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  • #7772

    Upper Decks – The Pilot’s Seat (Sort Of)

    Kai Nova reclined in his chair, boots propped against the console, arms folded behind his head. The cockpit hummed with the musical blipping of automation. Every sleek interface, polished to perfection by the cleaning robots under Finkley’s command, gleamed in a lulling self-sustaining loop—self-repairing, self-correcting, self-determining.

    And that meant there wasn’t much left for him to do.

    Once, piloting meant piloting. Gripping the yoke, feeling the weight of the ship respond, aligning a course by instinct and skill. Now? It was all handled before he even thought to lift a finger. Every slight course adjustment, to the smallest stabilizing thrust were effortlessly preempted by Synthia’s vast, all-knowing “intelligence”. She anticipated drift before it even started, corrected trajectory before a human could perceive the error.

    Kai was a pilot in name only.

    A soft chime. Then, the clipped, clinical voice of Cadet Taygeta:

    “You’re slacking off again.”

    Kai cracked one eye open, groaning. “Good morning, buzzkill.”

    She stood rigid at the entryway, arms crossed, datapad in hand. Young, brilliant, and utterly incapable of normal human warmth. Her uniform was pristine—always pristine—with a regulation-perfect collar that probably had never been out of place in their entire life.

    Synthia calculates you’ve spent 76% of your shifts in a reclining position,” the Cadet noted. “Which, statistically, makes you more of a chair than a pilot.”

    Kai smirked. “And yet, here I am, still getting credits.”

    The Cadet face had changed subtly ; she exhaled sharply. “I don’t understand why they keep you here. It’s inefficient.”

    Kai swung his legs down and stretched. “They keep me around for when things go wrong. Machines are great at running the show—until something unexpected happens. Then they come crawling back to good ol’ human instinct.”

    “Unexpected like what? Absinthe Pirates?” The Cadet smirked, but Kai said nothing.

    She narrowed their eyes, her voice firm but wavering. “Things aren’t supposed to go wrong.”

    Kai chuckled. “You must be new to space, Taygeta.”

    He gestured toward the vast, star-speckled abyss beyond the viewport. Helix 25 cruised effortlessly through the void, a floating city locked in perfect motion. But perfection was a lie. He could feel it.

    There were some things off. At the top of his head, one took precedence.

    Fuel — it wasn’t infinite, and despite Synthia’s unwavering quantum computing, he knew it was a problem no one liked talking about. The ship wasn’t meant for this—for an endless voyage into the unknown. It was meant to return.

    But that wasn’t happening.

    He leaned forward, flipping a display open. “Let’s play a game, Cadet. Humor me.” He tapped a few keys, pulling up Helix 25’s projected trajectory. “What happens if we shift course by, say… two degrees?”

    The Cadet scoffed. “That would be reckless. At our current velocity, even a fractional deviation—”

    “Just humor me.”

    After a pause, she exhaled sharply and ran the numbers. A simulation appeared: a slight two-degree shift, a ripple effect across the ship’s calculated path.

    And then—

    Everything went to hell.

    The screen flickered red.

    Projected drift. Fuel expenditure spike. The trajectory extending outward into nowhere.

    The Cadet’s posture stiffened. “That can’t be right.”

    “Oh, but it is,” Kai said, leaning back with a knowing grin. “One little adjustment, and we slingshot into deep space with no way back.”

    The Cadet’s eyes flicked to the screen, then back to Kai. “Why would you test that?”

    Kai drummed his fingers on the console. “Because I don’t trust a system that’s been in control for decades without oversight.”

    A soft chime.

    Synthia’s voice slid into the cockpit, smooth and impassive.

    Pilot Nova. Unnecessary simulations disrupt workflow efficiency.”

    Kai’s jaw tensed. “Yeah? And what happens if a real course correction is needed?”

    “All adjustments are accounted for.”

    Kai and the Cadet exchanged a look.

    Synthia always had an answer. Always knew more than she said.

    He tapped the screen again, running a deeper scan. The ship’s fuel usage log. Projected refueling points.

    All were blank.

    Kai’s gut twisted. “You know, for a ship that’s supposed to be self-sustaining, we sure don’t have a lot of refueling options.”

    The Cadet stiffened. “We… don’t refuel?”

    Kai’s eyes didn’t leave the screen. “Not unless Synthia finds us a way.”

    Silence.

    Then, the Cadet swallowed. For the first time, a flicker of something almost human in her expression.

    Uncertainty.

    Kai sighed, pushing back from the console. “Welcome to the real job, kid.”

    Because the truth was simple.

    They weren’t driving this ship.

    The ship was driving them.

    And it all started when all hell broke lose on Earth, decades back, and when the ships of refugees caught up with the Helix 25 on its way back to Earth. One of those ships, his dad had told him, took over management, made it turn around for a new mission, “upgraded” it with Synthia, and with the new order…

    The ship was driving them, and there was no sign of a ghost beyond the machine.

    #7763
    Jib
    Participant

      The corridor outside Mr. Herbert’s suite was pristine, polished white and gold, designed to impress, like most of the ship. Soft recessed lighting reflected off gilded fixtures and delicate, unnecessary embellishments.

      It was all Riven had ever known.

      His grandfather, Victor Holt, now in cryo sleep, had been among the paying elite, those who had boarded Helix 25, expecting a decadent, interstellar retreat. Riven, however had not been one of them. He had been two years old when Earth fell, sent with his aunt Seren Vega on the last shuttle to ever reach the ship, crammed in with refugees who had fought for a place among the stars. His father had stayed behind, to look for his mother.

      Whatever had happened after that—the chaos, the desperation, the cataclysm that had forced this ship to become one of humanity’s last refuges—Riven had no memory of it. He only knew what he had been told. And, like everything else on Helix 25, history depended on who was telling it.

      For the first time in his life, someone had been murdered inside this floating palace of glass and gold. And Riven, inspired by his grandfather’s legacy and the immense collection of murder stories and mysteries in the ship’s database, expected to keep things under control.

      He stood straight in front of the suite’s sealed sliding door, arms crossed on a sleek uniform that belonged to Victor Holt. He was blocking entry with the full height of his young authority. As if standing there could stop the chaos from seeping in.

      A holographic Do Not Enter warning scrolled diagonally across the door in Effin Muck’s signature font—because even crimes on this ship came branded.

      People hovered in the corridor, coming and going. Most were just curious, drawn by the sheer absurdity of a murder happening here.

      Riven scanned their faces, his muscles coiled with tension. Everyone was a potential suspect. Even the ones who usually didn’t care about ship politics.

      Because on Helix 25, death wasn’t supposed to happen. Not anymore.

      Someone broke away from the crowd and tried to push past him.

      “You’re wasting time. Young man.”

      Zoya Kade. Half scientist, half mad Prophet, all irritation. Her gold-green eyes bore into him, sharp beneath the deep lines of her face. Her mismatched layered robes shifting as she moved. Riven had no difficulty keeping the tall and wiry 83 years old woman at a distance.

      Her silver-white braid was woven with tiny artifacts—bits of old circuits, beads, a fragment of a key that probably didn’t open anything anymore. A collector of lost things. But not just trinkets—stories, knowledge, genetic whispers of the past. And now, she wanted access to this room like it was another artifact to be uncovered.

      “No one is going in.” Riven said slowly, “until we finish securing the area.”

      Zoya exhaled sharply, turning her head toward Evie, who had just emerged from the crowd, tablet in hand, TP flickering at her side.

      Evie, tell him.”

      Evie did not look pleased to be associated with the old woman. “Riven, we need access to his room. I just need…”

      Riven hesitated.

      Not for long, barely a second, but long enough for someone to notice. And of course, it was Anuí Naskó.

      They had been waiting, standing slightly apart from the others, their tall, androgynous frame wrapped in the deep-colored robes of the Lexicans, fingers lightly tapping the surface of their handheld lexicon. Observing. Listening. Their presence was a constant challenge. When Zoya collected knowledge like artifacts, Anuí broke it apart, reshaped it. To them, history was a wound still open, and it was the Lexicans duty to rewrite the truth that had been stolen.

      “Ah,” Anuí murmured, smiling slightly, “I see.”

      Riven started to tap his belt buckle. His spine stiffened. He didn’t like that tone.

      “See what, exactly?”

      Anuí turned their sharp, angular gaze on him. “That this is about control.”

      Riven locked his jaw. “This is about security.”

      “Is it?” Anuí tapped a finger against their chin. “Because as far as I can tell, you’re just as inexperienced in murder investigation as the rest of us.”

      The words cut sharp in Riven’s pride. Rendering him speechless for a moment.

      “Oh! Well said,” Zoya added.

      Riven felt heat rise to his face, but he didn’t let it show. He had been preparing himself for challenges, just not from every direction at once.

      His grip tightened on his belt, but he forced himself to stay calm.

      Zoya, clearly enjoying herself now, gestured toward Evie. “And what about them?” She nodded toward TP, whose holographic form flickered slightly under the corridor’s ligthing. “Evie and her self proclaimed detective machine here have no real authority either, yet you hesitate.”

      TP puffed up indignantly. “I beg your pardon, madame. I am an advanced deductive intelligence, programmed with the finest investigative minds in history! Sherlock Holmes, Hercule Poirot, Miss Marple, Marshall Pee Stoll…”

      Zoya lifted a hand. “Yes, yes. And I am a boar.”

      TP’s mustache twitched. “Highly unlikely.”

      Evie groaned. “Enough TP.”

      But Zoya wasn’t finished. She looked directly at Riven now. “You don’t trust me. You don’t trust Anuí. But you trust her.” She gave a node toward Evie. “Why?

      Riven felt his stomach twist. He didn’t have an answer. Or rather, he had too many answers, none of which he could say out loud. Because he did trust Evie. Because she was brilliant, meticulous, practical. Because… he wanted her to trust him back. But admitting that, showing favoritism, expecially here in front of everyone, was impossible.

      So he forced his voice into neutrality. “She has technical expertise and no political agenda about it.”

      Anuí left out a soft hmm, neither agreeing nor disagreeing, but filing the information away for later.

      Evie took the moment to press forward. “Riven, we need access to the room. We have to check his logs before anything gets wiped or overwritten. If there’s something there, we’re losing valuable time just standing there arguing.”

      She was right. Damn it, she was right. Riven exhaled slowly.

      “Fine. But only you.”

      Anuí’s lips curved but just slightly. “How predictable.”

      Zoya snorted.

      Evie didn’t waste time. She brushed past him, keying in a security override on her tablet. The suite doors slid open with a quiet hiss.

      #7735

      The “do not enter, crime scene” sticker haphazardly printed, was not even sealing the door. Amateur job, but of course, this was to be expected when such murder event had not been seen in a generation.

      She entered surrepticiously, the door to the drying chamber slid shut with a hiss behind her, muffling the last of the frantic voices outside. Evie exhaled. She needed a moment. Just her, the crime scene, and—

      A flicker of light.

      “Ah-ha!” Trevor Pee Marshall, aka TP, materialized beside her, adjusting his holographic lapels with exaggerated precision. “What we have here, dear Evie, is a classic case of les morts très mystérieux.” His mustache twitched. “Or as my good friend Clouseau would say—‘Zis does not add up!’”

      Evie rolled her eyes. “Less theatrics, more analysis, TP.”

      Despite the few glitches, she was proud and eager to take her invention to a real-life trial run. Combining all the brilliant minds of enquêteur Jacques Clouseau, as well as the flair of Marshall Pee Stoll from the beloved Peaslanders children stories, TP was the help they needed to solve this.

      “Ahem.” TP straightened, flickering momentarily before reappearing near the machine, peering inside with a magnifying glass he absolutely didn’t need.

      Evie pulled up the logs. The AI had flagged the event—drying cycle activated at 0200 hours. Duration: excessive. But no shutdown? That was impossible.

      TP let out a thoughtful “hmm.” Then, with the gravitas of a seasoned investigator, he declared, “Madame, I detect a most peculiar discrepancy.”

      Evie looked up. “Go on.”

      TP pivoted dramatically. “The AI should have stopped the cycle, yes? But what if… it never saw a problem?”

      Evie frowned. That wasn’t how safety protocols worked. Unless—

      She tapped rapidly through the logs. Her stomach dropped.

      The system hadn’t flagged a human inside at all.

      Someone had altered the ship’s perception of Mr. Herbert before he ever stepped into the machine.

      Evie’s pulse quickened. This wasn’t just murder.

      It was premeditated.

      #7733

      Leaving the Asylum

      They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.

      “Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.

      “Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”

      Vera sniffed. “I prefer genealogist, thank you very much.”

      “Petro,” Anya continued, “probably about to grumble.”

      Petro scowled. “I was thinking.”

      “Jian, our mystery man.”

      Jian raised an eyebrow in acknowledgment.

      Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”

      The twins—Luka and Lev—nodded and grinned at exactly the same time.

      “Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”

      “Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”

      Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.

      “We can’t,” Mikhail said firmly. “And he can look after himself.”

      She huffed. “Well, I expect we could if we tried.”

      “And finally, old Gregor, who I gather would rather be taking a nap.”

      Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”

      Anya frowned, scanning the group again. “Wait. We’re missing Finja.”

      A small scraping sound came from behind them.

      Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”

      Anya sighed. “Finja, leave the gate alone.”

      Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”

      Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”

      They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.

      The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.

      The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.

      “It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”

      “That’s enough of the old business,” puffed Vera, pulling her shoulders back.

      Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.

      The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.

      After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”

      Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.

      “Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”

      “I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”

      Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”

      Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”

      Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.

      Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”

      “Oh, stop that, Petro,” Anya admonished. “Remember our plan?”

      “We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”

      “And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.

      Jian shrugged. “The world doesn’t erase itself overnight.”

      Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”

      They sat in silence, watching the fire burn low. The evening stretched long and uneasy.

      #7731

      The colours were bright, garish really, an impossibly blue sea and sky and splashes of pillar box red on the square shaped cars and dated clothes, but it was his favourite postcard of them all.  It wasn’t the most scenic, it wasn’t the most spectacular location, but it was an echo from those long ago days of summer, of seaside holidays, souvenirs and a dozen postcards to write at a beachside cafe. The days when the post was delivered by conscientious postmen such as he himself had been, and the postcards arrived at their destinations before the holidaymakers had returned to their suburban homes and city jobs. The scene in the postcard was bathed in glorious sunshine, but the message on the back told the usual tale of the weather and the rain and that it might brighten up tomorrow but they were having a lovely time and they’d be back on Sunday and would the recipients get them a loaf and a pint of milk.

      Ellis Marlowe put the Margate postcard to the back of the pile in his hand and pondered the image on the next one.  He sighed at the image of the Statue of Liberty, sickly green, sadly proclaiming the height of a lost empire, and quickly put it at the back of the pile. Nobody needed to dwell on that story.

      His perusal of the next image, an alpine meadow with an attractively skirted peasant scampering in a field, was interrupted with a bang on his door as Finkley barged in without waiting for a response.  “There’s been a murder on the ship! Murder!  Poor sod’s been dessicated like a dried tomato…”

      Ellis looked at her in astonishment. His hand shook slightly as he put his postcard collection back in the box, replaced the lid and returned it to his locker.  “Murder?” he repeated. “Murder? On here? But we’re supposed to be safe here, we left all that behind.”  Visibly shaken, Ellis repeated, almost shouting, “But we left all that behind!”

      #7730

      The Asylum 2050

      They had been talking about leaving for a long time.

      Not in any urgent way, not in a we must leave now kind of way, but in the slow, circling conversations of people who had too much time and not enough answers.

      Those who had left before them had never returned. Perhaps they had found something better, though that seemed unlikely. Perhaps they had found nothing at all. The first group left over twenty years ago—just for supplies. They never came back. Others drifted off over the years. They never came back either.

      The core group had stayed because—what else was there? The asylum had been safe, for the most part. It had become home. Overgrown now, with only a fraction of its former inhabitants. The walls had once kept them in; now, they were what kept the rest of the world out.

      But the crops were failing. The soil was thinning. The last winter had been long and cruel. Summer was harsh. Water was harder to find.

      And so the reasons to stay had been replaced with reasons to go.

      She was about forty now—or near enough, though time had softened the numbers. Natalia. A name from a past life; now they called her Tala.

      Her family had left her here years ago. Paid well for it, as if they were settling an expensive inconvenience. She had been young then—too young to know how final it would be. They had called her difficult, willful, unable to conform. She wasn’t mad, but they had paid to have her called mad so they could get rid of her. And in the world before, that had been enough.

      She had been furious at first. She tried to run away even though the asylum was many miles from anywhere. The drugs they made her take put an end to that. The drugs stopped many years ago, but she no longer wanted to run.

      She sat at the edge of the vegetable garden, turning soil between her fingers. It was dry, thinning. No matter how deep she dug, the color stayed the same—pale, lifeless.

      “Nothing wants to grow anymore,” said Anya, standing over her. Older—mid-sixties. Once a nurse, before everything had fallen apart. She had been one of the staff members who stayed behind when the first group left for supplies, but now she was the only one remaining. The others had abandoned the asylum years ago. At first, her authority had meant something. Now, it was just a memory, but she still carried it like an old habit. She was practical, sharp-eyed, and had a way of making decisions that others followed without question.

      Tala wiped her hands on her skirt and looked up. “We probably should have left last year.”

      Anya sighed. She dropped a brittle stalk of something dead into the compost pile. “Doesn’t matter now. We must go soon, or we don’t go at all.”

      There was no arguing with that.

      Later, in the old communal hall, the last of them gathered. Eleven of them.

      Mikhail leaned against the window, his arms crossed. He was a little older than Tala. He thought a long time before he spoke.

      “How many weapons do we have?”

      Anya shrugged. “A couple of old rifles with half a dozen bullets. A handful of knives. And whatever rocks and sticks we pick up on the way.”

      “It’s not enough to defend ourselves,” Tala said. Petro, an older resident who couldn’t remember life before the asylum, moaned and rocked. “But we’ll have our wits about us,” she added, offering a small reassurance.

      Mikhail glanced at her. “We don’t know what’s out there.”

      Before communication went silent, there had been stories of plagues, wars, starvation, entire cities turning against themselves. People had come through the asylum’s doors shortly before the collapse, mad with what they had seen.

      But then, nobody came. The fences had grown thick with vines. And the world had gone quiet.

      Over time, they had become a kind of family, bound by necessity rather than blood. They were people who had been left behind for reasons that no longer mattered. In this world, sanity had become a relative thing. They looked after one another, oddities and all.

      Mikhail exhaled and pushed off the window. “Tomorrow, then.”

      #7701
      F LoveF Love
      Participant

        Amei attached a card and ribbon to the last of the neatly wrapped gifts and placed it under the tree. This one was for Paul—a notebook with a cover of soft fabric she’d block-printed with delicate, overlapping circles in muted blues and greens. The fabric was left over from a set of cushions for a client, but she had spent hours crafting the notebook, knowing all the while Paul probably wouldn’t use it. He was impossible to buy for, preferring things he picked out himself. Tabitha had been far easier: Amei had secretly made a dress out of a soft, flowing fabric that Tabitha had fallen in love with the moment Amei showed it to her.

        The house felt calm for the moment. Tabitha had gone out earlier, calling over her shoulder that she’d be back in time for dinner. Amei smiled at the memory of her daughter’s laughter. Her excitement about Christmas was palpable, a bright contrast to the quietness that had settled over everything else. Amei used to feel like that about Christmas too. This year, though, she was only making the effort for Tabitha.

        Somewhere down the hallway, Paul’s voice murmured on a call—distant, like everything about him lately. The air smelled faintly of cinnamon and cloves from the mulled wine simmering on the stove, but even that warm, festive scent felt like it was trying too hard.

        The house felt big, despite the occasional bursts of life it saw on days like this. It had felt that way for months now, the weight of unspoken things pressing against the faded walls.

        She sighed and reached for the decoration box, pulling out a small clay angel with chipped wings. The sight of it made her pause. Lucien had given it to her years ago, one Christmas, and declared it “charmingly imperfect,” insisting it belonged at the top of her tree. She smiled faintly at the memory, turning it over in her hands. Every year since, it had held its place at the top of the tree.

        “Still not done?” Paul’s voice cut into her thoughts. She turned to see him standing in the doorway. At the sound of Paul’s voice, Briar, their elderly cat—or technically Paul’s cat—emerged from behind the curtain, her tail curling as she wove around his legs. Paul crouched slightly to scratch behind her ears, and Briar leaned into his touch, purring softly

        “She thinks it’s dinner time,” Amei said evenly.

        “You always go overboard with these things, Amei,” Paul said, straightening and nodding towards the gifts.

        “It’s Christmas,” she snapped, the irritation slipping through before she could stop it. She turned back to the tree, her fingers moving stiffly as she busied herself with strands of sparkly tinsel.

        Paul didn’t respond, but she could feel his gaze linger. It was the silence that had grown between them in recent months, filled with everything they couldn’t bring themselves to say…yet.

        The sound of the front door banging shut and brisk footsteps broke the tension. Tabitha burst past Paul into the room, her cheeks flushed from the cold. “Hey, Paul. Hey, Mumma Bear,” she said brightly. Her eyes lit up as they landed on the tree. “The tree looks gorgeous! Don’t you just love Christmas?”

        #7683
        ÉricÉric
        Keymaster

          “What do you think Godfrey?” Liz’ snapped at her publisher, sightly annoyed by his debonair smile. “And honestly, I sometimes wonder if I shouldn’t ask Finnley, she seems to have more wits about her than you, dear friend. And where is she by the way?”

          “Liz’, will you calm down, this interview business is driving you back to your old manic madness; don’t worry about Finnley, she’s had some errands to run, something about coaching the younger generation, and tiktok oven challenge —don’t ask.”

          “Exactly! What? what coaching nonsense? Tsk, stop digressing. Yes, that interview is getting bees in my bonnet, if you see what I mean.”

          “Driving you nuts, you mean?”

          “Obvie. But look, how about that as an intro? ‘Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.’

          “It’s quite brilliant I must say; how much of it is from the artificial box?”

          “That’s what I mean Godfrey! None! But you not seeing a difference is worrying to say the least. This thing is every author’s nightmare; it spews nonsense faster, and even with greater details I can manage in one draft. Look at that. It still comes to me as naturally as when I did my first book. Very heavy door curtain, and the wooden pole sags so I’m on tip toe yanking it, and middle of back unsupported, very stupid really. Stuff like that, I can immediately conjure, painting a world of innuendos and mysteries behind a few carefully crafted words. My words’ a stage. And I even managed to write my last book, with impossibly challenging characters, being a scientist without knowing the first thing about science —apart maybe from science of marriage, although one may argue it’s more an art form. The thing is, Godfrey, and pardon that unusual monologue, yes, and please don’t choke on your peanuts. I’m starting to feel like a faulty robot who can’t stick to the robot plan.”

          “I can see you do, Liz, but honestly, we can all make out the tree for the forest. Yours is truly an art that cannot be mimicked by machinery. Have a tonic, and let’s get you ready for that interview —the manicurist is downstairs ready for you with the best shades of pink you can ever dream of.

          #7682

          Matteo — Autumn 2023

          The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

          His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

          “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

          His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

          Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

          A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

          Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

          “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

          The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

          He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

          Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

          He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

          Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

          Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

          Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

          “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

          #7675
          Yurara FamelikiYurara Fameliki
          Participant

            Glynis making potions (in Dragon Heartswood Fellowship story)

            [Scene opens in Glynis’s cozy alchemical nook, where sunlight filters through stained glass, casting a kaleidoscope of colors onto the wooden workbench.]

            Glynis, hair tied in a practical bun, hums a gentle melody, her hands deftly moving among jars of fragrant herbs and sparkling crystals. The air is rich with the scent of cinnamon and cardamom, mingling with the earthy aroma of freshly picked herbs.

            Among her collection of vials and beakers, a group of soft, furry baby Snoots frolics, their fur a dazzling array of colors—from vibrant blues to shimmering purples—each reflecting their unique magic-imbued personalities.

            One baby Snoot, with fur like a sunset, nudges a vial toward Glynis, its tiny paws leaving prints of glowing stardust. Glynis chuckles, accepting the offering with a warm smile. “Thank you, little one,” she whispers, adding a sprinkle of the sparkling dust to the simmering potion.

            The Snoots, enchanted by the alchemical ballet, gather around the cauldron, their eyes wide with wonder as the potion bubbles and swirls with hues to match their fur. Occasionally, a brave Snoot dips a curious paw into the brew, causing a cascade of giggles as their fur momentarily absorbs the potion’s glow.

            Glynis, her heart full with the joy of companionship, pauses to gently scratch behind the ears of a Snoot nestled by her elbow. “You’re all such wonderful helpers,” she murmurs, her voice a melody of gratitude.

            As the potion reaches its peak, the room is momentarily filled with a burst of iridescent light, a reflection of the harmonious magic that binds Glynis and her Snoot companions in their delightful symbiotic dance.

            Yurara FamelikiYurara Fameliki
            Participant

              All about Liz Tattler

              [Scene opens with an elegant study, filled with books and ornate furniture. Liz Tattler sits comfortably in a plush armchair, draped in her signature flamboyant attire.]

              Narrator (warm, engaging voice): “Meet Liz Tattler, the visionary behind countless bestsellers.”

              [Quick cuts: Liz passionately gesturing as she describes her creative process, her hands adorned with long, pink nails.]

              Narrator: “A master of transforming the mundane into the magical.”

              [A playful montage of Liz surrounded by whimsical titles, each book cover a splash of color and intrigue.]

              Narrator: “Where outrageous tales and heartfelt truths dance in harmony.”

              [End with a close-up of Liz, a twinkle in her eye, the words “A Legacy of Imagination” glowing beneath her.]

              Narrator: “Join us for an exclusive glimpse into the world of a storytelling legend.”

              [Screen fades to “Liz Tattler: A Lifetime of Bestsellers” with contact details for the interview.]

              #7662

              The Waking 

              Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
              Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
              The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
              “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
              The Endless Chase
              Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
              The Wandering Maze
              Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
              The Woven Tapestry
              Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
              The Scattered Grains
              Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
              The Mandala of Light
              Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

              :fleuron2:

              Dreamtime

              It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

              The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

              The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

              I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

              The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

              I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

              I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

              #7661
              TracyTracy
              Participant

                Early May 2022

                “You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.

                It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions.  It’s so nice to have a conversation in English, she couldn’t help thinking.

                Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”

                Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”

                “I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”

                “I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.

                #7659
                Jib
                Participant

                  March 2024

                  The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

                  He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

                  Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

                  As always, no hello, no question about his health or anything personal.

                  “I didn’t want it”, Lucien said, his voice calm only on the surface.

                  “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

                  “I already told you, it’s not what I want. I’ve made my decision.”

                  Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

                  Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

                  “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

                  Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

                  A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

                  “We’re never finished”, Lucien muttered as the line went dead.

                  Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

                  “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

                  The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

                  The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

                  The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

                  Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

                  He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

                  When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

                  The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

                  “What have we here?” He asked, his voice bordering on disdain.

                  Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

                  Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

                  The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

                  Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

                  “It’s personal”, he said, his voice low.

                  Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

                  Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

                  Lucien nodded towards the covered stack of canvases near the wall. “Done.”

                  “Good. They’ll come tomorrow and take the lot.”

                  Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

                  Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

                  He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

                  Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
                  He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

                  #7654
                  TracyTracy
                  Participant

                    The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

                    Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

                    Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

                    Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

                    You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

                    They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

                    Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

                    Look, we need to start making our way back to the carElara had said, It’ll be dark in a couple of hours. 
                    Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

                    The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

                    Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
                    Is it real? whispered Amei, awestruck.

                    I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

                    #7653

                    Matteo — Winter 2023: The Move

                    The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

                    The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

                    The sound of the doorbell brought him back from his rêverie.

                    Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

                    :fleuron2:

                    Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

                    “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

                    “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

                    The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

                    Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

                    Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

                    :fleuron2:

                    As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

                    “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

                    “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

                    Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

                    “Special how?” her mother asked lightly.

                    “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

                    Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

                    “Why you want to keep those?” Amei asked, tilting her head.

                    Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

                    Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

                    :fleuron2:

                    The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

                    As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

                    “It’s different, isn’t it?” she said suddenly, not looking at him.

                    “Moving?” Matteo asked, unsure if the question was for him.

                    “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

                    Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

                    :fleuron2:

                    The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

                    By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

                    “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

                    Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

                    #7649
                    F LoveF Love
                    Participant

                      The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.

                      The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”

                      “Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.

                      A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.

                      “These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”

                      Amei nodded politely. “They do,” she said.

                      He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”

                      “They’re just for light on this occasion,” she said, her tone sharper than she intended.

                      “Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”

                      Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”

                      The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”

                      Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”

                      The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.

                      #7645
                      F LoveF Love
                      Participant

                        Amei sat cross-legged on the floor in what had once been the study, its emptiness amplified by the packed boxes stacked along the walls. The bookshelves were mostly bare now, save for a few piles of books she was donating to goodwill.

                        The window was open, and a soft breeze stirred the curtains, carrying with it the faint chime of church bells in the distance. Ten o’clock. Tomorrow was moving day.

                        Her notebooks were heaped beside her on the floor—a chaotic mix of battered leather covers, spiral-bound pads, and sleek journals bought in fleeting fits of optimism. She ran a hand over the stack, wondering if it was time to let them go. A fresh start meant travelling lighter, didn’t it?

                        She hesitated, then picked up the top notebook. Flipping it open, she skimmed the pages—lists, sketches, fragments of thoughts and poems. As she turned another page, a postcard slipped out and fluttered to the floor.

                        She picked it up. The faded image showed a winding mountain road, curling into mist. On the back, Darius had written:

                        “Found this place by accident. You’d love it. Or maybe hate it. Either way, it made me think of you. D.”

                        Amei stared at the card. She’d forgotten about these postcards, scattered through her notebooks like breadcrumbs to another time. Sliding it back into place, she set the notebook aside and reached for another, older one. Its edges were frayed, its cover softened by time.

                        She flicked through the pages until an entry caught her eye, scrawled as though written in haste:

                        Lucien found the map at a flea market. He thought it was just a novelty, but the seller was asking too much. L was ready to leave it when Elara saw the embossed bell in the corner. LIKE THE OTHER BELL. Darius was sure it wasn’t a coincidence, but of course wouldn’t say why. Typical. He insisted we buy it, and somehow the map ended up with me. “You’ll keep it safe,” he said. Safe from what? He wouldn’t say.

                        The map! Where was the map now? How had she forgotten it entirely? It had just been another one of their games back then, following whatever random clues they stumbled across. Fun at the time, but nothing she’d taken seriously. Maybe Darius had, though—especially in light of what happened later. She flipped the page, but the next entry was mundane—a note about Elara’s birthday. She read through to the end of the notebook, but there was no follow-up.

                        She glanced at the boxes. Could the map still be here, buried among her things? Stuffed into one of her notebooks? Or, most likely, had it been lost long ago?

                        She closed the notebook and sighed. Throwing them out would have been easier if they hadn’t started whispering to her again, pulling at fragments of a past she thought she had left behind.

                        #7644

                        From Decay to Birth: a Map of Paths and Connections

                        7. Darius’s Encounter (November 2024)

                        Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

                        He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

                        When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

                         

                        6. Matteo’s Discovery (near Avignon, Spring 2024)

                        The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

                        His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

                        Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

                        Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

                        “It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

                        Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

                        The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

                         

                        5. From Hand to Hand (1995–2024)

                        By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

                        2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

                        2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

                        1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

                        The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

                         

                        4. The Artist (1995)

                        The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

                        “I don’t map what is,” she once told a curious buyer. “I map what could be.”

                        In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

                         

                        3. The Ink (1990s)

                        The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

                        From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

                         

                        2. The Paper (1980)

                        The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

                        By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

                        The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

                        This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

                         

                        1. The Seed (1950s)

                        It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

                        “Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

                        Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

                        #7640
                        Jib
                        Participant

                          Sat. Nov. 30, 2024 – before the meeting

                          The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.

                          The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.

                          Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.

                          How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.

                          He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.

                          His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.

                          The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.

                          With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.

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