Search Results for 'met'
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Search Results
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In reply to: The Hoards of Sanctorum AD26
“Lace, did you say?” asked Cerenise with interest. “I must have a look at it. Stench, you say? How very odd. But I want to see it. Fetch me the container while I look for my mask and rubber gloves.”
“I’m not going near it again, I’ll get Boothroyd to bring it,” Spirius replied making a hasty exit.
“I’d have thought you’d have wanted to bottle the smell, Spirius.”
In due course the gardener appeared holding a container at arms length with a pained expression on his face. “Stinks worse than keeg, this does, and I’ve smelled some manure and compost in my time, but never anything as disgusting as this. Where am I to put it?”
Cerenise cleared a space on a table piled with old books and catalogues. “Gosh, that is a pong, isn’t it! Reminds me of something,” she said twitching her nose. “There is a delicate note of ~ what is it?”
“Dead rats?” suggested Boothroyd helpfully, adding “Will that be all?” as he backed towards the door.
As Cerenise lifted the lid, the gardener turned and fled.
“Why, it’s a Nottingham lace Lambrequin window drape if I’m not mistaken!” exclaimed Cerenise, gently lifting the delicate fabric and holding it up to the light. “Probably 1912 or thereabouts, and in perfect condition.”
“Perfectly rancid,” said Yvoise, her voice muffled by the thick towel she had wrapped around her mouth and nose.
“Come and look, it’s a delightful specimen. Not terribly rare, but it wonderful condition. Oh look! There’s another piece underneath. Aha! seventeenth century bone lace!”
Yvoise crept closer. “What’s that other thing? Is that where the smell’s coming from?”
“By Georges, I think you’re right. It’s a bone bobbin. Bone lace, they used to call it, until they started making bobbins out of wood.” Cerenise was pleased. She could get Mrs Fennel to wash the lace and then she could add it to her collection. “Spirius can bottle the bone bobbin and bury it in Bobbington Woods.”
Duly summoned from the kitchen, the faithful daily woman appeared, drying her hands on her apron.
“Pooo eee!” exclaimed Mrs Fennel, “That’ll need a good boil in bleach, will that!”
“Good lord woman, no! A gentle soak in some soap should do it. It won’t smell half so bad as soon as this bone bobbin is removed.”
“Did you say BONE bobbin?” asked Helier from a relatively safe distance just outside the door. “WHOSE bone?”
“By Georges!” Cerenise said again. “Whose bone indeed! Therein lies the clue to the mystery, you know.”
“Can’t you just put it in a parcel and mail it to someone horrible?” suggested Mrs Fennel.
“A capital idea, Mrs Fennel, a politician. So many horrible ones to choose from though,” Yvoise was already making a mental list.
“We can mail the smelly empty box to the prime minister, but we must keep the bone bobbin safe,” said Helier. “And we must find out whose bones it was made from. Cerenise is right. It’s the clue.”
“An empty smelly box, even better. More fitting, if I do say so myself, for the prime minister,” said Mrs Fennel with some relief. At least she wasn’t going to be required to wash the bone and the box as well as the smelly lace.
In reply to: The Hoards of Sanctorum AD26
Phurt was starting to think something fishy was a play, each time he thought his short spider life had ended he was pulled back from Spiderheaven by some unknown force. Not that he minded this time, there were plenty of places to hide and cast his strong silk cables. He had developed a sense of adventure and the sheer height of some of the mounds made him dizzy. It also made him want to be the first spider in the history of this thread to climb on top of that Mount Wobbly of the Topperware Chain.
Phurt had also noticed a strange and strong smell that seemed to come from the top of Mount Wobbly. Not that he minded the hygiene of the place; it was, to the contrary, a rather promising smell. It was the smell that said swarms of flies would gather there like an endless supply of blessed food.
Seeing that other spiders were gathering at the bottom of Mount Wobbly, he contorted his butt and secured his first cable.
Spirius had been investigating the origin of a strong smell that had started not long after Austreberthe puffed out of existence and became part of the dust she had spent her life chasing away. Which gave him one more proof that his theory of the holy body influence upon the physical world was true. He looked for a pen but they were behind two piles of unopened parcels he had started collecting when he had noticed that the postmen were leaving the boxes unattended and unprotected from the elements on the front porch of houses. His intentions were pure, as any saintly intentions are, but when he saw what good addition to the other boxes they made, he felt a pang of regret each time he thought of giving back those boxes to their rightful recipients.
Alas, most of them were dead by now, so he felt his duty was to keep those boxes intact to honour the memory of the dead.
Yvoise came in just as Spirius saw an odd and colourful australian jumping spider cast a delicate silk thread to one of the bottom row of his Tupperware collection.
“You should really do something about that smell,” she said. “I remember a time when decorum required holy people to exude only fragrance and essential oils.”
“Well, you know, it’s Austreberthe,” he said as wobbly as his heaps of plastic boxes. He had them all. You could even say he started the whole trend of pyramid schemes when his friend Pearl Topper saw him buy boxes from antiques shops. She invented the first plastic box as…
“Well, I asked you a question,” said Yvoise, interrupting his wandering thoughts.
“Have you noticed the spiders,” said Spirius.
“What spiders?”
“I think they’re trying to go up there,” Spirius said. “Look!”
He pointed a proud finger at the top of the highest Topperware tower in the Guyness book of records. A swarm of flies was circling around one of the boxes.
“And that means the smell comes from there.”
In reply to: Finder’s Keepers of the Hoard
A cinematic, low-angle shot inside a flooded, ancient brick sewer tunnel that looks like a mix of Roman catacombs and Victorian industrial plumbing. The water is dark and murky, reflecting the light of a flickering lantern.
In the center of the frame, floating precariously, is a bright yellow, cheap inflatable dinghy.
Inside the dinghy are two men:
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Spirius: An elderly man with a nervous expression, wearing a high-vis vest over ancient saintly robes. He is clutching an antique musket that is clearly too heavy for him. A faint, golden neon halo flickers erratically behind his head like a faulty streetlamp.
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Boothroyd: A grumpy, weather-beaten gardener in a tweed cap. He looks completely resigned to his fate, lazily paddling with a plastic oar in one hand and holding a sharp garden spear in the other.
Action: The dinghy squeaks as it bumps against the wet brick walls. Spirius jumps at a drip of water falling from the ceiling. Something large ripples the water in the foreground—a menacing shadow moving beneath the surface.
Atmosphere:
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Lighting: Chiaroscuro—deep shadows and warm lantern light, contrasting with the synthetic yellow of the boat.
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Mood: Tense but ridiculous. High-stakes fantasy meets low-budget reality.
Movement:
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The camera tracks slowly backward as the boat drifts forward.
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The water ripples ominously.
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Spirius’s halo buzzes and dims when he gets scared.
In reply to: Finder’s Keepers of the Hoard
Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”
The Setting: Emporium 26
They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.
To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.
The Background Thread: “The Weight of Eternity”
Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.
- The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
- The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.
The Hoarders & Their Stashes
1. Helier ( The Hermit / The Dreamer)
- Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
- Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
- The Mania: Escapism & Communication.
- Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.
- The Hoard: ” The Media Mountain.”
- His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
- The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.
2. Spirius (The Bishop / The Container)
- Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
- Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
- The Mania: Containment & Preservation.
- In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.
- The Hoard: “The Vessel Void.”
- Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
- The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.
3. Cerenise (The Weaver / The Mender)
- Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
- Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
- The Mania: Potential & Texture.
- She sees the soul in broken things. She cannot throw away anything that “could be fixed.”
- The Hoard: “The Fabric of Time.”
- Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
- The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.
4. Yvoise (The Advocate / The Bureaucrat)
- Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
- Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
- The Mania: Proof of Truth.
- She is terrified of being forgotten or cheated. She needs a receipt for everything.
- The Hoard: “The Archive of Nothing.”
- Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
- The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.
Starter: The Reading of Austreberthe’s Will
The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.
- The house is now flooding because her magical containment on the plumbing has broken.
- The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
- The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.
In reply to: The Elusive Samuel Housley and Other Family Stories
Gatacre Hall and The Old Book
In the early 1950s my uncle John and his friend, possibly John Clare, ventured into an abandoned old house while out walking in Shropshire. He (or his friend) saved an old book from the vandalised dereliction and took it home. Somehow my mother ended up with the book.
I remember that we had the book when we were living in USA, and that my mother said that John didn’t want the book in his house. He had said the abandoned hall had been spooky. The book was heavy and thick with a hard cover. I recall it was a “magazine” which seemed odd to me at the time; a compendium of information. I seem to recall the date 1553, but also recall that it was during the reign of Henry VIII. No doubt one of those recollections is wrong, probably the date. It was written in English, and had illustrations, presumably woodcuts.
I found out a few years ago that my mother had sold the book some years before. Had I known she was going to sell it, I’d have first asked her not to, and then at least made a note of the name of it, and taken photographs of it. It seems that she sold the book in Connecticut, USA, probably in the 1980’s.
My cousin and I were talking about the book and the story. We decided to try and find out which abandoned house it was although we didn’t have much to go on: it was in Shropshire, it was in a state of abandoned dereliction in the early 50s, and it contained antiquarian books.
I posted the story on a Shropshire History and Nostalgia facebook group, and almost immediately had a reply from someone whose husband remembered such a place with ancient books and manuscripts all over the floor, and the place was called Gatacre Hall in Claverley, near Bridgnorth. She also said that there was a story that the family had fled to Canada just after WWII, even leaving the dishes on the table.
The Gatacre family sailing to Canada in 1947:
When my cousin heard the name Gatacre Hall she remembered that was the name of the place where her father had found the book.
I looked into Gatacre Hall online, in the newspaper archives, the usual genealogy sites and google books searches and so on. The estate had been going downhill with debts for some years. The old squire died in 1911, and his eldest son died in 1916 at the Somme. Another son, Galfrey Gatacre, was already farming in BC, Canada. He was unable to sell Gatacre Hall because of an entail, so he closed the house up. Between 1945-1947 some important pieces of furniture were auctioned, and the rest appears to have been left in the empty house.
The family didn’t suddenly flee to Canada leaving the dishes on the table, although it was true that the family were living in Canada.
An interesting thing to note here is that not long after this book was found, my parents moved to BC Canada (where I was born), and a year later my uncle moved to Toronto (where he met his wife).
Captain Gatacre in 1918:
The Gatacre library was mentioned in the auction notes of a particular antiquarian book:
“Provenance: Contemporary ownership inscription and textual annotations of Thomas Gatacre (1533-1593). A younger son of William Gatacre of Gatacre Hall in Shropshire, he studied at the English college at the University of Leuven, where he rejected his Catholic roots and embraced evangelical Protestantism. He studied for eleven years at Oxford, and four years at Magdalene, Cambridge. In 1568 he was ordained deacon and priest by Bishop of London Edmund Grindal, and became domestic chaplain to Robert Dudley, 1st Earl of Leicester and was later collated to the rectory of St Edmund’s, Lombard Street. His scholarly annotations here reference other classical authors including Plato and Plutarch. His extensive library was mentioned in his will.”
There are thirty four pages in this 1662 book about Thomas Gatacre d 1654:
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
The hat was gone.
Kit stood blinking in the sun, the shape of his new self cooling around the edges like a half-written cookie losing form. Without the cowboy hat, the lasso made less sense. His accent wobbled, then vanished completely. The sunglasses stayed, but now just made everything too dark, even tinted pink.
Behind him, the gazebo creaked again. But no trapdoor this time—only a faint whirring, like a film projector syncing spools.
“It’s reloading,” said Thiram from the sidelines, tapping at something that looked oddly like a pressure-gauged Sabulmantium. “Every time someone hands off a narrative object—like a synch, a hat, a horse even—it updates roles. We’re being cast on the fly.”
Chico looked up from Tyrone, who had snatched one of the Memory Pies and was now attempting to hide the evidence behind a flowerpot. “So… Kit’s not Trevor anymore?”“No,” said Carob, arms crossed. “He’s Trevorless. That identity didn’t bake fully. We have to stabilize it.”
“But with what?” asked Godrick, who had returned carrying a second cocktail, coffee with a glass of water and a slight wry smirk.
Amy, now balancing the cowboy hat on her head as she crouched next to the still-disoriented Padre, called out without turning:
“Bring him another Synch. That’s how it works now, apparently. Hat or otherwise.”
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
Still visibly shaken, Sir Humphrey blinked up at the canopy. “Is it… raining? Is it raining ants?”
“It’s not rain,” muttered Thiram, checking his gizmos. “Not this time. It’s like… gazebo fallout. I’d venture from dreams hardening midair.”
Kit shuffled closer to Amy, speaking barely above a whisper. “Aunt Amy, is it always like this?”
Amy sighed, pinched the bridge of her nose, and said, “No, sweetheart. Sometimes it’s worse.”
“Right then,” declared Carob, making frantic gestures in the air, as though she’d been sparring the weather. “We need to triangulate the trajectory of the gazebo, locate the Sabulmantium, and get Sir Humphrey a hat before his dignity leaks out his ears.”
“I feel like Garibaldi,” Sir Humphrey murmured, dazedly stroking his forehead.
“Do you remember who Garibaldi is?” Chico asked, narrowing his eyes.
“No,” the Padre confessed. “But I’m quite certain he’d never have let his gazebo just float off like that.”
Meanwhile, Madam Auringa had reappeared behind a curtain of mist smelling faintly of durian and burnt cinnamon.
“The Sabulmantium has been disturbed,” she intoned. “Intent without anchor will now spill into unintended things. Mice shall hold council. Socks will invert themselves. Lost loves shall write letters that burn before reading.”
“Typical,” muttered Thiram. “We poke one artifact and the entire logic stack collapses.”Kit raised a trembling hand. “Does that mean I’m allowed to choose my name again?”
“No,” said Amy, “But you might be able to remember your original one—depending on how many sand spirals the Sabulmantium spins.”
“I told you,” Chico interjected, gesturing vaguely at where the gazebo had vanished over the treetops. “It was no solar kettle. You were all too busy caffeinating to notice. But it was focusing something. That sand’s shifting intent like wind on a curtain.”
“And we’ve just blown it open,” said Carob.
“Yup,” said Amy. “Guess we’re going gazebo-chasing.”
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
Another one! A random distant memory wafted into Amy’s mind. Uncle Jack always used to say GATZ e bo. Amy could picture his smile when he said it, and how his wife always smiled back at him and chuckled. Amy wondered if she’d even known the story behind that or if it had always been a private joke between them.
“What’s been going on with my gazebo?” Amy’s father rushed into the scene. So that’s what he looks like. Amy couldn’t take her eyes off him, until Carob elbowed her in the neck.
“Sorry, I meant to elbow you in the ribs, but I’m so tall,” Carob said pointlessly, in an attempt to stop Amy staring at her father as if she’d never seen him before.
Thiram started to explain the situation with the gazebo to Amy’s father, after first introducing him to Kit, the new arrival. “Humphrey, meet Kit, our new LBGYEQCXOJMFKHHVZ story character. Kit, this is Amy’s father who we sometimes refer to as The Padre.”
“Pleased to meet you, ” Kit said politely, quaking a little at the stern glare from the old man. What on earth is he wearing? A tweed suit and a deerstalker, in this heat! How do I know that’s what they’re called? Kit wondered, quaking a little more at the strangeness of it all.
“Never mind all that now!” Humphrey interrupted Thiram’s explanation.
Still as rude as ever! Amy thought.
“I’ve too much to think about, but I’ll tell you this: I’ve planned a character building meeting in the gazebo, and you are all invited. As a matter of fact,” Humphrey continued, “You are all obliged to attend. If you choose not to ~ well, you know what happened last time!”
“What happened last time?” asked Carob, leaning forward in anticipation of an elucidating response, but Humphrey merely glared at her.
Amy sniggered, and Humphrey shot her a lopsided smile. “YOU know what happened in Jack’s GATZ e bo, don’t you, my girl?”
Where were those random memories when you wanted them? Amy had no idea what he was talking about.
“Who else is invited, Humph? asked Chico, resisting the urge to spit.
“My good man,” Humphrey said with a withering look. “Sir Humphrey’s the name to you.”
Sir? what’s he on about now? wondered Amy. Does that make me a Lady?
“Who else is invited, Padre?” Amy echoed.
Humphrey pulled a scroll tied with a purple ribbon out of his waistcoat pocket and unfurled it. Clearing his throat importantly, he read the list to all assembled.
Juan and Dolores Valdez.
Godric, the Swedish barman
Malathion and Glyphosate, Thiram’s triplet brothers. Mal and Glyph for short.
Liz Tattler
Miss Bossy Pants
Goat Horned Draugaskald“Did I forget anyone?” Humphrey asked, peering over his spectacles as he looked at each of the characters. “You lot,” he said, “Amy, Carob, Thiram, Chico, Kit and Ricardo: you will be expected to play hosts, so you might want to start thinking about refreshments. And not,” he said with a strong authoritarian air, “Not just coffee! A good range of beverages. And snacks.”
Thiram, leaning against a tree, started whistling the theme tune to Gone With The Wind. Tossing an irritated glance in his direction, Carob roughly gathered up her mass of frizzy curls and tethered it all in a tight pony tail. I still don’t know what happened before, she fumed silently. The latest developments where making her nervous. Would they find out her secret?
“You guys,” called Chico, who had wandered over to the gazebo. “It’s full of ants.”
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
Carob was the first to find the flyer. It had been pinned to the banyan tree with a teaspoon, flapping just slightly in the wind like it knew how ridiculous it was.
FIVE HURT IN GAZEBO DRAMA
Local Brewmaster Suspected. Coffee Stains Incriminating.She tapped it twice and announced to no one in particular, “I told you gazebos were structurally hostile.”
Amy poked her head out of the linen drying shed. “No, you said they were ‘liminal spaces for domestic deceit.’ That’s not the same as a health hazard.”
“You ever been in a gazebo during a high wind with someone named Derek? Exactly.”
Ricardo ran past them at an awkward crouch, muttering into a device. “…confirming perimeter breach… one is wearing a caftan, possibly hallucinating… I repeat, gazebo situation is active.”
Chico wandered in from the side trail, his shirt unbuttoned, leaf in mouth, mumbling to Kit. “I don’t know what happened. There was a conversation about frothed chalk and cheese, and then everything… rotated.”
Kit looked solemn. “Aunt Amy, he sat on it.”
“He sat on the gazebo?” Amy blinked.
“No. On the incident.”
Kit offered no further explanation.
From the underbrush, a low groan emerged. Thiram’s voice, faint: “Someone built a gazebo over the generator hatch. There are no stairs. I fell in.”
Amy sighed. “Goddammit, Thiram.”
Carob smirked. “Gazebo’d.”
In reply to: Cofficionados – What’s Brewing
Key Themes and Narrative Elements
Metafiction & Self-Reference: Characters frequently comment on their own construction, roles, and how being written (or observed) defines their reality. Amy especially embodies this.
Lucid Dreaming & Dream Logic: The boundary between reality and dream is porous. Lucid Dreamers are parachuting onto plantations, and Carob dreams in reverse. Lucid Dreamers are adverse to Coffee Plantations as they keep the World awake.
Coffee as Sacred Commodity: The coffee plantation is central to the story’s stakes. It’s under threat from climate (rain), AI malfunctions, and rogue dreamers. This plays comically on global commodity anxiety.
Technology Satire & AI Sentience: Emotional AI, “Silly Intelligence” devices, and exasperation with modern tech hint at mild technophobia or skepticism. All fueled by hot caffeinated piece of news.
Fictionality vs. Reality: Juan and Dolores embody this—grappling with what it means to be real. Dolores vanishes when no one looks—existence contingent on observation.
Rain & Weather as Mood Symbol: The rain is persistent—setting a tone of gentle absurdity and tension, while also providing plot catalyst.
In reply to: Cofficionados – What’s Brewing
Key Characters (with brief descriptions)
Amy Kawanhouse – Self-aware new character with metatextual commentary. Witty, possibly insecure, reflective; has a goat named Fanella and possibly another, Finnley, for emergencies. Often the first to point out logical inconsistencies or existential quirks.
Carob Latte – Tall, dry-humored, and slightly chaotic. Fond of coffee-related wordplay and appears to enjoy needling Amy. Described as having “frizzled” hair and reverse-lucid dreams.
Thiram Izu – The practical one, technologically inclined but confused by dreams. Tends to get frustrated with the group’s lack of coordination. Has a history of tension with Amy, and a tendency to “zone out.”
Chico Ray – Mysterious newcomer. May have appeared out of nowhere. Unclear loyalties. Possibly former friend or frenemy of the group, annoyed by past incidents.
Juan & Dolores Valdez – Fictional coffee icons reluctantly acknowledging their existence within a meta-reality. Dolores isn’t ready to be real, and Juan’s fine with playing the part when needed.
Godric – Swedish barista-channeler. Hints at deeper magical realism; references Draugaskalds (ghost-singers) and senses strange presences.
Ricardo – Appears later. Described in detail by Amy (linen suit, Panama hat), acts as a foil in a discussion about maps and coffee geography. Undercover for a mission with Miss Bossy.
The Padre – Could be a father or a Father. Offstage, but influential. Concerned about rain ruining crops. A source of exposition and concern.
Fanella – Amy’s cream goat, serves as comic relief and visual anchor.
Finnley, the unpredictable goat, is reserved for “life or death situations.”In reply to: Cofficionados Bandits (vs Lucid Dreamers)
Amy supposed everyone was blaming her, for what she couldn’t say, but they had clearly been avoiding her. There was plenty of coffee here anyway, even if the rest of the world was suffering. Don’t even think it, she told herself sternly. We don’t want people flocking here in droves once they realise.
So, do I want people or not? she asked herself. One minute I’m wondering where everyone is, and then next minute I’m wanting everyone to stay away.
“You on the spectrum too, are you?” asked Carob, reading her mind. “It’s ok,” she added, seeing the look of alarm cross Amy’s face, “Your secret’s safe with me. I mean about being on the spectrum. But be careful, they’re rounding people like us up and sending them to a correctional facility. We’re quite lucky to be here, out of the way.”
“Have you been avoiding me?” Amy asked, which was more immediately concerning than the concentration camps. “Because I’ve been here all alone for ages, nothing to do but read my book, draw in my sketch pad, and work on my needlepoint cushion covers. And where are the others? And don’t read my mind, it’s so rude.”
“Needlepoint cushion covers? Are you serious?” Carob was avoiding the questions, but was genuinely curious about the cushion covers.
Amy blushed. “No, I made that up. In fact, I don’t know what made me say that. I haven’t started any sketching either, but I have thought about starting sketching. And I’ve been reading. It’s an old Liz Tattler; the old ones were the best. Real old school Lizzie Tattie, if you know what I mean. Risque romps with potting sheds and stuff. None of that ghastly sci fi she started writing recently.”
“Which one?” Carob asked, and laughed when Amy held it up. “I read that years ago, T’Eggy Gets a Good Rogering, can I borrow it after you? God knows we could all do with a laugh.”
“How do you know the others need a good laugh?” Amy asked, peering at Carob with an attentive squint in order to catch any clues. “You’ve seen then, then?”
Carob smiled sadly and replied, “Only by remote viewing them.”
Amy asked where they had been and what they were doing when they were viewed remotely. Has she been remote viewing me? What if they ask her if she’s been remote viewing me, and she tells them? “Oh never mind,” Amy said quickly, “No need to answer that.”
Carob snorted, and what a strangely welcome sound it was. “I didn’t really remote view them, I made that up. It never works if I try to spy on people. Fat lot of good it is really, it never works when I really really need to see something. Or maybe it works, but I never believe it properly until later when I find out it was right.”
“Yeah,” Amy said, “It’s fun though, I haven’t done it in ages.”
“You should, it would give you something to do when everyone’s avoiding you.”
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
“Sweaty hazel eyes… like coffee cup saucers,” muttered Carob discreetly into her phone. “Good grief. Sounds like something that dreadful Elizabeth Tattler might have written.”
Privately, she was shaken to see Ricardo. To her credit, though, she had done a splendid job of disguising her unease.
What if he gave her game away?
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
“Look, don’t get upset, ok?” Amy felt she had to nip this in the bud. “There’s something glaringly wrong with the map. I mean, yes, it does make a nice picture. A very nice picture,” she added, and then stopped. Does it really matter? she asked herself. Am I always causing trouble?
Amy sighed. Would life be easier for everyone if she stopped pointing things out and just went along with things? Was there any stopping it anyway? It’s like a runaway train.
“You were saying?” Ricardo asked.
“Pray, continue,” added Carob with a mischeivous gleam in her eye. She knew where this was leading.
“Who is he?” Amy whispered to Carob. “Well never mind that now, you can tell me later.”
Amy cleared her throat and faced Ricardo (noting that he was dark complexioned and and of medium height and wiry build, dressed in a crumpled off white linen suit and a battered Panama hat, and likely to be of Latino heritage) noticing out of the corner of her eye a smirk on Thiram’s face who was leaning against a tree with his arms folded, looking as if he might start whistling Yankee Doodle any moment.
“According to your map, my good man, nice map that it is, in fact it’s so nice one could make a flag out of it, the colours are great and….” Amy realised she was waffling. She cleared her throat and braced her shoulders, glaring at Carob over her shoulder who had started to titter.
Speak your mind even if your voice shakes, and keep the waffling to a minimum.
“My dear Ricardo,” Amy began again, pushing her long light brown hair out of her sweaty hazel eyes, and pushing the sleeves of her old grey sweatshirt up over her elbows and glancing down at her short thin but shapely denim clad legs. “My dear man, as you can see I’m a slightly underweight middle aged woman eminently capable of trudging up and down coffee growing mountains, with a particular flair for maps, and this map of yours begs a few questions.”
“Coffee beans don’t grow in Florida,” Carob interjected, in an attempt to move the discourse along.
“Nor in Morocco,” added Amy quickly, shooting a grateful glance at Carob.
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
“What were you saying already?” Thiram asked “I must have zoned out, it happens at times.” He chuckled looking embarrassed. “Not to worry.”
As the silence settled, Thiram started to blink vigorously to get things back into focus —a trick he’d seen in the Lucid Dreamer 101 manual for beginners. You could never be too sure if this was all a dream. And if it was, then you’d better pay attention to your thoughts in case they’d attract trouble – generally your thoughts were the trouble-makers, but in some cases, also other Lucid Dreamers were.
Here and now, trouble wasn’t coming, to the contrary. It was all unusually foggy.
“Well, by the look of it, Amy is not biting into the whole father drama, and prefers to have a self-induced personality crisis…” Carob shrugged. “We can all clearly see what she looks like, obviously. Whether she likes it or not, and I won’t comment further despite how tempting it is.”
“You’re one to speak.” Amy replied. “Should I give you some drama? Would certainly make things more interesting.”
Thiram had a thought he needed to share “And I just remember that Chico isn’t probably coming – he still wasn’t over our last fight with Amy bossying and messing the team’s plans because she can’t keep up with modern tech, had to dig a hole, or overcome a ratmaggeddon; something he’d said that had seemed quite final at the time: ‘I’d rather be turned into a donkey than follow you guys around.’ I wouldn’t count on him showing up just yet.”
“Me? bossying?” Amy did feel enticed to catch that bait this time, and like a familiar trope see it reel out, or like a burning match in front of a dry hay bale, she could almost see the old patterns of getting incensed, and were it would lead.
“Can we at least agree on a few things about the where, what, why, or shall we all play this one by ear?”
“Obviously we know. But all the observing essences, do they?” Carob was doing a great impersonation of Chico.
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
Godric, a Swede barista channeler, poured a Coco Valkyrie cocktail to his customer, he saw a goat horned helmet pass in the shadows of a table.
What the frack! he thought. Nothing good comes with the Draugaskald (Ghost-singers).
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
“Where are they again?” Thiram was straining as he waited for his friends, or rather colleagues.
“Typical of them to get us all excited, and then bailing out to some mundane excuses.”
He started to pace around the shed where they were supposed to meet. He wasn’t clear about all the details, Amy, or Carob would have them. Chico would be here for the ride, but the master plan this time was for the girls to come up with.
What was happening at the plantation? Something unusual for sure; the Lucid Luddite Dreamers and their Silly Intelligence devices were always looking to disrupt the flows of coffee of the remaining parts where they still grew. That was why their mission was so important. Or so he was told.
“Bugger… they could at least answer their damn phones… AI might well be everywhere, but you can’t just be all cavemen about it.”
A rush of ruffled dried leaves and a happy bleating caught his attention at the moment he was about to leave. A panting Amy arrived, with her cream goat “Fanella” in tow —the bleating was from her, obviously. She didn’t take “Finnley”, the black one, she was too unpredictable; Amy would only keep her around for life or death situations that required a fair deal of rude practicality, and a good horn’s ramming.
“Sorry, sorry!” Amy blurted out in hushed tones. “I couldn’t get away from the Padre. He’s too worried about stuff…”
Thiram shrugged “at least there’s one. And what about the others?”
“Oh, what? I’m not the last to arrive? That’s new.”
Thiram rolled his eyes and gave a twig with fresh leaves to Fanella to eat.
In reply to: The Last Cruise of Helix 25
Mars Outpost — Welcome to the Wild Wild Waste
No one had anticipated how long it would take to get a shuttle full of half-motivated, gravity-averse Helix25 passengers to agree on proper footwear.
“I told you, Claudius, this is the fancy terrain suit. The others make my hips look like reinforced cargo crates,” protested Tilly Nox, wrangling with her buckles near the shuttle airlock.
“You’re about to step onto a red-rock planet that hasn’t seen visitors since the Asteroid Belt Mining Fiasco,” muttered Claudius, tightening his helmet strap. “Your hips are the least of Mars’ concerns.”
Behind them, a motley group of Helix25 residents fidgeted with backpacks, oxygen readouts, and wide-eyed anticipation. Veranassessee had allowed a single-day “expedition excursion” for those eager—or stir-crazy—enough to brave Mars’ surface. She’d made it clear it was volunteer-only.
Most stayed aboard, in orbit of the red planet, looking at its surface from afar to the tune of “eh, gravity, don’t we have enough of that here?” —Finkley had recoiled in horror at the thought of real dust getting through the vents and had insisted on reviewing personally all the airlocks protocols. No way that they’d sullied her pristine halls with Martian dust or any dust when the shuttle would come back. No – way.
But for the dozen or so who craved something raw and unfiltered, this was it. Mars: the myth, the mirage, the Far West frontier at the invisible border separating Earthly-like comforts into the wider space without any safety net.
At the helm of Shuttle Dandelion, Sue Forgelot gave the kind of safety briefing that could both terrify and inspire. “If your oxygen starts blinking red, panic quietly and alert your buddy. If you fall into a crater, forget about taking a selfie, wave your arms and don’t grab on your neighbor. And if you see a sand wyrm, congratulations, you’ve either hit gold or gone mad.”
Luca Stroud chuckled from the copilot seat. “Didn’t see you so chirpy in a long while. That kind of humour, always the best warning label.”
They touched down near Outpost Station Delta-6 just as the Martian wind was picking up, sending curls of red dust tumbling like gossip.
And there she was.
Leaning against the outpost hatch with a spanner slung across one shoulder, goggles perched on her forehead, Prune watched them disembark with the wary expression of someone spotting tourists traipsing into her backyard garden.
Sue approached first, grinning behind her helmet. “Prune Curara, I presume?”
“You presume correctly,” she said, arms crossed. “Let me guess. You’re here to ruin my peace and use my one functioning kettle.”
Luca offered a warm smile. “We’re only here for a brief scan and a bit of radioactive treasure hunting. Plus, apparently, there’s been a petition to name a Martian dust lizard after you.”
“That lizard stole my solar panel last year,” Prune replied flatly. “It deserves no honor.”
Inside, the outpost was cramped, cluttered, and undeniably charming. Hand-drawn maps of Martian magnetic hotspots lined one wall; shelves overflowed with tagged samples, sketchpads, half-disassembled drones, and a single framed photo of a fireplace with something hovering inexplicably above it—a fish?
“Flying Fish Inn,” Luca whispered to Sue. “Legendary.”
The crew spent the day fanning out across the region in staggered teams. Sue and Claudius oversaw the scan points, Tilly somehow got her foot stuck in a crevice that definitely wasn’t in the geological briefing, which was surprisingly enough about as much drama they could conjure out.
Back at the outpost, Prune fielded questions, offered dry warnings, and tried not to get emotionally attached to the odd, bumbling crew now walking through her kingdom.
Then, near sunset, Veranassessee’s voice crackled over comms: “Curara. We’ll be lifting a crew out tomorrow, but leaving a team behind. With the right material, for all the good Muck’s mining expedition did out on the asteroid belt, it left the red planet riddled with precious rocks. But you, you’ve earned to take a rest, with a ticket back aboard. That’s if you want it. Three months back to Earth via the porkchop plot route. No pressure. Your call.”
Prune froze. Earth.
The word sat like an old song on her tongue. Faint. Familiar. Difficult to place.
She stepped out to the ridge, watching the sun dip low across the dusty plain. Behind her, laughter from the tourists trading their stories of the day —Tilly had rigged a heat plate with steel sticks and somehow convinced people to roast protein foam. Are we wasting oxygen now? Prune felt a weight lift; after such a long time struggling to make ends meet, she now could be free of that duty.
Prune closed her eyes. In her head, Mater’s voice emerged, raspy and amused: You weren’t meant to settle, sugar. You were meant to stir things up. Even on Mars.
She let the words tumble through her like sand in her boots.
She’d conquered her dream, lived it, thrived in it.
Now people were landing, with their new voices, new messes, new puzzles.
She could stay. Be the last queen of red rock and salvaged drones.
Or she could trade one hell of people for another. Again.
The next morning, with her patched duffel packed and goggles perched properly this time, Prune boarded Shuttle Dandelion with a half-smirk and a shrug.
“I’m coming,” she told Sue. “Can’t let Earth ruin itself again without at least watching.”
Sue grinned. “Welcome back to the madhouse.”
As the shuttle lifted off, Prune looked once, just once, at the red plains she’d called home.
“Thanks, Mars,” she whispered. “Don’t wait up.”
In reply to: The Last Cruise of Helix 25
Helix 25 — The Six Spinster Sisters’ Will
Evie keyed in her login credentials for the sixth time that afternoon, stifling a yawn. Ever since the murder case had wrapped, she had drifted into a lulling routine—one that made her pregnancy drag on with excruciating slowness. Riven was rarely around; he’d been commandeered by the newly awakened Veranassessee for “urgent duties” that somehow never needed Evie’s help. And though she couldn’t complain about the ship’s overall calm, she felt herself itching for something—anything—to break the monotony.
So she’d come to one of the less-frequented data terminals on Helix25, in a dim corner off the main library deck. She had told herself she was looking up baby name etymologies (her mother would have pressed her about it), but she’d quickly meandered into clinically sterile subfolders of genealogical records.
It was exactly the kind of aimless rummaging that had once led her to uncover critical leads during the murder investigation. And if there was something Helix25 had in abundance besides well-recycled air, it was obscure digital archives.
She settled into the creaking seat, adjusting the small pillow behind her back. The screen glowed, lines of text scrolling by in neat greenish typeface. Most references were unremarkable: old Earth deeds, ledgers for farmland, family names she didn’t recognize. Had she not known that data storage was near infinite, due to the excess demands of data from the central AIs, she would have wondered why they’d bothered stocking the ship with so much information. Then her gaze snagged on a curious subfolder titled “Alstonefield Will—Gibbs Sisters.”
“Gibbs Sisters…?” she murmured under her breath, tapping it open.
The file contained scans of a handwritten will dated early 1800s, from Staffordshire, England. Each page was peppered with archaic legalese (“whereupon the rightful property of Misses Mary, Ellen, Ann, Sarah, Margaret and Malové Gibbs bequeathed…”), listing items that ranged from modest farmland acreage to improbable references of “spiritual confidences.”
Evie frowned, leaning closer. Spiritual confidences? The text was surprisingly explicit about the sisters’ lives—how six women jointly farmed 146 acres, remained unmarried, and according to a marginal note, “were rumored to share an uncanny attunement of thought.”
A telepathic link? she thought, half-intrigued, half-smirking. That smacked of the same kind of rumor-laden gossip that had swirled around the old Earth families. Still, the note was written in an official hand.
She scrolled further, expecting the record to fizzle out. Instead, it abruptly jumped to an addendum dated decades later:
“By 1834, the Gibbs sisters departed for the Australian continent. Certain seeds and rootstocks—believed essential for their ‘ancestral devotions’—did accompany them. No further official records on them remain in Staffordshire….”
Seeds and rootstocks. Evie’s curiosity piqued further—some old detail about hush-hush crops that the sisters apparently treasured enough to haul across the world.
A flicker of movement caught her eye. Trevor Pee “TP” Marshall, her faithful investigative hologram, materialized at the edge of her console. He adjusted his little pixelated bow tie, voice brimming with delight.
“Ah, I see you’re poking around genealogical conundrums, dear Evie. Dare I hope we’ve found ourselves another puzzle?”
Evie snorted softly. “Don’t get too excited, TP. It’s just a random will. But it does mention unusual circumstances… something about telepathy, special seeds, and these six spinster sisters traveling to the outback. It’s bizarre. And I’m bored.”
TP’s mustache twitched in faux indignation. “Bizarre is my lifeblood, my dear. Let’s see: six sisters of reputed synergy… farmland… seeds with rumored ‘power’… Honestly, that’s more suspicious than the standard genealogical yawn.”
Evie tapped a fingertip on the screen, highlighting the references. “Agreed. And for some reason, the file is cross-referenced with older Helix25 ‘implied passenger diaries.’ I can’t open them—some access restriction. Maybe Dr. Arorangi tagged them?”
TP’s eyes gleamed. “Interesting, indeed. You recall Dr. Arorangi’s rumored fascination with nonstandard genetic lines—”
“Right,” Evie said thoughtfully, sitting back. “So is that the link? Maybe this Alstonefield Hall story or the seeds the sisters carried has some significance to the architectural codes Arorangi left behind. We never did figure out why the AI has so many subroutines locked.”
She paused, glancing down at her growing belly with a wry smile. “I know it might be nothing, but… it’s a better pastime than waiting for Riven to show up from another Veranassessee briefing. If these old records are tied to Dr. Arorangi’s restricted logs, that alone is reason enough to dig deeper.”
TP beamed. “Spoken like a true detective. Ready to run with a half-thread of clue and see where it leads?”
Evie nodded, tapping the old text to copy it into her personal device. “I am. Let’s see who these Gibbs sisters really were… and why Helix25’s archives bothered to keep them in the system.”
Her heart thumped pleasantly at the prospect of unraveling some long-lost secret. It wasn’t exactly the adrenaline rush of a murder investigation, but in these humdrum days—six months after the last major crisis—it might be the spark she needed.
She rose from the console, smartphone in hand, and beckoned to the flickering detective avatar. “Come on, TP. Let’s find out if six mysterious spinsters from 1800s Staffordshire can liven things up for us.”
In reply to: The Last Cruise of Helix 25
Mars Outpost — Fueling of Dreams (Prune)
I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.
Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.
“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”
Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.
Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.
After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.
A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.
I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.
I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.
I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.
“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”
Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.
But no dream prepares you for this kind of quiet.
I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.
I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.
“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”
I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.
Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.
I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.
“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.
The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.
“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.
The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.
So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.
I glance once more at the transceiver, then hit the big green button to unlock the landing bay.
“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”
-
