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In reply to: Quintessence: Reversing the Fifth
Nov.30, 2024 2:33pm – Darius: The Map and the Moment
Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.
The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.
Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.
It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.
“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.
“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.
“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”
Darius raised an eyebrow. “A philosophical map?”
The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”
Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”
“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.
Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.
He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.
He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.
He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.
India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.
One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.
Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.
The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.
The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.
The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.
Whatever this reunion was about, he’d be ready for it.
But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.
In reply to: Quintessence: Reversing the Fifth
At the Café
The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.
Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.
The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.
“Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.
“Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.
Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”
“You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”
She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.
The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.
“Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.
“Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.
Lucien snorted. “Still paying for strangers’ stories, I see.”
“The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.
The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.
“You’re late,” Darius said, but his voice carried no accusation.
“Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”
Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”
“Not all of us live in Paris,” Elara said, with a glance at Lucien.
“Only some of us make better life choices,” Lucien replied dryly.
The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.
In reply to: The Incense of the Quadrivium’s Mystiques
Thanks to Eris’s undeniable aptitude and professionalism for choosing the most efficacious spells and implementing them perfectly, and before Truella had got to grips with the first layer of the costumes undergarments, Cromwell was back at Austin Friars, and Malove stood before them, quivering with rage. Or was it panic?
“Fancy some of this cheese and some olives? The bread’s amazing, we’re having a picnic, and there’s some champers if Jeezel hasn’t guzzled it all,” Truella thought a casual nothing is wrong approach was worth a shot, however futile. It might delay the inevitable.
“Thanks,” replied Malove, sinking down on to the tartan picnic rug with a grateful if shuddering sigh. “That was awful, don’t even ask! I will never complain about anything ever again!”
“Really?” Truella wasn’t convinced. “What was it like?”
“No iboprufen. It was just awful. So damp, and no iboprufen.” Malove shivered. “My arthritis played me up something rotten.”
“Well, why on earth didn’t you just magic some up then?” Truella blurted out.
“Do you remember to just magic up a spell for your arthritis?” Truella quaked under the force of Malove’s terrifying glare.
“She doesn’t, but I do,” interjected Jeezel, scrolling through the images she’d just captured of the ongoing scenario and capturing a few more.
Does this mean I’m on holiday now too? Malove wondered. Jeezel caught the pensive but hopeful expression, Malove’s harsh profile softened with a fortuitous wisp of Truella’s cigarette smoke against a backdrop of bramble and vine covered ruins, an exotic foreign flower dangling lanquidly beside her ~ what a picture!
In reply to: The Incense of the Quadrivium’s Mystiques
Frella considered the box of props, Truella’s request still echoing in her mind. Or perhaps “command” was more accurate? She had been tempted to tell Tru to put together her own prop box. Regardless, Frella, being uncommonly good-natured, decided to indulge her friend. After all, poor Truella deserved a bit of indulgence after her recent ordeal.
It was curious, even ironic, that a witch as formidable as Truella had found herself spirited away by Thomas Cromwell. The incident left Frella baffled, but Truella, true to form, had been vague about the whole affair, refusing to provide even a brief synopsis. And any hope of clarification had been swallowed by Truella’s recent hobby: deleting gifs on her phone—a pastime that Frella was convinced had reached the level of an obsession.
Shaking her head, Frella returned to her task. The box needed to be extraordinary, full of magic tailored to delight, surprise, and assist even the most accomplished witch. With a whispered spell, she conjured a feather-light coat woven from shimmering starlight, and folded it carefully into the box. Depending on the moon’s phase, the coat could cloak its wearer in illusions or make them vanish entirely.
Next came a pair of Ug Boots enchanted with swiftness, rendering the wearer light as air and nearly impossible to catch. Beside them, she placed a midnight-blue satchel with a mind of its own—returning lost items to their rightful owners, whether or not they wanted to be found.
Frella paused, her hands hovering above the box. What else? After some thought, she conjured a delicate chemise spun from moonlight, its diaphanous fabric especially created to ward off hexes. “Truella should get plenty of use out of this one,” Frella mused, remembering past escapades. “Not that I’m calling her a tart or anything.”
She followed it with iridescent sunglasses. The lenses could decode ancient texts or, failing that, soften a cutting glare. A golden phoenix brooch came next. Pinned to fabric, it could either blaze into a protective flame or summon a fiery companion to light the way.
With a snigger, Frella crafted a magical moustache—a silky, distinguished creation. It granted the wearer an air of nobility, perfect for moments when one needed gravitas, especially if Truella found herself back in the 16th century (or whenever it was).
A string of enchanted pearls nestled into the box, each bead holding a spell: one for charm, another to quell hunger, and a third to lower prices at the supermarket. Truella was always banging on about her budget.
Frella added three wigs: a flaming red one for irresistible allure, a sleek black bob for perfect recall, and a powdered peruke for communing with spirits of the past.
For good measure, she added a selection of headgear: a knitted beanie for quick thinking and to keep warm, a velvet-trimmed bonnet to ward off insults, and a silk turban that blocked eavesdropping and mind-reading.
Finally, she included a pretty peacock-feathered fan. A mere flick of the wrist could shift the weather or create a gust strong enough to fend off any ill intentions.
The box now brimmed with marvels; would these treasures aid Truella and perhaps shield her from whatever tangled fate had ensnared her with Thomas Cromwell?
Frella could only hope so.
In reply to: The Incense of the Quadrivium’s Mystiques
“Why has Frella gone so soon?” asked Truella, when the beastly morality prayers were finished. “She was supposed to accompany us down the cellars tonight. I tell you what,” Truella rubbed her eyes and pushed her hair back, “This has been the longest day I’ve ever known. And it’s not over yet. Maybe we should leave the exploration of the cellars until tomorrow night.”
“Suits me,” said Zeezel, “I didn’t want to go down there anyway. The thought of going down there would ruin my evening, and I’ve got a gorgeous little cocktail dress picked out for tonight.”
“Jeezel, ” Eris said warningly, “We’re here on business.”
“Oh, lighten up, Eris! None of us even knows what we’re really here for! One minute it’s a boring merger or even a takeover, the next minute it’s all cloak and dagger mystery, then it’s a morality play, what’s it gonna be next?”
“A Barbara Cartland novel? Or 50 shades of undertakers?” Eris said with scowl.
“You don’t want to go down the cellar either, do you, Eris?” Truella asked, knowing the answer. “Never mind. You go and say some more prayers with Audrey. Jez, enjoy your evening to the hilt,” Truella wiggled her eyebrows. “I’ll go on my own.”
The others looked at her open mouthed. “You can’t be serious!”
“She isn’t going on her own,” Eric said darkly.
“I don’t know what you mean,” Truella pretended innocence. Of course she wasn’t going on her own. Rufus would go with her, and she even had an idea to invite Sassafras and Sandra. “Oh, alright then, I won’t go,” she lied. ” I’ll wait for you and we’ll go tomorrow night. But only if Frella comes back so she can come with us.”
Eris wasn’t stupid, she knew exactly what Truella was planning. She had to rein Truella in, but how? Suddenly, inspiration struck.
“We’d better go and get ready for dinner,” Eris said, “See you all later in the dining hall.” And with that she stalked out of the room.
As soon as she was out of the door, Eris sprinted up the hallway. She had to get to him before Truella got there. Crashing into Brother Bartolo as she careered round a corner, she apologised hurriedly and asked if he knew where Rufus was. Bartolo informed her that he’d seen Rufus by the fountain. Eris resisted the temptation to remark snidely about him needing to cool down.
He was still there when Eris reached the courtyard, sitting on the side of the water feature, trailing his hand in the water and looking gloweringly pensive. Eris took a deep breath.
“Mind if I join you?” she asked pleasantly, sitting down beside him. “We’re so grateful to you guys for coming to help us out, it’s all quite a lot for us to take in, you know?” Eris smiled disarmingly. “We’d feel so much better if Frella was here with us. We did manage to get her here, but something went wrong and she didn’t stay as long as we hoped she would. She’s on a mission in Ireland, and couldn’t come over, but Sister Audrey kindly offered to let Frella posess her for 24 hours, and then I don’t know what happened but Frella was called back abruptly to her own body.” Eris knew she was garbling semi incoherently, which was most unlike her normally, but she thought this approach would appeal. Rufus seemed to be the type to be a sucker for a damsel in distress. “If only someone else would offer to let Frella possess his body for 24 hours so that she can come and join us…”
Eris’s little spell must have worked a treat, as Rufus promptly agreed. “I can help you with this. I offer my body for Frella to possess, if you think it will assist you.”
Eris beamed at him. “What a charming gentleman you are!” she gushed, surprisingly both of them as she leaned forward and impulsively kissed his cheek. “I must go,” she said. Horrified, her face crimson, she fled back inside the cloisters.
In reply to: The Incense of the Quadrivium’s Mystiques
It may surprise you, dear reader, to hear the story of Truella and Frella’s childhood at a Derbyshire mill in the early 1800s. But! I hear you say, how can this be? Read on, dear reader, read on, and all will be revealed.
Tilly, daughter of Everard Mucklewaite, miller of Brightwater Mill, was the youngest of 17 children. Her older siblings had already married and left home when she was growing up, and her parents were elderly. She was somewhat spoiled and allowed a free rein, which was unusual for the times, as her parents had long since satisfied the requirements for healthy sons to take over the mill, and well married daughters. She was a lively inquisitive child with a great love of the outdoors and spent her childhood days wandering around the woods and the fields and playing on the banks of the river. She had a great many imaginary friends and could hear the trees whisper to her, in particular the old weeping willow by the mill pond which she would sit under for hours, deep in conversation with the tree.
Tilly didn’t have any friends of her own age, but as she had never known human child friends, she didn’t feel the loss of it. Her older sisters used to talk among themselves though, saying she needed to play with other children or she’d never grow up and get out of her peculiar ways. Between themselves (for the parents were unconcerned) they sent a letter to an aunt who’d married an Irishman and moved with him to Limerick, asked them to send over a small girl child if they had one spare. As everyone knew, there were always spare girls that parents were happy to get rid of, if at all possible, and by return post came the letter announcing the soon arrival of Flora, who was a similar age to Tilly.
It was a long strange journey for little Flora, and she arrived at her new home shy and bewildered. The kitchen maid, Lucy, did her best to make her feel comfortable. Tilly ignored her at first, and Everard and his wife Constance were as usual preoccupied with their own age related ailments and increasing senility.
One bright spring day, Lucy noticed Flora gazing wistfully towards the millpond, where Tilly was sitting on the grass underneath the willow tree.
“Go on, child, go and sit with Tilly, she don’t bite, just go and sit awhile by her,” Lucy said, giving Flora a gentle push. “Here, take this,” she added, handing her two pieces of plum cake wrapped in a blue cloth.
Flora did as she was bid, and slowly approached the shade of the old willow. As soon as she reached the dangling branches, the tree whispered a welcome to her. She smiled, and Tilly smiled too, pleased and surprised that the willow has spoken to the shy new girl.
“Can you hear willow too?” Tilly asked, looking greatly pleased. She patted the grass beside her and invited Flora to sit. Gratefully, and with a welcome sigh, Flora joined her.
Tilly and Flora became inseperable friends over the next months and years, and it was a joy for Tilly to introduce Flora to all the other trees and creatures in their surroundings. They were like two peas in a pod.
Over the years, the willow tree shared it’s secrets with them both.
One summer day, at the suggestion of the willow tree, Tilly and Flora secretly dug a hole, hidden from prying eyes by the long curtain of hanging branches. They found, among other objects which they kept carefully in an old trunk in the attic, an old book, a grimoire, although they didn’t know it was called a grimoire at the time. In fact, they were unable to read it, as girls were seldom taught to read in those days. They secreted the old tome in the trunk in the attic with the other things they’d found.
Eventually the day came when Tilly and Flora were found husbands and had to leave the mill for their new lives. The trunk with its mysterious contents remained in the dusty attic, and was not seen again until almost 200 years later, when Truella’s parents bought the old mill to renovate it into holiday apartments. Truella took the trunk for safekeeping.
When she eventually opened it to explore what it contained, it all came flooding back to her, her past life as Tilly the millers daughter, and her friend Flora ~ Flora she knew was Frigella. No wonder Frella had seemed so familiar!
In reply to: The Incense of the Quadrivium’s Mystiques
Impressed with Finnlee’s spirited outburst, Truella realised she’d barely noticed the cleaning lady and felt ashamed. The required daily appearances that the dictatorial Malove insisted upon rankled her, occupying her attention so that the cleanliness or otherwise of the premises went unnoticed. She made up her mind to seek Finnlee out and befriend her, treat her as an equal, draw her into her confidence. Besides, that confident no nonsense approach could come in handy for any staff uprisings. Not that any staff uprising were planned, she mentally added, quickly cloaking her thoughts in case any had leaked out.
Malove spun round and shot her a piercing look and Truella quailed a little, momentarily, but then squared her shoulders and impudently stared back. Malove raised an eyebrow and returned to addressing the witches.
After what seemed like an eternity the meeting was over. Truella planned to seek Finnlee out and invite her for a brew at the Faded Cabbage but Frigella approached her, looking a bit sheepish, and asked if she could have a word in private about a personal matter.
They strolled together towards the little park opposite, and once out of earshot of the others, Frigella came straight to the point.
“Can my cousin come and stay with you for a bit? The thing is, he’s got himself into a spot of bother and needs to disappear for a bit, if you know what I mean. He’s a big strong lad, and I’m sure he’d be willing to give you a hand with all that digging…”
Truella didn’t hesitate. “But of course, Frigella, send him over! He won’t be the first person on the run to come and stay, and probably won’t be the last.”
“The thing is he’s a bit sandwich short of a picnic, you know, not a full bag of shopping…”
“What, does he eat a lot? I don’t do much cooking…”
“No, no, well yes, he does have a good appetite, but that’s not what I meant. He’s a bit simple, but heart of gold. He’s from the other side of the family and our side never had much to do with them, but I always had a soft spot for him.”
” A simpleton might be a refreshing change from all the over complicated people, send him over! What’s his name?”
“Roger. Roger Goodall.”
Roger! The name rang a bell. It wasn’t until much later that Truella realized she should have asked what Roger was on the run for.
In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Washed off the sea ~ Creative larks
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various purposes—sometimes just for a lark—and terrible things can happen. But wait, what? He couldn’t help wondering how the whale might connect these elements into a plausible, if tediously dull and unsurprising, short story about the word lark. Did I use too many commas, he wondered? And what about the apostrophe in the plural comma word? I bet AI doesn’t have any trouble with that. He asked who could think of caging larks that sang at heaven’s gates. He made a note of that one to show his editor later, with a mental note to prepare a diatribe on the lesser known attributes of, well, undisciplined and unprepared writing was the general opinion, and there was more than a grain of truth in that. Would AI write run on sentences and use too many whataretheycalled? Again, the newspapers tell these children about pills with fascinating properties, and taking a pill has become a lark. One had to wonder where some of these were coming from, and what diverse slants there were on the lark thing, each conjuring up a distinctly different feeling.
Suddenly he had an idea.
In reply to: The Jorid’s Travels – 14 years on
Georges was following an orange line on the floor of Jorid’s corridor with Barney on his left shoulder. The man was talking to the creature and listening to the occasional chirps Barney made as if they were part of a normal conversation.
“You see, Barney,” said Georges. “Salomé gave us this checklist.” He tapped on the clipboard with his index finger. “I have to conduct all those experiments with you in the lab while she’s doing whatever she’s doing with the maps. Salomé loves maps, I can tell you. Always trying to invent new ones that would help us navigate all those dimensions. But they confuse me, so I’m glad to leave that to her and Jorid.”
The two of them stopped in front of an orange door with a tag on it.
“So you’ll ask me: ‘Georges, why are we going to the kitchen instead of going into the lab?’ —which is the blue door.”
Georges waited for Barney’s chirp before continuing.
“You’re right! She forgot the most important. What do you like to eat? You can’t do that in a lab with instruments stuck onto your head and tummy. It’s best done in the warm and cozy atmosphere of a kitchen.”
The door swooshed open and they entered a bland, sanitised kitchen.
“Jorid, morph the kitchen into a 19th century style pub, with greasy smells and a cozy atmosphere.”
“Shouldn’t you be into the lab?” asked Jorid.
“Let’s call it a kitchen lab,” answered Georges. “So you can tell Salomé I’m in the lab if she asks you.”
“Most certainly.”
The bland rooms started wobbling and becoming darker. Gas wall lamps were coming out of the walls, and a Chandeliers bloomed from the ceiling. The kitchen island turned into a mahogany pub counter behind which the cupboards turned into glass shelves with a collection of colourful liquor bottles. Right beside the beer pumps was the cornucopia, the source of all things edible, the replicator. It was simple and looked like a silver tray.
“That’s more like it,” said Georges. He put Barney on the counter and the creature chirped contentedly to show his agreement.
“Now, You don’t look like the kind of guy who eat salad”, said Georges. “What do you want to try?”
Barney shook his head and launched into a series of chirps and squeals.
“I know! Let’s try something you certainly can’t find where you come from… outer space. Jorid, make us some good pickles in a jar.”
The replicator made a buzzing sound and a big jar full of pickles materialised on the silver tray. Barney chirped in awe and Georges frowned.
“Why did you make a Roman jar?” he asked. “We’re in a 19th century pub. And the pickles are so huge! Aubergine size.”
“My apologies,” said Jorid. “I’m confused. As you know, my database is a bit scrambled at the moment…”
“It’s ok,” said Georges who feared the ship would launch into some unsolicited confidences and self deprecating moment. “A pickle is a pickle anyway.” He picked a pickle in the jar and turned towards Barney with a big grin. “Let’s try some.”
Barney’s eyes widened. He put his hands in front of him and shook his head. The door swooshed open.
“What have you done with the kitchen?” asked Léonard. “And what are you trying to feed this rat with?”
“This rat has a name. It’s Barney. What are you doing here?” asked Georges.
“Well, Isn’t it a kitchen? I’m hungry.”
“I mean, shouldn’t you go check your vitals first in med bay?”
“When you feel hungry, it’s enough to tell a man he’s alive and well,” said Léonard. “Nice roman jar, Jorid. Depicting naked roman fighters, archaeological finding of 2nd century BC, good state of conservation.” He looked closer. “Intricate details between the legs… You surpassed yourself on that one Jorid.”
“Thanks for the compliment Léonard. It’s reassuring to know I’m still doing great at some things when others think I’m losing it.”
“I never said…” started Georges.
“You thought it.”
Léonard took a pickle from the jar and smelled it. He winced.
“Sure, smells like pickles enough,” he said, putting it back in the jar and licking his finger. “Disgusting.” He looked at Georges. “I was thinking of taking a shuttle and doing a little tour, while you solve the navigational array problem with Salomé.”
“Why are you asking me? Why don’t you just take a shuttle and go there by yourself?”
“Jorid won’t let me take one.”
“Jorid? Why don’t you let Léonard take a shuttle?”
“Salomé said he’s not to be left out of the ship without supervision.”
“Oh! Right,” said Georges. “We just rescued you from a sand prison egg where you’ve been kept in stasis for several weeks and you can’t remember anything that led you there. Why don’t we let you pilot a shuttle and wander about on your own?”
Léonard looked at Georges, annoyed. He picked a pickle from the jar and took a bite. Barney squealed. As Léonard chewed and made crunching sounds, the creature hit its head with its paw.
“Then why don’t you come with me?” asked Léonard.
“I can’t believe it.”
“What? You go with me. You can supervise me wherever I go. Problem solved.”
“No. I mean. You eating one of Barney’s pickles.”
Léonard took another bite and chewed noisily. Barney chirped and squealed. He put his hands to its throat and spat on the counter.
“I’m sure he won’t mind. Look at him. Doesn’t seem it likes pickles that much.”
“You hate pickles, Léonard.”
“I know. That’s disgusting.”
“Why do you eat them if you find it disgusting?”
“That’s the sound of it. It’s melodious. And for some reason those pickles are particularly good.”
Barney jumped on Georges arm and ran to his neck where he planted his little claws in.
“Ouch!” said Georges. He slapped Léonard’s hand before the man could take one more pickle bite. “What the f*ck?”
“Hey! Why did you do that?”
“It’s not me,” said Georges. Barney squealed and Georges’s hands pushed the jar on the floor. It crashed and a flood of pickle and vinegar juice spread on the floor.
“Haven’t your mother told you not to play with food?” asked Léonard diving on the floor to catch some more pickles. Barney chirped and squealed while Georges’s body jumped on Léonard and they both rolled over in the pickles.
The door swooshed open.
“Guys, we need to…” started Salomé. She had a set of maps in her hands. “What’s that smell? What… did you do to the kitchen? ”
“Georges made me do it,” said Jorid.
“Georges broke a 2nd century BC jar,” said Léonard.
“Barney’s controlling me,” said Georges.
The creature shrugged and removed its claws from Georges’ neck.
“Squeak!”
“Ouch! Thank you,” said Georges, licking the pickle juice he got on his lips during the fight.
“I can’t believe it. Georges, you had a checklist. And it did not include the words kitchen or pickles or making a mess. And Léonard, you hate pickles.”
“I know,” said Léonard who took a bite in the pickle he was holding. “That’s disgusting, but I can’t help it they taste so good.”
Georges stole the pickle from Léonard’s hand and took a bite.
“Pick your own pickle,” said Léonard, stealing it back.
“Stop guys! That smell… Jorid what did you put in those pickles?”
“I took the liberty to change the recipe and added some cinnamon.”
“It doesn’t smell like cinnamon,” said Georges smelling his hands full of pickle juice. He took a bite in one and said: “Doesn’t taste like cinnamon either. I would know. I hate cinnamon since the time I was turned into an Asari.”
“That’s it,” said Salomé. “What kind of cinnamon did you put in the brew, Jorid?”
“I’ve heard it’s best to use local ingredients. I put cinnamon from Langurdy,” said the ship.
“Quick! Guys, spit it out,” she said, kneeling and putting her fingers into Georges’ throat to make him puke. “Jorid, make away with the pickles,” said Salomé.
“Nooo,” said the men.
“Cinnamon from Langurdy is very addictive,” Salomé snapped. “You don’t want to OD on pickles, do you?”
After they got the mess cleaned up and the kitchen went back to its normal blank state. Georges and Léonard took some pills to counter the effects of withdrawal. Salomé had them sit at the kitchen table. Georges kept blinking as if the white light on the white walls were hurting his eyes.
“You can thank Barney if you didn’t eat more pickles,” said Salomé. “You could have had a relapse, and you know how bad it was the first time you had to flush cinnamon from your body.”
Georges groaned.
“Anyway. I checked the maps with Jorid and I came upon an anomaly in the Southern Deserts. Something there is causing Jorid’s confusion. We’ll have to go down there if we ever want to leave this place and time.”
In reply to: Orbs of Madjourneys
Like ships in the night, Zara and Yasmin still hadn’t met up with Xavier and Youssef at the inn. Yasmin was tired from traveling and retired to her room to catch up on some sleep, despite Zara’s hopes that they’d have a glass of wine or two and discuss whatever it was that was on Yasmins mind. Zara decided to catch up on her game.
The next quirk was “unleash your hidden rudeness” which gave Zara pause to consider how hidden her rudeness actually was. But wait, it was the avatar Zara, not herself. Or was it? Zara rearranged the pillows and settled herself on the bed.
Zara found her game self in the bustling streets of a medieval market town, visually an improvement on the previous game level of the mines, which pleased her, with many colourful characters and intriguing alleyways and street market vendors.
She quickly forgot what her quest was and set off wandering around the scene. Each alley led to a little square and each square had gaily coloured carts of wares for sale, and an abundance of grinning jesters and jugglers. Although tempted to linger and join the onlookers jeering and goading the jugglers and artistes that she encountered, Zara continued her ramble around the scene.
She came to a gathering outside an old market hall, where two particularly raucous jesters were trying to tempt the onlookers into partaking of what appeared to be cups of tea. Zara wondered what the joke was and why nobody in the crowd was willing to try. She inched closer, attracting the attention of the odd grinning fellow in the orange head piece.
“Come hither, ye fine wench in thy uncomely scant garments, I know what thou seekest! Pray, sit thee down beside me and partake of my remedy.”
“Who, me?” asked Zara, looking behind her to make sure he wasn’t talking to someone else.
“Thoust in dire need of my elixir, come ye hither!”
Somewhat reluctantly Zara stepped towards the odd figure who was offering to hand her a cup. She considered the inadvisability of drinking something that everyone else was refusing, but what the hell, she took the cup and saucer off him and took a hesitant sip.
The crowd roared with laughter and there was much mirthful thigh slapping when Zara spit the foul tasting concoction all over the jesters shoes.
“Believe me dame,” quoth the Jester, “I perceive proffered ware is worse by ten in the hundred than that which is sought. But I pray ye, tell me thy quest.”
“My quest is none of your business, and your tea sucks, mister,” Zara replied. “But I like the cup.”
Pushing past the still laughing onlookers and clutching the cup, Zara spotted a tavern on the opposite side of the square and made her way towards it. A tankard of ale was what she needed to get rid of the foul taste lingering in her mouth.
The inside of the tavern was as much a madhouse as the streets outside it. What was everyone laughing at? Zara found a place to sit on a bench beside a long wooden table. She sat patiently waiting to be served, trying to eavesdrop to decipher the cause of such merriment, but the snatches of conversation made no sense to her. The jollity was contagious, and before long Zara was laughing along with the others. A strange child sat down on the opposite bench (she seemed familiar somehow) and Zara couldn’t help remarking, “You lot are as mad as a box of frogs, are you all on drugs or something?” which provoked further hoots of laughter, thigh slapping and table thumping.
“Ye be an ungodly rude maid, and ye’ll not get a tankard of ale while thoust leavest thy cup of elixir untasted yet,” the child said with a smirk.
“And you are an impertinent child,” Zara replied, considering the potential benefits of drinking the remainder of the concoction if it would hasten the arrival of the tankard of ale she was now craving. She gritted her teeth and picked up the cup.
But the design on the cup had changed, and now bore a strange resemblance to Xavier. Not only that, the cup was calling her name in Xavier’s voice, and the table thumping got louder.
“Zara!” Xavier was knocking on her bedroom door. “Zara! We’re going for a beer in the local tavern, are you coming?”
“Xavi!” Zara snapped back to reality, “Yes! I’m bloody parched.”
In reply to: Orbs of Madjourneys
Despite the old man’s endless flow of words, Youssef couldn’t get him to explain what he meant about the abandoned mine and why the town’s people didn’t like people sneaking around and asking questions.
Not wanting to waste more time, Youssef walked to the brick building where the twins had disappeared. It was crammed between the telegraph station and a grocery store. The door had been walled with red bricks. They were covered in faded graffitis and layers of torn-up posters. It seemed obvious the wall had been there for quite some time already.
The old man was sticking to Youssef like glue, talking about that time when his now dead brother took in an old cat he called Phineas. Youssef tried to growl him away, but the man always came back, persistent as a cloud of mosquitoes over the promise of a blood feast.
Youssef tried not to pay attention to him. What did AL said about that quest ? Go ask questions around to town’s people about odd things happening ? Well there were plenty of those things happening. Maybe the clerk at the telegraph station would know something, especially how to get rid of that old man.
Youssef pushed the door and entered the telegraph station, leaving the old man outside. The interior was lit with a collection of old style tungsten lamps hanging in a random pattern from the ceiling.
The clerk was busy sorting out a pile of telegrams. Clickety-clack. Clickety-clack. He lifted his head up. The noise stopped and Youssef realised the young man had mechanical hands.“Welcome, welcome, welcome! What can I do for you today, my friend?” asked the clerk.
“I just wanted to…” started Youssef.
“Wait! Don’t tell me. I’m a bit of a psychic myself and I already know what you’re here for.”
“Really?”
The man foraged through his pile of telegram with his mechanical hands and picked one. He looked at it for a few seconds.
“My friend, you’re in luck today!” he said, looking intently at Youssef. “I just received this telegram that I think might interest you. Here, take a look!”
Youssef took the paper and started to read aloud : “Words spoken by the talkative will unlock the path. Seek those who chatter and unravel the clue. What the…?”
“Interesting, isn’t it? That’s a real head-scratcher, if you ask me!”
The door bell rang and the old man entered, holding his sore ribs.
“Get out, Phineas. You’re not welcome here.” said the clerk with a frown.
The old man looked at the clerk with an air of confusion before turning to Youssef. “What did he say? Who’s Phineas?” he asked.
Ignoring the question, Youssef tried to steer the conversation back to the telegram. “What does this mean?” he asked the clerk.
The clerk stroked his chin, looking thoughtful. “Hmm, well, it seems to me that you have a certain magnetism for talkative people. Perhaps that’s the key to unlocking this riddle.”
Youssef’s eyes widened in surprise. “What do you mean, magnetism?”
The old man interjected, “For sure! You’re like a magnet, my boy. I can’t seem to stop talking when I’m around you.”
Youssef rolled his eyes. “So, what do I do? Just wander around town and wait for someone to start talking?”
The clerk nodded. “That could be a good start. But if you’re looking for something specific, you might want to try Betsy when you wake up. She’s got a boutique of Gems and Rocks. You seem to like them rocks,” he said pointing at the black obsidian. “Found it in a mine?”
The old man’s eyes lit up. “Ah, the old mine! I’ve been there before, you know. My brother used to work there before he died. Strange things happening there.”
Youssef’s interest was piqued. “What kind of strange things?”
The old man leaned in conspiratorially. “There’s a magnetar hidden in that mine, my boy.”
“Shut up! Phineas,” interrupted the clerk. “If you want my advice, stranger, don’t go near the old mine. ‘Curiosity killed the cat’ if you know what I mean.”
The telegraph receiver started to make clicketing sounds. The clerk read it and looked at Youssef.
“You’ve got a message man. Time to wake up.”
“Wake up?”
Youssef opened his eyes and looked at a black mass in front of his eyes. He had been sleeping with the stone just beside his head on the pillow. No wonder he had had weird dreams. He heard his phone buzz. He sat up reluctantly and looked at his phone. 8am. A notification that his game progression had been saved and several messages from Miss Tartiflate, the last one saying :
Don’t think you can dodge work. I’m still expecting the last blog post you’ve been paid to write!!!”
He groaned as reality was starting to catch up.
In reply to: Orbs of Madjourneys
The road was stretching endlessly and monotonously, a straight line disappearing into a nothingness of dry landscapes that reminded Youssef of the Gobi desert where he had been driving not too long ago. At regular speed, the car barely seemed to progress.
> O Time suspend thy flight!
Eternity. Something only nature could procure him. He loved the feeling, and compared to the more usual sand of Gobi, the red sands of Australia gave him the impression he had shifted into another reality. That and the fifteen hours flight listening to Gladys made it difficult to respond to Xavier’s loquacious self and funny jokes. After some time, his friend stopped talking and tried catching some signal to play the Game, brandishing his phone in different directions as if he was hunting ghosts with a strange device.
It reminded him he had to accept his next quest in a ghost town. That’s all he remembered. He could do that at the Inn, when they could rest in their rooms.
Youssef wondered if the welcome sign at the entrance of the town had seen better days. The wood the fish was made of seemed eaten by termites, but someone had painted it with silver and blue to give it a fresher look. Youssef snorted at the shocked expression on his friend’s face.
“It looked like it died of boredom. Let’s just hope the Innside doesn’t look like a gutted fish,” Xavier said.
An old lady showed them their rooms. She didn’t seem the talkative type, which made Youssef love her immediately with her sharp tongue and red cardigan. He rather admired her braided silver hair as it reminded him of his mother who would let him brush her hair when they lived in Norway. It was in another reality. He smiled. She saw him looking at her and her eyes narrowed like a pair of arrowslits. She seemed ready to fire. Instead she kept on ranting about an idle person not doing her only job properly. They each went to their rooms, Xavier took number 7 and Youssef picked number 5, his lucky number.
He was glad to be able to enjoy his own room after the trip of the last few weeks. It had been for work, so it was different. But usually he liked travelling the world on his own and meet people on his way and learn from their stories. Traveling with people always meant some compromise that would always frustrate him because he wanted to go faster, or explore more tricky paths.
The room was nicely decorated, and the scent of fresh paint made it clear it was recent. A strange black stone, which Youssef recognized as a black obsidian, has been put on a pile of paper full of doodles, beside two notebooks and pencils. The notebooks’ pages were blank, he thought of giving them to Xavier. He took the stone. It was cold to the touch and his reflection on the surface looked back at him, all wavy. The doodles on the paper looked like a map and hard to read annotations. One stood out, though which looked like a wifi password. That made him think of the Game. He entered it on his phone and that was it. Maybe it was time to go back in. But he wanted to take a shower first.
He put his backpack and his bag on the bed and unpacked it. Amongst a pile of dirty clothes, he managed to find a t-shirt that didn’t smell too bad and a pair of shorts. He would have to use the laundry service of the hotel.
He had missed hot showers. Once refreshed, he moved his bags on the floor and jumped on his bed and launched the Game.
Youssef finds himself in a small ghost town in what looks like the middle of the Australian outback. The town was once thriving but now only a few stragglers remain, living in old, decrepit buildings. He’s standing in the town square, surrounded by an old post office, a saloon, and a few other ramshackle buildings.A message appeared on the screen.
Quest: Your task is to find the source of the magnetic pull that attracts talkative people to you. You must find the reason behind it and break the spell, so you can continue your journey in peace.
Youssef started to move his avatar towards the saloon when someone knocked on the door.
In reply to: Orbs of Madjourneys
Each group of people sharing the jeeps spent some time cleaning the jeeps from the sand, outside and inside. While cleaning the hood, Youssef noted that the storm had cleaned the eagles droppings. Soon, the young intern told them, avoiding their eyes, that the boss needed her to plan the shooting with the Lama. She said Kyle would take her place.“Phew, the yak I shared the yurt with yesterday smelled better,” he said to the guys when he arrived.
Soon enough, Miss Tartiflate was going from jeep to jeep, her fiery hair half tied in a bun on top of her head, hurrying people to move faster as they needed to catch the shaman before he got away again. She carried her orange backpack at all time, as if she feared someone would steal its content. Rumour had it that it was THE NOTEBOOK where she wrote the blog entries in advance.
“No need to waste more time! We’ll have breakfast at the Oasis!” she shouted as she walked toward Youssef’s jeep. When she spotted him, she left her right index finger as if she just remembered something and turned the other way.
“Dunno what you did to her, but it seems Miss Yeti is avoiding you,” said Kyle with a wry smile.
Youssef grunted. Yeti was the nickname given to Miss Tartiflate by one of her former lover during a trip to Himalaya. First an affectionate nickname based on her first name, Henrietty, it soon started to spread among the production team when the love affair turned sour. It sticked and became widespread in the milieu. Everybody knew, but nobody ever dared say it to her face.
Youssef knew it wouldn’t last. He had heard that there was wifi at the oasis. He took a snack in his own backpack to quiet his stomach.
It took them two hours to arrive as sand dunes had moved on the trail during the storm. Kyle had talked most of the time, boring them to death with detailed accounts of his life back in Boston. He didn’t seem to notice that nobody cared about his love rejection stories or his tips to talk to women.
They parked outside the oasis among buses and vans. Kyle was following Youssef everywhere as if they were friends. Despite his unending flow of words, the guy managed to be funny.
Miss Tartiflate seemed unusually nervous, pulling on a strand of her orange hair and pushing back her glasses up her nose every two minutes. She was bossing everyone around to take the cameras and the lighting gear to the market where the shaman was apparently performing a rain dance. She didn’t want to miss it. When everybody was ready, she came right to Youssef. When she pushed back her glasses on her nose, he noticed her fingers were the colour of her hair. Her mouth was twitching nervously. She told him to find the wifi and restore THE BLOG or he could find another job.
“Phew! said Kyle. I don’t want to be near you when that happens.” He waved and left and joined the rest of the team.
Youssef smiled, happy to be alone at last, he took his backpack containing his laptop and his phone and followed everyone to the market in the luscious oasis.
At the center, near the lake, a crowd of tourists was gathered around a man wearing a colorful attire. Half his teeth and one eye were missing. The one that was left rolled furiously in his socket at the sound of a drum. He danced and jumped around like a monkey, and each of his movements were punctuated by the bells attached to the hem of his costume.
Youssef was glad he was not part of the shooting team, they looked miserable as they assembled the gears under a deluge of orders. As he walked toward the market, the scents of spicy food made his stomach growled. The vendors were looking at the crowd and exchanging comments and laughs. They were certainly waiting for the performance to end and the tourists to flood the place in search of trinkets and spices. Youssef spotted a food stall tucked away on the edge. It seemed too shabby to interest anyone, which was perfect for him.
The taciturn vendor, who looked caucasian, wore a yellow jacket and a bonnet oddly reminiscent of a llama’s scalp and ears. The dish he was preparing made Youssef drool.
“What’s that?” he asked.
“This is Lorgh Drülp
, said the vendor. Ancient recipe from the silk road. Very rare. Very tasty.”
He smiled when Youssef ordered a full plate with a side of tsampa. He told him to sit and wait on a stool beside an old and wobbly table.
In reply to: Train your subjective AI – text version
Something in the style of FPooh:
Arona heard the music growing louder as she approached the source of the sound. She could see a group of people gathered around a large fire, the flickering light casting shadows on the faces of the dancers. She hesitated for a moment, remembering the isolation of her journey and wondering if she was ready to be among people again. But the music was too inviting, and she found herself drawn towards the group.
As she neared the fire, she saw a young man playing a flute, the music flowing from his fingers with a fluid grace that captivated her. He looked up as she approached, and their eyes met. She could see the surprise and curiosity in his gaze, and she smiled, feeling a sense of connection she had not felt in a long time.
Fiona was sitting on a bench in the park, watching the children play. She had brought her sketchbook with her, but for once she didn’t feel the urge to draw. Instead she watched the children’s laughter, feeling content and at peace. Suddenly, she saw a young girl running towards her, a look of pure joy on her face. The girl stopped in front of her and held out a flower, offering it to Fiona with a smile.
Taken aback, Fiona took the flower and thanked the girl. The girl giggled and ran off to join her friends. Fiona looked down at the flower in her hand, and she felt a sense of inspiration, like a spark igniting within her. She opened her sketchbook and began to draw, feeling the weight lift from her shoulders and the magic of creativity flowing through her.
Minky led the group of misfits towards the emporium, his bowler hat bobbing on his head. He chattered excitedly, telling stories of the wondrous items to be found within Mr Jib’s store. Yikesy followed behind, still lost in his thoughts of Arona and feeling a sense of dread at the thought of buying a bowler hat. The green fairy flitted along beside him, her wings a blur of movement as she chattered with the parrot perched on her shoulder.
As they reached the emporium, they were disappointed to find it closed. But Minky refused to be discouraged, and he led them to a nearby cafe where they could sit and enjoy some tea and cake while they wait for the emporium to open. The green fairy was delighted, and she ordered a plate of macarons, smiling as she tasted the sweetness of the confections.
About creativity & everyday magic
Fiona had always been drawn to the magic of creativity, the way a blank page could be transformed into a world of wonder and beauty. But lately, she had been feeling stuck, unable to find the spark that ignited her imagination. She would sit with her sketchbook, pencil in hand, and nothing would come to her.
She started to question her abilities, wondering if she had lost the magic of her art. She spent long hours staring at her blank pages, feeling a weight on her chest that seemed to be growing heavier every day.
But then she remembered the green fairy’s tears and Yikesy’s longing for Arona, and she realized that the magic of creativity wasn’t something that could be found only in art. It was all around her, in the everyday moments of life.
She started to look for the magic in the small things, like the way the sunlight filtered through the trees, or the way a child’s laughter could light up a room. She found it in the way a stranger’s smile could lift her spirits, and in the way a simple cup of tea could bring her comfort.
And as she started to see the magic in the everyday, she found that the weight on her chest lifted and the spark of inspiration returned. She picked up her pencil and began to draw, feeling the magic flowing through her once again.
She understand that creativity blocks aren’t a destination, but just a step, just like the bowler hat that Minky had bought for them all, a bit of everyday magic, nothing too fancy but a sense of belonging, a sense of who they are and where they are going. And she let her pencil flow, with the hopes that one day, they will all find their way home.
In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
In reply to: Family Stories From The Other Side ~ Book Two
Brownings of Tetbury
Isaac Browning (1784-1848) married Mary Lock (1787-1870) in Tetbury in 1806. Both of them were born in Tetbury, Gloucestershire. Isaac was a stone mason. Between 1807 and 1832 they baptised fourteen children in Tetbury, and on 8 Nov 1829 Isaac and Mary baptised five daughters all on the same day.
I considered that they may have been quintuplets, with only the last born surviving, which would have answered my question about the name of the house La Quinta in Broadway, the home of Eliza Browning and Thomas Stokes son Fred. However, the other four daughters were found in various records and they were not all born the same year. (So I still don’t know why the house in Broadway had such an unusual name).
Their son George was born and baptised in 1827, but Louisa born 1821, Susan born 1822, Hesther born 1823 and Mary born 1826, were not baptised until 1829 along with Charlotte born in 1828. (These birth dates are guesswork based on the age on later censuses.) Perhaps George was baptised promptly because he was sickly and not expected to survive. Isaac and Mary had a son George born in 1814 who died in 1823. Presumably the five girls were healthy and could wait to be done as a job lot on the same day later.
Eliza Browning (1814-1886), my great great great grandmother, had a baby six years before she married Thomas Stokes. Her name was Ellen Harding Browning, which suggests that her fathers name was Harding. On the 1841 census seven year old Ellen was living with her grandfather Isaac Browning in Tetbury. Ellen Harding Browning married William Dee in Tetbury in 1857, and they moved to Western Australia.
Ellen Harding Browning Dee: (photo found on ancestry website)
OBITUARY. MRS. ELLEN DEE.
A very old and respected resident of Dongarra, in the person of Mrs. Ellen Dee, passed peacefully away on Sept. 27, at the advanced age of 74 years.The deceased had been ailing for some time, but was about and actively employed until Wednesday, Sept. 20, whenn she was heard groaning by some neighbours, who immediately entered her place and found her lying beside the fireplace. Tho deceased had been to bed over night, and had evidently been in the act of lighting thc fire, when she had a seizure. For some hours she was conscious, but had lost the power of speech, and later on became unconscious, in which state she remained until her death.
The deceased was born in Gloucestershire, England, in 1833, was married to William Dee in Tetbury Church 23 years later. Within a month she left England with her husband for Western Australian in the ship City oí Bristol. She resided in Fremantle for six months, then in Greenough for a short time, and afterwards (for 42 years) in Dongarra. She was, therefore, a colonist of about 51 years. She had a family of four girls and three boys, and five of her children survive her, also 35 grandchildren, and eight great grandchildren. She was very highly respected, and her sudden collapse came as a great shock to many.
Eliza married Thomas Stokes (1816-1885) in September 1840 in Hempstead, Gloucestershire. On the 1841 census, Eliza and her mother Mary Browning (nee Lock) were staying with Thomas Lock and family in Cirencester. Strangely, Thomas Stokes has not been found thus far on the 1841 census, and Thomas and Eliza’s first child William James Stokes birth was registered in Witham, in Essex, on the 6th of September 1841.
I don’t know why William James was born in Witham, or where Thomas was at the time of the census in 1841. One possibility is that as Thomas Stokes did a considerable amount of work with circus waggons, circus shooting galleries and so on as a journeyman carpenter initially and then later wheelwright, perhaps he was working with a traveling circus at the time.
But back to the Brownings ~ more on William James Stokes to follow.
One of Isaac and Mary’s fourteen children died in infancy: Ann was baptised and died in 1811. Two of their children died at nine years old: the first George, and Mary who died in 1835. Matilda was 21 years old when she died in 1844.
Jane Browning (1808-) married Thomas Buckingham in 1830 in Tetbury. In August 1838 Thomas was charged with feloniously stealing a black gelding.
Susan Browning (1822-1879) married William Cleaver in November 1844 in Tetbury. Oddly thereafter they use the name Bowman on the census. On the 1851 census Mary Browning (Susan’s mother), widow, has grandson George Bowman born in 1844 living with her. The confusion with the Bowman and Cleaver names was clarified upon finding the criminal registers:
30 January 1834. Offender: William Cleaver alias Bowman, Richard Bunting alias Barnfield and Jeremiah Cox, labourers of Tetbury. Crime: Stealing part of a dead fence from a rick barton in Tetbury, the property of Robert Tanner, farmer.
And again in 1836:
29 March 1836 Bowman, William alias Cleaver, of Tetbury, labourer age 18; 5’2.5” tall, brown hair, grey eyes, round visage with fresh complexion; several moles on left cheek, mole on right breast. Charged on the oath of Ann Washbourn & others that on the morning of the 31 March at Tetbury feloniously stolen a lead spout affixed to the dwelling of the said Ann Washbourn, her property. Found guilty 31 March 1836; Sentenced to 6 months.
On the 1851 census Susan Bowman was a servant living in at a large drapery shop in Cheltenham. She was listed as 29 years old, married and born in Tetbury, so although it was unusual for a married woman not to be living with her husband, (or her son for that matter, who was living with his grandmother Mary Browning), perhaps her husband William Bowman alias Cleaver was in trouble again. By 1861 they are both living together in Tetbury: William was a plasterer, and they had three year old Isaac and Thomas, one year old. In 1871 William was still a plasterer in Tetbury, living with wife Susan, and sons Isaac and Thomas. Interestingly, a William Cleaver is living next door but one!
Susan was 56 when she died in Tetbury in 1879.
Three of the Browning daughters went to London.
Louisa Browning (1821-1873) married Robert Claxton, coachman, in 1848 in Bryanston Square, Westminster, London. Ester Browning was a witness.
Ester Browning (1823-1893)(or Hester) married Charles Hudson Sealey, cabinet maker, in Bethnal Green, London, in 1854. Charles was born in Tetbury. Charlotte Browning was a witness.
Charlotte Browning (1828-1867?) was admitted to St Marylebone workhouse in London for “parturition”, or childbirth, in 1860. She was 33 years old. A birth was registered for a Charlotte Browning, no mothers maiden name listed, in 1860 in Marylebone. A death was registered in Camden, buried in Marylebone, for a Charlotte Browning in 1867 but no age was recorded. As the age and parents were usually recorded for a childs death, I assume this was Charlotte the mother.
I found Charlotte on the 1851 census by chance while researching her mother Mary Lock’s siblings. Hesther Lock married Lewin Chandler, and they were living in Stepney, London. Charlotte is listed as a neice. Although Browning is mistranscribed as Broomey, the original page says Browning. Another mistranscription on this record is Hesthers birthplace which is transcribed as Yorkshire. The original image shows Gloucestershire.
Isaac and Mary’s first son was John Browning (1807-1860). John married Hannah Coates in 1834. John’s brother Charles Browning (1819-1853) married Eliza Coates in 1842. Perhaps they were sisters. On the 1861 census Hannah Browning, John’s wife, was a visitor in the Harding household in a village called Coates near Tetbury. Thomas Harding born in 1801 was the head of the household. Perhaps he was the father of Ellen Harding Browning.
George Browning (1828-1870) married Louisa Gainey in Tetbury, and died in Tetbury at the age of 42. Their son Richard Lock Browning, a 32 year old mason, was sentenced to one month hard labour for game tresspass in Tetbury in 1884.
Isaac Browning (1832-1857) was the youngest son of Isaac and Mary. He was just 25 years old when he died in Tetbury.
In reply to: The Sexy Wooden Leg
Stung by Egberts question, Olga reeled and almost lost her footing on the stairs. What had happened to her? That damned selfish individualism that was running rampant must have seeped into her room through the gaps in the windows or under the door. “No!” she shouted, her voice cracking.
“Say it isn’t true, Olga,” Egbert said, his voice breaking. “Not you as well.”
It took Olga a minute or two to still her racing heart. The near fall down the stairs had shaken her but with trembling hands she levered herself round to sit beside Egbert on the step.
Gripping his bony knee with her knobbly arthritic fingers, she took a deep breath.
“You are right to have said that, Egbert. If there is one thing we must hold onto, it’s our hearts. Nothing else matters, or at least nothing else matters as much as that. We are old and tired and we don’t like change. But if we escalate the importance of this frankly dreary and depressing home to the point where we lose our hearts…” she faltered and continued. “We will be homeless soon, very soon, and we know not what will happen to us. We must trust in the kindness of strangers, we must hope they have a heart.”
Egbert winced as Olga squeezed his knee. “And that is why”, Olga continued, slapping Egberts thigh with gusto, “We must have a heart…”
“If you’d just stop squeezing and hitting me, Olga…”
Olga loosened her grip on the old mans thigh bone and peered into his eyes. Quietly she thanked him. “You’ve cleared my mind and given me something to live for, and I thank you for that. But you do need to launder your clothes more often,” she added, pulling a face. She didn’t want the old coot to start blubbing, and he looked alarmingly close to tears.
“Come on, let’s go and see Obadiah. We’re all in this together. Homelessness and adventure can wait until tomorrow.” Olga heaved herself upright with a surprising burst of vitality. Noticing a weak smile trembling on Egberts lips, she said “That’s the spirit!”
In reply to: The Elusive Samuel Housley and Other Family Stories
STONE MANOR
Hildred Orgill Warren born in 1900, my grandmothers sister, married Reginald Williams in Stone, Worcestershire in March 1924. Their daughter Joan was born there in October of that year.
Hildred was a chaffeur on the 1921 census, living at home in Stourbridge with her father (my great grandfather) Samuel Warren, mechanic. I recall my grandmother saying that Hildred was one of the first lady chauffeurs. On their wedding certificate, Reginald is also a chauffeur.
1921 census, Stourbridge:
Hildred and Reg worked at Stone Manor. There is a family story of Hildred being involved in a car accident involving a fatality and that she had to go to court.
Stone Manor is in a tiny village called Stone, near Kidderminster, Worcestershire. It used to be a private house, but has been a hotel and nightclub for some years. We knew in the family that Hildred and Reg worked at Stone Manor and that Joan was born there. Around 2007 Joan held a family party there.
Stone Manor, Stone, Worcestershire:
I asked on a Kidderminster Family Research group about Stone Manor in the 1920s:
“the original Stone Manor burnt down and the current building dates from the early 1920’s and was built for James Culcheth Hill, completed in 1926”
But was there a fire at Stone Manor?
“I’m not sure there was a fire at the Stone Manor… there seems to have been a fire at another big house a short distance away and it looks like stories have crossed over… as the dates are the same…”JC Hill was one of the witnesses at Hildred and Reginalds wedding in Stone in 1924. K Warren, Hildreds sister Kay, was the other:
I searched the census and electoral rolls for James Culcheth Hill and found him at the Stone Manor on the 1929-1931 electoral rolls for Stone, and Hildred and Reginald living at The Manor House Lodge, Stone:
On the 1911 census James Culcheth Hill was a 12 year old student at Eastmans Royal Naval Academy, Northwood Park, Crawley, Winchester. He was born in Kidderminster in 1899. On the same census page, also a student at the school, is Reginald Culcheth Holcroft, born in 1900 in Stourbridge. The unusual middle name would seem to indicate that they might be related.
A member of the Kidderminster Family Research group kindly provided this article:
SHOT THROUGH THE TEMPLE
Well known Worcestershire man’s tragic death.
Dudley Chronicle 27 March 1930.
Well known in Worcestershire, especially the Kidderminster district, Mr Philip Rowland Hill MA LLD who was mayor of Kidderminster in 1907 was found dead with a bullet wound through his temple on board his yacht, anchored off Cannes, on Friday, recently. A harbour watchman discovered the dead man huddled in a chair on board the yacht. A small revolver was lying on the blood soaked carpet beside him.
Friends of Mr Hill, whose London address is given as Grosvenor House, Park Lane, say that he appeared despondent since last month when he was involved in a motor car accident on the Antibes ~ Nice road. He was then detained by the police after his car collided with a small motor lorry driven by two Italians, who were killed in the crash. Later he was released on bail of 180,000 francs (£1440) pending an investigation of a charge of being responsible for the fatal accident. …….
Mr Rowland Hill (Philips father) was heir to Sir Charles Holcroft, the wealthy Staffordshire man, and managed his estates for him, inheriting the property on the death of Sir Charles. On the death of Mr Rowland HIll, which took place at the Firs, Kidderminster, his property was inherited by Mr James (Culcheth) Hill who had built a mansion at Stone, near Kidderminster. Mr Philip Rowland Hill assisted his brother in managing the estate. …….
At the time of the collison both brothers were in the car.
This article doesn’t mention who was driving the car ~ could the family story of a car accident be this one? Hildred and Reg were working at Stone Manor, both were (or at least previously had been) chauffeurs, and Philip Hill was helping James Culcheth Hill manage the Stone Manor estate at the time.
This photograph was taken circa 1931 in Llanaeron, Wales. Hildred is in the middle on the back row:
Sally Gray sent the photo with this message:
“Joan gave me a short note: Photo was taken when they lived in Wales, at Llanaeron, before Janet was born, & Aunty Lorna (my mother) lived with them, to take Joan to school in Aberaeron, as they only spoke Welsh at the local school.”
Hildred and Reginalds daughter Janet was born in 1932 in Stratford. It would appear that Hildred and Reg moved to Wales just after the car accident, and shortly afterwards moved to Stratford.
In 1921 James Culcheth Hill was living at Red Hill House in Stourbridge. Although I have not been able to trace Reginald Williams yet, perhaps this Stourbridge connection with his employer explains how Hildred met Reginald.
Sir Reginald Culcheth Holcroft, the other pupil at the school in Winchester with James Culcheth Hill, was indeed related, as Sir Holcroft left his estate to James Culcheth Hill’s father. Sir Reginald was born in 1899 in Upper Swinford, Stourbridge. Hildred also lived in that part of Stourbridge in the early 1900s.
1921 Red Hill House:
The 2007 family reunion organized by Joan Williams at Stone Manor: Joan in black and white at the front.
Unrelated to the Warrens, my fathers friends (and customers at The Fox when my grandmother Peggy Edwards owned it) Geoff and Beryl Lamb later bought Stone Manor.
In reply to: The Sexy Wooden Leg
“Calm yourself, Egbert, and sit down. And be quiet! I can barely hear myself think with your frantic gibbering and flailing around,” Olga said, closing her eyes. “I need to think.”
Egbert clutched the eiderdown on either side of his bony trembling knees and clamped his remaining teeth together, drawing ragged whistling breaths in an attempt to calm himself. Olga was right, he needed to calm down. Besides the unfortunate effects of the letter on his habitual tremor, he felt sure his blood pressure had risen alarmingly. He dared not become so ill that he needed medical assistance, not with the state of the hospitals these days. He’d be lucky to survive the plague ridden wards.
What had become of him! He imagined his younger self looking on with horror, appalled at his feeble body and shattered mind. Imagine becoming so desperate that he wanted to fight to stay in this godforsaken dump, what had become of him! If only he knew of somewhere else to go, somewhere safe and pleasant, somewhere that smelled sweetly of meadows and honesuckle and freshly baked cherry pies, with the snorting of pigs in the yard…
But wait, that was Olga snoring. Useless old bag had fallen asleep! For the first time since Viktor had died he felt close to tears. What a sad sorry pathetic old man he’d become, desperately counting on a old woman to save him.
“Stop sniveling, Egbert, and go and pack a bag.” Olga had woken up from her momentary but illuminating lapse. “Don’t bring too much, we may have much walking to do. I hear the buses and trains are in a shambles and full of refugees. We don’t want to get herded up with them.”
Astonished, Egbert asked where they were going.
“To see Rosa. My cousins father in laws neice. Don’t look at me like that, immediate family are seldom the ones who help. The distant ones are another matter. And be honest Egbert,” Olga said with a piercing look, “Do we really want to stay here? You may think you do, but it’s the fear of change, that’s all. Change feels like too much bother, doesn’t it?”
Egbert nodded sadly, his eyes fixed on the stain on the grey carpet.
Olga leaned forward and took his hand gently. “Egbert, look at me.” He raised his head and looked into her eyes. He’d never seen a sparkle in her faded blue eyes before. “I still have another adventure in me. How about you?”
