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In reply to: The Last Cruise of Helix 25
Helix 25 – The Genetic Puzzle
Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.
She took a sip of her long-cold tea and exhaled sharply.
Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.
The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.
Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.
Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.
But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.
Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.
Except in this case, there was evidence that something had triggered them.
The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.
And more surprisingly… it wasn’t truly random.
Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.
The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…
She rubbed her forehead.
“Impossible.”
And yet—here was the data.
On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.
Earth – The Quiz Night Reveal
The Golden Trowel, Hungary
The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.
Once the postcards shared, everyone was listening as Tala addressed the group.
“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”
Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.
She turned toward Vera, who was already inspecting her own card with keen interest.
“Tower of London, anything exciting to share?”
Vera arched a perfectly sculpted eyebrow, lips curving in amusement.
“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”
She spun the postcard between her fingers before answering.
“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”
“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”
Molly inhaled sharply.
Remnants of the Lady of the Lake ?
Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.
If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…
Her fingers tightened around the postcard.
Unless there was something behind her ravings?
Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”
Finja had spent most of the evening pretending not to exist.
But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.
“Alright,” she muttered. “But just one.”
Molly exhaled in relief.
The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.
Because it wasn’t just Molly who wanted to ask.
Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.
Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.
So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.
Finja closed her eyes.
The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.
The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.
She reached out—
And the voices crashed into her.
Too much. Too many.
Hundreds of voices, drowning her in longing and loss.
“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”Her head snapped back, breath shattering into gasps.
The crowd held its breath.
A dozen pairs of eyes, wide and unblinking.
Finja clenched her fists. She had to shut it down. She had to—
And then—
Something else.
A presence. Watching.
Her chest seized.
There was no logical way for an AI to interfere with telepathic frequencies.
And yet—
She felt it.
A subtle distortion. A foreign hand pressing against the link, observing.
The ship knew.
Finja jerked back, knocking over her chair.
The bar erupted into chaos.
“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”Her breath came in short, panicked bursts.
She had never thought about the consequences of calling out across space.
But now…
Now she knew.
They were not the last survivors. Other lived and thrived beyond Earth.
And Synthia wanted to keep it that way.
Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.They were coming back.
In reply to: The Last Cruise of Helix 25
The village lay huddled before them, appearing like a mirage as they reached the top of the rise. Habitation always looks so picturesque when it’s been taken over by nature, Molly thought, by no means for the first time. Even before the collapse, she had penchant for overgrown abandoned ruins. Vines and ivy rampaged gleefully over the houses, softening the hard outlines, and saplings reached for the sky through crumbling roofs.
The survivors had stopped on the low hill to survey the scene, but soon they were rushing down towards the village to explore. As they came closer they could see all the cucumbers and courgettes dangling from the festoons of vines. Molly had visions of cucumber sandwiches on delicate thin sliced white bread with a piping hot pot of tea. But a waterey tasteless courgette soup will have to do, I suppose.
It was mid afternoon but there was no debate about continuing the journey that day. There were all the houses to search, and several shops, and more importantly, shelter for the night. The rain clouds were approaching from the east.
The church was chosen as a base camp as it was spacious enough to accomodate them all and the roof was intact, all but for the collapsed wooden tower which would provide wood for a fire. Lev and Luka set to work organising the space inside the church, supervised by Molly, Gregor and Petro, who wanted to rest. The others had dumped their bags and gone off to explore the buildings for supplies and forage in the overgrown gardens.
Tundra, happy that for once the responsibility of finding food was shared with so many other people, indulged her curiosity to just snoop around aimlessly. Clambering over a crumbling wooden porch, she pushed open what remained of a peeling door and stepped carefully inside. Venturing around the edges of the room, she peered at all the faded and warped framed photographs on the walls, portraits and family groups, wondering about the family who had lived here. There was a tray on a side table inscribed with Greetings from Niagara Falls! in a jolly cursive script, and an odd shaped rusting metal object with the words Souvenir de la tour Eiffel.
Slowly Tundra toured the house, inspecting all the objects in the rooms. Gingerly she made her way up the stairs, testing each riser before committing her weight to it. In a small bedroom packed with decomposing plastic bags and cardboard boxes spilling their assorted contents, she came upon a pile of letters and postcards, yellowy and curling, with mouse nibbled edges. Molly had told her about grandads postcard collection, but he’d taken it with him and she’d never seen them herself. I wonder what happened to that ship? Is my grandad still alive? Tundra sighed. Maybe he’ll come back one day. And my dad.
Sitting on the floor, Tundra sorted out the intact postcards from the badly damaged ones. She would take them with her to look at later, maybe ask the others what they knew of all the pictured places.
In reply to: The Last Cruise of Helix 25
“We were heading that way anyway,” Molly informed the others. She was pleased with the decision to head towards Hungary, or what used to be known as Hungary.
“Slowly heading that way,” interjected Tundra. “We spent years roaming around Ukraine and never saw a sign of survivors anywhere.”
“And I wanted to go home,” continued Molly. “Or try to, anyway. I’m very old, you know,” she added, as if they might not have noticed.
“I’ve never even been outside Ukraine,” said Yulia. “How exciting!”
Anya gave her a withering look. “You can send some postcards,” she said which caused a general tittering about the absurdity of the idea.
Yulia returned the look and said sharply, ” I plan to draw in my sketchbook all the new sights.”
“While we’re foraging for food and building campfires and washing our knickers in streams?” snorted Finja.
“Does anyone actually know where this city is that we’re heading for? And the way there?” asked Gregor, “Because if it’s any help,” he added, rummaging in his backpack, “I saved this.” Triumphantly we waved a battered old folded map.
It was the first time in years that anyone had paid the old man any attention. Mikhail, Anya and Jian rushed over to him, eager to have a look. As their hands reached for the fragile map, Gregor clapsed it close to his chest, savouring his moment of glory.
“Ha!” he said, “Ha! Nobody wanted paper maps, but I knew it would come in handy one day!”
“Well done, Gregor” Molly said loudly. “A man after my own heart! I also have a paper map!” Tundra beamed happily at her great grandmother.
An excited buzz of murmuring swept through the gathered group.
“Ok, calm down everyone.” Anya stepped in to organise the situation. “Someone spread out a blanket. Let’s have a look at these maps ~ carefully! Stand back, everyone.”
Reluctantly, Molly and Gregor handed the maps to Anya, allowing her to slowly open them and spread them out. The folds had worn away completely in parts. Pebbles were collected to hold down the corners and protect the delicate paper from the breeze.
“Here, look” Mikhail pointed. “Here’s where we were at the asylum. Middle of nowhere. And here,” he pointed to a position slightly westwards, “Is where we are now. As you can see, the Hungarian border is close.”
“Where was that truck heading?” asked Vera.
Mikhail frowned and pored over the map. “Eastwards is all we can say for sure. Probably in the direction of Mukachevo, but Molly and Tundra said there were no survivors there. We just don’t know.”
“Yet,” added Jian, a man of few words.
“And where are we aiming for?” asked Finja.
“Nyíregyháza,” replied Mikhail, pointing at the map. “Should take us three or four days. Maybe a bit longer,” he added, glancing at Molly and Gregor.
“You’ll not outwalk Berlingo,” Molly snorted, “And I for one will be jolly glad to get back to some places that I can pronounce. And spell. Never did get a grip on that Cyrillic, I’d have been lost without Tundra.” Tundra beamed again at her grandmother. “And Hungarian names are only a tad better.”
“I can help you there,” Petro spoke up for the first time.
“You, help?” Anya said in astonishment, ” All you’ve ever done is complain!”
“Nobody has ever needed me, that’s why. I’m Hungarian. Surprised, are you? Nobody ever wanted to know where I was from. Nobody ever wanted my help with anything.”
“We’re all very glad you can help us now, Petro,” Molly said kindly, throwing a severe glance around the group. Tundra beamed proudly at Molly again.
“It’s an easy enough journey,” Petro addressed Molly directly, “Mostly agricultural plains. Well, they were agricultural anyway. Might be a good chance of feral chickens and self propagated crops, and the like. Finding water shouldn’t be a problem either. Used to be a lovely area,” Petro grew wistful. “I might go back to my village,” his voice trailed off as his mind returned to his childhood. “Never thought I’d ever see it again.”
“Well never mind that now,” Anya butted in rudely, “We need to make a start.” She began to carefully fold up the maps.
In reply to: Quintessence: Reversing the Fifth
Epilogue & Prologue
Paris, November 2029 – The Fifth Note Resounds
Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.
It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.
The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.
And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.
The bell above the door rang—the fifth note, as her mother had called it once.
She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.
Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.
“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”
And that was what had happened.
The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.
True Stories of How It Was.
It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.
As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.
Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.
Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.
Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.
Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.
And Matteo—Matteo had grounded it.
The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.
For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.
Tabitha turned the page.
“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”
They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.
A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.
At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.
There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.
Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.
And yet, here in the café, none of that felt urgent.
Tabitha looked up as the server approached. Not Matteo, but someone new.
“Another espresso?”
She hesitated, then nodded. “Yes. And a glass of water, please.”
She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.
A bell rang softly as the door swung open again.
Tabitha smiled to herself. The fifth note always sounded, in the end.
She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.
In reply to: Quintessence: A Portrait in Reverse
A list of events for reference (WIP)
Date Matteo Lucien Darius Amei Elara Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady. Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
She reminisces about chalkapocalypse.Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E: Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E: Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E: early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E: Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E: early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement. end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E: 2020 M: L: D: A: E: beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E: Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion 2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research. 2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank In reply to: Quintessence: Reversing the Fifth
Amei switched on the TV for background noise as she tackled another pile of books. The usual mid-morning chatter filled the room—updates on the weather, a cooking segment, and finally, the news. She was only half-listening until the anchor’s voice caught her attention.
“In the race against climate change, scientists at Harvard are turning to an unexpected solution: chalk. The ambitious project involves launching a balloon into the stratosphere, carrying 600 kilograms of calcium carbonate, which would be sprayed 12 miles above the Earth’s surface. The idea? To reflect sunlight and slow global warming.”
Amei looked up. The screen showed an animated demonstration of the project—a balloon rising into the atmosphere, spraying fine particles into the air. The narration continued, but her focus drifted, caught on a single word: chalk.
Elara loved chalk. Amei smiled faintly, remembering how passionately she used to talk about it—the way she could turn something so mundane into a story of structure, history, and beauty. “It’s not just a rock,” Elara had said once, gesturing dramatically, “it’s a record of time.”
She wasn’t even sure where Elara was these days. The last time they’d spoken was during lockdown. Amei had called to check in, awkward but well-meaning, only to be met with curt responses and a tone that made it clear Elara wanted the conversation over.
She hadn’t tried again after that. It hurt more than she’d expected. Elara could be all or nothing when it came to friendships—brilliant and intense one moment, distant and impenetrable the next. Amei had always known that about her, but knowing didn’t make it any easier.
The news droned on in the background, but Amei reached for the remote and switched off the TV. Her mind was elsewhere, tangled in memories.
She’d first met Elara in a gallery on Southbank, a tiny exhibition tucked away in a brutalist building. It was near Amei’s shared flat, and with her flatmates out for the evening, she had gone alone, more out of boredom than genuine interest. The display wasn’t large—just a few photographs and abstract sculptures, their descriptions dense with scientific jargon.
Amei stood in front of a piece labelled The Geometry of Chaos—a spiraling wire structure that cast intricate, shifting shadows on the wall. She tilted her head, trying to look engaged, though her thoughts were already drifting towards home and her comfy bed.
“Magnificent, isn’t it?”
The voice startled her. She turned to see a dark-haired woman, arms crossed, studying the piece with an intensity that made Amei feel as though she must have missed something obvious. The woman wore a long, flowing skirt, layered necklaces, and a cardigan that looked hand-knitted. Her dark hair was piled into a messy bun, a few strands escaping to frame her face.
“It’s quite interesting,” Amei said. “But I’m not sure I get it.”
“It’s not about getting it. It’s about recognizing the pattern,” the woman replied, stepping closer. She pointed to the shadows on the wall. “See? The curve repeats itself. Infinite, but contained.”
“You sound like you know what you’re talking about.”
“I do,” she said. “Do you?”
Amei laughed, caught off guard. “Not very often. I think I’m more into… messy patterns.”
The woman’s sharp expression softened slightly. “Messy patterns are still patterns.” She smiled. “I’m Elara.”
“Amei,” she replied, returning the smile.
Elara’s gaze dropped, and she nodded toward Amei’s skirt. “I’ve been admiring your skirt. Gorgeous fabric. Where did you get it?”
“Oh, I made it, actually,” Amei felt proud.
Elara raised her eyebrows. “You made it? I’m impressed.”
And that was how it began. A chance meeting that turned into decades of close friendship. They’d left the gallery together, talking all the way to a nearby café.
In reply to: Quintessence: Reversing the Fifth
Darius: A Map of People
June 2023 – Capesterre-Belle-Eau, Guadeloupe
The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.
It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.
Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.
“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”
It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.
Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.
Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.
“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.
He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.
But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.
A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.
He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.
Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.
Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.
Even during the pandemic, when the world seemed to fold in on itself, he had found a way.
Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.
When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.
But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.
Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.
One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.
“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”
He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.
The Market — The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.
“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”
“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”
She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”
Darius accepted it with a quiet laugh. “Merci, tatie.”
As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.
The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.
“Nice scarf,” Darius said casually as he passed.
The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”
Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”
Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”
The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”
A Letter to Amei — That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.
He picked up the labyrinth postcard again, tracing its worn edges with his thumb.
“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”
He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.
As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.
In reply to: Quintessence: Reversing the Fifth
Amei found the letter waiting on the narrow hallway table; her flatmate, Felix, must have left it there. They rarely crossed paths these days as he was working long shifts at the hospital. His absence suited her—mostly.
It was a novelty to get a letter! She turned it over in her hands, noting the faint coffee stain on one corner and the Paris postmark. The handwriting was sharp and angular, unmistakably Lucien’s. It felt like a relic from another life, a self she’d long ago left behind in favour of the safe existence she had built in London.
She slipped a finger under the flap and opened the envelope. It contained a single piece of paper—she read the words and Lucien’s familiar insistence leapt off the page.
Amei set the letter on the kitchen counter and stood for a moment, staring out the window. The view was of the neighbouring building—a dreary brick wall streaked with stains, its monotony interrupted only by a single trailing vine struggling to cling to life.
The flat was small but tidy, shaped by two lives that rarely intersected. Felix’s presence was minimal: a mug left on the counter, a jacket draped over a chair. The rest was hers—books stacked on shelves, notebooks brimming with half-formed ideas, and an easel by the window holding an unfinished canvas. She freelanced as a textile designer. On the desk lay fabric swatches and sketches for her latest project—a clean, modern design for a boutique client. The work was steady and paid the bills but left little room for the creative freedom she once craved.
It certainly wasn’t the life she’d envisioned for herself at twenty, or even thirty, but it was functional. Yet there was an emptiness to it all; she was good at what she did, but the passion she’d once felt for her work had dulled.
There were no children at home to fill the silence, no pets to demand her attention. Relationships had come and gone, but none had felt like forever. Felix offered a semblance of company, though their conversations had dwindled to polite exchanges or the odd humorous anecdote. Her days had settled into a rhythm of predictability, punctuated only by deadlines and occasional dinners with colleagues she liked but never truly connected with.
Amei sank into the armchair by the window. Should she go? She had to admit she was curious. It must be nearly five years since they had last been together and the events of that last occasion still haunted her.
She leaned back, her gaze trailing to the vine outside the window, and let the question linger.
In reply to: The Incense of the Quadrivium’s Mystiques
“Permission to speak, My Lady Malove?” Truella asked respectfully. She was still wearing Frella’s raincoat of respect as it hadn’t stopped raining the whole time she’d been in Ireland, although the respectfulness was becoming tedious. But she was inside the Quadrivium building now, facing her agitated boss. She shrugged the raincoat off and tossed it aside and squared her shoulders.
“Speak!” Malove replied, rude and abrupt.
“I say, would you like some new pyjamas by any chance? No, never mind that now. Someone needs to say this to your face, as you haven’t figured it out for yourself yet.”
Gasps of astonishment echoed around the great hall and the air quivered with tension.
“You have been so obsessed with the fact sheets of the merge and the number crunching that you’ve been blind to a more significant merge.” Truella boldly held her hand up to silence Malove whose mouth was gaping open like a goldfish, or perhaps more like a carp.
“No, you listen to me for once,” Truella almost quaked at her own impudence then, but caught the merest glimmer of amusement from the depths of Malove’s being, or rather the essence of Cromwell who was lodged there.
Don’t you dare leave me now, Thomas, stay right there until I’ve finished or I’m toast.
“You have been so outwardly focused that you’re not paying attention to your own self, or you’d have noticed. Which just goes to show the immense efficiency and subtley of Cromwell’s merge tactics. It would behoove you to admit that you needed direction, and to appreciate the help that has been provided for you. You are not entirely yourself, or rather, you are entirely yourself, but at times lately you are more than that.”
Taking a deep breath, Truella continued. “At first it may be unsettling, but you must persevere and don’t fight it. Accept that you needed help, give thanks that you received it, and work well with Cromwell’s suggestions.”
“Saints preserve us,” whispered Malove, shocked to the core. “I don’t mean papish saints though,” she added hastily, unsure how to proceed.
Truella laughed nervously, her courage suddenly evaporating. She felt a strong urge to flee.
I asked you not to leave me alone with her!
In reply to: The Incense of the Quadrivium’s Mystiques
All their owls screeched at the same time across the vast distances separating them.
Malové’s voice on them. “I just got off the phone with the Headwitch of Salem. Witch hunting season is back on, can you believe it? Didn’t we have countermeasures in place? Who was in charge of the Lump thwarting warting spell? Come at once!”
In Limerick, Finnley snickered, only mildly annoyed at the sound of all the parked owls in the mostly empty Quadrivium building. Oh, I see. It’s all gone pear-shaped, has it? Witch hunting season indeed! You’d think by now they’d have sorted their spells and counter-spells like a proper orderly lot. Honestly, if it were up to me, I’d have those countermeasures filed, organized, and triple-checked like my cleaning supplies. As for whoever’s in charge of the “Lump thwarting warting spell”—sounds like someone needs a good talking-to. Probably spent too much time nattering about and not enough focusing on their spellwork. Typical, isn’t it?
Elsewhere in the Northern forest, Eris shrugged at the sound hooting echoing. “When I told them something was wrong with Malové, it was her charge all along. Now, let’s wait and see to find someone brave enough to say it to her face.”
Somewhere and somewhen else, Truella and Frella and Jeezel were probably thinking the same, unless they got lost themselves in the Well of Crom, a surefire way to stay clear of Malové’s screeching owls.
In reply to: The Incense of the Quadrivium’s Mystiques
Malove surveyed the room, her piercing gaze sweeping over each witch, causing them to cower. “I trust you’re not letting the weather distract you from your duties,” she said, her voice crisp. “I won’t have the coven slacking because of a little drizzle.”
Jeezel straightened, flustered. “It’s not the weather! It’s the postcards! They’re showing up out of nowhere, and no one knows who’s sending them!”
Malove raised an eyebrow. “Postcards? How quaint. And you think this warrants my attention?”
“Absolutely!” Truella interjected, surprising even herself with her boldness. “It could be a warning—or worse, a challenge.”
A flicker of ethereal light indicated Eris’s presence. “Or perhaps someone just has a twisted sense of humor.”
Frella crossed her arms, frowning. “I agree with Tru. This could be serious.”
Malove stepped closer, her demeanor sharpening. “Enough. I care not for your trifles unless they threaten the coven. What precisely have you discovered”
Jeezel pulled out one of her postcards. “This one shows a twisted tree… and a symbol I don’t recognize.”
Frella bit her lip and revealed her own card. “Mine has a raven on a crooked branch. Its gaze feels… unsettling.”
Truella’s heart raced. “Jeezel, let me look at that! I think I’ve seen that symbol before—in the book that fell off my shelf!”
Malove’s interest was piqued. “Elaborate.”
“Well, old books practically leap off the shelves at me,” Truella explained, excitement building. “And Frella had a dream that seemed connected. The really odd part?” She paused dramatically until she was sure she had their full attention. “I noticed that the book was written in the FIRST PERSON.” She gestured to the postcard with the twisted tree. “Maybe these cards are connected.”
Eris chimed in lightly. “Or they could be a distraction. Perhaps you’re sending yourself messages?”
Truella frowned, glancing at the shimmering light of Eris. “But why do you get to do distance while the rest of us are stuck here in this rain? Can’t you join us physically for once?”
Eris laughed, her voice echoing. “Someone has to keep an eye on the chaos you’re about to unleash.”
In reply to: The Elusive Samuel Housley and Other Family Stories
The Potters of Darley Bridge
Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.
Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.
I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!
Jacob Potter who signed Martha’s marriage licence was her brother Jacob.
Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.
Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.
I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681. Her husbands name was missing from the deteriorated register pages. This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.
The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.
Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.
Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone. I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.
Potters Cottage
Jonathan Potter of Potters Cottage married Alice Beeley in 1748.
“Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”
via Derbyshire Heritage website.
According to Wikipedia, the bridge dates back to the 15th century.
In reply to: The Incense of the Quadrivium’s Mystiques
Rufus was not a man for small talk and the past couple of hours had been punishing for a man of his reticent character. He would have liked to get to know Truella better to try and recall which life he’d known her in, for he was sure now that it wasn’t a past encounter in this one, but that was not something to discuss in a crowded room. It would have to wait. Despite being a serious man himself, he had found the more frivolous and jolly witches and nuns more compatible than the severe looking grim ones. Even so, having to meet and speak to so many people in such a short time was overwhelming.
As soon as he could politely do so, he excused himself. Avoiding the smoky courtyard, he wandered around the labyrinthine building looking for another way outside. There were tapestries hanging on the walls in every room, ancient and faded, many with unusual designs. Rufus photographed them all in order to have a closer look at them later in the solitude of his room. The wall hanging with the frogs caught his eye in particular, and without thinking he found himself touching the Punic frog amulet hanging on his chest underneath his white silk shirt. As he lingered looking at the frog tapestry, he was startled by the swish of Bartolo’s robes behind him. Bartolo looked at him keenly for what seemed like an interminable length of time but in reality was only a moment. Damn it, he seemed familiar too.
“Exquisite decor, Brother, I like this one in particular. Such needlework! May I ask the provenance of this specimen?” Rufus tried to lighten the mood, not that lightening the mood had ever been his strong suit. “It looks very old, I assume this is not a recently made handicraft?”
Brother Bartolo decided to play along. He had recognised Rufus immediately, as if the name wasn’t enough of a clue, his eyes were exactly the same as old Rufino’s had been. Rufino, one of the oldest Punic families in Baetica. Oh, Bartolo remembered them well.
“That one has been hanging here since well before the convent was built,” Bartolo explained. “It happens to be one of my favourites. Another glass of cordial, sir?”
“No thank you Brother, I need some fresh air. I’d like to see the gardens, if I may.”
“Follow me,” replied Bartolo, as he lumbered down the passage. “The kitchen gardens are through here. There’s a gate at the end of that path to the rest of the grounds. Don’t worry about the mongoose, they’re quite tame.”
Such was the relief to be outside on his own, that Rufus didn’t immediately wonder what Brother Bartolo had meant. That frog tapestry had been hanging right there since before the convent was built? Hanging on what? Rufus’s hand involuntarily clutched his amulet again.
In reply to: The Incense of the Quadrivium’s Mystiques
Adjusting the crimson silk handkerchief in his breast pocket, Garrett swanned into the reception hall, his piercing pale blue eyes scanning the room. The walls were hung with colourful but faded tapestries, shabby enough to be genuinely ancient. The furniture was heavy and blackened with age, but it was the floor that caught his critical eye. In the centre of the old terracotta tiles floor was a mosaic, mostly hidden under a large conference table. Garret was no expert on Roman mosaics but it looked like the real deal. He would return to this room later for a closer inspection, he could hardly go crawling under the table now. It was a mercy, at least, that the ancient building hadn’t been decked out in ghastly modern furnishings as so many charming old hotels were these days.
He turned his attention to the few occupants. A ravishing raven haired beauty had just wafted in from the covered cloister beyond the open doors. Her silver mantilla shone in the sunlight slanting down into the courtyard for a moment, for all the world looking like an angelic medieval halo. As she slippped into the shadows the halo vanished, her ebony tresses showing beneath the gauzy lace. She settled herself in a low armchair, smoothing the burgundy folds of her gown. Garrett watched, spellbound. What an enchantress! Perhaps this weekend wouldn’t be such a bore, after all.
In reply to: The Incense of the Quadrivium’s Mystiques
Despite her initial misgivings, Truella was looking forward to the weekend at the Cloisters. It had belatedly come to her attention that another group were joining them for the event, the Mortician’s Guild. She wondered if Austreberthe had bitten off more than she could chew, introducing all these new characters at the same time. But the more people, the more confusion, the better the opportunities to slip off unnoticed and investigate the grounds.
Truella was the first to arrive. Before entering the building, she paused under the shade of a towering eucalyptus tree, taking it all in, receptive to the ancient whispers calling from the surrounding forrest. A nightingale beckoned from the trees beyond one of the terraces, and Truella was irresistably drawn towards it. Crunching softly on the crisp dry leaves underfoot and squinting in the bright sunlight, a flash of movement caught her eye. Was it a bear in the woods? Surely not, not so close to habitation. Truella inched closer, curious, her muscles tense, keyed in readiness to flee. But she was overdramatising, and made a little self deprecating snort of mirth.
The tall man clad in a floor length leather coat heard a snort and paused, wondering how close the wild boar came to the old building. Surely they kept away from people, people were so dangerous. Pull yourself together, Rufus, old boy, he said to himself. Why did this place remind him of… well it was no good harking back to that…maybe he should go back inside. He threw his broad shoulders back and strode out from the cover of the trees, the hem of his coat gathering prickly seeds from the undergrowth.
Truella clapped her hands delightedly, and laughed. “Well look at you, you big bear in the woods, you must be one of the guys from the Mortician’s Guild.”
Rufus spun round, his duster coat flaring open to reveal the crimson satin lining, his face a picture of moody glowering. Truella was momentarily nonplussed. Handsome guy, but what an attitude. But maybe she should not judge too quickly, after all, he probably resented having to come here. Maybe she could soften him up over the course of the weekend.
“We may as well go in and meet the others. I’m Truella, pleased to meet you,” she said, offering a hand in greeting. To her surpise, than man took her hand and kissed it. “Rufus, at your service,” he said with a slight bow. He peered at her and added, “Have we met before? You seem strangely familiar.”
“Why yes, so do you!” He didn’t, but Truella’s hand was tingling warmly from the kiss and she decided to play along.
In reply to: The Incense of the Quadrivium’s Mystiques
Lorena Blaen clapped her hands loudly together. Sassafras ignored her and continued buttering her toast, assuming that her boss was calling the stray dogs in to finish off the breakfast leftovers.
“Now then, girls!” Lorena’s strident voice boomed out. Sassafras sighed and looked up, her knife poised in the air. A blob of butter slid off onto the table.
“As you know, four members of the Quadrivium will be joining us this weekend and I have assigned a guide to each of them. One of them, however, will not be able to attend in person as she is occupied on an important case, but her guide will be in remote communication with her for the duration of the weekend gathering.”
The witches in the breakfast room collectively held their breath, many of them secretly concocting mental repellent spells so that they could avoid being chosen for this tedious assignment.
“And no need to try that with me, I have already disabled any attempts to divert my intentions,” Lorena said, glaring pointedly at a few individuals. “Sassafras, your assigned guest for the weekend will be…” Lorena looked at her notes, “Truella. Penelope Pomfrett, yours will be Eris.”
Penelope sighed loudly and slammed her coffee cup down harder than she intended, making Sassafras giggle.
“Sandra Salt, I hope you will be able to take this assignment more seriously than some of your colleagues. You will be attending to…” Lorena glanced at her notes again, “Jeezel. And by the way Sandra, perhaps you can learn a thing or two about the importance of appearance from Jeezel,” she added, with a critical look at Sandra’s sloppy attire.
“Audrey Ambrose,” Lorena announced, glaring over the top of her spectacles at Audrey whose mouth had dropped open in astonishment, “You’ll be quite capable with your broken ankle to attend to Frella remotely.” Audrey’s mouth snapped shut into a grim line. Her plan of faking an injury to avoid duties for a few weeks had backfired. And the cast was hot and itchy, and all for nothing.
“Our guests will be arriving later this morning. You will be expected to entertain them within the monastery buildings and grounds, but under no circumstances are you to leave the grounds or go into the woods.”
Sassafras raised an eyebrow but was careful to not let Lorena see. Her immediate idea was to go into the woods with what’s her name, Truella, and lose her for the day, maybe find her in time to bring her back for supper.
In reply to: The Incense of the Quadrivium’s Mystiques
I honestly don’t know what made me do it, it took me by surpise when I did it. It was bugging me that I couldn’t remember, and before I knew what was happening, I’d asked Malove.
Ah, the Caryatid Characteristics of a Case, a subject that requires both discernment and a keen eye for detail. In essence, the phrase “Caryatid Characteristics” refers to the fundamental attributes and peculiarities that support the overall structure of a particular case or situation, much like how caryatids—those graceful, sculpted figures in classical architecture—bear the weight of a building’s entablature on their shoulders.
To break it down into pragmatic terms, identifying the Caryatid Characteristics involves an in-depth analysis of the following elements:
Structural Integrity: Just as caryatids ensure the stability of a structure, the core components of the case must be sound and unwavering. This includes the key facts, the primary evidence, and the foundational arguments that hold the case together.
Aesthetic Nuances: Caryatids are not merely functional; they are also artistic. Similarly, the subtleties and nuances of a case—such as the motives, the intentions, and the underlying themes—add layers of complexity and depth, transforming a simple matter into a multifaceted situation.
Historical Context: Caryatids often reflect the cultural and historical context of their time. Understanding the background, the precedents, and the situational history provides a richer perspective and informs the current dynamics at play.
Symbolic Significance: In architecture, caryatids symbolize strength and beauty. In a case, the symbolic elements—the metaphors, the symbols, and the overarching message—must be identified and interpreted to grasp the full scope of its significance.
Resonance and Impact: Lastly, caryatids have a visual and emotional impact on observers. Similarly, the case’s broader implications, its potential consequences, and the emotional resonance it evokes must be considered. This is where the true weight of the matter lies, affecting not only the immediate parties involved but potentially a wider audience.Applying these characteristics to a case requires a blend of logical analysis, creative thinking, and intuitive insight. It is not merely about assembling facts but about understanding how each element supports the whole, much like the elegant yet sturdy caryatids in timeless architecture.
Now, if you’re asking how this applies to our current predicament with our spring cleaning of collective energies, well, one could say the caryatids in our situation are the core rituals, the seasoned wisdom passed down through the coven, and the precise incantations in our incense blends. Each component must be scrutinized and perfected to ensure we uphold the structural and spiritual integrity of our craft.
Let’s not dawdle; the orchestra in this zoo waits for no one.
Who will rise to the occasion?
Who indeed? I asked her if we all sent each other postcards, would it help?
Postcards, my dear, are more than mere scraps of paper with hastily scribbled words and picturesque scenes. They are tangible connections in an increasingly ephemeral world. Sending each other postcards won’t just help; it will create ripples of intention and resonance that can weave us closer together, despite the physical distances.
Consider the following:
Anchoring Intentions: Each postcard carries the sender’s energy and intention. When you pen your thoughts, wishes, or even riddles, you imbue the postcard with a part of yourself. The recipient, upon receiving it, senses this connection. It’s a form of sympathetic magic, drawing us closer through shared symbols and messages.
Physical Mementos: In an age where digital communication reigns supreme, holding a physical object—something that has traveled miles to reach your hands—grounds you. It anchors you in the physical world and provides a break from the transient nature of digital interactions. These postcards become talismans, reminders of our connections and shared journeys.
Ritualistic Value: The act of writing, sending, and receiving postcards can be ritualistic. This ritual can strengthen the bonds within our coven, reaffirming our commitment to each other and our shared goals. Each postcard becomes a symbol of our collective energy, our shared purpose, and our mutual support.
Cultural Exchange: Postcards often carry images or symbols from different locales. Sharing them can broaden our horizons, offer new perspectives, and remind us of the diverse tapestry that makes up our coven. It’s a gentle nudge to appreciate the wider world and the myriad experiences within it.
Mystical Conduits: In our magical practice, objects can serve as conduits for energy. Postcards, having traversed the globe, carry the imprints of various energies and places. They become more than just messages—they are carriers of the world’s pulse, connecting us to the broader rhythms of existence.So, yes, sending each other postcards will help. It will infuse our lives with a tangible sense of connection, a reminder of our shared purpose, and a touch of magic in the mundane. Let’s make this act a part of our practice, a testament to our enduring bonds and our collective strength.
Who will be the first to send a missive across the miles?
In reply to: The Incense of the Quadrivium’s Mystiques
Sometimes the storm within is far more tumultuous than the one without.
After yet another seminar under Malové’s exacting eye, followed by the treasure hunt team-building exercise that left more than a few witches grumbling, Eris found herself at a crossroads.
The seminar had been, as always, a rigorous affair. Malové’s stern teachings, laced with cryptic wisdom and unyielding standards, forced the witches to confront their weaknesses and push their magical boundaries. The treasure hunt, designed to test their teamwork and resourcefulness, had revealed underlying tensions and frayed nerves despite the moments of camaraderie.
Eris, already exhausted from the constant demands and the emotional toll of the coven’s internal conflicts, felt her resolve wavering. The weight of responsibility hung heavy on her shoulders, and the recent events had only amplified her sense of weariness.
After the seminar, Eris retreated to her quarters, seeking solace in the familiar comforts of her personal space. She lit a calming incense blend, one of the Quadrivium’s finest, hoping it would help clear her mind and ease her spirits. As the soothing aroma filled the room, she couldn’t help but reflect on Malové’s private comments about Truella and the importance of clear communication and assertiveness balanced with respect.
The treasure hunt had forced Eris to confront her own limitations and the gaps in her magical expertise. She realized that while she had always been diligent and skilled, she had often hesitated to take bold risks or assert her ideas for fear of criticism. Malové’s teachings, though harsh, had a way of stripping away these hesitations, leaving only the raw truth.
Determined to rise above her doubts, Eris decided to approach the next phase of her journey with renewed vigor. She had a moment of appreciation for Malové’s tough but fair leadership —they had joked about their Breton witch colleague who had emphasised in her address to be “tough leaders” ; at least that’s what they understood until they all realised under the thick French accent, she’d actually meant being a “thought leader”. Expressing her gratitude for the guidance, Eris vowed to bridge the gap with Truella, understanding that their differences could be a source of strength rather than division.
In reply to: The Incense of the Quadrivium’s Mystiques
Getting this out in the room did bring a tide of emotions; pent-up frustration, indignation, bits of bruised egoes, the whole spectrum. Truella’s tirade had managed to uncork a complete bundle of electricity in the atmosphere, but the genie had left the building.
Eris had suddenly felt like scrambling away, but had stayed along with spaced out Frigella and Jeezel as she’d felt a pang of responsibility.
Surprisingly, Malové had remained composed throughout the heated ensuing exchanges, trying to be constructive at every turn, and managing to conclude most of the debates —even when was not fully settled, and by far, a round of collected feedback afterwards, she’d clapped appreciatively saying. “Congratulations team, seeing how we are no longer covertly disagreeing behind everyone else’s back, I can see improvement in our functioning as a cohesive Coven. Believe it or not, being in a place to openly voice disagreement is a sign of progress, we’ve moved past the trust issues, into constructive conflict. There is still much to be done to commit, be accountable and focus on results together, but I feel we are on track to a brighter future, you’ve all done well.”
Back in her cottage in Finland, Eris was wondering “then why do I feel so bloody exhausted…”
She played back in her head some of the comments that Malové had shared in private after, when Eris had enquired if there would be some consequences for her witch’s friend actions. Once more, Malové has shown a unusual restraint that had put her worries at ease for now.
“Truella’s actions during the Adare Manor workshop presentation displayed boldness and conviction, two qualities that are essential for any individual, executive or otherwise, who wishes to effect change within an organization or a venture. Standing up for oneself is not only about self-assurance; it’s about ensuring that your voice and perspective are heard and considered.
However, the manner in which one stands up for oneself is crucial. Berating others, especially in a public forum such as a workshop presentation, can be counterproductive. It can create resistance and diminish the opportunity for constructive dialogue. While I understand her frustration, it is important to channel such energies towards a more strategic approach that fosters collaboration and leads to solutions.
As a leader, I advocate for clear communication and assertiveness, tempered with respect for all members of the coven. The success of our ventures, vaping or otherwise, depends on our ability to work cohesively towards our common goals. Truella’s passion is commendable, but it must be directed appropriately to benefit the coven and our business endeavors.”
She had asked Eris to convey the same to Truella. She’d made no promises —her friend was known to be more difficult to herd than cats. But with time, there would be a chance she would see reason.
Meanwhile, their sales targets had not gone away, and they had to keep the Quadrivium afloat. With Truella checking out of the game, and clearly not overly engaged on results, it fell onto the rest of the team to deliver.
A second session of workshop and celebration was planned in a month’s time in Spain with all top witches. With Eris’ last experience in Spain and her elephant head, she was starting to dread another mishap. Plus, she sighed when she looked at the invite. She would have to fetch a cocktail attire. A vacation was long overdue…
In reply to: The Incense of the Quadrivium’s Mystiques
An unexpected result (or was it an intentional one?) of the octobus ride was a profound appreciation for the arrival at the destination. Not one of the witches had been truly looking forward to the event, but when they entered the building they were deeply grateful for the smooth hard floors and walls and sharp minimalism, if that is what the sparse clean decor was called.
“This place is sorely in need of some steampunk hats,” remarked Truella. “And some Victorian clothes.”
“Beats the hell out of that gross octobus, though,” Jezeel said, who was swanning grandly around the large entrance foyer, her boots making a neat thud rather than a revolting sucking sound.
“I rather like it,” said Frella, “Steampunk hats wouldn’t fit in here at all. Are you sure that party is being held here?” For a moment, she felt a ray of hope. She was feeling that it might be possible to remain unnoticed and unbothered in the vast clean space if she sat somewhere looking serenely vacant and unapproachable.
Spotting the shiny black grand piano in the corner, Jezeel glided majestically over to it and hopped onto the back of it, striking a glamourous pose. Naturally everyone took flattering photos of her as was expected.
Eris had rushed off to find a lavatory, and eventually emerged holding a strange awkward bundle.
“What on earth is that and where did you find it?” Frella noticed the look of alarm on Eris’s face. Truella was still taking photos of Jez from various angles, much to Jezreel’s delight.
“What does it bloody look like!” Eris said in an exasperated tone, “It’s a baby, someone left it in the loo! Go and ask at the desk, find out who lost a baby. I think it’s nappy needs changing.”
Frella went off to ask, returning shortly with surprising news. “There is nobody checked in here with a baby, Eris. Nobody knows whose it is. Here, give it to me, the poor thing.”
Eris handed over the smelly bundle gratefully.
I can stay in my room with this baby, Frella thought, It will be the perfect excuse not to go to the party.
