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A cinematic, low-angle shot inside a flooded, ancient brick sewer tunnel that looks like a mix of Roman catacombs and Victorian industrial plumbing. The water is dark and murky, reflecting the light of a flickering lantern.

In the center of the frame, floating precariously, is a bright yellow, cheap inflatable dinghy.

Inside the dinghy are two men:

1. Spirius: An elderly man with a nervous expression, wearing a high-vis vest over ancient saintly robes. He is clutching an antique musket that is clearly too heavy for him. A faint, golden neon halo flickers erratically behind his head like a faulty streetlamp.

2. Boothroyd: A grumpy, weather-beaten gardener in a tweed cap. He looks completely resigned to his fate, lazily paddling with a plastic oar in one hand and holding a sharp garden spear in the other.

Action: The dinghy squeaks as it bumps against the wet brick walls. Spirius jumps at a drip of water falling from the ceiling. Something large ripples the water in the foreground—a menacing shadow moving beneath the surface.

Atmosphere:

• Lighting: Chiaroscuro—deep shadows and warm lantern light, contrasting with the synthetic yellow of the boat.

• Mood: Tense but ridiculous. High-stakes fantasy meets low-budget reality.

Movement:

• The camera tracks slowly backward as the boat drifts forward.

• The water ripples ominously.

• Spirius’s halo buzzes and dims when he gets scared.

A continuous, fast-moving FPV drone shot.

The Start: The camera zips through a sterile, white modern reception area with a sign reading ‘Sanctus Training Ltd.’ It flies over a bored receptionist’s desk and straight through a pair of unassuming double doors.

The Reveal: The moment the doors pass, the world expands impossible. We are now inside a massive, cathedral-like Grand Townhouse built of glowing golden Cotswold stone.

The Hoard: The drone dives into a ‘canyon’ of hoarded objects. It weaves perilously between towering stacks of yellowed newspapers, piles of 17th-century furniture, and a mountain of washing machines.

The Architecture: As the drone speeds up, we pass tall, elegant Georgian windows on the left (showing a blur of an overgrown orchard and stables outside). On the right, the architecture shifts to heavy, rough stone arches—the Medieval Norman wing.

The Details: The camera narrowly misses a hanging chandelier made of plastic coat hangers and crystal, zooms over a grand dining table buried in Roman pottery and taxidermy, and finally flies up towards the vaulted ceiling of a Norman Chapel, where a beam of purple stained-glass light catches dust motes dancing in the air.”

As soon as Boothroyd had gone, Laddie Bentry, the under gardener, emerged from behind the Dicksonia squarrosa that was planted in a rare French Majolica Onnaing dragon eagle pot.  The pot, and in particular the tree fern residing within it, were Laddie’s favourite specimen, reminding him of his homeland far away.

Keeping a cautious eye on the the door leading into the house, Laddie hurried over to the cast iron planter and retrieved the Liz Tattler novel hidden underneath.  Quickly he tucked in into the inside pocket of his shabby tweed jacket and hastened to the door leading to the garden. Holding on to his cap, for the wind was cold and gusty, he ran to the old stable and darted inside.  Laddie reckoned he had an hour or two free without Boothroyd hovering over him, and he settled himself on a heap of old sacks.

The Vampire Hoarders of Varna.  It wasn’t the first time Laddie had seen Boothroyd surreptitiously reading Helier’s books, and it had piqued his curiosity.  What was it the old fart found so interesting about Helier’s novels? The library was full of books, if he wanted to read. Not bothering to read the preface, and not having time to start on page one, Laddie Bentry flicked through the book, pausing to read random passages.

….the carriage rattled and lurched headlong through the valley, jostling the three occupants unmercifully. “I’ll have the guts of that coachman for garters! The devil take him!” Galfrey exclaimed, after bouncing his head off the door frame of the compartment. 

“Is it bleeding?” asked Triviella, inadvertently licking her lips and she inspected his forehead. 

“The devil take you too, for your impertinence,” Galfrey scowled and shook her off, his irritation enhanced by his alarm at the situation they found themselves in.

Ignoring his uncharacteristic bad humour, Triviella snuggled close and and stroked his manly thigh, clad in crimson silk breeches.  “Just think about the banquet later,” she purred. 

Jacobino, austere and taciturn, on the opposite seat, who had thus far been studiously ignoring both of them, heard the mention of the banquet and smiled for the first time since…

Laddie opened the book to another passage.

“……1631, just before the siege of Gloucester, and what a feast it was!  It was hard to imagine a time when we’d feasted so well. Such rich and easy pickings and such a delightful cocktail.  One can never really predict a perfect cocktail of blood types at a party, and centuries pass between particularly memorable ones. Another is long overdue, and one would hate to miss it,” Jacobino explained to the innocent and trusting young dairy maid, who was in awe that the handsome young gentleman was talking to her at all, yet understood very little of his dialogue.

“Which is why,” Jacobino implored, taking hold of her small calloused hands, “You must come with me to the banquet tonight.” 

Little did she know that her soft rosy throat was on the menu…..

“Quite fitting that I should get her sleeves,” Cerenise said with satisfaction. “And what a relief that she left the wolf to you, Spirius. I’d not have been able to manage a wolf.”  Cerenise popped another cashew nut into her mouth.

Spirius looked at her with a raised eyebrow. “My guess is you’d have managed just fine,” he replied drily. He’d heard all the noise she made behind those locked doors.  He’d seen her prancing around the orchard in the moonlight when she thought nobody was watching, naked as the day she was born all those centuries ago. He hadn’t lingered at the window, but he had put two and two together years ago, many years ago, just after the seige of Gloucester.   If truth be told, Cerenise’s  secret was known to them all, but they hadn’t interfered with her delusion.

“There’s going to come a point, and very soon, when we will have to deal with the water leak, you know,” Yvoise interrupted the inconsequential chatter.  “Holy and healing as it may be, it will be the ruin of my collection if it reaches the upper floors.”

“And what do you propose?” asked Helier.

“I suggest we call a plumber!” snapped Yvoise. “This is the 21st century is it not? I know tradesmen are in short supply, and I know this isn’t an ordinary leak, but we should start with the obvious, and then adapt accordingly.”

“I must bottle as much of the holy water as possible before we stop the leak,” Spirius said, standing up abruptly in agitation.

Helier put a calming hand on the old boy’s shoulder. “There’s no rush, Spirius, there’s plenty of water in the cellars, it’s already waist deep down there.”

“And the saints only know what has floated into the cellars by now from the tunnels.  Be careful down there, Spirius.   Take Boothroyd the gardener with you,” Yvoise advised.

Yvoise gaze was transfixed on the brittle yellow document held reverently in the old barristers hands. Her eyes widened when she saw the pile of similar written sheets on the desk. I simply must have them, she thought, I simply must. What an addition to my collection of written records!  Unique document, absolutely unique. Listen to old Bart, she admonished herself, and with an effort she focused on the old barristers reading of the will.

Cerenise had noticed Yvoise practically drooling over the written paper type matter, and suppressed a grin (in consideration of the occasion), and smiled fondly at the saint she’d known for so very long. Such a confident capable character, despite her private mysteries. As saints go, she’s been a good one really.  And as the holy mother of all saints surely knows, the organisers above all should be revered, for where would be be without them. Amen.

I hope this is being recorded so I can watch it later, Yvoise and Cerenise simultaneously thought, Because I haven’t paid attention to Bartholomew since my mind started wandering. 

It must be two hundred years at least since we’ve heard a will read at number 26, Cerenise thought to herself, still in a mild state of shock at the unexpected turn of events. She allowed her mind to wander, as she was wont to do.

Cerenise had spent the best part of a week choosing a suitable outfit to wear for the occasion and the dressing room adjoining her bedroom had become even more difficult to navigate. Making sure her bedroom door was securely locked before hopping out of her wicker bath chair  (she didn’t want the others to see how nimble she still was), she spent hours inching her way through the small gaps between wardrobes and storage boxes and old wooden coffers, pulling out garment after garment and taking them to the Napoleon III cheval mirror to try on.  She touched the rosewood lovingly each time and sighed. It was a beautiful mirror that had faithfully reflected her image for over 150 years.

Holding a voluminous black taffetta mourning dress under her chin, Cerenise scrutinised her appearance. She looked well in black, she always felt, and it was such a good background for exotic shawls and scarves. Pulling the waist of the dress closer, it became apparent that a whalebone corset would be required if she was to wear the dress, a dreadful blight on the fun of wearing Victorian dresses.  She lowered the dress and peered at her face. Not bad for, what was it now? One thousand 6 hundred and 43 years old? At around 45 years old, Cerenise decided that her face was perfect, not too young and not too old and old enough to command a modicum of respect. Thenceforth she stopped visibly aging, although she had allowed her fair hair to go silver white.

It was just after the siege of Gloucester in 1643, which often seemed like just yesterday, when Cerenise stopped walking in public.  Unlike anyone else, she had relished the opportunity to stay in one place, and not be sent on errands miles away having to walk all the way in all weathers.  Decades, or was it centuries, it was hard to keep track,  of being a saint of travellers had worn thin by then, and she didn’t care if she never travelled again. She had done her share, although she still bestowed blessings when asked.

It was when she gave up walking in public that the hoarding started.  Despite the dwellings having far fewer things in general in those days, there had always been pebbles and feathers, people’s teeth when they fell out, which they often did, and dried herbs and so forth. As the centuries rolled on, there were more and more things to hoard, reaching an awe inspiring crescendo in the last 30 years.

Cerenise, however, had wisely chosen to stop aging her teeth at the age of 21.

Physically, she was in surprisingly good shape for an apparent invalid but she spent hours every day behind locked doors, clambering and climbing among her many treasures, stored in many rooms of the labyrinthine old building.  There was always just enough room for the bath chair to enter the door in each of her many rooms, and a good strong lock on the door. As soon as the door was locked, Cerenise parked the bath chair in front of the door and spent the day lifting boxes and climbing over bags and cupboards, a part of herself time travelling to wherever the treasures took her.

Eventually Cerenise settled on a long and shapeless but thickly woven, and thus warm, Neolithic style garment of unknown provenance but likely to be an Arts and Crafts replica. It was going to be cold in the library, and she could dress it up with a colourful shawl.

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

Amy rushed over to Kit when she saw what had happened and said, “Kit, give me your hat!”

Tentatively Kit put his hand on his head and sure enough he felt a hat upon it. Carefully he removed it and wonderingly gazed at the cowboy hat.  He loved it! Just looking at the hat was already giving him ideas for his character,  newly baked memories were starting to slide in like a tray of chocolate chip cookies on a baking sheet, pulled out of the oven at the perfect golden melting moment.

But Amy wants it! I can’t say no to her, but I want to keep it. It’s my first hat! Kit was close to tears.

“Oh poppet,” Amy said kindly when she noticed his face.  Giving him a quick hug she explained.   “I only want to borrow it, just to keep the Padre happy. He keeps asking where his hat is.  I’ll bring it back as soon as we’ve settled him back at home.”

The releif was immense, and he graciously surrendered the hat to Aunt Amy. “Did you call me Poppet?” he asked. “Because Thiram just called me Trevor.”

“To me, you’ll always be Kit,” Amy said as she rushed back to her father. “See you later, Poppet!” she called over her shoulder.

“What does that mean?” asked Kit, but Amy had gone.

Another one!  A random distant memory wafted into Amy’s mind.  Uncle Jack always used to say GATZ e bo.  Amy could picture his smile when he said it, and how his wife always smiled back at him and chuckled. Amy wondered if she’d even known the story behind that or if it had always been a private joke between them.

“What’s been going on with my gazebo?” Amy’s father rushed into the scene. So that’s what he looks like. Amy couldn’t take her eyes off him, until Carob elbowed her in the neck.

“Sorry, I meant to elbow you in the ribs, but I’m so tall,” Carob said pointlessly, in an attempt to stop Amy staring at her father as if she’d never seen him before.

Thiram started to explain the situation with the gazebo to Amy’s father, after first introducing him to Kit, the new arrival.  “Humphrey, meet Kit, our new LBGYEQCXOJMFKHHVZ story character. Kit, this is Amy’s father who we sometimes refer to as The Padre.”

“Pleased to meet you, ” Kit said politely, quaking a little at the stern glare from the old man. What on earth is he wearing?  A tweed suit and a deerstalker, in this heat!  How do I know that’s what they’re called?  Kit wondered, quaking a little more at the strangeness of it all.

“Never mind all that now!” Humphrey interrupted Thiram’s explanation.

Still as rude as ever! Amy thought.

“I’ve too much to think about, but I’ll tell you this: I’ve planned a character building meeting in the gazebo, and you are all invited. As a matter of fact,” Humphrey continued, “You are all obliged to attend.  If you choose not to ~ well, you know what happened last time!”

“What happened last time?” asked Carob, leaning forward in anticipation of an elucidating response, but Humphrey merely glared at her.

Amy sniggered, and Humphrey shot her a lopsided smile.  “YOU know what happened in Jack’s GATZ e bo, don’t you, my girl?”

Where were those random memories when you wanted them? Amy had no idea what he was talking about.

“Who else is invited, Humph? asked Chico, resisting the urge to spit.

“My good man,” Humphrey said with a withering look. “Sir Humphrey’s the name to you.”

Sir? what’s he on about now?  wondered Amy.  Does that make me a Lady?

“Who else is invited, Padre?” Amy echoed.

Humphrey pulled a scroll tied with a purple ribbon out of his waistcoat pocket and unfurled it.    Clearing his throat importantly, he read the list to all assembled.

Juan and Dolores Valdez.
Godric, the Swedish barman
Malathion and Glyphosate, Thiram’s triplet brothers.  Mal and Glyph for short.
Liz Tattler
Miss Bossy Pants
Goat Horned Draugaskald

“Did I forget anyone?” Humphrey asked, peering over his spectacles as he looked at each of the characters.  “You lot,” he said, “Amy, Carob, Thiram, Chico, Kit and Ricardo: you will be expected to play hosts, so you might want to start thinking about refreshments. And not,” he said with a strong authoritarian air, “Not just coffee!  A good range of beverages. And snacks.”

Thiram, leaning against a tree, started whistling the theme tune to Gone With The Wind. Tossing an irritated glance in his direction, Carob roughly gathered up her mass of frizzy curls and tethered it all in a tight pony tail.  I still don’t know what happened before, she fumed silently.  The latest developments where making her nervous. Would they find out her secret?

“You guys,” called Chico, who had wandered over to the gazebo. “It’s full of ants.”

Disgruntled and bored with the fruitless wait for the other characters to reveal more of themselves, Amy started staying in her room all day reading books, glad that she’d had an urge to grab a bag full of used paperbacks from a chance encounter with a street vendor in Bogota.

A strange book about peculiar children lingered in her mind, and mingled  somehow with the vestiges of the mental images of the writhing Uriah in the book Amy had read prior to this one.

Aunt Amy?  a childs voice came unbidden to Amys ear.  Well, why not? Amy thought, Some peculiar children is what the story needs. Nephews and neices though, no actual children, god forbid. 

“Aunt Amy!”  A gentle knocking sounded on the bedroom door.  “Are you in there, Aunt Amy?”

“Is that at neice or nephew at my actual door? Already?” Amy cried in amazement.

“Can I come in, please?” the little voice sounded close to tears.  Amy bounded off the bed to unloock leaving that right there the door to let the little instant ramen rellie in.

The little human creature appeared to be ten years old or so, as near as Amy could tell, with a rather androgenous look: a grown out short haircut in a nondescript dark colour, thin gangling limbs robed in neutral shapelessness, and a pale pinched face.

“I’ve never done this before, can you help me?” the child said.

“Never been a story character before, eh?” Amy said kindly. “Do you know your name? Not to worry if you don’t!” she added quickly, seeing the child’s look of alarm. “No?  Well then you can choose what ever you like!”

The child promptly burst into tears, and Amy wanted to kick herself for being such a tactless blundering fool.  God knows it wasn’t that easy to choose, even when you knew the choice was yours.

Amy wanted to ask the child if it was a boy or a girl, but hesitated, and decided against it. I’ll have to give it a name though, I can’t keep calling it the child.

“Would you mind very much if I called you Kit, for now?” asked Amy.

“Thanks, Aunt Amy,” Kit said with a tear streaked smile. “Kit’s fine.”

Chico drank the cup of freshly ground coffee beans. He winked with distaste and jotted a few words on his notebook before trying a second batch of ground coffee beans.

He wasn’t aware of much from his past life, or if he even had a life before the others summoned him. They were a mystery to him, and he didn’t understand the reasons or the purpose of his existence. He didn’t even like coffee; he only pretended to, because the job and his own physical appearance kind of fit with the stereotype. He chuckled thinking it could be a stereotypo.

He thought the taste of coffee was the reason why he chewed betel leaves. Their taste, slightly spicy and pungent with hints of clove and cinnamon helped mask the bitterness of the coffee he had to drink. He suddenly became aware of some other information about himself. He could swear he had forgotten them, they simply weren’t there before. His father had lost his teeth. The reason wasn’t clear yet, but looming behind the jungle trees. What about his mother? Was she slim or fat? Both possibilities flickered in his head and disappeared. Apparently it hadn’t been chosen yet. He pondered about that last remark before forgetting it.

Too many weird questions were passing through his fat head. The heat and sweat were no good for his mental health… because of all the flies. He wondered if that was the reason why the old lady had started breeding them under her rooftop. She claimed it was an infestation but he had seen her secretly releasing swarms of flies in the evening, exciting the cauldron of bats. She had seen him looking at her, but they had tacitly convened they would not betray each other’s secret. Only, Chico wasn’t yet aware of what his own secret was.

He winced as he tasted the third batch of coffee from the plantation.

Where did that come from? Amy wondered. The random memories, if that’s what they were, were coming more frequently.  Suddenly, out of nowhere and with no discernable correlation to the present moment in the life of the newly hatched character, a sudden mirage in her minds eye appeared, enticing and utterly fascinating.

I’m just a story character with no back story, where are these memories coming from?

“You should see some of the memories I’m starting to see, and I’m even less developed as a character than you are,” Chico said, manfully resisting the urge to spit. He didn’t want to be a spitting character, not all the time, anyway.

Amy was startled. I didn’t say that out loud. Did I say it out loud?

“Confusing at times, isn’t it?” Chico said kindly.

Godric

⚫ Godric

What We Know Visually:

• Identified as Swedish, possibly tall and pale by stereotype.

• A barista-channeler, so likely has the look of a mystical hipster.

Inferred Presence/Style:

• May wear layered scarves, bracelets with charms, or ceremonial aprons.

• The term Draugaskalds connects him to Norse aesthetics—he might carry old symbols or tattoos.

Unclear:

• Concrete outfit, facial expression, or posture.

• Age and physical habits.

Thiram Izu

Thiram Izu – The Bookish Tinkerer with Tired Eyes

Explicit Description

• Age: Mid-30s

• Heritage: Half-Japanese, half-Colombian

• Face: Calm but slightly worn—reflecting quiet resilience and perceptiveness.

• Hair: Short, tousled dark hair

• Eyes: Observant, introspective; wears round black-framed glasses

• Clothing (standard look):

  • Olive-green utilitarian overshirt or field jacket

  • Neutral-toned T-shirt beneath

  • Crossbody strap (for a toolkit or device bag)

  • Simple belt, jeans—functional, not stylish

• Technology: Regularly uses a homemade device, possibly a patchwork blend of analog and AI circuitry.

• Name Association: Jokes about being named after a fungicide (Thiram), referencing “brothers” Malathion and Glyphosate.

Inferred Personality & Manner

• Temperament: Steady but simmering—he tries to be the voice of reason, but often ends up exasperated or ignored.

• Mindset: Driven by a need for internal logic and external systems—he’s a fixer, not a dreamer (yet paradoxically surrounded by dreamers).

• Social Role: The least performative of the group. He’s neither aloof nor flamboyant, but remains essential—a grounded presence.

• Habits:

  • Zones out under stress or when overstimulated by dream-logic.

  • Blinks repeatedly to test for lucid dream states.

  • Carries small parts or tools in pockets—likely fidgets with springs or wires during conversations.

• Dialogue Style: Deadpan, dry, occasionally mutters tech references or sarcastic analogies.

• Emotional Core: Possibly a romantic or idealist in denial—hidden under his annoyance and muttered diagnostics.

Function in the Group

• Navigator of Reality – He’s the one most likely to point out when the laws of physics are breaking… and then sigh and fix it.

• Connector of Worlds – Bridges raw tech with dream-invasion mechanisms, perhaps more than he realizes.

• Moral Compass (reluctantly) – Might object to sabotage-for-sabotage’s-sake; he values intent.

Chico Ray

Chico Ray

Directly Stated Visual and Behavioral Details:

• Introduces himself casually: “Name’s Chico,” with no clear past, suggesting a self-aware or recently-written character.

• Chews betel leaves, staining his teeth red, which gives him a slightly unsettling or feral appearance.

• Spits on the floor, even in a freshly cleaned café—suggesting poor manners, or possibly defiance.

• Appears from behind a trumpet tree, implying he lurks or emerges unpredictably.

• Fabricates plausible-sounding geo-political nonsense (e.g., the coffee restrictions in Rwanda), then second-guesses whether it was fiction or memory.

Inferred Traits:

• A sharp smile made more vivid by betel staining.

• Likely wears earth-toned clothes, possibly tropical—evoking Southeast Asian or Central American flavors.

• Comes off as a blend of rogue mystic and unreliable narrator, leaning toward surreal trickster.

• Psychological ambiguity—he doubts his own origins, possibly a hallucination, dream being, or quantum hitchhiker.

What Remains Unclear:

• Precise age or background.

• His affiliations or loyalties—he doesn’t seem clearly aligned with the Bandits or Lucid Dreamers, but hovers provocatively at the edges.

Amy & Carob

☕ Amy Kawanhouse

Directly Stated Visual Traits:

• Hair: Long, light brown

• Eyes: Hazel, often sweaty or affected by heat/rain

• Clothing: Old grey sweatshirt with pushed-up sleeves

• Body: Short and thin, with shapely legs in denim

• Style impression: Understated and practical, slightly tomboyish, no-frills but with a hint of self-aware physicality

Inferred From Behavior:

• Functional but stylish in a low-maintenance way.

• Comfortable with being dirty or goat-adjacent.

• Probably ties her hair back when annoyed.

☕ Carob Latte

Directly Stated Visual Traits:

• Height: Tall (Amy refers to her as “looming”)

• Hair: Frizzled—possibly curly or electrified, chaotic in texture

• General Look: Disheveled but composed; possibly wears layered or unusual clothing (fitting her dreamy reversal quirks)

Inferred From Behavior:

• Movements are languid or deliberately unhurried.

• Likely wears things with big pockets or flowing elements—goat-compatible.

• There’s an aesthetic at play: eccentric wilderness mystic or mad cartographer.

Amy supposed everyone was blaming her, for what she couldn’t say, but they had clearly been avoiding her. There was plenty of coffee here anyway, even if the rest of the world was suffering. Don’t even think it, she told herself sternly. We don’t want people flocking here in droves once they realise.

So, do I want people or not? she asked herself. One minute I’m wondering where everyone is, and then next minute I’m wanting everyone to stay away.

“You on the spectrum too, are you?” asked Carob, reading her mind.  “It’s ok,” she added, seeing the look of alarm cross Amy’s face, “Your secret’s safe with me. I mean about being on the spectrum. But be careful, they’re rounding people like us up and sending them to a correctional facility.  We’re quite lucky to be here, out of the way.”

“Have you been avoiding me?” Amy asked, which was more immediately concerning than the concentration camps.  “Because I’ve been here all alone for ages, nothing to do but read my book,  draw in my sketch pad, and work on my needlepoint cushion covers. And where are the others? And don’t read my mind, it’s so rude.”

“Needlepoint cushion covers? Are you serious?” Carob was avoiding the questions, but was genuinely curious about the cushion covers.

Amy blushed.  “No, I made that up. In fact, I don’t know what made me say that. I haven’t started any sketching either, but I have thought about starting sketching. And I’ve been reading. It’s an old Liz Tattler; the old ones were the best. Real old school Lizzie Tattie, if you know what I mean. Risque romps with potting sheds and stuff.  None of that ghastly sci fi she started writing recently.”

“Which one?” Carob asked, and laughed when Amy held it up.  “I read that years ago, T’Eggy Gets a Good Rogering, can I borrow it after you? God knows we could all do with a laugh.”

“How do you know the others need a good laugh?” Amy asked, peering at Carob with an attentive squint in order to catch any clues. “You’ve seen then, then?”

Carob smiled sadly and replied, “Only by remote viewing them.”

Amy asked where they had been and what they were doing when they were viewed remotely. Has she been remote viewing me? What if they ask her if she’s been remote viewing me, and she tells them?  “Oh never mind,” Amy said quickly, “No need to answer that.”

Carob snorted, and what a strangely welcome sound it was. “I didn’t really remote view them, I made  that up.  It never works if I try to spy on people. Fat lot of good it is really, it never works when I really really need to see  something. Or maybe it works, but I never believe it properly until later when I find out it was right.”

“Yeah,” Amy said, “It’s fun though, I haven’t done it in ages.”

“You should, it would give you something to do when everyone’s avoiding you.”

Amy wondered afterwards if she should have said “Why is it always my fault” and hoped nobody would think el gran apagón was her fault too.  Another one of the issues with typecasting too soon.

The rumours and hoaxes were rife even before the electricity came back on.  The crisis of the lack of coffee beans was coming to a head: morning riots were breaking out in the places most affected by the shortage. As soon as the blackouts started, improvised statistics and numbers were cobbled together into snappy psychological colour combination images and plastered everywhere suggesting that the lack of electricity was saving an incomprehensible number of cups of coffee per day, but without causing any coffee related social disorder events.

Amy had heard that el gran apagón was foretold to occur when the pope died, that it was extraterrestrials, that it was el naranjo and his sidekick effin muck, and all manner of things, but the concerns with the coffee shortage happening at the same time as the blackouts were manifold.

The population was looking for scapegoats. Oh dear god, what did I say that for.