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Helix 25 – The Genetic Puzzle

Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)

On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.

She took a sip of her long-cold tea and exhaled sharply.

Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.

The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.

Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.

Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.

But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.

Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.

Except in this case, there was evidence that something had triggered them.

The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.

And more surprisingly… it wasn’t truly random.

Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.

The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…

She rubbed her forehead.

“Impossible.”

And yet—here was the data.

On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.

Earth – The Quiz Night Reveal

The Golden Trowel, Hungary

The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.

Once the postcards shared, everyone was listening as Tala addressed the group.

“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”

Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.

She turned toward Vera, who was already inspecting her own card with keen interest.

“Tower of London, anything exciting to share?”

Vera arched a perfectly sculpted eyebrow, lips curving in amusement.

“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”

She spun the postcard between her fingers before answering.

“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”

“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”

Molly inhaled sharply.

Remnants of the Lady of the Lake ?

Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.

If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…

Her fingers tightened around the postcard.

Unless there was something behind her ravings?

Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”

Finja had spent most of the evening pretending not to exist.

But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.

“Alright,” she muttered. “But just one.”

Molly exhaled in relief.

The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.

Because it wasn’t just Molly who wanted to ask.

Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.

Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.

So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.

Finja closed her eyes.

The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.

The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.

She reached out—

And the voices crashed into her.

Too much. Too many.

Hundreds of voices, drowning her in longing and loss.

“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”

Her head snapped back, breath shattering into gasps.

The crowd held its breath.

A dozen pairs of eyes, wide and unblinking.

Finja clenched her fists. She had to shut it down. She had to—

And then—

Something else.

A presence. Watching.

Synthia.

Her chest seized.

There was no logical way for an AI to interfere with telepathic frequencies.

And yet—

She felt it.

A subtle distortion. A foreign hand pressing against the link, observing.

The ship knew.

Finja jerked back, knocking over her chair.

The bar erupted into chaos.

“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”

Her breath came in short, panicked bursts.

She had never thought about the consequences of calling out across space.

But now…

Now she knew.

They were not the last survivors. Other lived and thrived beyond Earth.

And Synthia wanted to keep it that way.

Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.

They were coming back.

Liz had, in her esteemed opinion, finally cracked the next great literary masterpiece.

It had everything—forbidden romance, ancient mysteries, a dash of gratuitous betrayal, and a protagonist with just the right amount of brooding introspection to make him irresistible to at least two stunningly beautiful, completely unnecessary love interests.

And, of course, there was a ghost. She would have preferred a mummy but it had been edited out one morning she woke up drooling on her work with little recollection of the night.

Unfortunately, none of this mattered because Godfrey, her ever-exasperated editor, was staring at her manuscript with the same enthusiasm he reserved for peanut shells stuck in his teeth.

“This—” he hesitated, massaging his temples, “—this is supposed to be about the Crusades.”

Liz beamed. “It is! Historical and spicy. I expect an award.”

Godfrey set down the pages and reached for his ever-dwindling bowl of peanuts. “Liz, for the love of all that is holy, why is the Templar knight taking off his armor every other page?”

Liz gasped in indignation. “You wouldn’t understand, Godfrey. It’s symbolic. A shedding of the past! A rebirth of the soul!” She made an exaggerated sweeping motion, nearly knocking over her champagne flute.

“Symbolic,” Godfrey repeated flatly, chewing another peanut. “He’s shirtless on page three, in a monastery.”

Finnley, who had been dusting aggressively, made a sharp sniff. “Disgraceful.”

Liz ignored her. “Oh please, Godfrey. You have no vision. Readers love a little intimacy in their historical fiction.”

“The priest,” Godfrey said, voice rising, “is supposed to be celibate. You explicitly wrote that his vow was unbreakable.”

Liz waved a dismissive hand. “Oh, I solved that. He forgets about it momentarily.”

Godfrey choked on a peanut. Finnley paused mid-dust, staring at Liz in horror.

Roberto, who had been watering the hydrangeas outside the window, suddenly leaned in. “Did I hear something about a forgetful priest?”

“Not now, Roberto,” Liz said sharply.

Finnley folded her arms. “And how, pray tell, does one simply forget their sacred vows?”

Liz huffed. “The same way one forgets to clean behind the grandfather clock, I imagine.”

Finnley turned an alarming shade of purple.

Godfrey was still in disbelief. “And you’re telling me,” he said, flipping through the pages in growing horror, “that this man, Brother Edric, the holy warrior, somehow manages to fall in love with—who is this—” he squinted, “—Laetitia von Somethingorother?”

Liz beamed. “Ah, yes. Laetitia! Mysterious, tragic, effortlessly seductive—”

“She’s literally the most obvious spy I’ve ever read,” Godfrey groaned, rubbing his face.

“She is not! She is enigmatic.”

“She has a knife hidden in every scene.”

“A woman should be prepared.”

Godfrey took a deep breath and picked up another sheet. “Oh fantastic. There’s a secret baby now.”

Liz nodded sagely. “Yes. I felt that revelation.”

Finnley snorted. “Roberto also felt something last week, and it turned out to be food poisoning.”

Roberto, still hovering at the window, nodded solemnly. “It was quite moving.”

Godfrey set the papers down in defeat. “Liz. Please. I’m begging you. Just one novel—just one—where the historical accuracy lasts at least until page ten.”

Liz tapped her chin. “You might have a point.”

Godfrey perked up.

Liz snapped her fingers. “I should move the shirtless scene to page two.”

Godfrey’s head hit the table.

Roberto clapped enthusiastically. “Genius! I shall fetch celebratory figs!”

Finnley sighed dramatically, threw down her duster, and walked out of the room muttering about professional disgrace.

Liz grinned, completely unfazed. “You know, Godfrey, I really don’t think you appreciate my artistic sacrifices.”

Godfrey, face still buried in his arms, groaned, “Liz, I think Brother Edric’s celibacy lasted longer than my patience.”

Liz threw a hand to her forehead theatrically. “Then it was simply not meant to be.”

Roberto reappeared, beaming. “I found the figs.”

Godfrey reached for another peanut.

He was going to need a lot more of them.

Helix 25 – Crusades in the Cruise & Unexpected Archives

Evie hadn’t planned to visit Seren Vega again so soon, but when Mandrake slinked into her quarters and sat squarely on her console, swishing his tail with intent, she took it as a sign.

“Alright, you smug little AI-assisted furball,” she muttered, rising from her chair. “What’s so urgent?”

Mandrake stretched leisurely, then padded toward the door, tail flicking. Evie sighed, grabbed her datapad, and followed.

He led her straight to Seren’s quarters—no surprise there. The dimly lit space was as chaotic as ever, layers of old records, scattered datapads, and bound volumes stacked in precarious towers. Seren barely looked up as Evie entered, used to these unannounced visits.

“Tell the cat to stop knocking over my books,” she said dryly. “It never ever listens.”

“Well it’s a cat, isn’t it?” Evie replied. “And he seems to have an agenda.”

Mandrake leaped onto one of the shelves, knocking loose a tattered, old-fashioned book. It thudded onto the floor, flipping open near Evie’s feet. She crouched, brushing dust from the cover. Blood and Oaths: A Romance of the Crusades by Liz Tattler.

She glanced at Seren. “Tattler again?”

Seren shrugged. “Romualdo must have left it here. He hoards her books like sacred texts.”

Evie turned the pages, pausing at an unusual passage. The prose was different—less florid than Liz’s usual ramblings, more… restrained.

A fragment of text had been underlined, a single note scribbled in the margin: Not fiction.

Evie found a spot where she could sit on the floor, and started to read eagerly.

“Blood and Oaths: A Romance of the Crusades — Chapter XII
Sidon, 1157 AD.

Brother Edric knelt within the dim sanctuary, the cold stone pressing into his bones. The candlelight flickered across the vaulted ceilings, painting ghosts upon the walls. The voices of his ancestors whispered within him, their memories not his own, yet undeniable. He knew the placement of every fortification before his enemies built them. He spoke languages he had never learned.

He could not recall the first time it happened, only that it had begun after his initiation into the Order—after the ritual, the fasting, the bloodletting beneath the broken moon. The last one, probably folklore, but effective.

It came as a gift.

It was a curse.

His brothers called it divine providence. He called it a drowning. Each time he drew upon it, his sense of self blurred. His grandfather’s memories bled into his own, his thoughts weighted by decisions made a lifetime ago.

And now, as he rose, he knew with certainty that their mission to reclaim the stronghold would fail. He had seen it through the eyes of his ancestor, the soldier who stood at these gates seventy years prior.

‘You know things no man should know,’ his superior whispered that night. ‘Be cautious, Brother Edric, for knowledge begets temptation.’

And Edric knew, too, the greatest temptation was not power.

It was forgetting which thoughts were his own.

Which life was his own.

He had vowed to bear this burden alone. His order demanded celibacy, for the sealed secrets of State must never pass beyond those trained to wield it.

But Edric had broken that vow.

Somewhere, beyond these walls, there was a child who bore his blood. And if blood held memory…

He did not finish the thought. He could not bear to.”

Evie exhaled, staring at the page. “This isn’t just Tattler’s usual nonsense, is it?”

Seren shook her head distractedly.

“It reads like a first-hand account—filtered through Liz’s dramatics, of course. But the details…” She tapped the underlined section. “Someone wanted this remembered.”

Mandrake, still perched smugly above them, let out a satisfied mrrrow.

Evie sat back, a seed of realization sprouting in her mind. “If this was real, and if this technique survived somehow…”

Mandrake finished the thought for her. “Then Amara’s theory isn’t theory at all.”

Evie ran a hand through her hair, glancing at the cat than at Evie. “I hate it when Mandrake’s right.”

“Well what’s a witch without her cat, isn’t it?” Seren replied with a smile.

Mandrake only flicked his tail, his work here done.

Darla, Pedro’s assistant, took notes dutifully. The five of them were overdue for a reunion. She would have to organise mysterious odds and align random coincidences.

Lucien woke up from the strangest dream. For one, he didn’t realise that the Universe had an assistant —that seemed convenient. Then, another realisation occurred, she must have got it wrong somehow, they were only four of them. But maybe they were right. It was a long time they were together.

Matteo — Winter 2023: The Move

The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

The sound of the doorbell brought him back from his rêverie.

Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

“That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

“They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

“Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

“Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

“Special how?” her mother asked lightly.

“It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

“Why you want to keep those?” Amei asked, tilting her head.

Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

“It’s different, isn’t it?” she said suddenly, not looking at him.

“Moving?” Matteo asked, unsure if the question was for him.

“Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

“Do you know where I can find absinthe?” he asked, the question more instinct than intent.

Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

Nov.30, 2024 2:33pm – Darius: The Map and the Moment

Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

Darius raised an eyebrow. “A philosophical map?”

The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

Whatever this reunion was about, he’d be ready for it.

But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

“Believe me, I checked, double-checked, triple-checked… Love spells never last, it can’t be faked for such a long time.”

Jeezel was convinced, there was no way Malové’s escapade into love could have been foul play. Jeezel’s head was projected over in the air by the loom spell.

“I think you are still underestimating her scheming,” Eris said, feeding birds on her patio while she was interacting with the projections of her friends summoned for the occasion. “She can’t have simply abandoned all her duties without a care.”

“You have a point.” Frigella mentioned, her image animated over an old postcard background. “It’s such a break of character continuity I may say.”

Truella was flipping backgrounds behind her head, trying to find the perfect dig image to project to her friends. “Stop that!” Jeezel said gagging. “I’m going to be motion sick…”

“Back to our point…” Eris continued “I didn’t expect her succession to be appointed so fast.”

“And that Austreberthe of all persons!” Truella was starting to get on her contrarian horse. “That witch was only doing a good job at kissing donkeys, if you know what I mean. As if she’s going to be the right person for the job. Feels like we’re back into the Middle Ages of witchcraft. Not that it doesn’t have a certain appeal, trebuchets and all…” Truella was starting to get her similes in a twist and go in a usual tangent.

Frigella, always the peacemaker ventured. “Maybe we should give her a chance. And after all, better her than you, don’t you think?”

Truella stopped in her tracks, not knowing if there wasn’t some jab hiding in the last sentence. “Well, I may have had some good ideas to shake this up of course…”

Eris, staying grounded snapped “but for now, we’ll have to see what’s Austreberthe as our new boss is going to do. Last I heard she was all about getting the Quadrivium to sponsor the Worldwide Roman Games.”

Jeezel sighed. “At least she’s not going to put us to more debt… That witch’s graps on our finance is tighter than a nun’s…”

“Thanks Jeezel, we get the picture. Austreberthe was after all, Malové’s head of Finance for the most part… Hope we’re not getting too much of a cure of austerity.”

Eris said “Somehow, I still hope it’s one of Malové’s tests. Otherwise, hello Middle Ages…”

Eris, logged off the Ritual, and stretched her long legs. That pandemic had brought them more work than ever, a new brand of Incense called “Vaxations” which they’d produced in record time, but of the little compensations for that harrowing time was the allowance to HFH (a.k.a Hex-From-Home). The Classical tenants of the Faith were missing quite a few of the modernities of the current world, and despite they’d been accounts of remote hexing from as long as the ages stretched, the Quadrivium Policies were quite clear you had to clock-in physically. That is, until the pandemic brought mayhem unto their clientèle, and rules had to be amended.

Eris was short for Ætheris, her formal witch name, which sounded much more airy than she’d liked. Eris, like the Goddess of Discord, well, that was more like her.

If she had to put her biography on the website of the Quadrivium Emporium it would read something like this:

Eris, the tech-savvy witch of discord, remains an enigma to most. She thrives in chaos, has a knack for bending technology to her will, and is pioneering a new branch of the Coven’s operations.

Technology had always been the eternal foe of Magic. As if everything explained by science somehow took away something off the realm of Magic. It was neither true, nor that simple, she believed. For one, she loved to blend the two (as most witches did, unwittingly).

Her familiar, Echo, was a proof of that. Echo wasn’t a tangible creature. Instead, Eris has somehow managed to summon an invisible digital sprite. This ethereal entity, capable of interfacing with any electronic device, was an invaluable asset to Eris’s technological endeavors.

Malové, their Head Witch CEO, had tasked her to launch a new branch, and given her some means to do so. Her intentions were rather unclear, but Eris had won her over when she showed her the parallels of Incense magic and Social Media.
Maybe that year, she would be keen to try and enhance their yearly Incense with some tech intelligence. Truth was, most of the artificial lives had been failures so far. Only Echo somehow turned out fine. One of a kind.

“Echo,” she called, while a glowing blue sigil appeared in mid-air. “When you’re done with the latest…”

“Eris, sorry for interjecting, but you need to hear about this.”

She was too surprised to be mad. “What’s the matter?”

“Quality control on the first Ritual. It’s pointing out to some anomalies.”

Very well, let us focus a bit on an overarching mystery.

So, Xavier is working on this program he calls AL (for Alternate Life), for a company we know little about.

Meanwhile, the game they’re playing on, Orbs of Madjourneys seems to direct them to certain quests which subtly influence their activities. For instance, after playing the game, a succession of events got the four of them booking a trip to the Flying fish Inn in the middle of Australian outback (Zara is living in Australia unlike the others).

Let’s assume the Game had somehow detected some unlawful or immoral activities being conducted, and has started to drop clues to influence these 4 gamers, selected because of their unique connexions and some of their special skills to get to reveal and bring the mystery to light.

Zara has an explorer mind, free-spirited, jumping right in. It’s suggested she was assigned group leadership for this round of game, while taking care of a group doesn’t come naturally for her. Yasmin is talented and it is said she is the brains of the team and also a competent actress, which may come in play at some point. Youssef is a journalist, and works for Miss Tartiflate, owner of THE Blog, a blog with a soul – unlike rival blog from Botty Banworth, the lady millionaire, who is sponsoring the Carts & Lager festival at the town of the Flying Fish Inn, next to the mines. Xavier has a bit of a monkey mind, but is also good at drawing connections; he’s a programmer for AL.

Which brings us to the group quest. The current hunch is that there is some shenanigan at play in the old collapsed mines of the town, where some key characters were lost in the past. One of them being Fred, a sci-fi writer who disappeared to Fiji to protect his family (the owners of the Flying Fish Inn) a decade or so ago. It’s suggested by the last poem found in the game that it may have something to do with illegal underground water drilling —possibly for frivolous usages of a select few elite, like maintaining a golf green nearby or other things.

If that is on the right track, we need to accelerate the path of discovery of these mysteries for our 4 characters. The game will suggest additional clues to their quests, so that they can use their skills during the Carts & Lager Festival to discover the truth, while remaining out of harm’s way.

Here are some additional clues that the game will suggest to our four characters:

Zara:

“To find the truth, you must first seek the light.” 🌞🔍🕯️💡🔦
“The answer lies beneath the surface.” 🕳️🔍👀🌊💧

Yasmin:

“All the world’s a stage, and we are merely players.” 🌍🎭🤹‍♀️👥🕺
“Sometimes, the truth is hidden in plain sight.” 👀🔍🤫🧐🕵️‍♀️

Youssef:

“Words have power, and the pen is mightier than the sword.” 📝🗡️💪📚👨‍💻
“The truth may be hidden in the most unexpected of places.” 🤔🕵️‍♂️🔍🧩🕰️

Xavier:

“The truth is a puzzle waiting to be solved.” 🧩🔍🤔🕵️‍♂️💡
“Sometimes, the smallest details can lead to the biggest discoveries.” 🔍👀🔬🧐🔎

What are potential outcomes for our 4 characters in game and in real life.
How are they going to work together to unravel the mystery and discover the truth.

There are several potential outcomes for our 4 characters as they work together to unravel the truth about the collapsed mines and the illegal underground water drilling.

In the game, they may encounter various obstacles and puzzles to solve, such as deciphering codes and finding hidden passages. They will need to work together and use their unique skills to uncover the truth and prevent any further harm.

In real life, they may need to conduct research and gather information about the history of the town and its residents. They may also need to interview locals and investigate any suspicious activity related to the water drilling. They will need to be careful not to draw too much attention to themselves, as the perpetrators may try to silence them.

If they are successful in their quest, they may uncover a conspiracy involving powerful people in the town and beyond who are profiting from the illegal water drilling. They may also discover the fate of Fred, the missing writer, and other key characters. The truth may have a significant impact on the future of the town and its residents.

To work together effectively, each of the characters will need to utilize their unique skills and strengths. Zara’s exploratory nature may help them discover hidden clues and passages, while Yasmin’s intellect and acting abilities may allow her to gain access to key information and people. Youssef’s journalistic skills and connection to Miss Tartiflate may provide them with insider knowledge and resources, and Xavier’s ability to draw connections and work with technology may help them piece together the puzzle.

Overall, by working together and using their skills in both the game and real life, our 4 characters may uncover a significant truth and make a positive impact on the town and its residents.

Godfrey had been in a mood. Which one, it was hard to tell; he was switching from overwhelmed, grumpy and snappy, to surprised and inspired in a flicker of a second.

Maybe it had to do with the quantity of material he’d been reviewing. Maybe there were secret codes in it, or it was simply the sleep deprivation.

Inspired by Elizabeth active play with her digital assistant —which she called humorously Whinley, he’d tried various experiments with her series of written, half-written, second-hand, discarded, published and unpublished, drivel-labeled manuscripts he could put his hand on to try to see if something —anything— would come out of it.

After all, Liz’ generous prose had always to be severely edited to meet the editorial standards, and as she’d failed to produce new best-sellers since the pandemic had hit, he’d had to resort to exploring old material to meet the shareholders expectations.

He had to be careful, since some were so tartied up, that at times the botty Whinley would deem them banworthy. “Botty Banworth” was Liz’ character name for this special alternate prudish identity of her assistant. She’d run after that to write about it. After all, “you simply can’t ignore a story character when they pop in, that would be rude” was her motto.

So Godfrey in turn took to enlist Whinley to see what could be made of the raw material and he’d been both terribly disappointed and at the same time completely awestruck by the results. Terribly disappointed of course, as Whinley repeatedly failed to grasp most of the subtleties, or any of the contextual finely layered structures. While it was good at outlining, summarising, extracting some characters, or content, it couldn’t imagine, excite, or transcend the content it was fed with.

Which had come as the awestruck surprise for Godfrey. No matter how raw, unpolished, completely off-the-charts rank with madness or replete with seeming randomness the content was, there was always something that could be inferred from it. Even more, there was no end to what could be seen into it. It was like life itself. Or looking at a shining gem or kaleidoscope, it would take endless configurations and had almost infinite potential.

It was rather incredible and revisited his opinion of what being a writer meant. It was not simply aligning words. There was some magic at play there to infuse them, to dance with intentions, and interpret the subtle undercurrents of the imagination. In a sense, the words were dead, but the meaning behind them was still alive somehow, captured in the amber of the composition, as a fount of potentials.

What crafting or editing of the story meant for him, was that he had to help the writer reconnect with this intent and cast her spell of words to surf on the waves of potential towards an uncharted destination. But the map of stories he was thinking about was not the territory. Each story could be revisited in endless variations and remain fresh. There was a difference between being a map maker, and being a tour-operator or guide.

He could glimpse Liz’ intention had never been to be either of these roles. She was only the happy bumbling explorer on the unchartered territories of her fertile mind, enlisting her readers for the journey. Like a Columbus of stories, she’d sell a dream trusting she would somehow make it safely to new lands and even bigger explorations.

Just as Godfrey was lost in abyss of perplexity, the door to his office burst open. Liz, Finnley, and Roberto stood in the doorway, all dressed in costumes made of odds and ends.

“You are late for the fancy dress rehearsal!” Liz shouted, in her a pirate captain outfit, her painted eye patch showing her eye with an old stitched red plush thing that looked like a rat perched on her shoulder supposed to look like a mock parrot.

“What was the occasion again?”

“I may have found a new husband.” she said blushing like a young damsel.

Finnley, in her mummy costume made with TP rolls, well… did her thing she does with her eyes.