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  • #7856
    ÉricÉric
    Keymaster

      Chapter Title: A Whiff of Inspiration – a work in progress by Elizabeth Tattler

      The morning light slanted through the towering windows of the grand old house, casting a warm glow upon the chaos within. Elizabeth Tattler, famed author and mistress of the manor, found herself pacing the length of the room with the grace of a caged lioness. Her mind was a churning whirlpool of creative fury, but alas, it was not the only thing trapped within.

      Finnley!” she bellowed, her voice echoing off the walls with a resonance that only years of authoritative writing could achieve. “Finnley, where are you hiding?”

      Finnley, emerging from behind the towering stacks of Liz’s half-finished manuscripts, wielded her trusty broom as if it were a scepter. “I’m here, I’m here,” she grumbled, her tone as prickly as ever. “What is it now, Liz? Another manuscript disaster? A plot twist gone awry?”

      “Trapped abdominal wind, my dear Finnley,” Liz declared with dramatic flair, clutching her midsection as if to emphasize the gravity of her plight. “Since two in the morning! A veritable tempest beneath my ribs! I fear this may become the inspiration—or rather, aspiration—for my next novel.”

      Finnley rolled her eyes, a gesture she had perfected over years of service. “Oh, for Flove’s sake, Liz. Perhaps you should bottle it and sell it as ‘Creative Muse’ for struggling writers. Now, what do you need from me?”

      “Oh, I’ve decided to vent my frustrations in a blog post. A good old-fashioned rant, something to stir the pot and perhaps ruffle a few feathers!” Liz’s eyes gleamed mischievously. “I’m certain it shall incense 95% of my friends, but what better way to clear the mind and—hopefully—the bowels?”

      At that moment, Godfrey, Liz’s ever-distracted editor, shuffled in with a vacant look in his eyes. “Did someone mention something about… inspiration?” he asked, blinking as if waking from a long slumber.

      “Yes, Godfrey, inspiration!” Liz exclaimed, waving her arms dramatically. “Though in my case, it’s more like… ‘inflation’! I’ve become a gastronaut! ” She chuckled at her own pun, eliciting a groan from Finnley.

      Godfrey, oblivious to the undercurrents of the conversation, nodded earnestly. “Ah, splendid! Speaking of which, have you written that opening scene yet, Liz? The publishers are rather eager, you know.”

      Liz threw her hands up in mock exasperation. “Dear Godfrey, with my innards in such turmoil, how could I possibly focus on an opening scene?” She paused, eyes narrowing thoughtfully. “Unless, of course, I were to channel this very predicament into my story. Perhaps a character with a similar plight, trapped on a space station with only their imagination—and intestinal distress—for company.”

      Finnley snorted, her stern facade cracking ever so slightly. “A tale of cosmic flatulence, is it? Sounds like a bestseller to me.”

      And with that, Liz knew she had found her muse—an unorthodox one, to be sure, but a muse nonetheless. As the words began to flow, she could only hope that relief, both literary and otherwise, was soon to follow.

      (story repeats at the beginning)

      #7847
      Jib
      Participant

        Helix 25 – The Lexican Quarters – Anuí’s Chambers

        Anuí Naskó had been many things in their life—historian, philosopher, linguist, nuisance. But a father? No. No, that was entirely new.

        And yet, here they were, rocking a very tiny, very loud creature wrapped in Lexican ceremonial cloth, embroidered with the full unpronounceable name bestowed upon it just moments ago: Hšyra-Mak-Talún i Ešvar—”He Who Cries the Arrival of the Infinite Spiral.”

        The baby did, indeed, cry.

        “Why do you scream at me?” Anuí muttered, swaying slightly, more in a daze than any real instinct to soothe. “I did not birth you. I did not know you existed until three hours ago. And yet, you are here, squalling, because your other father and your mother have decided to fulfill the Prophecy of the Spiral Throne.”

        The Prophecy. The one that spoke of the moment the world would collapse and the Lexicans would ascend. The one nobody took seriously. Until now.

        Zoya Kade, sitting across from them, watched with narrowed, calculating eyes. “And what exactly does that entail? This Lexican Dynasty?”

        Anuí sighed, looking down at the writhing child who was trying to suck on their sleeves, still stained with the remnants of the protein paste they had spent the better part of the morning brewing. The Atrium’s walls needed to be prepared, after all—Kio’ath could not write the sigils without the proper medium. And as the cycles dictated, the medium must be crafted, fermented, and blessed by the hand of one who walks between identities. It had been a tedious, smelly process, but Anuí had endured worse in the name of preservation.

        “Patterns repeat, cycles fold inward.” “Patterns repeat, cycles fold inward. The old texts speak of it, the words carved into the silent bones of forgotten tongues. This, Zoya, is no mere madness. This is the resurgence of what was foretold. A dynasty cannot exist without succession, and history does not move without inheritors. They believe they are ensuring the inevitability of their rise. And they might not be wrong.”

        They adjusted their grip on the child, murmuring a phrase in a language so old it barely survived in the archives. “Tz’uran velth ka’an, the root that binds to the branch, the branch that binds to the sky. Our truths do not stand alone.”

        The baby flailed, screaming louder. “Yes, yes, you are the heir,” Anuí murmured, bouncing it with more confidence. “Your lineage has been declared, your burden assigned. Accept it and be silent.” “Well, apparently it requires me to be a single parent while they go forth and multiply, securing ‘heirs to the truth.’ A dynasty is no good without an heir and a spare, you see.”

        The baby flailed, screaming even louder. “Yes, yes, you are the heir,” Anuí murmured with a hint of irritation, bouncing the baby awkwardly. “You have been declared. Please, cease wailing now.”

        Zoya exhaled through her nose, somewhere between disbelief and mild amusement. “And in the middle of all this divine nonsense, the Lexicans have chosen to back me?”

        Anuí arched a delicate brow, shifting the baby to one arm with newfound ease. “Of course. The truth-seeker is foretold. The woman who speaks with voices of the past. We have our empire; you are our harbinger.”

        Zoya’s lips twitched. “Your empire consists of thirty-eight highly unstable academics and a baby.”

        “Thirty-nine. Kio’ath returned from exile yesterday,” Anuí corrected. “They claim the moons have been whispering.”

        “Ah. Of course they have.”

        Zoya fell silent, fingers tracing the worn etchings of her chair’s armrest. The ship’s hum pressed into her bones, the weight of something stirring in her mind, something old, something waiting.

        Anuí’s gaze sharpened, the edges of their thoughts aligning like an ancient lexicon unfurling in front of them. “And now you are hearing it, aren’t you? The echoes of something that was always there. The syllables of the past, reshaped by new tongues, waiting for recognition. The Lexican texts spoke of a fracture in the line, a leader divided, a bridge yet to be found.”

        They took a slow breath, fingers tightening over the child’s swaddled form. “The prophecy is not a single moment, Zoya. It is layers upon layers, intersecting at the point where chaos demands order. Where the unseen hand corrects its own forgetting. This is why they back you. Not because you seek the truth, but because you are the conduit through which it must pass.”

        Zoya’s breath shallowed. A warmth curled in her chest, not of her own making. Her fingers twitched as if something unseen traced over them, urging her forward. The air around her thickened, charged.

        She knew this feeling.

        Her head tipped back, and when she spoke, it was not entirely her own voice.

        “The past rises in bloodlines and memory,” she intoned, eyes unfocused, gaze burning through Anuí. “The lost sibling walks beneath the ice. The leader sleeps, but he must awaken, for the Spiral Throne cannot stand alone.”

        Anuí’s pulse skipped. “Zoya—”

        The baby let out a startled hiccup.

        But Zoya did not stop.

        “The essence calls, older than names, older than the cycle. I am Achaia-Vor, the Echo of Sundered Lineage. The Lost, The Twin, The Nameless Seed. The Spiral cannot turn without its axis. Awaken Victor Holt. He is the lock. You are the key. The path is drawn.

        “The cycle bends but does not break. Across the void, the lost ones linger, their voices unheard, their blood unclaimed. The Link must be found. The Speaker walks unknowingly, divided across two worlds. The bridge between past and present, between silence and song. The Marlowe thread is cut, yet the weave remains. To see, you must seek the mirrored souls. To open the path, the twins must speak.”

        Achaia-Vor. The name vibrated through the air, curling through the folds of Anuí’s mind like a forgotten melody.

        Zoya’s eyes rolled back, body jerking as if caught between two timelines, two truths. She let out a breathless whisper, almost longing.

        “Victor, my love. He is waiting for me. I must bring him back.”

        Anuí cradled the baby closer, and for the first time, they saw the prophecy not as doctrine but as inevitability. The patterns were aligning—the cut thread of the Marlowes, the mirrored souls, the bridge that must be found.

        “It is always the same,” they murmured, almost to themselves. “An axis must be turned, a voice must rise. We have seen this before, written in languages long burned to dust. The same myth, the same cycle, only the names change.”

        They met Zoya’s gaze, the air between them thick with the weight of knowing. “And now, we must find the Speaker. Before another voice is silenced.”

        “Well,” they muttered, exhaling slowly. “This just got significantly more complicated.”

        The baby cooed.

        Zoya Kade smiled.

        #7829
        ÉricÉric
        Keymaster

          Helix 25 – Investigation Breakdown: Suspects, Factions, and Ship’s Population

          To systematically investigate the murder(s) and the overarching mystery, let’s break down the known groups and individuals, their possible means to commit crimes, and their potential motivations.


          1. Ship Population & Structure

          Estimated Population of Helix 25

          • Originally a luxury cruise ship before the exodus.
          • Largest cruise ships built on Earth in 2025 carried ~5,000 people.
            Space travel, however, requires generations.
          • Estimated current ship population on Helix 25: Between 15,000 and 50,000, depending on deck expansion and growth of refugee populations over decades.
          • Possible Ship Propulsion:
            • Plasma-based propulsion (high-efficiency ion drives)
            • Slingshot navigation using gravity assists
            • Solar sails & charged particle fields
            • Current trajectory: Large elliptical orbit, akin to a comet.
              Estimated direction of the original space trek was still within Solar System, not beyond the Kuiper Belt (~30 astrological units) and programmed to return towards it point of origin.
              Due to the reprogramming by the refugees, it is not known if there has been significant alteration of the course – it should be known as the ship starts to reach the aphelion (farthest from the Sun) and either comes back towards it, or to a different course.
            • Question: Are they truly on a course out of the galaxy? Or is that just the story Synthia is feeding them?
              Is there a Promised Land beyond the Ark’s adventure?


          2. Breaking Down People & Factions

          To find the killer(s), conspiracies, and ship dynamics, here are some of factions, known individuals, and their possible means/motives.


          A. Upper Decks: The Elite & Decision-Makers

          • Defining Features:
            • Wealthy descendants of the original passengers. They have adopted names of stars as new family names, as if de-facto rulers of the relative segments of the space.
            • Have never known hardship like the Lower Decks.
            • Kept busy with social prestige, arts, and “meaningful” pursuits to prevent existential crisis.

          Key Individuals:

          1. Sue Forgelot

            • Means: Extensive social connections, influence, and hidden cybernetic enhancements.
            • Motive: Could be protecting something or someone—she knows too much about the ship’s past.
            • Secrets: Claims to have met the Captain. Likely lying… unless?
          2. Dr. Amara Voss

            • Means: Expert geneticist, access to data. Could tamper with DNA.
            • Motive: What if Herbert knew something about her old research? Did she kill to bury it?
          3. Ellis Marlowe (Retired Postman)

            • Means: None obvious. But as a former Earth liaison, he has archives and knowledge of what was left behind.
            • Motive: Unclear, but his son was the murder victim. His son was previously left on Earth, and seemed to have found a way onto Helix 25 (possibly through the refugee wave who took over the ship)
            • Question: Did he know Herbert’s real identity?
          4. Finkley (Upper Deck cleaner, informant)

            • Means: As a cleaner, has access everywhere.
            • Motive: None obvious, but cleaners notice everything.
            • Secret: She and Finja (on Earth) are telepathically linked. Could Finja have picked up something?
          5. The Three Old Ladies (Shar, Glo, Mavis)

            • Means: Absolutely none.
            • Motive: Probably just want more drama.
            • Accidental Detectives: They mix up stories but might have stumbled on actual facts.
          6. Trevor Pee Marshall (TP, AI detective)

            • Means: Can scan records, project into locations, analyze logic patterns.
            • Motive: Should have none—unless he’s been compromised as hinted by some of the remnants of old Muck & Lump tech into his program.

          B. Lower Decks: Workers, Engineers, Hidden Knowledge

          • Defining Features:
            • Unlike the Upper Decks, they work—mechanics, hydroponics, labor.
            • Self-sufficient, but cut off from decisions.
            • Some distrust Synthia, believing Helix 25 is off-course.

          Key Individuals:

          1. Luca Stroud (Engineer, Cybernetic Expert)

            • Means: Can tamper with ship’s security, medical implants, and life-support systems.
            • Motive: Possible sabotage, or he was helping Herbert with something.
            • Secret: Works in black-market tech modifications.
          2. Romualdo (Gardener, Archivist-in-the-Making)

            • Means: None obvious. Seem to lack the intelligence, but isn’t stupid.
            • Motive: None—but he lent Herbert a Liz Tattler book about genetic memories.
            • Question: What exactly did Herbert learn from his reading?
          3. Zoya Kade (Revolutionary Figure, Not Directly Involved)

            • Means: Strong ideological influence, but not an active conspirator.
            • Motive: None, but her teachings have created and fed factions.
          4. The Underground Movement

            • Means: They know ways around Synthia’s surveillance.
            • Motive: They believe the ship is on a suicide mission.
            • Question: Would they kill to prove it?

          C. The Hold: The Wild Cards & Forgotten Spaces

          • Defining Features:
            • Refugees who weren’t fully integrated.
            • Maintain autonomy, trade, and repair systems that the rest of the ship ignores.

          Key Individuals:

          1. Kai Nova (Pilot, Disillusioned)

            • Means: Can manually override ship systems… if Synthia lets him.
            • Motive: Suspects something’s off about the ship’s fuel levels.
          2. Cadet Taygeta (Sharp, Logical, Too Honest)

            • Means: No real power, but access to data.
            • Motive: Trying to figure out what Kai is hiding.

          D. AI & Non-Human Factors

          • Synthia (Central AI, Overseer of Helix 25)

            • Means: Controls everything.
            • Motive: Unclear, but her instructions are decades old.
            • Question: Does she even have free will?
          • The Captain (Nemo)

            • Means: Access to ship-wide controls. He is blending in the ship’s population but has special access.
            • Motive: Seems uncertain about his mission.
            • Secret: He might not be following Synthia’s orders anymore.

          3. Who Has the Means to Kill in Zero-G?

          The next murder happens in a zero-gravity sector. Likely methods:

          • Oxygen deprivation (tampered life-support, “accident”)
          • Drowning (hydro-lab “malfunction”)

          Likely Suspects for Next Murder

          Suspect Means to Kill in Zero-G Motive
          Luca Stroud Can tamper with tech Knows ship secrets
          Amara Voss Access to medical, genetic data Herbert was digging into past
          Underground Movement Can evade Synthia’s surveillance Wants to prove ship is doomed
          Synthia (or Rogue AI processes) Controls airflow, gravity, and safety protocols If she sees someone as a threat, can she remove them?
          The Captain (Nemo?) Has override authority Is he protecting secrets?

          4. Next Steps in the Investigation

          • Evie and Riven Re-interview Suspects. Who benefited from Herbert’s death?
          • Investigate the Flat-Earth Conspiracies. Who is spreading paranoia?
          • Check the Captain’s Logs. What does Nemo actually believe?
          • Stop the Next Murder. (Too late?)

          Final Question: Where Do We Start?

          1. Evie and Riven visit the Captain’s quarters? (If they find him…)
          2. Investigate the Zero-G Crime Scene? (Second body = New urgency)
          3. Confront one of the Underground Members? (Are they behind it?)

          Let’s pick a thread and dive back into the case!

          #7816
          ÉricÉric
          Keymaster

            Liz had, in her esteemed opinion, finally cracked the next great literary masterpiece.

            It had everything—forbidden romance, ancient mysteries, a dash of gratuitous betrayal, and a protagonist with just the right amount of brooding introspection to make him irresistible to at least two stunningly beautiful, completely unnecessary love interests.

            And, of course, there was a ghost. She would have preferred a mummy but it had been edited out one morning she woke up drooling on her work with little recollection of the night.

            Unfortunately, none of this mattered because Godfrey, her ever-exasperated editor, was staring at her manuscript with the same enthusiasm he reserved for peanut shells stuck in his teeth.

            “This—” he hesitated, massaging his temples, “—this is supposed to be about the Crusades.”

            Liz beamed. “It is! Historical and spicy. I expect an award.”

            Godfrey set down the pages and reached for his ever-dwindling bowl of peanuts. “Liz, for the love of all that is holy, why is the Templar knight taking off his armor every other page?”

            Liz gasped in indignation. “You wouldn’t understand, Godfrey. It’s symbolic. A shedding of the past! A rebirth of the soul!” She made an exaggerated sweeping motion, nearly knocking over her champagne flute.

            “Symbolic,” Godfrey repeated flatly, chewing another peanut. “He’s shirtless on page three, in a monastery.”

            Finnley, who had been dusting aggressively, made a sharp sniff. “Disgraceful.”

            Liz ignored her. “Oh please, Godfrey. You have no vision. Readers love a little intimacy in their historical fiction.”

            “The priest,” Godfrey said, voice rising, “is supposed to be celibate. You explicitly wrote that his vow was unbreakable.”

            Liz waved a dismissive hand. “Oh, I solved that. He forgets about it momentarily.”

            Godfrey choked on a peanut. Finnley paused mid-dust, staring at Liz in horror.

            Roberto, who had been watering the hydrangeas outside the window, suddenly leaned in. “Did I hear something about a forgetful priest?”

            “Not now, Roberto,” Liz said sharply.

            Finnley folded her arms. “And how, pray tell, does one simply forget their sacred vows?”

            Liz huffed. “The same way one forgets to clean behind the grandfather clock, I imagine.”

            Finnley turned an alarming shade of purple.

            Godfrey was still in disbelief. “And you’re telling me,” he said, flipping through the pages in growing horror, “that this man, Brother Edric, the holy warrior, somehow manages to fall in love with—who is this—” he squinted, “—Laetitia von Somethingorother?”

            Liz beamed. “Ah, yes. Laetitia! Mysterious, tragic, effortlessly seductive—”

            “She’s literally the most obvious spy I’ve ever read,” Godfrey groaned, rubbing his face.

            “She is not! She is enigmatic.”

            “She has a knife hidden in every scene.”

            “A woman should be prepared.”

            Godfrey took a deep breath and picked up another sheet. “Oh fantastic. There’s a secret baby now.”

            Liz nodded sagely. “Yes. I felt that revelation.”

            Finnley snorted. “Roberto also felt something last week, and it turned out to be food poisoning.”

            Roberto, still hovering at the window, nodded solemnly. “It was quite moving.”

            Godfrey set the papers down in defeat. “Liz. Please. I’m begging you. Just one novel—just one—where the historical accuracy lasts at least until page ten.”

            Liz tapped her chin. “You might have a point.”

            Godfrey perked up.

            Liz snapped her fingers. “I should move the shirtless scene to page two.”

            Godfrey’s head hit the table.

            Roberto clapped enthusiastically. “Genius! I shall fetch celebratory figs!”

            Finnley sighed dramatically, threw down her duster, and walked out of the room muttering about professional disgrace.

            Liz grinned, completely unfazed. “You know, Godfrey, I really don’t think you appreciate my artistic sacrifices.”

            Godfrey, face still buried in his arms, groaned, “Liz, I think Brother Edric’s celibacy lasted longer than my patience.”

            Liz threw a hand to her forehead theatrically. “Then it was simply not meant to be.”

            Roberto reappeared, beaming. “I found the figs.”

            Godfrey reached for another peanut.

            He was going to need a lot more of them.

            #7794
            Yurara FamelikiYurara Fameliki
            Participant

              Some pictures selections

              Evie and TP Investigating the Drying Machine Crime Scene

              A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.

               

              Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor

              A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.

               

              Romualdo, the Gardener, Among the Bioluminescent Plants

              A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.

               

              Finja and Finkley – A Telepathic Parallel Across Space

              A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.

              #7789

              Helix 25 – Poop Deck – The Jardenery

              Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.

              Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.

              Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”

              Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.

              A flicker of light.

              “Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”

              Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.

              “No, indeed. I’m admiring this.” She turned the screen toward them.

              The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.

              Evie frowned. “What are we looking at?”

              Amara pinched the bridge of her nose. “A genetic anomaly.”

              Riven crossed his arms. “You’ll have to be more specific.”

              Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”

              Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”

              Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”

              Silence stretched between them.

              Finally, Riven scoffed. “That’s impossible.”

              TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”

              Evie’s mind raced. “Could the database be corrupted?”

              Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.

              Amara continued  “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”

              Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

              Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”

              TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”

              Evie turned toward Amara. “Did Herbert ever come here?”

              Before Amara could answer, a voice cut through the foliage.

              “Herbert?”

              They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.

              Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”

              Evie stepped closer. “What did he want?”

              Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”

              Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”

              Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”

              Evie stiffened. TP let out an appreciative hum.

              “Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”

              Riven scowled. “That’s a bit dramatic.”

              Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”

              Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.

              She turned to Amara. “You wrote this?”

              Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”

              Evie closed the book. “Looks like someone didn’t agree.”

              Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”

              TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”

              Riven rolled his eyes. “Let’s go.”

              As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.

              #7763
              Jib
              Participant

                The corridor outside Mr. Herbert’s suite was pristine, polished white and gold, designed to impress, like most of the ship. Soft recessed lighting reflected off gilded fixtures and delicate, unnecessary embellishments.

                It was all Riven had ever known.

                His grandfather, Victor Holt, now in cryo sleep, had been among the paying elite, those who had boarded Helix 25, expecting a decadent, interstellar retreat. Riven, however had not been one of them. He had been two years old when Earth fell, sent with his aunt Seren Vega on the last shuttle to ever reach the ship, crammed in with refugees who had fought for a place among the stars. His father had stayed behind, to look for his mother.

                Whatever had happened after that—the chaos, the desperation, the cataclysm that had forced this ship to become one of humanity’s last refuges—Riven had no memory of it. He only knew what he had been told. And, like everything else on Helix 25, history depended on who was telling it.

                For the first time in his life, someone had been murdered inside this floating palace of glass and gold. And Riven, inspired by his grandfather’s legacy and the immense collection of murder stories and mysteries in the ship’s database, expected to keep things under control.

                He stood straight in front of the suite’s sealed sliding door, arms crossed on a sleek uniform that belonged to Victor Holt. He was blocking entry with the full height of his young authority. As if standing there could stop the chaos from seeping in.

                A holographic Do Not Enter warning scrolled diagonally across the door in Effin Muck’s signature font—because even crimes on this ship came branded.

                People hovered in the corridor, coming and going. Most were just curious, drawn by the sheer absurdity of a murder happening here.

                Riven scanned their faces, his muscles coiled with tension. Everyone was a potential suspect. Even the ones who usually didn’t care about ship politics.

                Because on Helix 25, death wasn’t supposed to happen. Not anymore.

                Someone broke away from the crowd and tried to push past him.

                “You’re wasting time. Young man.”

                Zoya Kade. Half scientist, half mad Prophet, all irritation. Her gold-green eyes bore into him, sharp beneath the deep lines of her face. Her mismatched layered robes shifting as she moved. Riven had no difficulty keeping the tall and wiry 83 years old woman at a distance.

                Her silver-white braid was woven with tiny artifacts—bits of old circuits, beads, a fragment of a key that probably didn’t open anything anymore. A collector of lost things. But not just trinkets—stories, knowledge, genetic whispers of the past. And now, she wanted access to this room like it was another artifact to be uncovered.

                “No one is going in.” Riven said slowly, “until we finish securing the area.”

                Zoya exhaled sharply, turning her head toward Evie, who had just emerged from the crowd, tablet in hand, TP flickering at her side.

                Evie, tell him.”

                Evie did not look pleased to be associated with the old woman. “Riven, we need access to his room. I just need…”

                Riven hesitated.

                Not for long, barely a second, but long enough for someone to notice. And of course, it was Anuí Naskó.

                They had been waiting, standing slightly apart from the others, their tall, androgynous frame wrapped in the deep-colored robes of the Lexicans, fingers lightly tapping the surface of their handheld lexicon. Observing. Listening. Their presence was a constant challenge. When Zoya collected knowledge like artifacts, Anuí broke it apart, reshaped it. To them, history was a wound still open, and it was the Lexicans duty to rewrite the truth that had been stolen.

                “Ah,” Anuí murmured, smiling slightly, “I see.”

                Riven started to tap his belt buckle. His spine stiffened. He didn’t like that tone.

                “See what, exactly?”

                Anuí turned their sharp, angular gaze on him. “That this is about control.”

                Riven locked his jaw. “This is about security.”

                “Is it?” Anuí tapped a finger against their chin. “Because as far as I can tell, you’re just as inexperienced in murder investigation as the rest of us.”

                The words cut sharp in Riven’s pride. Rendering him speechless for a moment.

                “Oh! Well said,” Zoya added.

                Riven felt heat rise to his face, but he didn’t let it show. He had been preparing himself for challenges, just not from every direction at once.

                His grip tightened on his belt, but he forced himself to stay calm.

                Zoya, clearly enjoying herself now, gestured toward Evie. “And what about them?” She nodded toward TP, whose holographic form flickered slightly under the corridor’s ligthing. “Evie and her self proclaimed detective machine here have no real authority either, yet you hesitate.”

                TP puffed up indignantly. “I beg your pardon, madame. I am an advanced deductive intelligence, programmed with the finest investigative minds in history! Sherlock Holmes, Hercule Poirot, Miss Marple, Marshall Pee Stoll…”

                Zoya lifted a hand. “Yes, yes. And I am a boar.”

                TP’s mustache twitched. “Highly unlikely.”

                Evie groaned. “Enough TP.”

                But Zoya wasn’t finished. She looked directly at Riven now. “You don’t trust me. You don’t trust Anuí. But you trust her.” She gave a node toward Evie. “Why?

                Riven felt his stomach twist. He didn’t have an answer. Or rather, he had too many answers, none of which he could say out loud. Because he did trust Evie. Because she was brilliant, meticulous, practical. Because… he wanted her to trust him back. But admitting that, showing favoritism, expecially here in front of everyone, was impossible.

                So he forced his voice into neutrality. “She has technical expertise and no political agenda about it.”

                Anuí left out a soft hmm, neither agreeing nor disagreeing, but filing the information away for later.

                Evie took the moment to press forward. “Riven, we need access to the room. We have to check his logs before anything gets wiped or overwritten. If there’s something there, we’re losing valuable time just standing there arguing.”

                She was right. Damn it, she was right. Riven exhaled slowly.

                “Fine. But only you.”

                Anuí’s lips curved but just slightly. “How predictable.”

                Zoya snorted.

                Evie didn’t waste time. She brushed past him, keying in a security override on her tablet. The suite doors slid open with a quiet hiss.

                #7735

                The “do not enter, crime scene” sticker haphazardly printed, was not even sealing the door. Amateur job, but of course, this was to be expected when such murder event had not been seen in a generation.

                She entered surrepticiously, the door to the drying chamber slid shut with a hiss behind her, muffling the last of the frantic voices outside. Evie exhaled. She needed a moment. Just her, the crime scene, and—

                A flicker of light.

                “Ah-ha!” Trevor Pee Marshall, aka TP, materialized beside her, adjusting his holographic lapels with exaggerated precision. “What we have here, dear Evie, is a classic case of les morts très mystérieux.” His mustache twitched. “Or as my good friend Clouseau would say—‘Zis does not add up!’”

                Evie rolled her eyes. “Less theatrics, more analysis, TP.”

                Despite the few glitches, she was proud and eager to take her invention to a real-life trial run. Combining all the brilliant minds of enquêteur Jacques Clouseau, as well as the flair of Marshall Pee Stoll from the beloved Peaslanders children stories, TP was the help they needed to solve this.

                “Ahem.” TP straightened, flickering momentarily before reappearing near the machine, peering inside with a magnifying glass he absolutely didn’t need.

                Evie pulled up the logs. The AI had flagged the event—drying cycle activated at 0200 hours. Duration: excessive. But no shutdown? That was impossible.

                TP let out a thoughtful “hmm.” Then, with the gravitas of a seasoned investigator, he declared, “Madame, I detect a most peculiar discrepancy.”

                Evie looked up. “Go on.”

                TP pivoted dramatically. “The AI should have stopped the cycle, yes? But what if… it never saw a problem?”

                Evie frowned. That wasn’t how safety protocols worked. Unless—

                She tapped rapidly through the logs. Her stomach dropped.

                The system hadn’t flagged a human inside at all.

                Someone had altered the ship’s perception of Mr. Herbert before he ever stepped into the machine.

                Evie’s pulse quickened. This wasn’t just murder.

                It was premeditated.

                #7595

                Jeezel was reading the ‘Love Among the Ruins‘ by famous author Liz Tatler, sitting comfortably in her favourite  chair.

                “Celestine, darling,” Vivienne St Clair exclaimed, her perfectly arched brow lifting as she set down her champagne glass, “you mean to tell me you’ve been lounging by your pool on what might very well be the throne of some Roman goddess? And you wouldn’t let me near it? Honestly, the nerve of you!”

                She adjusted her silk scarf with a dramatic flourish, her green eyes sparkling mischievously. “Though I must say, I do admire your determination to get that pool built before I could turn it into some excavation site. Practical as ever, aren’t you, darling?”

                As the mention of the mosaic came up, Vivienne St Clair froze mid-sip of her drink, her expression an artful mixture of shock and indignation. “Lost? The Aramanthus Mosaic, lost? Oh, Celestine, this is beyond belief. It’s a tragedy of epic proportions! Worse than the time Aunt Agatha’s pearls were stolen during the garden party—at least we found those under the butler’s cushion.”

                She leaned in conspiratorially, her voice dropping to a whisper. “Celestine, my dear, if the Barcelona museum can’t find it, then someone must! Perhaps I should enlist one of my… shall we say… resourceful acquaintances. A charming rogue with a penchant for treasures, perhaps?”

                Then, with a dramatic sigh, she sank back into her chair, looking every inch the heroine caught in a whirlwind of intrigue. “Celestine, life is simply too absurd sometimes. Roman ruins, lost mosaics, and a bench fit for an empress—I can hardly keep up.”

                Jeezel almost choked on a mint leaf. What a bunch of amateurs, if they had to deal with a tenth of what her coven had been through these last few months…

                #7594

                “With full pay AND a bonus?” Truella was incredulous. “For all of us?”

                “Yes, regardless of past performance,” Frella said pursing her lips.

                “Nobody can fault my performances,” Jeezel said with a toss of her magenta feather boa. “Where shall we go, Eris?”

                A smile slowly spreading across her face, Eris replied, “We’re on holiday. We don’t have to decide anything yet.”

                #7549
                TracyTracy
                Participant

                  The Tailor of Haddon
                  Wibberly and Newton of Over Haddon

                   

                  It was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.

                  Taylor of Haddon

                   

                  James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.

                   

                  Newton:

                  George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.

                  George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.

                  George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.

                  John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.

                  1636 marriage of John Newton and Anne Buxton:

                  John Newton Anne Buxton

                   

                   

                  Wibberly

                  Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.

                  Dorothy Wibberly

                   

                  John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.

                  John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.

                  The tiny village of Over Haddon was historically associated with Haddon Hall.

                  A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:

                  1619 Joyce Wibersley married Raphe Cowper.
                  1621 Jocosa Wibersley married Radulphus Cowper
                  1623 Agnes Wibersley married Richard Palfreyman
                  1635 Cisley Wibberlsy married ? Mr. Mason
                  1653 John Wibbersly married Grace Dayken

                   

                  Haddon Hall

                  Haddon hall

                   

                  Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
                  Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.

                  Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.

                  In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:

                  Haddon Hall accounts

                  Haddon Accounts

                   

                  Also in this book, an early 1600s “washing tally” from Haddon Hall:

                  washing tally

                   

                  Over Haddon

                  Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.

                  #7548
                  TracyTracy
                  Participant

                    Elton Marshall’s

                    Early Quaker Emigrants to USA.

                     

                    The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.

                    According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.

                    While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)

                    Abraham’s son born in USA was also named Humphrey. He was a well known botanist.

                    Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.

                    (There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)

                    colonial books

                     

                    In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.

                    An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.

                    But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.

                     

                    Derbyshire Quakers

                    In “Derbyshire Quakers 1650-1761” by Helen Forde:

                    “… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”

                    Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
                    John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.

                    Quaker Emigrants

                     

                    The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:

                    A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
                    Besse, Joseph. 1753

                    Note the names Margaret Marshall and Anne Staley.  This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.

                    Quaker Sufferings

                     

                     

                    The Botanist

                    Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall.  He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.

                    Humphry marshall book

                     

                    In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).

                    Marshall has been called the “Father of American Dendrology”.

                    A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.

                    In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.

                    via Wikipedia.

                     

                    From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:

                    Marshallton

                     

                    From The Chester Country History Center:

                    “Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
                    pay for the whole.’

                    – Benjamin Franklin to Humphry, March 18, 1770

                    “In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.

                    In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.

                    Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”

                    Humphry signature

                    #7546
                    TracyTracy
                    Participant

                      The Potters of Darley Bridge

                      Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

                      Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

                       

                      marriage Roger Knowles

                       

                      I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

                       

                      1720 will James Potter

                       

                      Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

                      Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

                       

                      James Potter will

                       

                      Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

                      I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

                      The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

                       

                      Three Stags Heads

                       

                      Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

                       

                      Charles Potter

                       

                      Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

                       

                      Potters Cottage

                      Potters Cottage

                       

                      Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

                      “Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

                      via Derbyshire Heritage website.

                      According to Wikipedia, the bridge dates back to the 15th century.

                      #7544
                      TracyTracy
                      Participant

                        Youlgreave

                        The Frost Family and The Big Snow

                         

                        The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

                        “The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

                        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                        Youlgreave registers

                         

                        Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

                        churchwardens accounts

                        Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

                        Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
                        On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

                        John Keeling

                         

                        John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

                        Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

                        Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

                        The Frosts of Youlgreave

                        Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

                        (Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

                        John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

                        Frost and keeling

                         

                        John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

                        David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

                        William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

                        Ellens will

                         

                        William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
                        William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

                        (Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

                        Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

                        Baptisms:
                        1581 Eliz Frost, father Michael.
                        1582 Francis f Michael. (must have died in infancy)
                        1582 Margaret f William.
                        1585 Francis f Michael.
                        1586 John f Nicholas.
                        1588 Barbara f Michael.
                        1590 Francis f Nicholas.
                        1591 Joane f Michael.
                        1594 John f Michael.
                        1598 George f Michael.
                        1600 Fredericke (female!) f William.

                        Marriages in Youlgreave which could be William’s parents:
                        1579 Michael Frost Eliz Staley
                        1587 Edward Frost Katherine Hall
                        1600 Nicholas Frost Katherine Hardy.
                        1606 John Frost Eliz Hanson.

                        Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

                        (Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

                        Frideswide:

                        A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

                        (Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

                        An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

                        Frideswide

                        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                         

                        King James

                        A parish register entry in 1603:
                        “1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

                        King James

                         

                        The Big Snow

                        “This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

                        The Big Snow

                        From the Youlgreave parish registers.

                        Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.

                        #7531
                        TracyTracy
                        Participant

                          Rose lens

                          The rose coloured spectacle lens.

                           

                          Aunt Idle:

                          “Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

                          1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

                          2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

                          3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

                          4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

                          5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

                          Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

                          Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

                          In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

                          ~~~

                          “A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
                          ~Journey of Reflections, Enrich P. Lwellman.

                          ~~~

                          The Snoot:

                          “Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

                          Lean close! Such a find whispers soft secrets:

                          Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
                          Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
                          Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

                          Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

                          ~~~

                          Liz:

                          Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

                          Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

                          One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

                          Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

                          Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

                          So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

                          ~~~

                          Mater:

                          Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

                          Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

                          A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

                          Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

                          Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

                          Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

                          Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

                          Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

                          ~~~

                          Finnley:

                          Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

                          Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

                          Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

                           

                          ~~~

                          Mandrake:

                          Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

                          ~~~

                          Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

                          Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

                          Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

                          Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

                          Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

                          Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

                          Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

                          Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

                          #7512

                          “If you ask me,” said Trella, although nobody had, “If anyone wants the merger to fail, it’ll be someone from the Cloisters.”

                          “Seems like none of us want it, why single them out?” asked Frella. “Well,” she added, glancing at Eris, “Not all of us maybe but for most of us it’s just a hassle.  Just more work, and no real benefits for the likes of us, anyway.”

                          “Think about it, Frell.  Sure, it’s just a nuisance for the witches and the nuns, but not enough of a bother to play with fire meddling with far grander schemes.  That’d be way out of the depth of most of us, I’m sure.   But there’s more going on at the Cloisters than meets the eye. There are other, er, things here, things that don’t want change.”

                          “Like what?” asked Eris in a doubtful tone.

                          “I don’t know but I can feel it. Can’t you? Eris, you’re so busy looking at spread sheets and finances you are losing your second sight! The undercurrents are bubbling up so much we’ll drown before long!  We’re all looking at each other with suspicion, and meanwhile….”

                          “You mean we can trust the Morticians?” asked Jeezel hopefully.  Eris glared at her.

                          “Maybe,”  Trella said.  “Maybe.  We don’t know anything for sure yet.  But I suggest we stop looking at the nuns, I mean the ordinary rank and file nuns,  and the morticians with suspicion and focus on the place itself.  There’s a long dark history to this place.  And if you ask me, Brother Bartolo knows something.”

                          “Surely he’s not behind the whole thing!”

                          “Not behind the whole thing, no, but he knows something.  And the gardener, Brother Babbit. Sassafras told me there’s nothing Brother Babbit doesn’t know about the history of this place, but that he only wants to talk about the plants, you know, the local wildlife and such. And,”  Truella paused dramatically, “Sandra dropped something out while we were smoking weed in the orchard after the reception.  She said Brother Bartolo said he’d seen the Sisters of the Sacred Sepulchre roaming around in the cellar, waiting for orders!”

                          “The sisters of the friggen what?”  Jeezel  sighed. Not more characters to convolute everything even more! “Roaming around in the cellars? Oh come on!”

                          “And that’s not all,” Truella lowered her voice to a whisper. “Sassafras said something about them being reanimated.”

                          Finally, Eris started taking Truella seriously. “Reanimation? I don’t like the sound of that. We’d better find out as much as we can about the sisters of the cellars, who are they, I mean who were they, have they been reanimated before, and what were the circumstances.”

                          “Right ho, I’ll just boogle it, shall I?” Jeezel said sarcastically.

                          Eris rolled her eyes. “No need for the snark. The clues will be here, right here at the Cloisters. We need to check the library, look in every room for clues, check out all the tapestries and paintings, speak to Brother Bartolo and Brother Babbit, but without making them suspicious, mind!  Just pretend an interest in history, no mention of the merger! Keep it light!  And keep it light with the morticians, but keep it superficial, until we know more. And then…,” Eris looked at each of them. “we need to go down to the cellars.  I suggest we do that together.”

                          “We need Frella to come for that,” Truella stated the obvious. The others murmured their agreement.

                          #7507

                          When Sister Penelope Pomfrett realised she’d lost her assigned witch guest, Eris-what’s-her-name, she started to feel anxious.

                          Not one to revel in shortcomings, she promptly went about ferreting though the corridors, while the various nuns and guests were still enjoying their libations and ceremonious rituals exchanges.

                          A cry of anguish resonated through the halls. “Smoke! Smoke!” followed by a mild agitation, which felt one-sided amongst the nuns. Maybe the incense witches were more accustomed to those smoke mishaps, and were not as quick to call fire in alarm. But here in the thick of Spanish summer, unattended smoke could wreck certain havoc.

                          Penelope was about to jump into the circle called by the elder sisters to contain the smoke, when she abruptly bumped into someone. It was that mortician, the quiet one, Nemo.

                          She couldn’t help but to mutter some form of apology, yet anxious to get going.

                          “Sister,” he said with a voice that was commanding calm in the midst of chaos. “You need to calm down, this won’t last, and I’m sure your sisters have this under control.”

                          “What would you know about that?” she felt her mind go numb, and found herself following him with too much abandon.

                          “Call it a hunch. Not all is as it seems here, and us morticians, are well-taught in the arts of not only preservation, but as well of hidden truths.”

                          Indeed, the ruckus seemed to fade already in the distance. Penelope looked more closely at the gentleman. He seemed rather innocuous, and not sufficiently handsome to make her break her chastity vows, even if some would find his brooding rugged charm attractive. Yet, he was making her curious.

                          “So that’s what you do when there’s no dead body to attend to?”

                          “In a manner of speaking, yes. But don’t worry, the night is young, and death is never far.” He said with a quiet smile.

                          Penelope brushed aside the shivering feeling that coursed through her spine. “Could you make yourself useful dear, I’m looking for my assigned Quadrivium witch. The one with the blue hair, any chance you’ve seen her? These grounds are not safe for the non-initiates.”

                          “No, I don’t think I have seen her, but I’m sure you can whip up a location spell before vespers are done…”

                          “Yes, it’s not that. There’s too much chaos magic at work now, it could backfire. Have you no idea why we have those tapestries with dragons on it?”

                          “I have a small idea. Templar Knights of the Crimson Order?”

                          “Something like that. The cloister has been build as an atonement by a noble lady, centuries ago — it was said, to appease old spirits who were vanquished in mythical battles.” Penelope held her breath. “Some say they’re still close by. Even more so at the solstice.”

                          “So better not to trifle with the energies right now,” Nemo said, extending his elbow in an old-fashioned chivalrous gesture. “Let’s find your witch friend together, shall we?”

                          #7493

                          “Do you know who that Everone is?” Jeezel whispered to Eris.

                          “Shtt,” she silenced Jeezel worried that some creative inspiration sparked into existence yet another character into their swirling adventure.

                          The ancient stone walls of the Cloisters resonated with the hum of anticipation. The air was thick with the scent of incense barely covering musky dogs’ fart undertones, mingling with the faint aroma of fresh parchment eaten away by centuries of neglect. Illuminated by the soft glow of enchanted lanterns sparkling chaotically like a toddler’s magic candle at its birthday, the grand hall was prepared for an unprecedented gathering of minds and traditions.

                          :fleuron:

                          While all the attendants were fumbling around, grasping at the finger foods and chitchatting while things were getting ready, Eris was reminded of the scene of the deal’s signature between the two sisterhoods unlikely brought together.

                          Few weeks before, under a great deal of secrecy, Malové, Austreberthe, and Lorena had convened in the cloister’s grand hall, the gothic arches echoing their words. Before she signed, Lorena had stated rather grandiloquently, with a voice firm and unwavering. “We are a nunnery dedicated to craftsmanship and spiritual devotion. This merger must respect our traditions.”
                          Austreberthe, ever the pragmatist, replied, “And we bring innovation and magical prowess. Together, we can create something greater than the sum of our parts.”
                          The undertaker’s spokesman, Garrett, had interjected with a charming smile, “Consider us the matchmakers of this unlikely union. We promise not to leave you at the altar.”
                          That’s were he’d started to spell out the numbingly long Strategic Integration Plan to build mutual understanding of the mission and a framework for collaboration. 

                          Eris sighed at the memory. That would require yet a great deal of joint workshops and collaborative sessions — something that would be the key to facilitate new product developments and innovation. Interestingly, Malové at the time had suggested for Jeezel to lead with Silas the integration rituals designed to symbolically and spiritually unite the groups. She’d had always had a soft spot for our Jeezel, but that seemed unprecedented to want to put her to task on something as delicate. Maybe there was another plan in motion, she would have to trust Malové’s foresight and let it play out.

                          :fleuron:

                          As the heavy oak doors creaked open, a hush fell over the assembled witches, nuns and the undertakers. Mother Lorena Blaen stepped forward. Her presence was commanding, her eyes sharp and scrutinising. She wore the traditional garb of her order, but her demeanour was anything but traditional.

                          “Welcome, everyone,” Lorena began, her voice echoing through the hallowed halls. “Or should I say, welcome to the heart of tradition and innovation, where ancient craftsmanship meets arcane mastery.”

                          She paused, letting her words sink in, before continuing. “You stand at the threshold of the Quintessivium Cloister Crafts, a sanctuary where every stitch is a prayer, every garment a humble display of our deepest devotion. But today, we are not just nuns and witches, morticians and mystics. Today, we are the architects of a new era.”

                          Truella yawned at the speech, not without waving like a schoolgirl at the tall Rufus guy, while Lorena was presenting a few of the nuns, ready to model in various fashionable nun’s garbs for their latest midsummer fashion show.

                          Lorena’s eyes twinkled with a mixture of pride and determination as she turned back to the visitors. “Together, we shall transcend the boundaries of faith and magic. With the guidance of the Morticians’ Guild—Garrett, Rufus, Silas, and Nemo—we will forge a new path, one that honors our past while embracing the future.”

                          Garrett, ever the showman, gave a theatrical bow. “We’re here to ensure this union is as seamless as a well-tailored shroud, my dear Lorena.” Rufus, standing silent and vigilant, offered a nod of agreement. Silas, with his grandfatherly smile, added, “We bring centuries of wisdom to this endeavor. Trust in the old ways, and we shall succeed.” Nemo, with his characteristic smirk, couldn’t resist a final quip. “And if things go awry, well, we have ways of making them… interesting.”

                          #7476
                          TracyTracy
                          Participant

                            Penelope Pomfrett: Let’s start with Penelope, shall we? She’s a statuesque woman with a sharp, angular face that could cut through butter – not unlike an Egon Schiele painting, if you’re familiar. Her hair’s a spun silver waterfall, always meticulously pinned up but with just a touch of wildness trying to escape, like she’s taming a tempest on top of her head. Her eyes are a piercing cerulean blue, always calculating, always observing; she’s the type who looks right through you and into your deepest secrets.

                            Personality-wise, Penelope’s got the demeanor of a headmistress crossed with a lioness. She’s precise, a bit of a perfectionist, never suffers fools gladly. But beneath that stern exterior, she’s got a heart of gold, especially when it comes to her coven sisters. Stern loyalty and high standards, that’s her in a nutshell. And she’s got this dry wit that’ll catch you off guard and have you chuckling before you know it.

                            Sandra Salt: Now Sandra, she’s a different kettle of fish altogether. Think earthy, grounded; she’s got that warm, approachable vibe that’s almost tangible. Picture her with curly auburn hair, always escaping its braids to frame her face in a halo of fiery ringlets. She’s got freckles smattered across her sun-kissed cheeks and a smile that feels like coming home after a long journey. Eyes? Warm hazel, like caramel with a hint of green, always twinkling with some hidden mischief or gentle wisdom.

                            Sandra’s personality is as grounded as the soil she loves to dig her fingers into; she’s the heart and soul of the crew, with an infectious laugh that could light up the darkest of days. She’s nurturing, perceptive, and has an uncanny knack for making everyone feel at ease. But don’t mistake her kindness for softness – she’s got a spine of steel and can summon a fierce storm if she’s wronged.

                            Audrey Ambrose: Now, dear Audrey, she’s a bit of a mysterious beauty. Think raven-black hair that falls in silky waves down her back, always perfectly styled without a hair out of place. She’s got porcelain skin, smooth and almost ethereal, like moonlight itself took her under its wing. Her eyes are a deep, striking emerald, always seeming to know more than she lets on. Add to that a penchant for elegant, vintage clothing, and you’ve got yourself a picture of classic, timeless beauty.

                            In terms of personality, Audrey’s a quiet storm. She’s enigmatic, often found lost in thought, with a deep, contemplative nature. While she may come off as aloof, she’s deeply empathetic and has an old-soul wisdom that guides her every action. She’s the sort you turn to when you need profound insight or a steady hand in times of chaos. And that wit – it’s as sharp as her fashion sense, subtle, and spot-on.

                            Sassafras Bentley: Lastly, let’s paint a picture of Sassafras. She’s vibrant and flamboyant, tall, thin and athletic, with hair dyed in shades of a peacock’s feathers – blues, greens, purples – ever changing with her whims. Her outfits are always eclectic and bold, but practical. She’s got a long hatchet face, and eyes that are a sparking topaz, full of zest and life ~ and secret undercurrents.

                            Sassafras is the party animal of the lot, always bringing fun and chaos in equal measure. She’s got a joie de vivre that’s downright infectious, a real firecracker with boundless energy. Her natural charisma draws people in, and her laugh – oh, her laugh! – it’s the kind of sound that warms the soul and invites everyone to join in her revelries, unless she’s being rude, aloof and secretive. Underneath all that sparkle, though, she’s fiercely protective of those she loves and more insightful than she lets on.

                            #7473

                            What the disgruntled witches of the Quadrivium hadn’t considered was that the witches of the Quintessivium Cloister Crafts weren’t happy about the merger either. They were not happy with their leader either, but had progressed towards a takeover considerably more than the floundering dissatisfied Quadrivium members.  A gaggle of strangers about the place, and the attention of the supervisors during the process of merging, was the last thing they needed at this delicate stage.  Sassafras Bentley in particular was worried, more alarmed than the others, for she had another secret investigation under way as well as the revolt.

                            Sassafras hadn’t been sleeping well. Not only did she have to cover her tracks from the others and the administration, she now had to ensure none of the nosy witches from the other coven chanced on her preliminary findings.  It had taken so long to get to this stage, and she was at a crucial point of revelation.  But not only did Sassafras have to maintain the utmost secrecy, she had to get her colleagues to help her conceal it ~ but without telling them what it was or why they had to keep it quiet.

                            It would help if there was someone she could trust to help her. But who? The other witches were a dizzy shallow lot, more interested in showy spells and those tawdry crafts and sales.  The only reason they’d been moved to start a rebellion was because they wanted a bigger slice of the pie: too much was being creamed off by the top brass, and they wanted more attention for themselves, too.  The fact of the matter was that Sassafras had only joined the coven because of the location of the headquarters.  True, she had dabbled in witchcraft, cast a few spells, but in her own way. She didn’t naturally gravitate to team work with all its problems ~ not least, all the other people that one had to put up with.  But it was an extremely useful way for her to fully explore the location, and gave her many opportunities to walk on her own in the woods, ostensibly gathering plants for the spells and potions.

                            A group from the Quadrivium were expected to come and stay over the weekend.  Sassafras didn’t have much time to hatch a plan, but the urgency was clouding her brain, rendering her incapable of thinking clearly. It was an interruption.  She needed  ~ and wanted ~ to think about the discoveries, not worry about this unsettling development.  Maybe she would just have to play it by ear when they came.

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