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In reply to: Circle of Eights, Stories
……In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.
Love,
PS, Becky added as an afterthought in her letter to dear old Wrick, Al’s so looking forward to meeting you in the ‘Amusement Park’ in Central Park, I hope you will disillusion him gently as to the nature of projecting and out-of body excursions……I will leave it to you, Wrick old boy, to decide how best to handle it. Ah, you wise old buffoon, I can hear you saying it now: Al’s choices are perfect, as are yours. Becky smiled fondly and added to the postscript: Wrick, you’re a brick, old stick.
In reply to: Circle of Eights, Stories
Becky had decided to take her friends out for the day. Poor Al needed a break from scratching his head in confusion, and dear Tina needed a break from rubbing her aching temples. She knew Sam would enjoy a day out too.
Becky was enjoying preparing the itinerary.
Champagne breakfast at the Droles de Dames cafe in Le Touquet~Pu first, a table reserved under the gaily striped awning overlooking the sea. Fresh croissants and hot coffee, Bavarian cream donuts, tangy fresh squeezed Tesorillo orange and Tiki kiwi juice, scrambled dragon eggs on French toast, and Moroccan mint tea.
The exhibit of Sand Sculpture was next, a pleasant stroll on the beach after breakfast would be just the ticket, Becky thought.
Next, a little side trip to place a few hibiscus blooms on the grave of Oscar Wilde. He was buried at the Father Chase Memorial Garden on a mossy knoll overlooking the sand sculptures, a short stroll from the beach.
A golden coach and six dappled grey horses would meet them at Father Chase gardens and take them to the lawns of Sandlebright Hall, for the hot air balloon ride. The big red balloon would land on Isla de los Perdidos, a magical island in the Rift Straits, for a picnic lunch under the coconut trees and a relaxing swim in the deliciously warm lagoon. Balti had agreed to provide head massages for the little party of day trippers, and had suggested a big iced jug of crop juice as the perfect accompaniament.
A paddle steamer would arrive to take them back to the mainland after the sojourn on the magical isle. There were comfortable whicker steamer chairs on the deck with cosy tartan blankets for those wishing to snooze a little, or raucous poker games inside the red plush interior for those who chose to exercise their creating skills on the green baize tables.
The Cirque de Paradoxia matinee was on the agenda for the afternoons entertainment, with the new sonic stone juggling as one of the highlights.
A theatre supper in Covent Garden, Becky had decided, and the Orient Express was the perfect way to get there. Hercule Poirot had kindly agreed to serve drinks and nibbles on the journey. Becky perused the entertainment section of The Reality Times, wondering which play to take her freinds to. Aha! Salome, of course!
Becky considerately booked rooms at the Hogwarts Hotel on Queen Street for her friends to freshen up and change, ready for the evenings festivities. A hot pink stretch limosine would call for them and escort them to the Blue Man Group show, and then on to the party at the Dragondrome Stadium.
Becky booked rooms at the Taj Mc Fal Hotel for her friends to retire to after the party, whenever they so wished…the pink limo would be available all night.
There, said Becky in satisfaction, they will love it.
In reply to: Circle of Eights, Stories
Oh yes, it is all perfect, interjected Tina, in her new soft and gentle voice. Thank you so much for helping me to understand.
AHAHAHAAHAH, laughed Becky, nearly snorting, Tina are you okay today?
Well no actually, my head has been pounding for the last 24 hours. I think I have been taken over by those pesky aliens again. They tell me that the only way to get rid of them is to revert back to my own true self.
Hope you do it soon muttered Becky, all this niceness is quite unnerving.
In reply to: Circle of Eights, Stories
— Well, I’m sorry to have to tell you Becky Pooh, but your script is getting awfully confusing… Al was saying swaying his head in dismay.
— What?! Becky nearly spluttered her cappuccino on Tina who was munching marshmallows at the cafeteria of the rehearsal room.
— Yes, you see… Al was once again lost in his thoughts… This Illi is driving me crazy, once she’s here, then she’s elsewhere. At one moment you said she was dead, and I went to great extents to try to clarify…
— Muddle, interrupted Becky Pooh, Muddle…
— … the whole thing, Al continued imperturbably, and made clear, or so I thought, that the Illi cat was alive, and the Illi human was indeed dead, but now Tina makes the Illi in the dream of little Chiara the cat again… Could you both explain what happens. I’m completely lost.
— AHAHAH, LOST! cried Becky so insanely, so that all of the others looked at her with eyes wide as saucers.
— Well, there could be lots of explanations of course, interjected Sam, whose energy was always soothing to incorporate in the midst of heated discussions on the reality play they were all writing.
— Yes, of course there are! It all makes perfect sense, said Becky.
— Oh sure, said Tina, except that you don’t really make Illi do anything…
— Do I?
— Well, they were near the cave, but you won’t face the scaly stinky dragons anyway, said Al a bit disappointed.
— Why can’t you imagine them all fluffy and pink if it’s easier for you? said Sam. Like Chinese dragons, why not? A bit dog-headed, wouldn’t that be easier for you?
— Mmmm. Becky was pondering.— And what were your suggestions to explain that insane dream? asked Al to Sam.
— Mmm, let me see… Perhaps it’s from another timeline. No one has said when that dream has occurred, so it may be before, or after the events happening right now.
— And for the cat seen by Chiara, said Tina gently, that could just be her seeing the essence of Illi, and seeing other of her personalities…
— Well, seems to make sense… acknowledged Al and Sam, all turning to Becky to see if she agreed.In reply to: Yuki’s Livrary
October 12 th
Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
And so it is.October 16 th
My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…
“I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]
In reply to: Circle of Eights, Stories
That morning Fiona knew she needed to change her name. Fiona was a nice name, and she was quite fond of it, but she needed to reflect the inner changes which were happening and it didn’t feel right any more. (Well were there inner changes and did she need to reflect them? Buggered if she knew. All she knew was that it did not feel right.) At that very moment she looked down at the book she was reading and instantly the name “Finn” popped out at her. As this was a variation of Fiona, it seemed perfect to her. So really she wasn’t changing her name at all, just focusing on a different aspect of it, or something.
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
Topic: Yuki’s Livrary
These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.
Note: for the reader not familiar with all the names here is a quick reminder:
- Araili > Yann, Írtak, Sam, Jacob …
- Armelle > Fiona, Arona, Tina, Qixi …
- Rafaela > Dory, Illi, Becky, Rodney …
- Yuki > Quintin, Al, Janice …
September 12 th, 2007
Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.
I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…
September 13 th
Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.Right now, it feels easy and fun.
Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.September 14 th
For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.
But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…September 15 th
Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.
Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin
Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.
September 16 th
Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.
September 18 th
Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.Characters drawn:
- Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
- Malika, Quintin, Yann, Fiona and Dory
Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.September 21 st
For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!
Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.Of course, some things still matter, and one of the point of the story is also to discover these.
September 22 nd
Quintin has been drawing new characters.
Characters drawn:
- Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
- Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
- Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter
A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…September 23 rd
Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.
Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.
Up to now, here are the names he could find:
- North: the Icy Lands, and Dragon Cemeteries
- Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
- Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators. - South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.
When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.
In reply to: Circle of Eights, Stories
Everywhere Jadra went he could feel hostile eyes upon him. He knew why of course; he knew they were jealous because he had been favoured by the Gods. So he kept his hand safely hidden, wrapped in his shirt
Jadra had a plan. He put his shirt back on and pulled the sleeve on the left arm down as far as it would go, till his left hand could no longer be seen. He modelled a new hand roughly out of twigs and plants and walked to the river. On the way he shouted at the top of his voice CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.
After shouting such sentiments till his voice was hoarse and he knew he had drawn sufficient attention he threw the hand in the river. He had cunningly weighted the hand with pebbles he had found in a cave so it would sink to the bottom of the river.
GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.
HA! He thought, tremendously pleased with himself for executing such a perfectly clever plan. That should throw the evil hounds off the scent of Jadra Iamamad.
He felt he was not far from the cave now.
In reply to: Circle of Eights, Stories
Huÿgens was not much of a cat person.
He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.
Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.
That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.
When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat…
Huÿgens had already lost some, especially during the shearing season.
And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.
Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.
So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.
But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.
The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.
As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.
When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.
And off she was… free and unfettered as a gripshawk…
When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…
— How quaint said Illi for herself.
— Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
— I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
— Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
— What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
— Oh, you are so sluggishly gloomy! That was just to help you…
— Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
— Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.They were interrupted by some munching sounds and ruffling heavy breath.
— What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
— Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
— A WHAT? I HATE DRAGONS!
— Ahahah, relax, I was just pulling your leg.
— That’s not funny.
— Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
— That’s REALLY NOT FUNNY!
— Why so? You can’t see it anyway…
— And what if he sees me? Dragons are vicious creatures.
— He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
— A chance! A vegetarian dragon!
— OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
— Oh, by the eyeballs of the Mighty Shrimp, you tell me…
— No, you choose.
— No, you.
— You…
— Ooooh, bugger off…In reply to: Circle of Eights, Stories
A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.
Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.
— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.A silence was on the scene.
At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.
Somewhere in Malvina’s cave.
Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.
She asked Leörmn to come.
Quintin’s bedroom.
[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.
Leörmn came almost instantly, appearing in a puff of teal smoke.
Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.
— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina… Leörmn had now finished assembling the magical artifact.
— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see… — sabulmantium !
Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.
— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say. Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.
In reply to: Circle of Eights, Stories
Arona stood up, rather to Mandrake’s annoyance, and took off her heavy cape. Wondering for a moment what to do with it, for she really did not want it anymore, she noticed a coatstand.
well how handy is that she thought, hanging it up and giving it a last fond stroke.
There were three tunnels out of the cavern she was in and without hesitation she took the one on the left, but she knew she could have taken any of them and everything would be perfectly fine, because that was the beauty of magic.
so easy really she thought.
In reply to: Circle of Eights, Stories
Never speechless for long, Dory wondered out loud if she should just hurry along into the cave and hope to catch up with some other expeditioners, or explore the area around the cave first.
Have a look around, a voice in her head said. Ever the wanderer, always curious to just see what’s around that next corner, and the next….Dory wandered through the strange tall rock shapes. In a sort of natural passageway between vertical rock faces she came upon a group of people squatting next to a large oblong hole in the ground. The womans shawls and headscarves were flapping madly in the wind as she conversed with a boy of about 13, and it seemed to Dory as though they were discussing moving something so that it wouldn’t be found. Dory stood perfectly still just watching, and somewhat strangely they didn’t seem to notice her standing there.
An older man with curly grey hair and a long maroon djelaba and a tall narrow brimless black hat started to hurry away, as if a decision had been made.
Dory watched him until he disappeared from view. When she looked back towards the hole in the ground, it had vanished, and so had the woman and the boy.
PPFFFT! Dory had been deserted again. She turned and headed back towards the cave. Suddenly she felt hungry, and an image of a plate of cool crunchy coleslaw popped into her head.
I hope they’ve laid food on in the cave, she said.
In reply to: Circle of Eights, Stories
After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.
She found this quite irritating. They are really bit rude around here, she muttered.
Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.
It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.
(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)
All I have done is wander around dark passageways really.
And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?
AND if one more person tells me to use my magic I will probably scream or something!
Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.
And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.
Oh cute, said Arona, a talking cat.
Cute yourself, responded Mandrake, love your cape by the way.
(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)
Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.
Mandrake sighed in an impatiently eggsagerated sort of a way.
Heavens to murgatroyd¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?
All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.
of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!
—
[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .In reply to: Circle of Eights, Stories
The singing in the next room was getting louder. As Dory started to sing along, she felt better. Bugger this! she shouted, and leapt off the musty sofa. The trip to the cave! She felt around the floor with her feet for her shoes, and wasn’t altogether surprised to find her magic flying sandals. Perfect, how perfect is that! She looked around the cluttered shop store room as she buckled the sandals straps. She grabbed a bright blue energy blanket off a pile of coloured shawls, a pith helmet off a hatstand, a mini magic tool kit in a terracotta patterned kilim bag, and on impulse, a glass egg timer with bright fuchsia pink sand.
As she ran out of the back door a parrot in an elaborate wrought iron cage squalked ‘Don’t forget the key, dear, don’t forget the key’.
Key? What key?
‘Don’t forget the key dear don’t forget the key dear don’t forget the key…’
WHAT bloody key dear! Dory was really anxious to get to the cave now, but something held her back.
The key, the key… There was something she couldn’t quite remember about a key. She looked around the room in a panic, It could take me HOURS to find the key in here, she ranted. Ok, ok, I tell you what, she said to the bird, I’ll let you out of that cage, you find the key, and catch me up. Meet me at the cave with the key, OK?
In reply to: Circle of Eights, Stories
Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.
She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.
She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?
Use your magic, she had said.
When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?
Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.
The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.
Thank you for having me room, she said as she left.
No, thank YOU, replied the sleepy glukenitch.
The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.
Why sad?
I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.
You always know, just feel it
So Arona closed her eyes tightly and allowed herself to feel the answer.
Because you know who you are, and it made me realise I have no idea who I am.
Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.
Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.
The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.Arona, who had felt immediately connected with the young child frowned.
Doesn’t the little girl feel left out?
Go in, said the woman, Go inside the picture and feel the answer.
Oh, and you might want to leave your cloak behind.
So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow. Arona returned to the cave.
You look troubled
Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.
On the contrary, perhaps it is very practical. Would you like to see another of your paintings?
Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.
Arona shuddered a little. I might not jump into that one .
The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.
Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.
Well I gave her the same advice, years ago.
More damn riddles, Arona thought to herself, and the woman laughed.
One final painting of yours I would like to show you. It is beautiful is it not?
Arona stared mesmerised for a moment, and then leapt right in.
She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.
Dance Arona, she heard the woman’s voice
I can’t dance like that, I’m not good enough.
It doesn’t matter
And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.
Back in the cave the woman seemed to be listening to something Arona did not think she could hear.
Things are shifting she said
Oh lordy, are they said Arona, What should I do now?
Feel the answer
Arona felt. I am very hungry, eggceptionally so.
In reply to: Circle of Eights, Stories
Dory drifted off to sleep, despite the sounds of the conversations going on all around her in the next rooms. She dreamed of camels and a washing machine that wouldn’t spin with a full load, and then it turned into one of those teeth falling out and rushing to the dentist dreams, and then strangest of all, she woke up with a dream snapshot image of a perfect heart shaped….well it looked like a heart shaped dog turd!
“BUGGER THIS” Dory woke up with a start. Someone in the room on the right had turned the music up and was singing ‘Bugger this’ to all the tunes.
In reply to: Circle of Eights, Stories
As the voice was becoming louder, Írtak felt also the presence of Leörmn. He was feeling this liquid vibration that was his signal for the shapeshifting of the tunnels. He knew that Leörmn was aware of his presence and wouldn’t change the tunnel he was in, but he could possibly forget to leave him an exit.
He felt the presence of Malvina reassuring, she was also supervising the progression of the girl. He knew it was not for him to intervene and help the girl, she was to find her own way. And if her choice was to find him she would, otherwise he had still to find that missing egg.
Since he’d found Malvina and Leörmn he’d unraveled many of his own abilities. They were quite different from those of Malvina, nonetheless she told him that they were perfectly fitting his own exploration. He could feel the eggs and the only difficulty was to follow a path that would lead him to any lost egg before it was too cold.
And for now, the egg was in another direction than the one from which the voice was coming. He just added his own encouragement and trust to the girl, and he continued his little quest.
In reply to: Circle of Eights, Stories
Hells Bells muttered Arona to herself , this had better not be some sort of a test that dragon is putting me through
As she stepped forward into the darkness of the chosen path, she had a sudden sense she was walking off the edge of a cliff.
Arona had been practising quietness for a long time. The journey had been lonely at times and offered her many opportunities to practise her skills. There were so many parts of her wanting to have a say, discuss, analyse her every move, so that she would become paralysed and unable to move at all. In desperation almost she had learned to still the voices and find that part of herself she most believed herself to be. The part which believed in the existence of magic.
Well done, and shall you fly?
Arona hesitated. It was that voice again. She was not sure if this new voice came from her own thoughts, but she felt not.
Great, she thought, perfect time to finally lose it. Stuck in a dark cave with a troublesome dragon.
Shrugging her shoulders she went still inside and moved her body forward.
Leormn (with two little dots above the “o”) felt deeply humbled when he saw the extraordinary bravery of Arona.
It was hard for the proud dragon to consider, but he did wonder if sometimes he went too far with his joking. After all for him the cave was a playground, clay he could mould at will, or at a whim. Perhaps one could even call it a work of art, he thought proudly.
But he did realise that for the girl, who was newer to the ways of magic (although showed the most tremendous potential he grudgingly had to admit), he realised it represented something far deeper, a dual potential, the hope of light, but also the possibility of the deepest darkness.
For a moment he even considered revealing his whereabouts.
She is fine , Malvina answered his thoughts, she loves the challenge. It is what drew her here.
In reply to: Circle of Eights, Stories
Illi set off at a brisk trot in search of the cave. A deafening clap of thunder made her flinch and lose her footing. She slipped, and slid down a steep slippery wet bank, tumbling and rolling out of control. Arrgghh! How embarrassing, she thought, I hope no-one is watching….OUCH! She banged her head on a strangely perfect long oblong stone, which catapulted her into the air and into a cork oak tree. Lordy! She clung onto the knobbly grey bark, trembling and gasping.
Well, I may as well have a smoke and catch my breath, she thought, at least it’s fairly dry here in this tree. She inched upwards until she found a comfortable fork in the branches and leaned her back against the trunk, fishing in the pockets of her tartan jacket for her Camels and her lighter.
Ahhhh….that’s better! Now, where are we? Illi felt more optimistic, and surveyed the terrain. AHA! In a little dip behind the tree was a dark hole in the ground. That will lead to a cave, I’m sure of it! Illi lit another smoke, musing that she might never have found the cave entrance had she not banged her head on the strange oblong stone, and hurtled into the tree.
Feeling much more enthusiastic, Illi climbed down out of the tree and went to investigate the dark hole in the ground. HHmmmm…no sign of a rope, or steps, no light, she wondered what to do next. A voice boomed in her head TRUST! Trust is the key!
Suddenly feeling very devil-may-care and adventurous, Illi dived into the hole head first… wwwwhhhheeeeeee HOOOOO…… the free-fall was exhilarating, exciting, wildly fun….and then a little voice of doubt crept in, Are you stark raving MAD?
Whallop! Illi landed on something soft, something sodden and smelling a bit of mold. Momentarily stunned, she just lay there, in a heap on the soft wet lump.
“Holy MOLY” the soft wet lump shouted “Get OFF me! How incredibly RUDE to land on me like that without so much as an introduction!”
Illi trembled.
