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http://www.north-of-africa.com/article.php3?id_article=418

This might be a better link for the comment about the connection between Egypt and Tuaregs

as well as the Egypt connection :

At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….)

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AND: The Tassili n’Ajjer

…..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

(this reminds me of Oversoul Seven! # book by Jane Roberts)

Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

more:

http://www.philipcoppens.com/tassili.html

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ENORMOUS CATS??????

Sanso was beginning to feel an urge to move. Waiting under the door in the ceiling in the cave tunnel, just watching India Louise and Illi fade in and out of view, and waiting for Dory and the parrot to return was getting boring. He was a wanderer by nature, and so he wandered off along the tunnel. He didn’t stop to wonder which tunnel to choose when he came to a junction, he just went with whatever one he happened to choose. He didn’t really mind where he ended up, that was the thing. This philosophy had always seemed to work well for him, because he ALWAYS ended up somewhere interesting; somewhere where he couldn’t imagine not being, once he was there, as if it was always the ‘right’ place to be, and at the ‘right’ time to be there.

The cave tunnel was becoming wider and less cramped. Sanso straightened his back and quickened his pace, and started to sing.

Hello Dolly, oh helloooo Dolly, do de dooo de do do dodedodedooooo……. chuckling to himself and wondering where on earth did THAT come from….. Oh helloooooo Dolly……

and walked right into a coatstand, of all things, getting splodged in the face with a rather smelly wet blue cape. The coatstand teetered and Sanso grabbed it to stop it falling over. There was a note pinned onto it:

Watch my shifting, Tell the time; Shape me wet, and Lose me dry; Colour me pink and grey and gold, and Find the secrets that I hold, What am I?

Sanso didn’t hesitate for a single moment. SAND!

Sanso grinned with delight at guessing the riddle so quickly, and then laughed out loud. How clever am I, he said, I guessed the answer to my own riddle! Still chortling, Sanso gave the wet cape a fond pat and set off again.

The tunnel was widening and eventually broadened into a cavern. Bright sparkling shafts of sunlight were beaming down from several holes in the cavern roof.

Sanso blinked a few times and squinted until his eyes became accustomed to the light. The cavern was huge, and everywhere he looked were paintings and markings on the walls, even the places impossible to reach. Some were creatures, some were symbols, in black and red and yellow and orange.

Sanso was entranced. He sank down to a sitting position, and then stretched out flat on his back, gazing at the markings on the walls. He stretched his arms out, filling his palms with sand and then letting it go, and trailing his fingers through the sand…sand…..

Sand! I may have got the riddle, thought Sanso, but I didn’t get the POINT of the riddle being there in the first place!

HHMM, I’m not so clever after all……

Becky and Sam were chatting on the phone. I want a day off from shifting, Becky sighed.
I was saying that yesterday, Sam said, bugger off the shift.

Becky was reading the rough notes for the new dimensional reality play they were working on with some friends from the create-your-own-drama group

“You eat with me? Come on, sit down and tell me how you got there?” who is saying this, Georges or Dory? Becky asked Sam. She didn’t want to admit it, but she was finding the plot increasingly hard to follow.

Dory, Sam replied, and then added, In my perception.

Becky sighed, and then giggled, making a mental note to review the criteria for Day Off Shifting Day… It could be an awful lot of fun, too, this shifting, maybe Focus on Fun Day instead…

… She needs to be like a host, Sam was saying. Becky hadn’t been listening properly and wasn’t quite sure what he meant.

Ok, so pretend I am Dory right now and I say: How did you get here Georges?

Hahahahh I won’t spoil you! Sam laughed, and Dory harumphed a bit to herself, wondering how to deal with the unexpected appearance of Georges. Not that she wasn’t delighted at the surprise visit, and quite charmed by him.

‘Enchanté’ he’d said, and she giggled again.

To Sam she said Oh I thought that would be an easy help. Then she had an idea.

I will write Georges smiled a big toothy grin, and said ‘I won’t spoil you’

Never speechless for long, Dory wondered out loud if she should just hurry along into the cave and hope to catch up with some other expeditioners, or explore the area around the cave first.

Have a look around, a voice in her head said. Ever the wanderer, always curious to just see what’s around that next corner, and the next….Dory wandered through the strange tall rock shapes. In a sort of natural passageway between vertical rock faces she came upon a group of people squatting next to a large oblong hole in the ground. The womans shawls and headscarves were flapping madly in the wind as she conversed with a boy of about 13, and it seemed to Dory as though they were discussing moving something so that it wouldn’t be found. Dory stood perfectly still just watching, and somewhat strangely they didn’t seem to notice her standing there.

An older man with curly grey hair and a long maroon djelaba and a tall narrow brimless black hat started to hurry away, as if a decision had been made.

Dory watched him until he disappeared from view. When she looked back towards the hole in the ground, it had vanished, and so had the woman and the boy.

PPFFFT! Dory had been deserted again. She turned and headed back towards the cave. Suddenly she felt hungry, and an image of a plate of cool crunchy coleslaw popped into her head.

I hope they’ve laid food on in the cave, she said.

After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.

She found this quite irritating. They are really bit rude around here, she muttered.

Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.

It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.

(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)

All I have done is wander around dark passageways really.

And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?

AND if one more person tells me to use my magic I will probably scream or something!

Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.

And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.

Oh cute, said Arona, a talking cat.

Cute yourself, responded Mandrake, love your cape by the way.

(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)

Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.

Mandrake sighed in an impatiently eggsagerated sort of a way.

Heavens to murgatroyd^¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?

All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.

of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!

—

[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .