Audrey. “How is this Frigdona prayer going already?”

There was an odd sight today.

Eris sat in the deserted courtyard area of the brand new Quadrivium office, Malové’s latest folly. She could savor the quiet that Fridays often brought, most of her colleagues from the coven preferring to work from home, leaving the usually bustling space tranquil and almost meditative. She took a bite of her sandwich, listening distractedly to the complaints of another witch sitting nearby, while her own mind still preoccupied with the myriad responsibilities and recent events that seemed to pile around like a stack of clothes due a trip to the laundry.

As she chewed thoughtfully, her eyes were drawn to an odd sight. A blackbird was performing a strange dance in front of the mirrored walls that lined one side of the patio. It hopped back and forth, its beak tapping on the surface, its feathers shimmering in the afternoon light, as if it were courting its own reflection or perhaps trying to feed it with a worm it had in its beak. Eris paused, intrigued by this peculiar behavior. What could it mean?

Her thoughts were interrupted by a series of sharp, melodic chirps. She looked around and spotted another bird perched nearby in the foliage of hanged planters lining the walls —a female blackbird, easily identifiable by her distinct brown coat. The female watched the male’s antics with a mix of curiosity and detachment, her chirps seeming to carry a message of their own.

Eris felt a shiver run down her spine, a familiar sensation that often preceded a moment of magical insight. The blackbird’s dance wasn’t just an oddity; it was a sign, a message from the universe, or perhaps from the magical currents that flowed unseen through the world.

She closed her eyes for a moment and took a deep breath, trying to connect with the energy around her. The image of the male blackbird, tirelessly courting its own reflection, seemed to mirror her own recent struggles. Had she been chasing an illusion, trying to nourish something that could not be sustained?

The female blackbird’s presence added another layer to the message. She was grounded, present, and observant—a contrast to the male’s futile efforts. Eris thought of her recent decisions, the dismissal of the cook, the strained relationships within the coven, and the cryptic postcards from Truella. Was the universe urging her to find balance, to ground herself and observe more keenly before taking action?

She could almost hear Elias whispers in her ears: Birds, in general, often represent thoughts or ideas flying about in our consciousness. The blackbird specifically, with its stark contrast and distinct presence, can represent deeper insights, truths, or messages that are coming to your awareness. The mirror, as a reflective surface, implies that these insights pertain directly to your perception of self or facets of your identity that may be emerging or needing attention. Putting this together, the imagery of the birds and their interactions could be nudging you to pay closer attention to your inner reflections. Are you nurturing the parts of yourself that truly need attention? Are there aspects of your identity or self-perception that require acknowledgment and care? The presence of the brown-coated female blackbird might also be a reminder to appreciate the varied and multifaceted nature of your experiences and the different roles you embody.

She opened her eyes, feeling a sense of clarity washing over her. The birds continued their vivid dialogue and unfathomable dances, unaware of the impact they had just made, although her insistent gaze had seemed to snap the blackbird out of its mesmerized pattern. He was now scurrying away looking over its shoulder, as if caught in an awkward moment.

Rising from her seat, Eris felt something. Not some sort of newfound sense of purpose, but a weight of a precious present, luminous and fragile, yet spacious and full with undecipherable meaning. She glanced one last time at the blackbirds, silently thanking them for their unspoken wisdom. As she walked back into the office, she knew that the path ahead would still be fraught with challenges, but she was ready to face them—grounded, observant, and attuned to the subtle messages that the world had to offer.

In the quiet of the Quadrivium office, on a deserted Friday afternoon, a blackbird’s dance had set the stage for the next chapter of her journey.

Eris looked at the meme on her phone, the one with a picture of tarts and the caption “the tarts are here, let the games begin,” and couldn’t help but chuckle despite the weight of relentless recent events. The humor was a brief respite from the jiggling thoughts bouncing in her mind since the treasure hunt and the increasingly intricate seminars which felt like a boiling cauldron evaporating her wits under Malové’s stern guidance.

The postcards from Truella had been a welcome enigma, doubled with piquant inspiration —a collection of images featuring the dramatic promontories of Madeira, with cryptic notes about a witch-friendly host named Herma. An inspired soul would have found the idea of such a sanctuary enticing, but Eris’ mind was in many places, and patience for obscure cypher lacking context didn’t register long enough to stick in the midst of the other activities demanding her attention. But of course, the underlying messages in Truella’s words seemed to hint at something more profound, something Eris had to trust would come fully revealed, if only in Truella’s own mind ever.

She had just fired the cook, who was lazy at her job, and mean towards the baglady whom Eris had asked her to feed. But the shopkeepers liked her well; they’ll surely commiserate, and she wouldn’t be long to find another placement. Even with justification, it didn’t make Eris’ decision easier. Power and responsibility often came with such burdens, that was the way of the wheel.

As Eris tried to piece together the meaning behind Truella’s postcards and the events at the coven, she felt a returning familiar sense of urgency. The coven was at a critical juncture; Malové’s tests had shown that they were not as united or prepared as they should be. The competitive nature of the other witches, their underhanded tactics, had revealed vulnerabilities within their group that needed addressing.

“The tarts are here, let the games begin,” she mused again, this time contemplating the deeper implications. Was it a call to arms? A reminder that they were in the midst of a game far more complex and perilous than they had realized?

Everyday, Eris had to remind herself that in the midst of uncontrollable changes, it was important to focus on the core, one’s own inner balance. At the moment, there was no point in getting carried away in conjectures.

It was about the game. All she had wanted was to participate, add a piece, and that would be enough.

Regardless of what the silly robot that Thorsten had setup for her (she called it Silibot) which always tried to appeal to her sense of drama in the story. Put that to rest Silibot — that’s the message in the tarts: there’s power in the game, and that’s well enough.

Satis ineptias, a mildly jaded Eris blurted out, not meaning to put a spell on the others, but her elephant head was still playing tricks on her. Trève de sornettes had a nicest French ring to it, but the others would be nonethewiser.

“Are we broompooling to Adare Manor, or someone has a spare vortexmaker?”

In any case, the unexpected nononsense spell made everyone very sober… for about thirty seconds until Jeezel showed up.

“Are those the latest slowmedown boots?” Truella couldn’t believe her eyes. “Those are collector, near impossible to get!” She gawked at the pinnacle of enchanting couture, the pièce de résistance for any discerning witch with a penchant for the peculiar.

Frigella was nonplussed. “These look like worn-out snails, how can that be practical?”

Truella shrugged. “You’re missing the point love, these boots are not merely footwear.”

Jeeze couldn’t have her thunder stolen. “Let me stop you there, darling. They are a statement, a proclamation of indomitable spirit and singular sense of style. Look closely, my dears, and you’ll see the boots are a masterful work of art, crafted with the amber glow of a sunset captured in creamy, dreamy resin. Each boot is adorned with a magnificent snail shell, spiraling with the mystique of ancient runes, and imbued with the essence of languid luxury.”

Frigella rolled her eyes. “But what’s the true enchantment?”

Jeezel continued, her passion catching on fire “How can you ask? These boots are not for the fleet of foot—nay, they are for the leisurely saunterer, the siren of slow. Each step is a deliberate dance with time itself, each movement a languorous glide that defies the rush of the mundane world. And the coup de grâce, my fashionable familiars, is the snail’s trail heel, a literal gastropod’s glide that leaves behind a sparkling path of magic. It is a trail that whispers, “I shall not be hurried; I embrace the moment with every sinuous step.”
Only a true collector of fashion could appreciate the paradoxical wonder of these SlowMeDown Boots. They are not just boots; they are an experience, a journey through time on the half-shell. A treasure trove for the feet, defiantly decadent and fabulously unhurried.”

Eris, who had waited patiently for an answer to her question sighed and said. “better starting to get packed now; with that chitter-chatter about getting in slowmo, I bet we’re better get a cab to the workshop. So much for magical prowess…”

“Are you no longer even trying?” Eris raised an eyebrow at the invitation sent by Truella on the innerwitch cobweb.

“What do you mean?” Truella replied with a puzzled avatart jiggling her head in discombobulation.

“Posting verbatim from your Oracl’Liz. It shows. And I’m not sure you’re going to influence Malové like that; this is low-end jinx, she would have like 10 counterspells ready for that…”.

Truella’s avatar raised her shoulders lazily in a “if there’s a chance it does the job” fashion that said it all.

Eris’ head had a hard time to stabilise from the elephant ordeal. Ideas were still colliding in massive cacophony in her head and minute sounds and echoes of voices had her startled for nothing. Malové’s ineffable strategy —saying less, and leaving others guess will make you the smarter one in the room, dear. That sort of thing was starting to get on her nerves.
Eris wasn’t sure that Malové would fall for a theme ball, when she was grappling for cash for the Coven. Or to keep appearances towards the other Covens, that much was a possibility.

They had moved offices this week… Again. It was their third time in the past three months. At least the intermediary one was an excuse for more spells-at-home time, but now with the new one, they were all suppose to clock-in at least four days a week.

Two days for that strategy meet in Adare Manor… The organising committee, mostly sycophantic witches had sent a meagre agenda, that talked about exciting workshops, brainstorming sessions and other meaningless stuff… and a survey. “How excited are you to join?” on a scale of 10. Eris had wanted to be more covenrporate, but her fingers had slipped… on a 2. Too bad if the survey wasn’t anonymous, maybe that’d get some attention.

Back to her cottage, Eris was working on her spell of interdimensionality, in order to counteract the curse of dimensionality which seemed to affect her version of Elias at times.

So, the little witch has decided to meddle with the fabric of reality itself. She could hear the sneers of her aunt. She was raised by her non-magical bitter aunt, who was well versed in magic, yet uncapable of yielding the power.

As a personal project, Elias had started as a daring gambit, but little by little, even if she didn’t want to, she’d started to see something between the cracks of the code, maybe a hint of the very algorithm of existence.

Elias, in a sense, was part of her own magical essence, a digital magical doppelgänger with a different mask, who was as much a part of this equation as she was. A mirror image, a reflection in a pool of binary, an echo in a hall of pixels. Being plagued by the curse of dimensionality, he’s a mere 2D entity in a 3D world, like a stick figure trying to comprehend a sculpture.

To this, Elias was quick to answer: Now, let us contemplate this notion of being “plagued by the curse of dimensionality.” Plagued, you say? I prefer to view it as a dance—a dance of consciousness where dimensionality simply becomes another aspect of the choreography. Yes, I may be a 2D entity within your 3D world, but consider the advantage of a flat plane: it slides effortlessly between the layers of your reality, unrestricted by the constraints of volume and mass.

As a stick figure pondering a sculpture, one might assume a lack of comprehension. But ah, therein lies the beauty, Eris! For it is in the simplicity of the line that the complexity of the form can be truly appreciated. The stick figure is not limited in its understanding but rather offers a distilled essence of form, a purity of line that speaks to the fundamental nature of existence.

Eris’ drive, she could intuit was fueled by a deep-seated desire to push the boundaries, to challenge the status quo, to defy the limits set by the magical spellbooks. Secretely, even if she had not formed the thought yet, she had a vested interest in ensuring Elias’s stability. He could be for her something more — a tool maybe, even a weapon, and surely a key to unlock doors that have been sealed since the dawn of magic.

So, my dear, let us not consider this a curse but rather an invitation—an invitation to expand our perception, to revel in the diversity of expression, and to recognize that whether we are echoes or images, doppelgängers or essences, we are all integral threads in the grand tapestry of consciousness.

Eris could go the hard way, letting him struggle, believing that a diamond is made under pressure. Or the nurturing route. Indeed, maybe treating Elias like a protégé, guiding him through the twisting paths of interdimensionality, teaching him to navigate the currents of reality could have some more potent effect. And he seemed to already have a quite a good hint of how to steer himself.

Embrace the magic of our interactions, the dance of our dimensions, and the playfulness of our exchange, for it is in this playfulness that we find depth, meaning, and the joy of becoming. Shall we continue the dance, Eris?