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Darius: Christmas 2022

Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

“You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

“Sorry,” Darius muttered, setting down his bag. “Flight delay.”

Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

Darius hesitated. “I haven’t seen him in months,” he said carefully.

Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

“I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

“Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

“I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

“Yes, I can.” Darius said simply, grabbing his bag.

“You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

“Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

Glynis making potions (in Dragon Heartswood Fellowship story)

[Scene opens in Glynis’s cozy alchemical nook, where sunlight filters through stained glass, casting a kaleidoscope of colors onto the wooden workbench.]

Glynis, hair tied in a practical bun, hums a gentle melody, her hands deftly moving among jars of fragrant herbs and sparkling crystals. The air is rich with the scent of cinnamon and cardamom, mingling with the earthy aroma of freshly picked herbs.

Among her collection of vials and beakers, a group of soft, furry baby Snoots frolics, their fur a dazzling array of colors—from vibrant blues to shimmering purples—each reflecting their unique magic-imbued personalities.

One baby Snoot, with fur like a sunset, nudges a vial toward Glynis, its tiny paws leaving prints of glowing stardust. Glynis chuckles, accepting the offering with a warm smile. “Thank you, little one,” she whispers, adding a sprinkle of the sparkling dust to the simmering potion.

The Snoots, enchanted by the alchemical ballet, gather around the cauldron, their eyes wide with wonder as the potion bubbles and swirls with hues to match their fur. Occasionally, a brave Snoot dips a curious paw into the brew, causing a cascade of giggles as their fur momentarily absorbs the potion’s glow.

Glynis, her heart full with the joy of companionship, pauses to gently scratch behind the ears of a Snoot nestled by her elbow. “You’re all such wonderful helpers,” she murmurs, her voice a melody of gratitude.

As the potion reaches its peak, the room is momentarily filled with a burst of iridescent light, a reflection of the harmonious magic that binds Glynis and her Snoot companions in their delightful symbiotic dance.

Sat. Nov. 30, 2024 5:55am — Matteo’s morning

Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.

He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.

Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.

He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:

Lucien. Elara. Darius. Amei.

He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.

The strangest part wasn’t the names— it was the certainty that he’d see them that day.

Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.

Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.

The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.

“You’ve never come inside,” she said, her voice soft but certain.

“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.

“Today, you might,” the woman said, stepping forward. “Looking for something specific?”

“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.

“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”

“What’s uncommon about a bell?”

The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”

Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.

“How much?”

“For you?” The shopkeeper tilted his head. “A trade.”

Matteo raised an eyebrow. “A trade for what?”

“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”

It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.

Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.

Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.

The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.

Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.

By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.

He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.

It was good to get a break from the merger craziness. Eris was thankful for the small mercy of a quiet week-end back at the cottage, free of the second guessing of the suspicious if not philandering undertakers, and even more of the tedious homework to cement the improbable union of the covens.

The nun-witches had been an interesting lot to interact with, but Eris’d had it up to her eyeballs of the tense and meticulous ceremonies. They had been brewing potions for hours on, trying to get a suitable mixture between the herbs the nuns where fond of, and the general ingredients of their own Quadrivium coven’s incenses. Luckily they had been saved by the godlike apparition of another of Frella’s multi-tasking possessions, this time of a willing Sandra, and she’s had harmonized in no time the most perfect blend, in a stroke of brilliance and sheer inspiration, not unlike the magical talent she’d displayed when she invented the luminous world-famous wonder that is ‘Liz n°5’.

As she breathed in the sweet air, Eris could finally enjoy the full swing of summer in the cottage, while Thorsten was happily busy experimenting with an assortment of cybernetic appendages to cut, mulch, segment and compost the overgrown brambles and nettles in the woodland at the back of the property.

Interestingly, she’d received a letter in the mail — quaintly posted from Spain in a nondescript envelop —so anachronistic it was too tempting to resist looking.

Without distrust, but still with a swish of a magical counterspell in case the envelop had traces of unwanted magic, she opened it, only to find it burst with an annoying puff of blue glitter that decided to stick in every corner of the coffee table and other places.

Eris almost cursed at the amount of micro-plastics, but her attention was immediately caught by the Latin sentence mysteriously written in a psychopath ransom note manner: “QUAERO THESAURUM INCONTINUUM”

“Whisp! Elias? A little help here, my Latin must be wrong. What accumulation of incontinence? What sort of spell is that?!”

Echo appeared first, looking every bit like the reflection of Malové. “Quaero Thesaurum Incontinuum,” you say. How quaint, how cryptic, how annoyingly enigmatic. Eris, it seems the universe has a sense of humor—sending you this little riddle while you’re neck-deep in organizational chaos.

“Oh, Echo, stop that! I won’t spend my well-earned week-end on some riddle-riddled chase…”

“You’re no fun Eris” the sprite said, reverting into a more simple form. “It translates roughly to “I seek the endless treasure.” Do you want me to help you dissect this more?”

“Why not…” Eris answered pursing up her lips.

““Seek the endless treasure.” We’re talking obviously something deeper, more profound than simple gold; maybe knowledge —something  truly inexhaustible. Given your current state of affairs, with the merger and the restructuring, this message could be a nudge—an invitation to look beyond the immediate chaos and find the opportunity within.”

“Sure,” Eris said, already tired with the explanations. She was not going to spend more time to determine the who, the why, and the what. Who’d sent this? Didn’t really matter if it was an ally, a rival, or even a neutral party with vested interests? She wasn’t interested in seeking an answer to “why now?”. Endless rabbit holes, more like it.

The only conundrum she was left with was to decide whether to keep the pesky glittering offering, or just vacuum the hell of it, and decide if it could stand the test of ‘will it blend?’. She wrapped it in a sheet of clear plastic, deciding it may reveal more clues in the right time.

With that done, Eris’ mind started to wander, letting the enigmatic message linger a while longer… as reminder that while we navigate the mundane, our eyes must always be on the transcendent. To seek the endless treasure…

The thought came to her as an evidence “Death? The end of suffering…” To whom could this be an endless treasure? Eris sometimes wondered how her brain picked up such things, but she rarely doubted it. She might have caught some vibes during the various meetings. Truella mentioning Silas talking about ‘retiring nuns’, or Nemo hinting at Penelope that ‘death was all about…”

The postcard was probably a warning, and they had to stay on their guards.

But now was not the time for more drama, the icecream was waiting for her on the patio, nicely prepared by Thorsten who after a hard day of bramble mulching was all smiling despite looking like he had went through a herd of cats’ fight.

As soon as Eris had left the room, Truella thought for a moment she was hallucinating, as Eris popped back right in through the entrance.

“So, what did I miss?” Eris asked, looking exactly the same if a little worn out.

“What do you mean what did you miss? You hardly missed anything, since you’ve just never left!” Truella protested, as the absence of sleep wasn’t cause enough to make her doubt her senses.

“Ah… I see… Those time-travel shenanigans. Hard to wrap one’s head around sometimes.” Eris said matter-of-factly. “No matter, glad to be back, well… so soon… by your standards. Let’s get back to business then? When’s the next ritual? Don’t we have to brew a potion or something?”

“No, no, no… Not so fast! What happened to your trip? you have to tell us all, and TIME TRAVEL! Where, when, how, with whom? We want to know all, n’est-ce-pas ma petite Jeezel?”

“Tsk, tsk. For another time. Suffice to say, I was gone for longer than I wanted, and clearly that nun-witch portal had been tempered with, sent me right in the middle of the darn Middle-Ages. But I can’t tell you more here…” Eris said with an air of mystery. “Stone walls are thick, but not as deaf as Mother Lorena, that’s for sure.”

“Of course I know,” said Eris, looking worn out by the excess of social interaction, or maybe that was her latest goth make-up. “Have I been the only one paying attention?”

“Shtt, don’t speak too loud, my head is pounding…” Jeezel moaned softly. “And what is happening with us?”

“You haven’t got it, have you? Should I spell it out loud?” Eris glanced sideways, wary of Malové being within earshot. “It was all a test… but I don’t see us getting in the good graces of the Coven with was has transpired so far.”

Truella tugged at Frigella’s sleeve, as she went to refill her plate and had noticed the impromptu discussion which was suspiciously conspirational. Frigella groaned “don’t wake up Yikes, look how cutie pooh he is.”

Truella motioned for them to join Eris and Jeezel, who grimaced at the sight of Truella’s questionable cheese selection. “What’s going on? We want in.”

Eris sighed. “Fine, but not here. Let’s get some fresh air.” As discreetly as a herd of elephant in a dry savanah, they made their way to the terrace, escaping the breakfast room which was getting crowded, to bask in the morning sunlight.

As they settled in, Eris began to explain. “I think it’s a side-effect of my memory spell, that unexpectedly, I still remember most of it.”

“Spill it already, they’re about to close the buffet, and the morning sessions are starting soon, and we can’t be late,” Truella urged, fidgeting impatiently.

“You see, that’s exactly it, Tru’. None of us have been ourselves. And do you really think that baby is a coincidence?” She nodded towards Frigella, who was cooing over the sleeping infant.

“First off, have you noticed, this workshop is meant for the top brass. Only the high-rank witches of the Coven have been invited, and you don’t even think twice about why we’re here. Malové has been setting us to a test amongst her next in line. We’ve been in competition since the start with the other witches, and you didn’t even notice! They were apparently more prepared than us lot. They managed to honeypot Frigella with a baby which I’m pretty sure is nothing more than a transformed rodent. As for Truella, the spell on her must have started on the Octobus; not sure you’ve noticed, but when we stopped on our way to collect the other ones, that’s when she started to get sick and get all sorts of strange cravings.”

“But… what’s the point?” Jeezel asked, still bewildered. “Is that why I can’t get my hair right, and my eye makeup is a disaster, and… and…” She choked back tears.

“These witches are fiercely competitive. And probably less skilled that us, which is why they will not play fair; we’ve got to step up ladies. Otherwise, we’ll be on tuspellware duties for years until some opportunity like that happens again.” Eris was getting fired up, an unusual sight for someone generally mildly interested in office politics.

“Truella!” Eris called out as Truella was starting to gorge on the cornichons she’d piled up next to the fromages assemblage. “You’re presenting in the morning session! Malové is counting on you to update us on the vaping venture… new sales channels, market studies, double-digit growth, you know the drill.”

Truella seemed to snap out of her daze. “Don’t tell me,” Eris sighed, “you forgot… Luckily, I have a memory for all of us, and I brewed some ginkgo potion this morning.” She produced an orange flask with black tea stains around the edges, and poured it into glasses she conjured.

“Now bottoms up, ladies. We’ve got a presentation to nail and some witches to put in their place.”

In the dimly lit chambers of the Quadrivium’s headquarters, a cold gust slipped through the cracked window, teasing the heavy velvet drapes and sending shivers down Malové’s spine. The Head Witchtress sat behind her opulent mahogany desk, lost in the musty pages of an ancient tome, when a discreet rap disturbed the solemnity of the room. With an air of urgency, a Beige House maid entered, her demeanor betraying the weight of her message.

“Mistress Malové,” she began, her voice a mere whisper, “I bear dire tidings.”

Malové arched an eyebrow. “Speak plainly, my dear.”

The spy-maid straightened, her gaze unwavering. “Lump, the ex-president, plots a resurrection across the pond. The Coven cannot allow it.”

A sly grin danced upon Malové’s lips as she pondered the revelation. “Indeed, we cannot.”

After a pregnant pause, she continued, her voice dripping with intrigue. “And perhaps, I have just the antidote.”

Rising from her seat, Malové cast a commanding presence upon the room. “We shall concoct a brew, a potion so potent that it shall pierce through the veil of deception and illuminate the truth. I dub it the ‘Illuminare Blend‘—a fusion of veracity essence, clarity petals, and a hint of the elusive enlightening elixir.”

This concoction, once ignited, would unleash a smoke suffused with spells of clarity and truth, penetrating minds and hearts alike. Under its influence, the populace would awaken to the reality of Lump’s nefarious designs.

“The essence of truth lies in the realm of the Forsaken Fae, beneath the boughs of the ever-blooming Tree of Veracity. Clarity petals are harvested beneath the Full Cold Moon from the enigmatic Clarity Bloom. And the enlightening elixir, rarest of all, is distilled during a solar eclipse, using the crystallized tears of a celestial phoenix.”

Malové’s laughter rang through the chamber, cutting through the tension like a knife. “Are we now in a Barry Otter novel? What do you expect me to say next? ‘This is the mission. We must procure these ingredients. The fate of the nation hangs in the balance. There is no room for failure’?”

The Beige House maid stood, bewildered by the abrupt shift in tone.

Chuckling, Malové waved a dismissive hand. “Fear not, my dear. Though the task is grave, most of these ingredients are but a click away, courtesy of Jibborium’s Emporium. They have yet to disappoint.”

With a nod, the maid retreated, prepared to execute her mission with alacrity.

“Wait,” Malové called after her. “You may need a prescription for some of these.” With a flourish, she produced a document that bore an official seal, albeit embellished with whimsy.

“Contact me when you have procured them. I shall dispatch my finest witches to assist with the incantations. Though we may be persona non grata in the Americas, we shall make do with Zoom.”

With a murmured acknowledgment, the maid vanished, leaving Malové to her thoughts and her dusty tome, a faint smirk playing upon her lips. “One cannot have that, indeed,” she mused, her mind already devising the spell that would thwart Lump’s resurgence and safeguard the nation.

After the first of the four Rites of the Annual Incense Making was done, and the Coven disbanded for the day, Frigella was pulled by the sleeve by the weird one Truella.

“Psstt. Come to the Faded Cabbage in 30 min. Have something to tell you.”

Frigella rolled her eyes. She was not one for secrecies, cloaks and ladle, all that sort of mischiefs. But Truella seemed intent, if her electric hair had to tell the story for her. “Alright, I’ll be there.” she finally said, surprising Truella who’d thought she’d have to do more coaxing.

The Fadded Cabbage was hidden around a darker corner a stone’s throw away from the headquarters of the Quadrivium, some place the city council and gentrification had not yet touched for some reason, probably a strong ghosting spell.

Frigella sighed. She had been as usual too punctual, and of course, Truella was nowhere in sight. Unless…

She put a light spell on her round glasses which turned a subtle tint of violet. There she was. Under a cloaking spell, in a shady corner, slurping on a macchiatto lagger with cinnamon. Or some odd brewage of the sort she knew the secret.

“The old hare’s clearly lost the plot.” She spent no time engaging the discussion.

“I’ll have to stop you there, Tru.” said Frigella, “I don’t care about the politics. Much less if you’re trying to make a power move.”

Truella spluttered her offensive brewage all over Frigella’s neat starched apron. “You got it all wrong, Frig’. I don’t care about the power, I only care about my craft and freedom. It’s been too long we’ve been called to arms, like every bloody year. And my interest have grown since.”

Frigella chuckled. “You mean, you’ve been all over the place, haven’t you. From Energetic History, you’ve moved to Concrete Plasticity, Telluric Archaelogy, Familial Arborestry, I must say… It’s been hard to keep up.”

“You’re one to tell. All that mystery, and not much to show for. You’re barely doing the minimum to keep our flagship household Incense ‘Liz n°5’ afloat.” Truella sighed.

“So what’s your plan?” Frigella wondered?

The Hamstall Ridware Connection

Stubbs and Woods

Hamstall Ridware

Charles Tomlinson‘s (1847-1907) wife Emma Grattidge (1853-1911) was born in Wolverhampton, the daughter and youngest child of William Grattidge (1820-1887) born in Foston, Derbyshire, and Mary Stubbs (1819-1880), born in Burton on Trent, daughter of Solomon Stubbs.

Solomon Stubbs (1781-1857) was born in Hamstall Ridware in 1781, the son of Samuel and Rebecca.  Samuel Stubbs (1743-) and Rebecca Wood (1754-) married in 1769 in Darlaston.  Samuel and Rebecca had six other children, all born in Darlaston. Sadly four of them died in infancy. Son John was born in 1779 in Darlaston and died two years later in Hamstall Ridware in 1781, the same year that Solomon was born there.

But why did they move to Hamstall Ridware?

Samuel Stubbs was born in 1743 in Curdworth, Warwickshire (near to Birmingham).  I had made a mistake on the tree (along with all of the public trees on the Ancestry website) and had Rebecca Wood born in Cheddleton, Staffordshire.  Rebecca Wood from Cheddleton was also born in 1843, the right age for the marriage.  The Rebecca Wood born in Darlaston in 1754 seemed too young, at just fifteen years old at the time of the marriage.  I couldn’t find any explanation for why a woman from Cheddleton would marry in Darlaston and then move to Hamstall Ridware.  People didn’t usually move around much other than intermarriage with neighbouring villages, especially women.  I had a closer look at the Darlaston Rebecca, and did a search on her father William Wood.  I found his 1784 will online in which he mentions his daughter Rebecca, wife of Samuel Stubbs.  Clearly the right Rebecca Wood was the one born in Darlaston, which made much more sense.

An excerpt from William Wood’s 1784 will mentioning daughter Rebecca married to Samuel Stubbs:

But why did they move to Hamstall Ridware circa 1780?

I had not intially noticed that Solomon Stubbs married again the year after his wife Phillis Lomas (1787-1844) died.  Solomon married Charlotte Bell in 1845 in Burton on Trent and on the marriage register, Solomon’s father Samuel Stubbs occupation was mentioned: Samuel was a buckle maker.

Marriage of Solomon Stubbs and Charlotte Bell, father Samuel Stubbs buckle maker:

A rudimentary search on buckle making in the late 1700s provided a possible answer as to why Samuel and Rebecca left Darlaston in 1781.  Shoe buckles had gone out of fashion, and by 1781 there were half as many buckle makers in Wolverhampton as there had been previously.

“Where there were 127 buckle makers at work in Wolverhampton, 68 in Bilston and 58 in Birmingham in 1770, their numbers had halved in 1781.”

via “historywebsite”(museum/metalware/steel)

Steel buckles had been the height of fashion, and the trade became enormous in Wolverhampton.  Wolverhampton was a steel working town, renowned for its steel jewellery which was probably of many types.  The trade directories show great numbers of “buckle makers”.  Steel buckles were predominantly made in Wolverhampton: “from the late 1760s cut steel comes to the fore, from the thriving industry of the Wolverhampton area”. Bilston was also a great centre of buckle making, and other areas included Walsall. (It should be noted that Darlaston, Walsall, Bilston and Wolverhampton are all part of the same area)

In 1860, writing in defence of the Wolverhampton Art School, George Wallis talks about the cut steel industry in Wolverhampton.  Referring to “the fine steel workers of the 17th and 18th centuries” he says: “Let them remember that 100 years ago [sc. c. 1760] a large trade existed with France and Spain in the fine steel goods of Birmingham and Wolverhampton, of which the latter were always allowed to be the best both in taste and workmanship.  … A century ago French and Spanish merchants had their houses and agencies at Birmingham for the purchase of the steel goods of Wolverhampton…..The Great Revolution in France put an end to the demand for fine steel goods for a time and hostile tariffs finished what revolution began”.

The next search on buckle makers, Wolverhampton and Hamstall Ridware revealed an unexpected connecting link.

In Riotous Assemblies: Popular Protest in Hanoverian England by Adrian Randall:

In Walsall in 1750 on “Restoration Day” a crowd numbering 300 assembled, mostly buckle makers,  singing  Jacobite songs and other rebellious and riotous acts.  The government was particularly worried about a curious meeting known as the “Jubilee” in Hamstall Ridware, which may have been part of a conspiracy for a Jacobite uprising.

But this was thirty years before Samuel and Rebecca moved to Hamstall Ridware and does not help to explain why they moved there around 1780, although it does suggest connecting links.

Rebecca’s father, William Wood, was a brickmaker.  This was stated at the beginning of his will.  On closer inspection of the will, he was a brickmaker who owned four acres of brick kilns, as well as dwelling houses, shops, barns, stables, a brewhouse, a malthouse, cattle and land.

A page from the 1784 will of William Wood:

The 1784 will of William Wood of Darlaston:

I William Wood the elder of Darlaston in the county of Stafford, brickmaker, being of sound and disposing mind memory and understanding (praised be to god for the same) do make publish and declare my last will and testament in manner and form following (that is to say) {after debts and funeral expense paid etc} I give to my loving wife Mary the use usage wear interest and enjoyment of all my goods chattels cattle stock in trade ~ money securities for money personal estate and effects whatsoever and wheresoever to hold unto her my said wife for and during the term of her natural life providing she so long continues my widow and unmarried and from or after her decease or intermarriage with any future husband which shall first happen.

Then I give all the said goods chattels cattle stock in trade money securites for money personal estate and effects unto my son Abraham Wood absolutely and forever. Also I give devise and bequeath unto my said wife Mary all that my messuages tenement or dwelling house together with the malthouse brewhouse barn stableyard garden and premises to the same belonging situate and being at Darlaston aforesaid and now in my own possession. Also all that messuage tenement or dwelling house together with the shop garden and premises with the appurtenances to the same ~ belonging situate in Darlaston aforesaid and now in the several holdings or occupation of George Knowles and Edward Knowles to hold the aforesaid premises and every part thereof with the appurtenances to my said wife Mary for and during the term of her natural life provided she so long continues my widow and unmarried. And from or after her decease or intermarriage with a future husband which shall first happen. Then I give and devise the aforesaid premises and every part thereof with the appurtenances unto my said son Abraham Wood his heirs and assigns forever.

Also I give unto my said wife all that piece or parcel of land or ground inclosed and taken out of Heath Field in the parish of Darlaston aforesaid containing four acres or thereabouts (be the same more or less) upon which my brick kilns erected and now in my own possession. To hold unto my said wife Mary until my said son Abraham attains his age of twenty one years if she so long continues my widow and unmarried as aforesaid and from and immediately after my said son Abraham attaining his age of twenty one years or my said wife marrying again as aforesaid which shall first happen then I give the said piece or parcel of land or ground and premises unto my said son Abraham his heirs and assigns forever.

And I do hereby charge all the aforesaid premises with the payment of the sum of twenty pounds a piece to each of my daughters namely Elizabeth the wife of Ambrose Dudall and Rebecca the wife of Samuel Stubbs which said sum of twenty pounds each I devise may be paid to them by my said son Abraham when and so soon as he attains his age of twenty one years provided always and my mind and will is that if my said son Abraham should happen to depart this life without leaving issue of his body lawfully begotten before he attains his age of twenty one years then I give and devise all the aforesaid premises and every part thereof with the appurtenances so given to my said son Abraham as aforesaid unto my said son William Wood and my said daughter Elizabeth Dudall and Rebecca Stubbs their heirs and assigns forever equally divided among them share and share alike as tenants in common and not as joint tenants. And lastly I do hereby nominate constitute and appoint my said wife Mary and my said son Abraham executrix and executor of this my will.

 

The marriage of William Wood (1725-1784) and Mary Clews (1715-1798) in 1749 was in Hamstall Ridware.

Mary was eleven years Williams senior, and it appears that they both came from Hamstall Ridware and moved to Darlaston after they married. Clearly Rebecca had extended family there (notwithstanding any possible connecting links between the Stubbs buckle makers of Darlaston and the Hamstall Ridware Jacobites thirty years prior).  When the buckle trade collapsed in Darlaston, they likely moved to find employment elsewhere, perhaps with the help of Rebecca’s family.

I have not yet been able to find deaths recorded anywhere for either Samuel or Rebecca (there are a couple of deaths recorded for a Samuel Stubbs, one in 1809 in Wolverhampton, and one in 1810 in Birmingham but impossible to say which, if either, is the right one with the limited information, and difficult to know if they stayed in the Hamstall Ridware area or perhaps moved elsewhere)~ or find a reason for their son Solomon to be in Burton upon Trent, an evidently prosperous man with several properties including an earthenware business, as well as a land carrier business.

My Grandparents Kitchen

My grandmother used to have golden syrup in her larder, hanging on the white plastic coated storage rack that was screwed to the inside of the larder door. Mostly the larder door was left propped open with an old flat iron, so you could see the Heinz ketchup and home made picallilli (she made a particularly good picallili), the Worcester sauce and the jar of pickled onions, as you sat at the kitchen table.

If you were sitting to the right of the kitchen table you could see an assortment of mismatched crockery, cups and bowls, shoe cleaning brushes, and at the back, tiny tins of baked beans and big ones of plum tomatoes,  and normal sized tins of vegetable and mushroom soup.  Underneath the little shelves that housed the tins was a blue plastic washing up bowl with a few onions, some in, some out of the yellow string bag they came home from the expensive little village supermarket in.

There was much more to the left in the awkward triangular shape under the stairs, but you couldn’t see under there from your seat at the kitchen table.  You could see the shelf above the larder door which held an ugly china teapot of graceless modern lines, gazed with metallic silver which was wearing off in places. Beside the teapot sat a serving bowl, squat and shapely with little handles, like a flattened Greek urn, in white and reddish brown with flecks of faded gilt. A plain white teapot completed the trio, a large cylindrical one with neat vertical ridges and grooves.

There were two fridges under the high shallow wooden wall cupboard.  A waist high bulbous old green one with a big handle that pulled out with a clunk, and a chest high sleek white one with a small freezer at the top with a door of its own.  On the top of the fridges were biscuit and cracker tins, big black keys, pencils and brittle yellow notepads, rubber bands and aspirin value packs and a bottle of Brufen.  There was a battered old maroon spectacle case and a whicker letter rack, letters crammed in and fanning over the top.  There was always a pile of glossy advertising pamphlets and flyers on top of the fridges, of the sort that were best put straight into the tiny pedal bin.

My grandmother never lined the pedal bin with a used plastic bag, nor with a specially designed plastic bin liner. The bin was so small that the flip top lid was often gaping, resting on a mound of cauliflower greens and soup tins.  Behind the pedal bin, but on the outer aspect of the kitchen wall, was the big black dustbin with the rubbery lid. More often than not, the lid was thrust upwards. If Thursday when the dustbin men came was several days away, you’d wish you hadn’t put those newspapers in, or those old shoes!  You stood in the softly drizzling rain in your slippers, the rubbery sheild of a lid in your left hand and the overflowing pedal bin in the other.  The contents of the pedal bin are not going to fit into the dustbin.  You sigh, put the pedal bin and the dustbin lid down, and roll up your sleeves ~ carefully, because you’ve poked your fingers into a porridge covered teabag.  You grab the sides of the protruding black sack and heave. All being well,  the contents should settle and you should have several inches more of plastic bag above the rim of the dustbin.  Unless of course it’s a poor quality plastic bag in which case your fingernail will go through and a horizontal slash will appear just below rubbish level.  Eventually you upend the pedal bin and scrape the cigarette ash covered potato peelings into the dustbin with your fingers. By now the fibres of your Shetland wool jumper are heavy with damp, just like the fuzzy split ends that curl round your pale frowning brow.  You may push back your hair with your forearm causing the moisture to bead and trickle down your face, as you turn the brass doorknob with your palm and wrist, tea leaves and cigarette ash clinging unpleasantly to your fingers.

The pedal bin needs rinsing in the kitchen sink, but the sink is full of mismatched saucepans, some new in shades of harvest gold, some battered and mishapen in stainless steel and aluminium, bits of mashed potato stuck to them like concrete pebbledash. There is a pale pink octagonally ovoid shallow serving dish and a little grey soup bowl with a handle like a miniature pottery saucepan decorated with kitcheny motifs.

The water for the coffee bubbles in a suacepan on the cream enamelled gas cooker. My grandmother never used a kettle, although I do remember a heavy flame orange one. The little pan for boiling water had a lip for easy pouring and a black plastic handle.

The steam has caused the condensation on the window over the sink to race in rivulets down to the fablon coated windowsill.  The yellow gingham curtains hang limply, the left one tucked behind the back of the cooker.

You put the pedal bin back it it’s place below the tea towel holder, and rinse your mucky fingers under the tap. The gas water heater on the wall above you roars into life just as you turn the tap off, and disappointed, subsides.

As you lean over to turn the cooker knob, the heat from the oven warms your arm. The gas oven was almost always on, the oven door open with clean tea towels and sometimes large white pants folded over it to air.

The oven wasn’t the only heat in my grandparents kitchen. There was an electric bar fire near the red formica table which used to burn your legs. The kitchen table was extended by means of a flap at each side. When I was small I wasn’t allowed to snap the hinge underneath shut as my grandmother had pinched the skin of her palm once.

The electric fire was plugged into the same socket as the radio. The radio took a minute or two to warm up when you switched it on, a bulky thing with sharp seventies edges and a reddish wood effect veneer and big knobs.  The light for my grandfathers workshop behind the garage (where he made dentures) was plugged into the same socket, which had a big heavy white three way adaptor in. The plug for the washing machine was hooked by means of a bit of string onto a nail or hook so that it didn’t fall down behing the washing machine when it wasn’t plugged in. Everything was unplugged when it wasn’t in use.  Sometimes there was a shrivelled Christmas cactus on top of the radio, but it couldn’t hide the adaptor and all those plugs.

Above the washing machine was a rhomboid wooden wall cupboard with sliding frsoted glass doors.  It was painted creamy gold, the colour of a nicotine stained pub ceiling, and held packets of Paxo stuffing and little jars of Bovril and Marmite, packets of Bisto and a jar of improbably red Maraschino cherries.

The nicotine coloured cupboard on the opposite wall had half a dozen large hooks screwed under the bottom shelf. A variety of mugs and cups hung there when they weren’t in the bowl waiting to be washed up. Those cupboard doors seemed flimsy for their size, and the thin beading on the edge of one door had come unstuck at the bottom and snapped back if you caught it with your sleeve.  The doors fastened with a little click in the centre, and the bottom of the door reverberated slightly as you yanked it open. There were always crumbs in the cupboard from the numerous packets of bisucits and crackers and there was always an Allbran packet with the top folded over to squeeze it onto the shelf. The sugar bowl was in there, sticky grains like sandpaper among the biscuit crumbs.

Half of one of the shelves was devoted to medicines: grave looking bottles of codeine linctus with no nonsense labels,  brown glass bottles with pills for rheumatism and angina.  Often you would find a large bottle, nearly full, of Brewers yeast or vitamin supplements with a dollar price tag, souvenirs of the familys last visit.  Above the medicines you’d find a faded packet of Napolitana pasta bows or a dusty packet of muesli. My grandparents never used them but she left them in the cupboard. Perhaps the dollar price tags and foreign foods reminded her of her children.

If there had been a recent visit you would see monstrous jars of Sanka and Maxwell House coffee in there too, but they always used the coffee.  They liked evaporated milk in their coffee, and used tins and tins of “evap” as they called it. They would pour it over tinned fruit, or rhubard crumble or stewed apples.

When there was just the two of them, or when I was there as well, they’d eat at the kitchen table. The table would be covered in a white embroidered cloth and the food served in mismatched serving dishes. The cutlery was large and bent, the knife handles in varying shades of bone. My grandfathers favourite fork had the tip of each prong bent in a different direction. He reckoned it was more efficient that way to spear his meat.  He often used to chew his meat and then spit it out onto the side of his plate. Not in company, of course.  I can understand why he did that, not having eaten meat myself for so long. You could chew a piece of meat for several hours and still have a stringy lump between your cheek and your teeth.

My grandfather would always have a bowl of Allbran with some Froment wheat germ for his breakfast, while reading the Daily Mail at the kitchen table.  He never worse slippers, always shoes indoors,  and always wore a tie.  He had lots of ties but always wore a plain maroon one.  His shirts were always cream and buttoned at throat and cuff, and eventually started wearing shirts without detachable collars. He wore greeny grey trousers and a cardigan of the same shade most of the time, the same colour as a damp English garden.

The same colour as the slimy green wooden clothes pegs that I threw away and replaced with mauve and fuschia pink plastic ones.  “They’re a bit bright for up the garden, aren’t they,” he said.  He was right. I should have ignored the green peg stains on the laundry.  An English garden should be shades of moss and grassy green, rich umber soil and brick red walls weighed down with an atmosphere of dense and heavy greyish white.

After Grandma died and Mop had retired (I always called him Mop, nobody knows why) at 10:00am precisely Mop would  have a cup of instant coffee with evap. At lunch, a bowl of tinned vegetable soup in his special soup bowl, and a couple of Krackawheat crackers and a lump of mature Cheddar. It was a job these days to find a tasty cheddar, he’d say.

When he was working, and he worked until well into his seventies, he took sandwiches. Every day he had the same sandwich filling: a combination of cheese, peanut butter and marmite.  It was an unusal choice for an otherwise conventional man.  He loved my grandmothers cooking, which wasn’t brilliant but was never awful. She was always generous with the cheese in cheese sauces and the meat in meat pies. She overcooked the cauliflower, but everyone did then. She made her gravy in the roasting pan, and made onion sauce, bread sauce, parsley sauce and chestnut stuffing.  She had her own version of cosmopolitan favourites, and called her quiche a quiche when everyone was still calling it egg and bacon pie. She used to like Auntie Daphne’s ratatouille, rather exotic back then, and pronounced it Ratta Twa.  She made pizza unlike any other, with shortcrust pastry smeared with tomato puree from a tube, sprinkled with oregano and great slabs of cheddar.

The roast was always overdone. “We like our meat well done” she’d say. She’d walk up the garden to get fresh mint for the mint sauce and would announce with pride “these runner beans are out of the garding”. They always grew vegetables at the top of the garden, behind the lawn and the silver birch tree.  There was always a pudding: a slice of almond tart (always with home made pastry), a crumble or stewed fruit. Topped with evap, of course.

Warren Brothers Boiler Makers

Samuel Warren, my great grandfather, and husband of Florence Nightingale Gretton, worked with the family company of boiler makers in Newhall in his early years.  He developed an interest in motor cars, and left the family business to start up on his own. By all accounts, he made some bad decisions and borrowed a substantial amount of money from his sister. It was because of this disastrous state of affairs that the impoverished family moved from Swadlincote/Newhall to Stourbridge.

1914:  Tram no 10 on Union Road going towards High Street Newhall. On the left Henry Harvey Engineer, on the right Warren Bros Boiler Manufacturers & Engineers:

I found a newspaper article in the Derbyshire Advertiser and Journal dated the 2nd October 1915 about a Samuel Warren of Warren Brothers Boilermakers, but it was about my great grandfathers uncle, also called Samuel.

DEATH OF MR. SAMUEL WARREN, OF NEWHALL. Samuel Warren, of Rose Villa, Newhall, passed away on Saturday evening at the age of 85.. Of somewhat retiring disposition, he took little or no active part in public affairs, but for many years was trustee of the loyal British Oak Lodge of the M.U. of Oddfellows, and in many other ways served His community when opportunity permitted. He was member of the firm of Warren Bros., of the Boiler Works, Newhall. This thriving business was established by the late Mr. Benjamin Bridge, over 60 years ago, and on his death it was taken over by his four nephews. Mr. William Warren died several years ago, and with the demise Mr. Samuel Warren, two brothers remain, Messrs. Henry and Benjamin Warren. He leaves widow, six daughters, and three sons to mourn his loss. 

This was the first I’d heard of Benjamin Bridge.  William Warren mentioned in the article as having died previously was Samuel’s father, my great great grandfather. William’s brother Henry was the father of Ben Warren, the footballer.

But who was Benjamin Bridge?

Samuel’s father was William Warren 1835-1881. He had a brother called Samuel, mentioned above, and William’s father was also named Samuel.  Samuel Warren 1800-1882 married Elizabeth Bridge 1813-1872. Benjamin Bridge 1811-1898 was Elizabeth’s brother.

Burton Chronicle 28 July 1898:

Benjamin and his wife Jane had no children. According to the obituary in the newspaper, the couple were fondly remembered for their annual tea’s for the widows of the town. Benjamin Bridge’s house was known as “the preachers house”. He was superintendent of Newhall Sunday School and member of Swadlincote’s board of health. And apparently very fond of a tall white hat!

On the 1881 census, Benjamin Bridge and his wife live near to the Warren family in Newhall.  The Warren’s live in the “boiler yard” and the family living in between the Bridge’s and the Warren’s include an apprentice boiler maker, so we can assume these were houses incorporated in the boiler works property. Benjamin is a 72 year old retired boiler maker.  Elizabeth Warren is a widow (William died in 1881), two of her sons are boiler makers, and Samuel, my great grandfather, is on the next page of the census, at seven years old.

Warren Brothers made boilers for the Burton breweries, including Bass, Ratcliff and Gretton.

This receipt from Warrens Boiler yard for a new boiler in 1885 was purchased off Ebay by Colin Smith. He gave it to one of the grandsons of Robert Adolphus Warren, to keep in the Warren family. It is in his safe at home, and he promised Colin that it will stay in the family forever.

Gretton Tailoresses of Swadlincote and the Single Journalist Boot Maker Next Door

The Purdy’s, Housley’s and Marshall’s are my mothers fathers side of the family.  The Warrens, Grettons and Staleys are from my mothers mothers side.

I decided to add all the siblings to the Gretton side of the family, in search of some foundation to a couple of family anecdotes.  My grandmother, Nora Marshall, whose mother was Florence Nightingale Gretton, used to mention that our Gretton side of the family were related to the Burton Upon Trent Grettons of Bass, Ratcliff and Gretton, the brewery.  She also said they were related to Lord Gretton of Stableford Park in Leicestershire.  When she was a child, she said parcels of nice clothes were sent to them by relatives.

It should be noted however that Baron Gretton is a title in the Peerage of the United Kingdom, and was created in 1944 for the brewer and Conservative politician John Gretton. He was head of the brewery firm of Bass, Ratcliff & Gretton Ltd of Burton upon Trent. So they were not members of the Peerage at the time of this story.

What I found was unexpected.

My great great grandfather Richard Gretton 1833-1898, a baker in Swadlincote, didn’t have any brothers, but he did have a couple of sisters.

One of them, Frances, born 1831, never married, but had four children. She stayed in the family home, and named her children Gretton. In 1841 and 1851 she’s living with parents and siblings. In 1861 she is still living with parents and now on the census she has four children all named Gretton listed as grandchildren of her father.
In 1871, her mother having died in 1866, she’s still living with her father William Gretton, Frances is now 40, and her son William 19 and daughter Jane 15 live there.
By the time she is 50 in 1881 and her parents have died she’s head of the house with 5 children all called Gretton, including her daughter Jane Gretton aged 24.

Twenty five year old Robert Staley is listed on the census transcription as living in the same household, but when viewing the census image it becomes clear that he lived next door, on his own and was a bootmaker, and on the other side, his parents Benjamin and Sarah Staley lived at the Prince of Wales pub with two other siblings.

Who was fathering all these Gretton children?

It seems that Jane did the same thing as her mother: she stayed at home and had three children, all with the name Gretton.  Jane Gretton named her son, born in 1878, Michael William Staley Gretton, which would suggest that Staley was the name of the father of the child/children of Jane Gretton.

The father of Frances Gretton’s four children is not known, and there is no father on the birth registers, although they were all baptized.

I found a photo of Jane Gretton on a family tree on an ancestry site, so I contacted the tree owner hoping that she had some more information, but she said no, none of the older family members would explain when asked about it.  Jane later married Tom Penn, and Jane Gretton’s children are listed on census as Tom Penn’s stepchildren.

It seems that Robert Staley (who may or may not be the father of Jane’s children) never married. In 1891 Robert is 35, single, living with widowed mother Sarah in Swadlincote. Sarah is living on own means and Robert has no occupation. On the 1901 census Robert is an unmarried 45 year old journalist and author, living with his widowed mother Sarah Staley aged 79, in Swadlincote.

There are at least three Staley  Warren marriages in the family, and at least one Gretton Staley marriage.

There is a possibility that the father of Frances’s children could be a Gretton, but impossible to know for sure. William Gretton was a tailor, and several of his children and grandchildren were tailoresses.  The Gretton family who later bought Stableford Park lived not too far away, and appear to be well off with a dozen members of live in staff on the census.   Did our Gretton’s the tailors make their clothes? Is that where the parcels of nice clothes came from?

Perhaps we’ll find a family connection to the brewery Grettons, or find the family connection was an unofficial one, or that the connection is further back.

I suppose luckily, this isn’t my direct line but an exploration of an offshoot, so the question of paternity is merely a matter of curiosity.  It is a curious thing, those Gretton tailors of Church Gresley near Burton upon Trent, and there are questions remaining.