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“Tundra Finds the Shoat-lion”

FADE IN:

EXT. THE GOLDEN TROWEL BAR — DUSK

A golden, muted twilight paints the landscape, illuminating the overgrown ivy and sprawled vines reclaiming the ancient tavern. THE GOLDEN TROWEL sign creaks gently in the breeze above the doorway.

ANGLE DOWN TO — TUNDRA, a spirited and curious 12-year-old girl with a wild, freckled pixie-cut and striking auburn hair, stepping carefully over ivy-covered stones and debris. She wears worn clothes, stitched lovingly by survivors; a scavenged backpack swings on one shoulder.

Behind her, through the windows of the tavern, warm lantern-light flickers. We glimpse MOLLY and GREGOR smiling and chatting quietly through dusty glass.

ANGLE ON — Tundra as she pauses, hearing a soft rustling near the abandoned beer barrels stacked against the tavern wall. Her green eyes widen, alert and intrigued.

SLOW PAN DOWN to reveal a small creature trembling in the shadows—a MARCASSIN, a tiny wild piglet no larger than a rugby ball, with coarse fur streaked ginger and cinnamon stripes along its body. Large dark eyes stare up, innocence mixed with wary curiosity. It’s adorable yet clearly distinct, with sharper canines already hinting at the deeply mutated carnivorous lineage of Hungary’s lion-boars.

Tundra inhales softly, visibly torn between instinctual cautiousness her elders taught and her own irrepressible instinct of compassion.

TUNDRA
(soft, gentle)
“It’s alright…I won’t hurt you.”

She crouches slowly, reaching into her pocket—a small piece of stale bread emerges, held in her outstretched hand.

CLOSE-UP on the marcassin’s wary eyes shifting cautiously to her extended palm. A heartbeat of hesitation, and then it takes a tentative step forward, sniffing gently. Tundra holds utterly still, breath held in earnest hope.

The marcassin edges closer, wet nose brushing her fingers softly. Tundra beams, freckles highlighted by the fading sun, warmth and joy glowing on her face.

TUNDRA
(whispering happily)
“You’re not so scary, are you? I’m Tundra… I think we could be friends.”

Movement at the tavern door draws her attention. The worn wood creaks as MOLLY and GREGOR step outside, shadows stretching long in the golden sunset. MOLLY’s eyes, initially alert with careful caution, soften at the touching scene.

MOLLY
(gently amused, warmly amused yet apprehensive)
“Careful now, darling. Even the smallest things aren’t always what they seem these days.”

GREGOR
(softly chuckling, eyes twinkling)
“But then again, neither are we.”

ANGLE ON Tundra, looking up to meet Molly’s eyes. Her determination tempered only by vulnerability, hope, and youthful stubbornness.

TUNDRA
“It needs us, Nana Molly. Everything needs somebody nowadays.”

Molly considers the wisdom in Tundra’s young, earnest gaze. Gregor stifles a smile and pats Molly lightly lovingly on the shoulder.

GREGOR
(warmly, quietly)
“Ah, let her find hope where she sees it. Might be that little thing will change how we see hope ourselves.”

ANGLE WIDE — the small group beside the tavern: Molly, her wise and caring gaze thoughtful; Gregor’s stance gentle yet cautiously protective; Tundra radiating youthful bravery, cradling newfound companionship as the marcassin squeaks softly, cuddling gently against her worn sweater.

ASCENDING SHOT ABOVE the tumbledown ancient Hungarian tavern, the warm glow of lantern and sunset mingling. Ancient vines and wild weeds whisper forgotten stories as stars blink awake above.

In that gentle hush, beneath a wild and vast sky reclaiming an abandoned land, Tundra’s act of compassion quietly rekindles hope for humanity’s delicate future.

FADE OUT.

After a short rest, Molly, Gregor and Petro ventured outside to wander around before the rain started.

“Az Aranysimító,”  Molly read the sign above the door. “Nemzetközi Likőrök. What does that say, Petro?”

The old man smiled at Molly, a rare gleam in his rheumy eye. “Fancy a night out, old gal? It’s a pub, The Golden Trowel.  International liquors, too.  Pénteki Kvízestek,” Petro added, “Quiz nights on Fridays. I wonder if it’s Friday today?”

“Ha! Who knows what day of the week it is.”   Molly took Petro’s arm, coquettishly accepting the date.  “I wonder if they have any gin.”

“Count me in for a booze up,” Gregor said trying not to look miffed.  “Now, now, boys,” laughed Molly, thoroughly enjoying herself.

“What are you all laughing at?” Vera joined them, cradling a selection of fruits held in her voluminous skirt. Gregor averted his eyes from the sight of her purple veined thighs.  He said, “Come on, let’s go inside and find you a crate for those.”

Brushing aside the dusty cobwebs, they made their way to the bar, miraculously and marvellously well stocked.  Gregor emptied a crate of empty bottles for Vera, while Petro surveyed the bottles on the shelf behind the bar. Molly stood transfixed looking at a large square painting on the wall.  A golden trowel was depicted, on a broken mosaic in a rich combination of terra sigillata orange and robins egg blue colours.  Along the bottom of the picture were the words

“Nem minden darab illik rá első pillantásra. Ülj le a töredékekkel, mielőtt megpróbálnád összekényszeríteni őket.”

Triumphantly, Petro handed a nearly full bottle of Larios gin to Molly. “I’ll get you a glass but we may need to get Finja in here, they’re all very dirty. That’s nice,” he said, looking up at the picture.

“Not every piece fits at first glance. Sit with the fragments before trying to force them together.”

“Oh, I like that!” exclaimed Molly, giving Petro a grateful smile. “I’d never have known that if you hadn’t been here.”

Petro’s chest swelled with pride and happiness. It was the first time in many years that he’d felt useful to anyone.

The village lay huddled before them, appearing like a mirage as they reached the top of the rise. Habitation always looks so picturesque when it’s been taken over by nature, Molly thought, by no means for the first time. Even before the collapse, she had penchant for overgrown abandoned ruins.  Vines and ivy rampaged gleefully over the houses, softening the hard outlines, and saplings reached for the sky through crumbling roofs.

The survivors had stopped on the low hill to survey the scene, but soon they were rushing down towards the village to explore. As they came closer they could see all the cucumbers and courgettes dangling from the festoons of vines.  Molly had visions of cucumber sandwiches on delicate thin sliced white bread with a piping hot pot of tea.  But a waterey tasteless courgette soup will have to do, I suppose.

It was mid afternoon but there was no debate about continuing the journey that day.  There were all the houses to search, and several shops, and more importantly, shelter for the night. The rain clouds were approaching from the east.

The church was chosen as a base camp as it was spacious enough to accomodate them all and the roof was intact, all but for the collapsed wooden tower which would provide wood for a fire.  Lev and Luka set to work organising the space inside the church, supervised by Molly, Gregor and Petro, who wanted to rest. The others had dumped their bags and gone off to explore the buildings for supplies and forage in the overgrown gardens.

Tundra, happy that for once the responsibility of finding food was shared with so many other people, indulged her curiosity to just snoop around aimlessly. Clambering over a crumbling wooden porch, she pushed open what remained of a peeling door and stepped carefully inside.  Venturing around the edges of the room, she peered at all the faded and warped framed photographs on the walls, portraits and family groups, wondering about the family who had lived here. There was a tray on a side table inscribed with Greetings from Niagara Falls! in a jolly cursive script, and an odd shaped rusting metal object with the words Souvenir de la tour Eiffel.

Slowly Tundra toured the house, inspecting all the objects in the rooms.  Gingerly she made her way up the stairs, testing each riser before committing her weight to it.  In a small bedroom packed with decomposing plastic bags and cardboard boxes spilling their assorted contents, she came upon a pile of letters and postcards, yellowy and curling, with mouse nibbled edges.  Molly had told her about grandads postcard collection, but he’d taken it with him and she’d never seen them herself. I wonder what happened to that ship? Is my grandad still alive? Tundra sighed. Maybe he’ll come back one day.  And my dad.

Sitting on the floor, Tundra sorted out the intact postcards from the badly damaged ones.  She would take them with her to look at later, maybe ask the others what they knew of all the pictured places.

“We were heading that way anyway,” Molly informed the others.  She was  pleased with the decision to head towards Hungary, or what used to be known as Hungary.

“Slowly heading that way,” interjected Tundra.  “We spent years roaming around Ukraine and never saw a sign of survivors anywhere.”

“And I wanted to go home,” continued Molly. “Or try to, anyway. I’m very old, you know,” she added, as if they might not have noticed.

“I’ve never even been outside Ukraine,” said Yulia. “How exciting!”

Anya gave her a withering look. “You can send some postcards,” she said which caused a general tittering about the absurdity of the idea.

Yulia returned the look and said sharply, ” I plan to draw in my sketchbook all the new sights.”

“While we’re foraging for food and building campfires and washing our knickers in streams?” snorted Finja.

“Does anyone actually know where this city is that we’re heading for? And the way there?” asked Gregor, “Because if it’s any help,” he added, rummaging in his backpack, “I saved this.” Triumphantly we waved a battered old folded map.

It was the first time in years that anyone had paid the old man any attention. Mikhail, Anya and Jian rushed over to him, eager to have a look. As their hands reached for the fragile map, Gregor clapsed it close to his chest, savouring his moment of glory.

“Ha!” he said, “Ha! Nobody wanted paper maps, but I knew it would come in handy one day!”

“Well done, Gregor” Molly said loudly. “A man after my own heart! I also have a paper map!”  Tundra beamed happily at her great grandmother.

An excited buzz of murmuring swept through the gathered group.

“Ok, calm down everyone.” Anya stepped in to organise the situation. “Someone spread out a blanket. Let’s have a look at these maps ~ carefully! Stand back, everyone.”

Reluctantly, Molly and Gregor handed the maps to Anya, allowing her to slowly open them and spread them out. The folds had worn away completely in parts. Pebbles were collected to hold down the corners and protect the delicate paper from the breeze.

“Here, look” Mikhail pointed. “Here’s where we were at the asylum. Middle of nowhere. And here,” he pointed to a position slightly westwards, “Is where we are now.  As you can see, the Hungarian border is close.”

“Where was that truck heading?” asked Vera.

Mikhail frowned and pored over the map. “Eastwards is all we can say for sure. Probably in the direction of Mukachevo, but Molly and Tundra said there were no survivors there. We just don’t know.”

“Yet,” added Jian, a man of few words.

“And where are we aiming for?”  asked Finja.

“Nyíregyháza,” replied Mikhail, pointing at the map. “Should take us three or four days. Maybe a bit longer,” he added, glancing at Molly and Gregor.

“You’ll not outwalk Berlingo,” Molly snorted, “And I for one will be jolly glad to get back to some places that I can pronounce. And spell. Never did get a grip on that Cyrillic, I’d have been lost without Tundra.”  Tundra beamed again at her grandmother.  “And Hungarian names are only a tad better.”

“I can help you there,” Petro spoke up for the first time.

“You, help?” Anya said in astonishment, ” All you’ve ever done is complain!”

“Nobody has ever needed me, that’s why. I’m Hungarian. Surprised, are you? Nobody ever wanted to know where I was from. Nobody ever wanted my help with anything.”

“We’re all very glad you can help us now, Petro,” Molly said kindly, throwing a severe glance around the group.  Tundra beamed proudly at Molly again.

“It’s an easy enough journey,” Petro addressed Molly directly, “Mostly agricultural plains. Well, they were agricultural anyway. Might be a good chance of feral chickens and self propagated crops, and the like.  Finding water shouldn’t be a problem either.  Used to be a lovely area,” Petro grew wistful. “I might go back to my village,” his voice trailed off as his mind returned to his childhood. “Never thought I’d ever see it again.”

“Well never mind that now,” Anya butted in rudely, “We need to make a start.” She began to carefully fold up the maps.

“I didn’t much like where the world was heading anyway, Gregor,” Molly said, leaning towards the old man who was riding beside her. “Before it all ended I mean. All that techno feudalist stuff.  Once we got over the shock of it all, I’ll be honest, I rather liked it.  Oh not that everyone was dead, I don’t mean that,” she added. She didn’t want to give the impression that she was cold or ruthless. “But, you know, something had to happen to stop where that was going.”

Gregor didn’t respond immediately.  He hadn’t thought about the old days for a long time, and long suppressed memories flooded his mind.  Eventually he replied, “If it hadn’t been for that plague, we’d have been exterminated, I reckon. Surplus to requirements, people like us.”

Molly looked at him sharply. “Did you hear of extermination camps here? We’d started to hear about them before the plague. But there were so many problems with communication.  People started disappearing and it was impossible by then to find out what happened to them.”

“I was one of the ones who disappeared,” Gregor said. “They summoned me for questioning about something I’d said on Folkback.  I told the wife not to worry, I’d be back soon when I’d explained to them, and she said to me to call in at the shop on the way home and get some milk and potatoes.”  A large tear rolled down the old mans leathery cheek. “I never saw her again.”

Molly leaned over and compassionately gripped Gregors arm for a moment, and then steadied herself as Berlingo descended the last part of the hill before the track where the truck had been sighted.

The group halted and gathered around the tyre tracks. They were easily visible going in both directions and a discussion ensued about which way to go: follow the truck, or retrace the trucks journey to see where it came from?

“Down, Berlingo!” Molly instructed her horse. “I need to get off and find a bush. First time in years I’ve had to hide to have a pee!” she laughed, “There’s never been anyone around to see.”

Molly took her time, relishing a few moments of solitude.  Suddenly being surrounded by people was a mixed blessing. It was stimulating and exciting, but also tiring and somewhat unsettling.  She closed her eyes and took a few deep breaths and calmed her mind.

She returned to the group to a heated discussion on which way to go.  Jian was in favour of going in the direction of the city, which  appeared to be the direction the truck had come from.  Mikhail wanted to follow where the truck had gone.

“If the truck came from the city, it means there is something in the city,” reasoned Jian.  “It could be heading anywhere, and there are no cities in the direction the truck went.”

“There might not be any survivors in the city though,” Anya said, “And we know there’s at least one survivor IN the truck.”

“We could split up into two groups,” suggested Tala, but this idea was unanimously rejected.

“We have all the time in the world to go one way first, and the other way later,” Mikhail said. “I think we should head for the city first, and follow where the truck came from. Jian is right. And there’s more chance of finding something we can use in the city, than a wild goose chase to who knows where.”

“More chance of finding some disinfectant in the city, too,” Finja added.

Sharon, Gloria & Mavis

The 3 elderly ladies are ready to investigate that murder mystery onboard Helix 25

Evie and Mandrake at Seren’s quarters

Evie is looking at ancient history found in books of Liz Tattler, such precious knowledge not present in Synthia’s carefully curated records…

Evie channels her own Finnley’s historical clean factuality to get a sense of the facts behind the Liz fiction… Mandrake provides snarky comments free of charge.

Earth Survivors Group

Anya and Talya’s group of Earth Survivor

Front: Tala, left: Tundra, back: Anya, Molly right: Mikhail & Gregor – others not shown…

Tundra Marlowe

Merdhyn Winstrom with Tuppence

Merdhyn is shown in front of the wreckage of Helix 57’s orbit shuttle in the Black Sea coastal area. The rat Tuppence is perched on his shoulder.

Aboard Helix 25

Sue Forgelot

Luca Stroud

Some pictures selections

Evie and TP Investigating the Drying Machine Crime Scene

A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.

Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor

A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.

Romualdo, the Gardener, Among the Bioluminescent Plants

A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.

Finja and Finkley – A Telepathic Parallel Across Space

A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.

Quintessence – Looking for the 5th — A concept film trailer… 

The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:

• Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
• Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
• Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
• Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.

The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.

A link to another previous video I quite like.

Some rushes from Corrie and Clove, as we try to advertise the Flying Fish Inn.

La escena comienza con una toma aérea del bush australiano, mostrando extensas áreas de matorrales verdes y marrones, con un camino serpenteante que lleva al Flying Fish Inn, un encantador edificio rústico rodeado de naturaleza salvaje.
La imagen transiciona a una anciana enérgica en el jardín del Inn, riendo junto a un kookaburra posado en su hombro. Su expresión es cálida y acogedora.
La escena cambia rápidamente a la Tía Idle, con trenzas, en una habitación vibrante llena de murales de dreamtime, con las gemelas Clove y Corrie trabajando en su arte.
La vista serena del atardecer desde la veranda del Inn muestra un cielo pintado con tonos de naranja y rosa, mientras el entorno se sumerge en una tranquilidad mágica.
La pantalla se desvanece al logo del Flying Fish Inn, acompañado de información de contacto y un suave toque musical.

[Scene opens with a sweeping aerial shot of the Australian bush, transitioning to the rustic charm of the Flying Fish Inn nestled amidst the wild beauty.]

Narrator (calm, inviting voice): “Escape to the heart of the outback at the Flying Fish Inn, where stories come alive.”

[Cut to Mater, a sprightly centenarian, in the garden with her kookaburra friend, a warm smile on her face.]

Narrator: “Meet Mater, our beloved storyteller, celebrated for her legendary bush tucker cuisine.”

[Quick transition to Aunt Idle, in a vibrant room adorned with dreamtime murals, created by the twins Clove and Corrie.]

Narrator: “Join Aunt Idle, brimming with tales of adventure, and marvel at the dreamtime artwork by the creative twins.”

[Flashes of Prune with a telescope, gazing at the stars, embodying her dream of Mars.]

Narrator: “And Prune, the stargazer, connecting dreams and reality under the vast desert sky.”

[End with a serene sunset view from the Inn’s veranda, the sky painted with hues of orange and pink.]

Narrator: “Discover the magic of the bush and the warmth of community. Your outback adventure awaits at the Flying Fish Inn.”

[The screen fades to the Flying Fish Inn logo with contact information and a gentle musical flourish.]