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September 26, 2007 at 7:19 pm #224
In reply to: Circle of Eights, Stories
Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.
Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.
Raising an eyelid, his cheerful wrinkled face smiled at the little girl.
— And how can I be of assistance, dear little one?
— Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
— Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
— Well, let me think.India Louise took a moment, and asked again
— For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
— Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.
— Areas of consciousness?
— Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.
— And Illi? Who is she?
— This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
— Mmmm, this is quite intricate…
— Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.September 24, 2007 at 6:38 pm #214In reply to: Circle of Eights, Stories
Speaking of dreams, Quintin suddenly remembered he had dreamed of a woman detective, by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials.
Strangely enough, he felt the woman detective was linked to the story, and was in fact Dory. He could feel the other participants were people closely related to the woman too…
He didn’t really expect Dory would be giving him her two pence on this quaint dream…
—
Actually, thinking of Dory made Quintin remember a notepad photocopy that she had sent him last year when she had been in Madagascar for the first time, visiting some local caves. He never actually gave much thought to these funny drawings, but now they seemed to have some kind of interesting connection to all of this…September 23, 2007 at 1:34 am #209In reply to: Circle of Eights, Stories
By the time Illi had finished reading the newspaper article she felt thoroughly confused. Mechanically she folded the newspaper neatly and then lit a cigarette, resting her elbows on the breakfast table and her chin in her hands. She gazed through the ribbons of blue smoke and the dust drifting through the sunbeams, wondering if she was dreaming, dead, or alive. It was becoming so hard to tell the difference.
Oh well, I’ll think about it later, she thought, and mentally popped it into her clue and riddle box. Her mind wandered back to the story she’d just been reading, and the charming illustrations. The drawing of the young man in the white robe had seemed familiar, and she liked his name too…Sanso, The Wanderer.
As she imagined him, she felt herself lurch ever so slightly sideways, and as she did, the image in her mind of Sanso became suddenly life-like…incredibly so! He was looking at her in astonishment, and taking a step backwards, saying Lordy! not another one appearing out of thin air!
Illi looked around and found herself not in the sunny breakfast room but in a sandy cave, with a little girl in a wooly jumper, a young man in a white robe holding a large rusty key, and a parrot.
Suddenly Illi didn’t care anymore whether she was alive or dead, dreaming or awake. This was beginning to look like fun.
September 22, 2007 at 10:28 am #208In reply to: Circle of Eights, Stories
When Bernhard, making his black panther puppet Archie speak, had answered the tongue-in-cheek burning question that was on everyone’s lips:
— Does Dory’s part of the story seem logical to you?
the answer had come as a surprise to many…
— Yes he had answered… adding a few moments afterwards, though that there is some mistranslation within the interpretation. [¹]
Archie also said that we were moving to a center of a seesaw which represents within your understanding an awareness of “it matters not”.
Ahahah, how greatly befuddling a new riddle would that be? Perhaps the answer was very simple too. Something like “egg”…
All that Quintin was sure, was that Dory surely enjoyed bouncing on seesaws juggling with a basketful of eggs!
Perhaps, it mattered not after all… Perhaps, perhaps not… or not yet…
Well, Archie had also admitted during the night he didn’t really care being a parrot in that story… Perhaps he had finally lost it too, as would certainly say Fiona, who was their last beacon of sanity in that insane adventure.
—
[¹] Note from your impartially unbiased reporter:
(phew)
September 21, 2007 at 6:45 pm #201In reply to: Circle of Eights, Stories
The parcel contained two books, one for each of the twins. The books were large and heavy and bound in tooled Moroccan leather. There were blank pages where the illustrations should have been, but the twins had such vivid imaginations that they created the pictures as they heard the story. Sometimes it almost seemed as if they could enter the page, and roam around in it, until Grandad or nanny turned to the next page, and then the wonderful potential of the next blank space beckoned.
September 21, 2007 at 6:33 pm #200In reply to: Circle of Eights, Stories
Lord Wrick was reading a bedtime story to his great grandson, Cuthbert. A huge open fire roared beneath the stone mantelpiece, and cast tall flickering shadows in the dark corners of the room. Cuthbert snuggled in to his great grandad, who pulled the red tartan shawl up under his chin. The Orkney Islands were cold in September, and a chill draught was ever present in the ancient castle. Cuthbert’s twin sister India Louise had already been taken to bed by Nanny Gibbon, who would read her a story in the nursery.
“Back from the depths of his sleep, the dragon Naasir exhaled in a puff of smoke” read Great grandfather Wrick. “He’d just woven a wonderful dream…”
A parcel had arrived at the castle yesterday, delivered by a travelling artist, who had been invited to paint portraits of the Wrick family. There was no message with the parcel, and the artist, Bill Jobsworth, explained that an old woman in black had given it to him at the crossroads, asking him to deliver it to Cuthbert and India Louise Wrick.
September 21, 2007 at 1:46 pm #195In reply to: Circle of Eights, Stories
Everything started to happen at once. As Sanso sat up, craning his neck looking at the door in the ceiling, a terrific flapping and squalking noise approached from behind him, starting as a distant vibration and rising in an unbearable crescendo as it rounded the last bend in the tunnel. Suddenly the noise stopped as Sanso felt a weight on his shoulder, and then a thud on the sandy floor. Bugger this, the parrot screeched in his ear. Bugger this bugger this bugger bugger bugger…
Sanso was momentarily speechless, as his eye fell on the key. He picked it up and turned it over in his hand, feeling the rusty weight of it. He turned to look at the parrot on his shoulder, who thankfully had stopped his shrill squalking.
This must be the key to that door, he whispered to the parrot. Let’s try it and see.
Wait for Dory dear Wait for Dory!
Bugger this, sighed the parrot, Here I am bringing the key, remembering everything everyone else forgets, running the show here and I don’t even have a name in this silly story.
September 20, 2007 at 1:15 pm #188In reply to: Circle of Eights, Stories
This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…
Quintin: Your story was great!
Fiona: Thank you
So was yours.
Have you written any more since I last looked at the story?
Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…
Fiona: no, wrap it up if you feel.
I have drawn what I wanted. I will go and blow up the cave if we don’t finish it
Quintin: Ahahaha! Don’t restrict yourself
Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?
Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture
Fiona: The endearing dragons…
Quintin: Yeah…
But I had strictly no idea about the rest. It was just a bet, on luck…
That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…
Fiona: And did she have any impression of what form that could take? Like books, or games or what…
Quintin: No, it was much more “real” in fact…
Fiona: you know like the card-captor game which I suppose is interactive, so real
Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”
Fiona: So a little bit like I have done with the story, to resolve something
Quintin: yeah, exactly, or with your paintings
Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…
Quintin: Yeah, people can unleash their imagination.
And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…
Fiona: such as? eggsamples?
Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?
Fiona: Yeah, I told you I did, but you just said some riddle!
Quintin: Did I? That’s not like me
Fiona: Ahahhaha! It is you to the core
Quintin: LOL, damn me!
Fiona: Well, that is a bit strong, but …
Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)
Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate
Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…
Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there
Quintin: Ahahah, no, they will not be allocated, they will choose their own partners
Fiona: Ahahaha, one minute you say it is my story! And now you are back in control
Quintin: Ahahaha, the story has a willing of its own too…
Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…
Quintin: And actually, I don’t think everyone will be interested in dragons…
Fiona: How does a dragon help one learn magic powers?
Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.
Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.
Fiona: And how having a baby dragon could help unleash our magic powers then?
Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…
Fiona: I am not sure if i have dark corners
Quintin: it was a metaphor
Fiona: ahahahhahahahahahah
Fiona: I know, so was mine
Quintin: ahahahahah
Fiona: I was thinking I feel really accepting of myself
Quintin: Yeah, that’s the point in the little adventure before you meet it.
You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.
Fiona: Well I think it sounds scarey now, what if no dragon picked me…
Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…
Fiona: True.
Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.
Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture
Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!
Fiona: Ahahahaha yes
Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way
Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.
Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture
Fiona: Yeah, I know… That’s what I said to you with the playfulness picture
Quintin: Of course, you know
Fiona: That I related most to the figure of blue hat… and big feet
Quintin: Ahahaha, stomping on the poor key-fish
Fiona: Nearly…
Quintin: Have to go now, thank you for this enjoyable conversation
Fiona: See you!
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