Search Results for 'wandered'

Helix 25 – Onto The Second Murder Investigation

Very strangely, it was a lot less chaotic in the Lower Decks, while the Upper Decks were having a rave of a time with the moon and mood swings.
Evie stood over the diagnostics table, arms crossed, watching as Luca Stroud ran his scanner over Mandrake’s cybernetic collar. The black cat lay still, one eye flickering intermittently as though stuck between waking and shutdown. The deep gash along his side had been patched—Romualdo had insisted on carrying Mandrake to the lab himself, mumbling about how the garden’s automated sprinklers were acting up, and how Luca was the only one he trusted to fix delicate mechanisms.

It had been a casual remark, but Evie had caught the subtext. Mandrake was no ordinary ship cat. He had always been tied to something larger.

“Neurolink’s still scrambled,” Luca muttered, adjusting his scanner. “Damage isn’t terminal, but whatever happened, someone tried to wipe part of his memory.”

Riven, arms crossed beside Evie, scoffed. “Why the hell would someone try to assassinate a cat?”

Luca didn’t answer, but the data flickering on his screen spoke for itself. The attack had been precise. Not just a careless act of cruelty, nor an accident in the low-gravity sector.

Mandrake had been targeted.

Evie exhaled sharply. “Can you fix him?”

Luca shrugged. “Depends. The physical repairs are easy enough—fractured neural pathways, fried circuits—but whatever was erased? That’s another story.” He tilted his head. “Thing is… someone didn’t just try to kill Mandrake. They tried to make him forget.”

Riven’s frown deepened. “Forget what?”

Silence settled between them.

Evie reached out, brushing a gloved hand over Mandrake’s sleek black fur. “We need to figure out what he knew.”

It had been Trevor Pee—TP himself—who first mentioned it, entirely offhand, as they reviewed logs of the last places Mandrake had been seen.

“He wasn’t always on his own, you know,” TP had said, twirling his holographic cane.

Evie and Riven both turned to him.

“What do you mean on his own, I though he was Seren’s?”

“Oh, no. He just had a liking for her, but he’d belonged to someone else long before.” TP’s mustache twitched. “I accessed some archival records during Mandrake’s diagnostic.”

Evie blinked. “Mmm, are you going to make me ask? What did you find?”

“Indeed,” TP offered cheerfully. “Before Mandrake wandered freely through the gardens and ventilation shafts, becoming a ship legend, he belonged—as much as a cat can belong—to someone.”

Riven’s expression darkened. “Who?! Will you just tell?!”

TP flicked his wrist, bringing up an old personnel file, heavily redacted. But one name flickered beneath the blurred-out sections.

Dr. Elias Arorangi.

Evie felt her heartbeat quicken. The name echoed faintly familiar, not directly connected to her, but she’d seen it once or twice before, buried in obscure references. “Dr. Arorangi—wait, he was part of the original Helix design team, wasn’t he?”

TP nodded gravely. “Precisely. A lead systems architect, responsible for designing key protocols for the AI integration—among them, some critical frameworks that evolved into Synthia’s consciousness. Disappeared without a trace shortly after Synthia’s initial activation.”

Riven straightened. “Disappeared? Do you think—”

TP raised a finger to silence him. “I don’t speculate, but here’s the interesting part: Dr. Arorangi had extensive, classified knowledge of Helix 25’s core systems. If Mandrake was his companion at that crucial time, it’s conceivable that Arorangi trusted something to him—a memory, a code fragment, perhaps even a safeguard.”

Evie’s mouth went dry.

An architect of Helix 25, missing under suspicious circumstances, leaving behind a cat whose cybernetics were more sophisticated than any pet implant she’d ever seen?

Evie looked down at Mandrake, whose damaged neural links were still flickering faintly. Someone had wanted Mandrake silenced and forgotten.

Later, in the dim light of his workshop, Luca Stroud worked in silence, carefully re-aligning the cat’s neural implants. Romualdo sat nearby, arms crossed, watching with the nervous tension of a man who had just smuggled a ferret into a rat convention.

“He’s tough,” Luca muttered, tightening a connection. “More durable than most of the junk I have to fix.”

Romualdo huffed. “He better be.”

A flicker of light pulsed through Mandrake’s collar. His single good eye opened, pupils dilating as his systems realigned.

Then, groggily, he muttered, “I hate this ship.”

Romualdo let out a relieved chuckle. “Yeah, yeah. Welcome back, Mandrake.”

Luca wiped his hands. “He’s still scrambled, but he’s functional. Just… don’t expect him to remember everything.”

Mandrake groaned, stretching his mechanical paw. “I remember… needing a drink.”

Romualdo smirked. “That’s a good sign, yeah?”

Luca hesitated before looking at Evie. “Whatever was wiped—it’s gone. But if he starts remembering things in fragments… we need to pay attention.”

Evie nodded. “Oh, we definitely will.”

Mandrake rolled onto his feet, shaking out his fur, a small but defiant flick of his cybernetic tail.

“I have the strangest feeling,” he muttered, “that someone is still looking for me.”

Evie exhaled.

For now, with his memory gone, he would probably be safe, but a killer was in their midst and they needed to find out the truth, and fast.

Elara — Nov 2021: The End of Genealogix

The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

Matteo — Easter Break 2023

The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

“Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

“This guy’s great,” Matteo said. “What happened to him?”

“Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

“The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

“Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

“Reinventing where they came from, like us, always reinventing where we go…”

Juliette chuckled but didn’t reply.

Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

“Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

The Waking 

Lucien – Early 2024	Darius – Dec 2022	Amei – 2022-2023	Elara – 2022	Matteo – Halloween 2023
Aversion/Reflection	Jealousy/Accomplishment	Pride/Equanimity	Attachment/Discernment	Ignorance/Wisdom
The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.”	The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know.	Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find?	Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.”	Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
“No resentment, only purpose.”	“You’re not lost. You’re walking your own path.”	“Messy patterns are still patterns.”	“Let go. The beauty is in the flow.”	“Everything is connected. Even the smallest light adds to the whole.”
The Endless Chase – Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.	The Wandering Maze – Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”	The Woven Tapestry – Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.	The Scattered Grains – Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.	The Mandala of Light – Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

---

Dreamtime

It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

Darius: A Map of People

June 2023 – Capesterre-Belle-Eau, Guadeloupe

The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

Darius accepted it with a quiet laugh. “Merci, tatie.”

As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

“Nice scarf,” Darius said casually as he passed.

The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

Sat. Nov. 30, 2024 5:55am — Matteo’s morning

Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.

He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.

Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.

He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:

Lucien. Elara. Darius. Amei.

He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.

The strangest part wasn’t the names— it was the certainty that he’d see them that day.

Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.

Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.

The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.

“You’ve never come inside,” she said, her voice soft but certain.

“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.

“Today, you might,” the woman said, stepping forward. “Looking for something specific?”

“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.

“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”

“What’s uncommon about a bell?”

The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”

Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.

“How much?”

“For you?” The shopkeeper tilted his head. “A trade.”

Matteo raised an eyebrow. “A trade for what?”

“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”

It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.

Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.

Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.

 

The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.

Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.

By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.

He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.

As Frigella, deep in her investigation of Herma’s cottage, meticulously examined the chest’s contents looking for potential clues missed at first glance that could explain more about the postcard, with its distinctive stamp featuring an ear of maize, she couldn’t shake the feeling of being watched.

“By the gods, not that interloper again,” she muttered under her breath, sensing the familiar prickling at the back of her neck. She knew Cedric’s gaze all too well—part curiosity, part menace. The young witch hunter was like a moth to a flame, drawn to the coven’s mysteries and, more specifically, to Frella herself, for reasons that likely perplexed even him.

Herma, oblivious to the undercurrents, continued to sift through the chest with Frella. As the silence thickened, Frella’s mind wandered to the last encounter with Cedric. His naïve bravado was almost laughable, yet there he was, lurking in the shadows, ever the novice hunter out of his depth.

“Careful, Herma,” Frella warned with a sharp glance at the window. “We may have an unwelcome observer. This certain Cedric Spellbind has a knack for being where he shouldn’t.”

Herma chuckled, dismissing the tension with a wave. “Him? A mere boy chasing phantoms. He won’t bother us.”

Frella wasn’t so sure. Spellbind’s persistence was a nettlesome thorn, yet she knew how to handle such a busybody. For now, she would focus on the task at hand, but a mental note was made: keep an eye on Cedric. He was, after all, as unpredictable as the spring winds that brought them here far too early.

While the other sisters were mingling, and trying to figure out with some circumspection, the good which could come out of this union, Eris had retreated in a quieter corner of the cloister. After all, and despite the renovations made to cater to external seminars, workshops and celebrations, it remained a place of mystery and introspection. The stone walls had this deep cold quietness which felt refreshing in the scolding heat of things.

For the past weeks, Eris was mulling over the impossible assignment given by Austreberthe to conduct a reorganisation, which seemed preposterious. Now, with the merger in motion, it had become plain for the Quadrivium board of directors that there was a need to change their way.

Put in another way, they were basically saying that the autonomous functioning of their small squads of witches wasn’t helping for a larger expansion, and had to move to more industrial separation of tasks, something of a matricial organisation. The irony wasn’t lost on her — talking about mothers, matrix, but actually being more bent to patriarchal structure with all the new additions asked for by the merger of figureheads: head of product, head of delivery, head of convergence all these new roles to invent —yet feeling thoroughly alien, akin to grafting machine onto a living organism. The Quadrivium had always thrived on its autonomous squads, and the idea of industrialising their structure seemed almost heretical.

The undertakers consultants, with their methodical approach were supposed to help, but she hadn’t been able yet to make them work for her, as she could see them struggle with the finer nuances of their craft.

Looking for inspiration in the quiet space she’d found, Eris closed her eyes, drawing a deep breath. Her mind wandered to her Aunt Amara’s garden, where order and chaos coexisted in a delicate balance.

A plan started to present itself, almost like one of those annoying lists that Malové would often love to provide.

It had to start with mapping the terrain —the existing strengths of the autonomous groups in the coven. It would require documenting their capabilities, ongoing projects, and key members, creating a clear picture of what the coven had to offer.

Then to look at potential synergies between the squads and the new roles Austreberthe envisioned. The Head of Product could harness the creative energies of the crafting squad, while the Head of Delivery might streamline the efforts of those specializing in executing the vision into tangible deliverables. The Head of Convergence would need to be a master diplomat, someone who could bridge the gap between the nuns and the witches.

More subtle, but with potential, the next step came in boldly, with an impudence that could mean as much genius as it could spell out disaster: Hybrid Squads. Instead of dismantling the existing groups of the coven, she could propose hybrid squads. Each hybrid squad would retain its core identity but include members from the Cloister Crafts and have a liaison to the new heads. This way, the squads could maintain their autonomy while integrating new skills and perspectives.

She took a moment to ponder the implications.

Eris knew she would need to test this approach before full-scale implementation. She would start with pilot projects, assigning a few key squads to work under the new structure. Regular feedback sessions would allow adjustments and refinements, ensuring the system evolved organically.

That would be where the Morticians’ Guild would be able to support more directly. Garrett and Silas could facilitate the integration rituals and workshops to ease any lingering tensions. Rufus would ensure security, while Nemo, the analyst, would provide insights into improving efficiencies without compromising their magical integrity.

All this needed a catalyst, or this plan would drag on forever.

Drag on…

Nothing like a dragon crisis to put things in motion! There surely were abundant dragon energy left in those tunnels, powerful telluric energies to muster into a spell to invigorate and cement the newfound alliance between witches and nuns.

She snapped her fingers. Echo who was never far away, reappeared with a smirk. “I can see you have some devious idea. How can I help?”