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Flora came to her senses muttering something about a coachload of American tourists in Italy. Bert had been the first to arrive at the scene of the accident. Not one to flap in a crisis, he calmly picked up the injured woman and carried her to the sofa in the living room, instructing Prune to fetch the mop and clean the blood off the floor. By the time Bert had seen to the wound on Flora’s head, she was starting to come round, muttering gibberish and apparently confused.

“Where am I? Is this Florence or Rome? Am I late?” she asked, telling Bert she was perfectly alright now thank you, although she clearly wasn’t.

“No, you aint late, dear, it’s still quite early,” Bert replied soothingly.

“But I must get to the Vatican Library, I must be getting on now,” she said, trying to stand up.

Bert gently but firmly pushed her back down, saying, “Have a nice cup of tea first, plenty of time for that later.”

“What the dickens is going on now?” asked Mater. “What’s all this about Rome? Anyone seen my reading glasses?” she asked, peering around the room from the doorway.

Bert explained briefly, and asked Mater to sit with Flora while he went to make the tea.

Corrie:

“Get away from that door Prune, you nosy parker!” It wasn’t the first time I’d caught her eavesdropping outside room 8.

“Begone, thine tawdry wench, spaketh not thus to thine majesty or I’ll have thee hung drawn and quartered!” she replied in a whisper as she slid past me and ran down the corridor.

It suddenly dawned on me that this funny speaking Prune had been doing lately was something she was picking up on from behind that door. I inched closer to the door, bending down to press my ear to the keyhole. I was slightly off balance when the door flew open suddenly, causing me to stagger right into the room. Caught red handed, I could feel the blush rising as my hand flew to my mouth. There sitting on the end of the bed was what can only be described as an Elizabethan wonder woman superhero.

I backed out of the room quickly, but not so fast that I didn’t see what was on the bed behind the woman. It was the flying fish that had gone missing from over the fireplace.

Aunt Idle:

Really, the old girl is getting worse. Calling me a tarty trollop in front of the kids, it’s a damn shame nobody thinks of the children around here except me.

“I heard Mater calling Aunty a trollop,” announced Clove ceremoniously.

“What’s a trollop when its at home?” Corrie looked up with interest.

“A tart I think. Prune! get away from the door. I might not be able to see you but I can smell your stinky feet. Go have a bath or something.”

“Ye are the stinky tarty trollops” said Prune, feigning stately dignity as she poked her head around the door. “Dunna yer spake that way to her whose feet yer not fit to touch or nothing! Ye tarty trollops,” she added for good measure.

Mater:

I am concerned about Dido. The silly trollop has taken up drinking again—in front of the kids too. Mark my words, she will end up back in rehab if it goes on. Like last time. And then where will we all be? Those poor little mites without a father or mother and their Aunt fast turning into a crazy slush. There’s no telling her though. God knows I have tried in the past.

I can only hope she will settle down when that kiwi friend arrives—Flora someone. Though I don’t hold out much hope really. I have not met a kiwi with a half a brain in their head yet. And that awful accent! I don’t need this aggravation at my age.

Calm down, remember what Jiemba told you.

I have not told you yet about my visit to Jiemba, have I? There has been so much going on here, what with the fish going missing and that odd guest staying in Room 8 and Dido’s antics, it nearly slipped my mind.

It was Prune who hid the fish, of course. Sensitive wee thing — she has always had a particularly strong dislike of the awful old relic and I can’t say I blame her. Dido went ape when Prune eventually confessed, but secretly I found it rather amusing.

I digress, yet again.

In the end it was Bert who helped me more than Jiemba. The dear man waited out in the truck for me while I kept my appointment with Jiemba. And he held my secret safe from the others. I am grateful to him for that. It felt nice to have someone who would do that for me. On the trip back home he opened up and told me stories about the town. Apparently in its heyday it even had an ice-cream factory; I hadn’t heard that before. Nor some of the other stories he told me. There are not many left around here with the knowledge Bert has. I feel I may even pluck up courage to tell him what I have seen at the Inn. Perhaps he may have some thoughts on it.

But not just yet.

Jiemba gave me some salve made from native bush bark for my aches and pains. It seems he is more modern than his father—things change I guess. I wanted to ask him about the ghost, but what with the dogs and kids running around outside and the heat and the baby screaming in the house somewhere, I could not bring myself to do it. But one thing he said to me has stuck.

“Live from your heart”.

It was the way he said it. Very intense. He went quiet and stared at the floor for a long time while I tried not to fidget. As though he was communing with some spirit world I could not see. Though I would dearly love to. I have thought about those words since then, trying to figure out what they mean.

I’m not sure I can even find my heart, let alone live from it.

Aunt Idle:

Those maps got me remembering all kinds of things, not that I was fretting about the note because I wasn’t, but once I’d quit flapping about the note, all kinds of things started popping into my mind.

Odd little cameo memories, more often than not a mundane scene that somehow stuck in my head. Like that cafe with the mad hatter mural, mediocre little place, and I cant even remember where it was, but that number on the mural was just wrong, somehow. It’s as clear as a bell in my memory now, but not a thing before or after it, or when it was, other than somewhere in New Zealand.

I kept getting a whistling in my left ear as I was recalling things, like when I remembered that beach on the Costa del Sol, with a timebridgers sticker in the beach bar. I can still see that Italian man walking out of the sea with an octopus.

I can still see the breeze flapping the pages of a magazine lying on a bench in Balzac’s garden in Paris, something about a red suitcase, but I can’t recall what exactly.

A motel in a truckstop village in California…the sherry was making me drowsy. I almost felt like I was there again for a moment.

Conjure up a bowler hat, he said, while you’re out today. I forgot all about it (how often I thank my lucky stars for having a bad memory, I much prefer a surprise) and saw a delightful hurdy gurdy man wearing a bowler hat (In June! I do recall it was June). My Bonnie Lies Over the Ocean, he was playing. I’m sure to have forgotten that, but I made a video recording.

All these locations were holes in the maps, those ripped up maps the girls brought home from the Brundy place, just after I got that note. I was beginning to see a pattern to the connecting links between the letters ripped out of the map locations, and the wording in the note (which was made of ripped out letters from place names on a map, and glued onto the paper, as anyone who is reading this will no doubt recall). The pattern in the discovery of connecting links was that the pattern is constantly changing, rendering moot the need to decipher a plot in advance of the actual discovery of spontaneous development of the shifting patterns of discovery, and deliverance of the decipherable delegation of the delighted, promptly at noon.

Bert crept past room 8 again, listening. There it was again, the voice of a woman. How the heck did the dusty old geezer manage to smuggle a woman into his room? It didn’t make sense, there were so few people in the town that a strange woman would have been noticed, someone would have mentioned it. And the woman had a strange accent, Bert couldn’t place it, but it wasn’t an accent he was familiar with. Sounded almost old fashioned, although he couldn’t be sure. His hearing wasn’t so good these days. A foreign woman in town, and not a mention anywhere? No, it didn’t make sense.

Bert had a few jobs to do, but wanted to keep an eye on the door of room 8. Whoever was in there would need to come out to use the bathroom sooner or later. He decided to ask Prune to keep watch while he fed the chickens, Prune would enjoy keeping a secret, and he wanted to keep quiet about his suspicions until he knew a bit more. Nobody would find it odd to see Prune lurking around in a dark corridor.

“Do you not see that satchel o’er yon upon that fine stout table? Do but hand it this way, noble sir.”

Prune pressed her ear to the door and frowned. It was a woman’s voice, but what was she on about?

“Your Grace, I would sit with thee and spake…”.

Her name must be Grace, deduced Prune, wondering why the old dusty bugger was speaking funny as well.

“…..whence I have received from thee the artefact. Get to it, you lay about excuse for a man, I do ha’e me most urgent and important things to apply my considerable value upon.”

What a rude tart, thought Prune, and she hadn’t even paid for a room. She heard no more from inside the room because at that moment Aunt Idle came roaring and crashing down the corridor with the hoover. Prune scuttled off past her and went to find Bert.

Prune had just started to explain to Bert about Grace when Mater came beetling across the yard to join them.

“Bert, where’s the fish gone?”

Bert and Prune looked at each other. “What fish?”

“The flying fish that’s been hanging on the wall all these years, it’s gone,” she said, pointing towards the house with her walking stick.

Open mouthed in astonishment, Prune raced back to the house to check for herself.

Aunt Idle:

After all the fuss had died down about the missing Mater, I lost interest in the map and the strange note. It was as if the distraction interrupted my train of thought (some might say another of Idle’s hamster wheels, or another ludicrous tangent), so I gave the maps back to the girls and the mysterious note was mostly forgotten. If it meant anything, well, sooner or later it would become clear.

Truth be told, it wasn’t just the fuss about Mater that distracted me, it was the phone call from my old friend in New Zealand. Flora Fenwick was making another of her arty party videos, wanted to come over to check out some of the empty properties for filming. I’d seen all her arty farty party videos online, and we’d been friends for years via Spacenook, but we’d never met in person.

The timing was perfect.

Corrie:

“Why have you locked your door, Aunt Idle?” I asked, after waiting rather a long time for her to open it. She looked a bit flushed, so I looked around to see if she had another feller in there but she didn’t, not unless he was hiding in the closet. She didn’t usually hide her lovers from us though, and anyway, I had more important things on my mind.

“Mater’s still missing and it’s been dark for an hour already, what should we do?”

Aunt Idle just stared at me with her mouth open and didn’t say anything.

“We can’t just go to bed, what if something’s happened to her? Nobody even knows where she went!”

“Mater’s missing, is that what you’re telling me?” she asked, just as if it was the first she’d heard about it. “Have you checked her room? Did she leave a note or a clue or anything? For heaven’s sake, Corrie, why on earth didn’t you tell me sooner! Go and fetch Prune, well wake her up then!” she added as I protested that she’d gone to bed ages ago. “Prune always seems to know things. And where’s Bert? Has he seen her?”

“I’m trying to tell you, Auntie, that nobody knows!”

Aunt Idle:

I took the rolled up bundle of torn maps into my bedroom and locked the door. I turned the key silently, almost furtively, and then leaned my back on the door. If there had been a security cam in the room, I’d have looked to anyone watching like I was over dramatizing. Ham acting drama queen. Hoped none of the Laptop Lazuli’s, my remote viewing buddies, were tuning in. Thinking about them gave me an idea, but I’d think about that some more later.

After spreading the maps on the floor and sending a half dozen dust bunnies scampering off, I went over to my desk to get the note. I found it in the end, after flapping a bit when it wasn’t where I thought I’d left it.

It didn’t take long to start matching up the letters on the note with the holes in the maps. I started jotting the place names down as best as I could work it out, and of course there were plenty of letters on the note without a corresponding map segment. But it was clear that the letters on my note had come from these maps.

The funny thing was, and it was more creepy than funny, was that all of the places on the map with a missing letter were places of particular significance to me. Either I’d been to that place, or it was a place in The Tales, the stories I’d been writing with the Lazuli’s online.

One of the I’s was from Paris, one from Sri Lanka and another from Siberia. There was an R from New York, a D from London and an H from Shanghai, and so on. After awhile I started to notice that all the letters on the signature of Hilde Didier were from locations in The Tales, and that the content of the note, so far, was constructed of letters ripped from places I had been to. Places I’d been to where I’d left in a hurry.

I needed to find the rest of the maps to complete the picture.

Corrie:

Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.

“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”

How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.

Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.

Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:

“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”

Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.

Sighing, I refocused on the article.

“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”

No mention of a room full of map covered mannequins in the Brundy place though.

The knock on the bedroom door awakened Crispin Cornwall.
“Yes? Who is it?”
“It’s Clove, I’ve brought your supper, sir.”
Crispin eased his limbs into action and shuffled over to the door. As soon as he’d been shown to his room in the early hours of the morning, he’s lain down on the bed and slept like a baby, not stirring until the knock on the door. It had been seventeen weeks since he’d last slept, not that he needed sleep in the usual sense, but sometimes even the Great Travelers needed a complete break with the physical. Dragon’s teeth, he said to himself, it made a body stiff though, all those hours of inactivity.
“It’s beans on toast, Aunt Idle said you weren’t fussy,” the girl said, politely enough, though she looked him up and down. “The laundry and shower room is down the hall, thataway, sir.”
Crispin took the plate off the girl, the corner of his lip curling up in amusement. “Look like I need a wash, do I?”
“Sorry sir, didn’t mean to be rude, it’s just that most guests ask for a shower when they get here, dust on the road and all. Will there be anything else you want? Pot of tea? Bottle of wine?”
But Crispin Cornwall had already closed the door. Clove heard the lock click. Rude filthy old fart, she thought to herself.

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

Mater:

I am 73 years old and some think I look pretty good for my age. Not the kids—the kids think I look as old as Methuselah. When I was young my hair was jet black. Now it is white and I wear it in a long braid down my back; it is easy to look after and I certainly don’t trust Dodi to cut it, though she has offered. I wash it once a week and put vinegar in the final rinse to get rid of the yellow tinge. My back is straight, no dowager’s hump like some my age, and I can still touch my toes at a push. I married my childhood sweetheart—the love of my life—in 1958 and he died of sickness, April 12th, 1978. My favourite dish is spaghetti and meatballs. When I was younger, when I lived in Perth, I was a milliner. I don’t make hats now; there is not the same demand out here. And of course there is Fred, my son, who scarpered God-knows-where a year ago.

It isn’t much to say about a life, but I suspect it is way more than you wanted to know.

This reminds me; Dodi went to a funeral in Sydney a few months ago. The funeral of a dear school friend who died in a motor vehicle accident. Not her fault, as I understand it. She was driving along, minding her own business, returning home from a quiet night playing trivial pursuits at the local community centre. A teenage driver lost control of her car. She was fine; I mean the other driver was fine, barely a scrape. Dodi’s friend was not so fortunate. At the funeral of her friend—I forget her name—the place was packed.

At the time, when Dodi recounted the events of the funeral, I started thinking about my own future demise. It may perhaps sound morbid, or vain, but I found myself wondering who might be there to see me off. Other than the family, who would be duty bound to attend, I couldn’t think of many who would care enough to pay their respects—perhaps a few locals there for the supper afterwards and a bit of a chinwag no doubt.

I am rambling; I have a tendency to do that. I can’t blame it on old age because I have always rambled. The point is, I don’t think I have done much with my life. And this saddens me.

However, I suspect this is of less interest to you than the ghost I mentioned earlier.

The idea of a ghost is not a new concept at the Flying Fish Inn. It has been around for as long as we have been here. But it was just a joke—it wasn’t a real ghost, if you see what I mean. Every strange noise or other untoward happening we would blame on “the ghost”. The dilapidated look of the place lent itself very well to having resident ghost, it was almost obligatory, and Fred even had a plan to market our imaginary ghost as a tourist attraction.

So what changed? Well, I saw him.