Search Results for 'symbols'

Not knowing what to do with the powder, Jerk pondered for a moment, then recalled a tradition from India that he’d seen on a documentary or in a magazine; taking the blue sand, he started to pour it on the ground to draw a rangoli in the shape of a feather. He clearly wasn’t very experienced at sandpainting, and the drawing looked more like a stick in an old worn sock, but he was glad that it could illuminate somehow the bland and cold fake marble at the entrance of the mall.

Granola was starting to get anxious in her red crystal. It wasn’t very comfortable. She thought she could just adjust her mental size to make it more spacious, but it was automatically adjusting. She was starting to feel desperate when she noticed a blue thing with the shape of a deflated condom glowing on one of the sides of the crystal.
The imprint of a magical act of grace she could hear vibrating. The vibration was slow and steady. She could guess she needed two, or maybe three, more of these symbols to resonate properly and break the crystal open.

It had been a day of full work for Ricardo, rather than his frequently dull work at the paper.
Connie and Hilda were crazily busy bouncing off bits of odd news to each other and it was a sort of playful banter that even had Sweet Sophie come out of her pre-lunch-post-lunch slumber that occasionally trailed until tea time.

News of the Rim had been scarce, there was no denying. Honestly, he wondered how Bossy M’am managed to still pay the bills and their wages, however meager those (or his) were. He giggled thinking about how she probably scared the debt collectors off their wits with her best impersonation of Johnny Depp playing Jack Sparrow playing Tootsie meets Freddy Krueger.

Speaking of which, he couldn’t help but eavesdrop, while pretending to clean the coffee cups and the butter knives full of vegemite and scone crumbs.

“Dolls! Are you daft? What about all those crop circles in France instead?”
“Listen, you decrepit tart, I’m telling you there’s plenty to investigate about this Findmy stuff group. Secret dolls scattered around the world, masonic occult secret symbols…”
“Hardly matter for an insert on 4th page, dear. While on the other hand, elongated skulls, secret underground bases in Antarctica…”
“We talked about this! Conspiracy theories are off limits! We only want the real stuff, the odd happenings that hits your neighbour that you wouldn’t have known about without us reporting it! But dolls! that’s something, no?”
“Flimsy at best…”
“What else then?”
“I don’t know, seesh, what about Hundreds attending two frogs wedding in India ?”
“Already covered, too mainstream…”
“What about the Mothman of Tchernobyl?”
“We stopped cryptozoology, remember, after that pathetic chase after the trenchcoat ape that got us torpedoed in the other paper rags when we reported it without checking our facts?”
“Facts! FACTS! Don’t you get me started about FACTS!”

Suddenly, they both turned simultaneously at Ricardo, seemingly realizing his presence.

“Ric’, this cuppa isn’t going to make itself, dear.” They both said like a couple of creepily synched automatons.

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

Irina started to smell foul play when she arrived at the coordinates indicated in the last of the laconic messages sent to her by the Management.

“Are you sure you got the coordinates right Mr R?”
“Very much so Madam, but if you will allow me, I will double check to alleviate the hint of doubt I perceive in your most suave voice.”
“Yes, do that please.”

When becoming anxious, Irina tended to get prone to bossiness, and didn’t like what she heard in her voice.

“I adore this door.”
Yes, that was much better with suave undertones, with a hint of foreign raspy accent to spice it up.

In truth, the door was plain, wooden, with a number painted on it, half erased, and a series of symbols which, although she could not place them, raised a distant alarm in her mind.
“Rainbow magic?…” That was how they renamed the lore of black magic when it was privatized and re-marketed to the masses. She had not seen rainbow magic in ages, and there was no way that door would lead to an actual island without moving her out of this time and space.

“Bloody buggers. Should have read those cryptic fine prints more carefully.”

She realized there was a good chance her promised island was in a godforsaken place lost in time. She could count herself lucky if the deserted island was not in the palaeolithic and raided by dangerous dinosaurs…

There was little choice. Either boldly embrace the great unknown behind the door, and trust her luck, or stay behind, short of the island of her dreams and probably condemned to run from the Management’s evil plans anyway.
At least, with option one, the lottery could be favourable.
That was what you got for dabbling in sketchy and questionable shots.

“Mr R, are you ready?”
“Always, Madam.”

She felt lucky and pressed the door.

Queen Marie, Our Good Queen, as the little gents liked to call her, had not been as excited at the prospect of the salon since a long time.
She ringed the bell for the servant girl to bring more wood, as drafts of chilly air were coming from outside. Although quite modern and shiny, the palace was not as equipped for the cold season as the old castles from her mother land. Worse, with age and soft weather, she’d grown accustomed to being warm, and couldn’t bear the cold any longer.

The crackling sound of the pine wood inside the small chimney was comforting and brought her back to her thoughts. A salon, full of delightful witty people, with laughters and costumes, entertainment and champagne wine. She’d heard a special batch of barrels from la Maison Ruinart would be brought especially for the Royalties. Of course, she knew most of those were small favors for the King’s mistress, Reinette, but she didn’t care. Oddly enough, she didn’t mind the woman, who had been always very delicate and considerate towards her, almost affectionate. To be honest, she was a blessing, as the inextinguishable appetite of the King for the flesh and woman beauty was now too hard to bear.

But a party like this, ah… She reveled in the thought of seeing again monsieur de St Galle and the mysterious Comte de St Germain who always was the light of the party with his extravagant stories.

The servant had finished to dress her for the night, putting her new powdered wig on the parakeet shaped wig-holder. She’d bought the wig with its lacquered holder in the morning from a small shop in Paris, which was had quite an aura of mystery she’d heard. Naturally she’d wanted to see for herself.
The wigmaker was a gaunt and unassuming young man who notwithstanding made an impression on her. Jean-Baptiste’s wigs were simple and elegant, albeit not terribly inspired. His eyes, on the other hand, had a piercing yet soft gaze about them, and didn’t seem embarrassed to look at her, almost through her, as if she were a person, instead of the Queen surrounded by a retinue of bland people eager to please.
“Let me draw you some fingers” he’d said to her, changing abruptly the topic from his rambling about books he was inspired to write about symbols. He’d forgotten the traditional address of “Your Majesty”, yet wouldn’t be stopped —regardless of the shocked expressions on the people’s faces.
“You see, I love symbols, and when I draw people’s fingers, I can foretell events to come”.
So that was it, she’d thought, the reason why everyone was ranting about him. He’d better be more inspired at that than wigs, as her patience was wearing thin.
She’d had fortune tellers draw her cards a few times, but the fingers drawing part was curious enough to entice her into removing the glove off her eburnated fingers and letting him do his trick.
An eldritch feeling crept though her spine as he was uttering words for each of the fingers he drew on with a slight pull of his hand, just enough not to crack the joints.

In the bed warmed to a delightful temperature by the bouillotte, she began sliding into deep sleep, while a mixture of words half-forgotten or half-remembered danced around in her mind like the swirls of snowflakes dying on the warm window of her chamber: “funny moment, cold diversion, dream parade, house moustache pink, blue wonder carpets, possible king turned, green mirror travel, understand whole large parade”…

With the flood of water that was spilled on the land after the crash of the plastic-wrapping-the-now-melted-iceberg-ship dragged along by the strong pull of the engine for miles inside the lands, a huge pool had started to form that began to gather animals around.

The blessings of the fresh water was in fact such that, not long before they managed to have their feet back on terra firma, the three valiant musketeers Sharon, Gloria and Mavis with their chivalric Akita and his faithful spirit dog Kay were surrounded by the most diverse fauna they’d been seeing in days.

— Lookit that! Can ye believe it?!
— Zebra, zebra,… ZEBRA!
— What’s up with your underwear Glor’?
— Zee-bras, no bloody brassieres! See?!
— Well, no bloody wonder, it just looks like the Serengeti
— What bloody gothic serum?
— Jeeze, Serengeti! In Tanzania… Africa, the land of the Maasai, bloody Lake Victoria et cætera
— Oh, you don’t start getting that snotty tone again…

Leaving for a moment the ladies at their cultural talks, Akita went for a walk with Kay, looking for some clues on how to get moving in this faraway place. He’d hoped to reach Egypt and the Suez Canal to get the ladies back to Europe, but obviously the single-use strange iceberg-ship was planned for Africa, and not much further.

Kay always had most puzzling associations to bring up in their conversations. “Well,” he’d say “besides all these blue bulls isn’t it funny that the zebras are a variety of indigo’s…”

“You’re a funny dog”, Akita told him “what is that supposed to mean?”
“Obviously it’s an analogy…”
“A bit too bloody subtle” Akita was starting to talk awfully like the ladies…
“Zebras are symbols for a people who have a funny way of blending in… Or actually to not blend in. They’re symbols of the weirdos of your societies. Affectionately said, of course. I do consider you and your girlfriends a bit on the weirdo side by the way…”
“Well, that’s nice… I suppose?”
“It’s all symbols, and it’s dream-time, so pay attention dear one.”
“If you say so” Akita said with a shrug
“It is not uncommon to find in dream interpretation books some funny sentences like

Dreaming of zebras running fast indicates you are interested in fleeting enterprises. If you dream of a wild zebra in its native environment, you might try a pursuit that could bring unsatisfactory results. Beware of those with multicolored stripes.” The Everything Dreams Book

“Now,” Kay was continuing his near-monologue as they were still walking “what is that supposed to mean; if that were a dream you were dreaming, would you use that one-fits-all approach to interpret that zebra dream?”
“Who cares, really, it’s not as if I’m dreaming anyway…”
“Of course, you’d know better; but anyway, that brings me to the multicoloured zebras. There are children who have started some years ago to manifest en masse on this planet with different views, a wildly different approach on life. People around your world have started to label them “indigos”, another shade of blue if you will. I wouldn’t be so circumspect in my dealing with funny coloured animals, if I were you…”
“I’ll be damned if I understood a word of what you just said… Perhaps you’re right and I’m dreaming after all…”
“You can say that again.”

It felt like she’d been projecting for hours —in and out of her body, often brought back by the incomfort of the warm and moistly room, where the rheumatic fan was blowing a measly wind full of humidity.

The rabbit she’d seen a few hours ago was ‘wanishing’, like a gentle feeling of pure joyful happiness holding by a thread that you try to reminisce before lapsing back into the old patterns of self-doubts.

She didn’t have to strain herself so much, she suddenly realized; it never worked well when she tried to push it. She wanted the clarity of the projection to be deeply anchored within herself, and not some stroboscopic view of her grim reality sandwiched in glimpses of blissful clear lightness.

So, she decided to wait for the moment to be back. Time didn’t really matter once you projected, but here in this reality time still mattered, and you had to find the proper exit-way. Not all moment seemed to work well.
There were old books in this room, most of them, her son probably did pile up without even reading them. Some of them evoked the the birth pangs of the new era they were still building, which had started about 30 years ago. Now, in 2038 she was old, but back then she was in her mid-life and fully aware of the good aspects and not so good aspects of this life. She had yearned for the changes, and it had come; she had outlived most of them, and the books probably wouldn’t tell her much that she had not actually lived. Probably her son was keeping them because of his beliefs on wasting his investments.
She, for one, couldn’t care less about them.

She picked a little book, with a few words and mostly drawings and symbols on it, and she smiled. She’d seen some of these symbols in her dreams, she related to them; she didn’t need the words explaining them; words were just the authors’ translations, and she trusted her own before them. But the book was making her feel good.

She leaned back in her bed, maneuvering the rolling bed to be in front of the last beams of light of the day.
She could see the full moon rise, and she felt peaceful.

When she noticed she was in front of the cave, she wondered how long she’d been out of her body without knowing.
She could see the moon higher in the sky than when she was in her room, and she could feel an energy of excitement.

Anita was finally coming out of this underground trip with her parents. Seeing the little girl in the flesh would be such a revelation for her, she was thrilled to the point of even forgetting her doubts about the possibility that she was really becoming insane.
She didn’t know why or how, but she would convince her son to offer them some shelter, so that they could settle before getting home. She had so much to learn from the little one she could feel. She was really wise beyond her age…

Voices where starting to fill the silent space:

“Anu! It’s been hours now we’ve been in these damp corridors, are you sure you know the way?”
“Yes Mum, we’re almost there…”
“Here, I can see the light Lily!”
“Yes, I can see it too Aaron!”
“Wow, the moon is full, it’s so lovely”

After the couple had emerged, Balbina could see Anu wink at her. She was seeing her! Now, she only need show her the way to the house!

Lady Eagleston enjoyed staying in the warm potting shed, taking her time to enjoy, appreciate and admire the ecstatic beauty of the blooming orchids. She let her thoughts wander for a few moments in the pleasant place smelling of cedar.

Her old friend, Hector Coon had sent her a rather unusual present this morning: a few bits coming from a watermelon’s rind strangely carved with unusual symbols. What an eccentric charming old fool this Hector…
They both loved to do each other unexpected presents of which they would then try to find some underlying meaning. Not that there was any such meaning to be identified most of the time, but it was some time pleasantly spent.

So, she had thought the only place safe to bring the bits to was here — mostly to protect them from the furious cleaning practices of Finnley, who wouldn’t have the pleasure to throw them to the garbage this time. She had seen his disgusted look when she had opened the package with excitement.
Well, now what would he imagine she was doing in there?…

As she was sinking to the bottom of the raging sea, Madame Chesterhope first felt like a boiling rage inside her, at all the thwarted attempts, all the unfulfilled promises.
Not a solid thing on which to carve a few runes or symbols to get herself out, not a single living being to use at her profit, she was alone, at the mercy of gravity.
Not unexpectedly, flashes of her life, of her many lives, flickered like incoherent pieces of an unfinished mosaic in her mind.

When did it went wrong? she thought… When did she lose touch with her magic.
Not the mundane magic, not the one she used for these parlor tricks devoid of meaning, like that beautiful flying motorbike which was drowning even faster than her… She was speaking of her inner magic, her sense of connection with the elements, with herself, Phoebe.

What had become of the frail grey-haired lady the apparency of whom she was so fond of taking years ago?
She was tempted to blame many things; the twenty-first century of her own dimension, for one, which had made her rough and tough, out of need perhaps, and perhaps a bit out of laziness. It was out of tiredness mostly, tiredness to have to constantly justify her appearance to others, that she had chosen a more convenient one; that of the crone with more rotund forms, of whom one would only expect austerity and strength.
You can see where it had led you. she was thinking.

A few more miles further down, and perhaps she would meet the mermaids, like the guy said in that Big Blue motion picture…
Maybe there was some purity left in her heart, that would make the inhabitants of the depths greet her wretched soul. Or perhaps they all died before her, from the pollution of this strange world mutating in pangs and spasms of a painful childbirth.

And what would you do now, if you have the choice? that sweet voice, like that of a thin grey-haired mermaid, was it her own, testing herself?
The quest for magical artifacts seemed so far away at this moment. It had begun a long time ago, led her to discover new other-dimensional places… new tricks, all of them for what? To gain control over the elements, the others, everything that could threaten her, force her to change. How ironic. That the fear of change made her change so drastically.
She wanted to make peace with all of that. The mermaids weren’t coming, but her own voice was still there for her. Perhaps she could muster the strength. To continue…

Mustering all her force, she forcibly expressed the most propelling “prout” she’d ever made. Of course, she’d been learning a few tricks from the legendary Fartiste back in her youth when she went to Paris to perform at the Moulin Rouge… Sweetest time of her life, she had to admit…

On the surface of the waters, bubbles started to form.

Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

In the flying car, Al was mentally reciting mantras and drawing symbols, and was distractedly participating in the conversation which he could follow thanks to telepathic transfers he grasped from his friends conversations.
His gums were now much better, and he had recovered a wonderful smile with shiny pearl-white teeth.

The car interior was now a bit small for them five, and Tina’d had to press herself on Al and Becky, who was almost disappearing in her boubou full of folds, her head wedged against the hat and the hat against the roof of the car.

— Can’t we get some air in there? asked Tina, who was feeling she needed to breathe more.
— Err… Let me check

Sam’s friend was looking clumsily at some buttons for one to release the hood.

— Watch out! Becky cried, propping up her hat which had fallen on her eyes.

They had narrowly missed a bunch of balloons floating in the middle of the buildings.

— Jeeze! It’s no better than the submarway this thing… Becky was being fidgety at everything and was wishing for the whole wedding preparations to soon be over.
— Is that a frog we hear? asked Armando who had finally released the hood, having Becky clutch her hat, as well as little Chump, with the strong wind now blowing on their heads.
— WHAT? FLOG A TIRE? Tina was shouting now, seeing now all the benefits of being able to telepathically communicate…

A click on a button. The hood was again put on top of the car.
— Bit too noisy, hey? said Armando
— Well, didn’t really mind said Albert dreamily

— Oh dammit! Is there a damn frog in that car’s engine or what? Armando was stressed.

Tina looked at Sam in the rear-view mirror and spluttered affectionately. Al had just mentally expressed he was experimenting with new yeast actions in his digesting system, and that there was some minor inconveniences on which he would have liked some discretion… His belly was swelling funnily and making gargoyling noises…

— Ahahah, a frog… perhaps even a blue-bullfrog with all that frogging noise! Tina was feeling surprisingly exuberant.

Before leaving the castle, the fake Viscountess needed to check something on the skull…
Was it a genuine one? She had almost trusted the so-called experts of the auction room, while she knew perfectly well that they only could see what they knew. And they didn’t know as much as her.

To her knowledge, there was only a handful of genuine old crystal skulls. But counterfeits were legions and a plague for such a skillful cat burglar as she was. Well, cat-burglar,… perhaps not as acrobatically as she used to… As a matter of fact, her life-long search for these skulls had suffered the competition of a little embonpoint… — the good thing being that those few sticky superfluous pounds had been perfect to impersonate the Viscountess.
In the past, she had come across a few of these fake skulls and most of them bore very similar indications leaving her to think stakes were high that they were coming from the same con-artist.

She methodically drew a little dagger from a scabbard at her belt. Going to one of the window, she drew one of the curtains a few inches to reveal the pale sun of Shropshire which was already fading.
Then, she turned the jeweled hilt in such a special manner that a soft clicking sound was heard, and a beam of light started to converge from the sun rays into the dagger. She directed the ray coming from the tip of the dagger’s blade into the bottom of the skull, and hold her breath in expectation.

Soon the skull started to glow a bluish light, and light poured out of the skull onto the walls in dancing symbols, while a soft buzzing sound was being heard around, started to drown her in a slightly dissociated state.
She cut the dagger’s beam very quickly, her heart pounding at the validation. It was a genuine skull. One of the six.

She had to hurry, she needed to proceed on her investigations to find the missing ones.

The trunk was there. She took another key that she had around her neck, leaving the first one on the cupboard’s lock for the Viscountess to be freed as soon as she would be out.
With the key, she proceeded to open the high-tech lock of the armored trunk which opened with a blow of air.

Her jumpsuit was here, along with the two turbo-reactor powered condor-wings that she strapped on her jumpsuit in very professional movements.

A few moments later, with her big dark sunglasses that gave her the appearance of an obese fly, Carla was flying high over the countryside of England, enjoying the soft gliding on the slightly damp air.

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…