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“Lace, did you say?” asked Cerenise with interest. “I must have a look at it. Stench, you say? How very odd. But I want to see it. Fetch me the container while I look for my mask and rubber gloves.”

“I’m not going near it again, I’ll get Boothroyd to bring it,” Spirius replied making a hasty exit.

“I’d have thought you’d have wanted to bottle the smell, Spirius.”

In due course the gardener appeared holding a container at arms length with a pained expression on his face.  “Stinks worse than keeg, this does, and I’ve smelled some manure and compost in my time, but never anything as disgusting as this.  Where am I to put it?”

Cerenise cleared a space on a table piled with old books and catalogues. “Gosh, that is a pong, isn’t it!  Reminds me of something,” she said twitching her nose.  “There is a delicate note of ~ what is it?”

“Dead rats?” suggested Boothroyd helpfully, adding “Will that be all?” as he backed towards the door.

As Cerenise lifted the lid, the gardener turned and fled.

“Why, it’s a Nottingham lace Lambrequin window drape if I’m not mistaken!” exclaimed Cerenise, gently lifting the delicate fabric and holding it up to the light. “Probably 1912 or thereabouts, and in perfect condition.”

“Perfectly rancid,”  said Yvoise, her voice muffled by the thick towel she had wrapped around her mouth and nose.

“Come and look, it’s a delightful specimen.  Not terribly rare, but it wonderful condition.  Oh look! There’s another piece underneath. Aha! seventeenth century bone lace!”

Yvoise crept closer. “What’s that other thing? Is that where the smell’s coming from?”

“By Georges, I think you’re right.  It’s a bone bobbin.  Bone lace, they used to call it, until they started making bobbins out of wood.”  Cerenise was pleased. She could get Mrs Fennel to wash the lace and then she could add it to her collection. “Spirius can bottle the bone bobbin and bury it in Bobbington Woods.”

Duly summoned from the kitchen, the faithful daily woman appeared, drying her hands on her apron.

“Pooo eee!” exclaimed Mrs Fennel, “That’ll need a good boil in bleach, will that!”

“Good lord woman, no!  A gentle soak in some soap should do it. It won’t smell half so bad as soon as this bone bobbin is removed.”

“Did you say BONE bobbin?” asked Helier from a relatively safe distance just outside the door. “WHOSE bone?”

“By Georges!” Cerenise said again. “Whose bone indeed! Therein lies the clue to the mystery, you know.”

“Can’t you just put it in a parcel and mail it to someone horrible?” suggested Mrs Fennel.

“A capital idea, Mrs Fennel, a politician. So many horrible ones to choose from though,” Yvoise was already making a mental list.

“We can mail the smelly empty box to the prime minister, but we must keep the bone bobbin safe,” said Helier.  “And we must find out whose bones it was made from. Cerenise is right. It’s the clue.”

“An empty smelly box, even better. More fitting, if I do say so myself, for the prime minister,” said Mrs Fennel with some relief. At least she wasn’t going to be required to wash the bone and the box as well as the smelly lace.

The reek hit her with the force of a physical blow. Yvoise was sensitive to smell; for hundreds of years, Yvoise had cultivated the scent of library dust and dried wildflowers, a fragrance she believed to be the height of sophistication.

“Spirius,” she said at last. “The spiders are a symptom. This dreadful smell must surely be the manifestation of Austreberthe’s lingering ego. She always was a bit… pungent.”

Yvoise immediately felt guilty for speaking ill of the departed. “I’m so sorry,” she said, “that was not kind of me.” She was mostly annoyed at herself for not being able to comprehend Austreberthe’s choice to leave. She checked her smartwatch. Her ‘Conflict Resolution’ seminar was a lost cause; the group would have to resolve their own, dare she think it, rather petty tensions today. Of course, having the wisdom of hundreds of years’ experience does tend to give one a unique perspective.

“I think I overheard Cerenise say the Varlet descendant works in Gloucester?” Yvoise continued, her fingers tapping her phone. ”I’ve done a cross-reference on the municipal database and have found a Varlet who works for the Environmental Health Department.” She snorted. “Of course, the irony is, if that stench reaches the street… he won’t be coming for a family reunion; he’ll be coming with a condemnation order and a dumpster.”

The colour drained from Spirius’s face. Yvoise knew that the only thing a fellow hoarder feared more than fire was a man with a dumpster. “Don’t worry,” she said, kindly patting Spirius on the arm, “I was joking… I’m mostly, or nearly sure it won’t come to that.”

She pointed a manicured finger at the Topperware tower. “Be brave and open that top box. If there is a relic in there causing this stench, we need to neutralize it with vinegar immediately.”

Spirius reached out, his hand trembling as he gripped the lid of the highest container. As the lid clicked open, the frightful smell erupted into the room, a thick, dank smell of wet wool and lye soap. Spirius hastily set the container down and his hand flew to his nose.

“I believe it is her laundry,” he wheezed eventually. “I’m sure I saw a lace thingammy before I was overcome. Cerenise will surely want to know.”

“It’s a biohazard,” said Yvoise, as she quickly snapped some photos of it for her ‘Relics and Records’ files.

Phurt was starting to think something fishy was a play, each time he thought his short spider life had ended he was pulled back from Spiderheaven by some unknown force. Not that he minded this time, there were plenty of places to hide and cast his strong silk cables. He had developed a sense of adventure and the sheer height of some of the mounds made him dizzy. It also made him want to be the first spider in the history of this thread to climb on top of that Mount Wobbly of the Topperware Chain.

Phurt had also noticed a strange and strong smell that seemed to come from the top of Mount Wobbly. Not that he minded the hygiene of the place; it was, to the contrary, a rather promising smell. It was the smell that said swarms of flies would gather there like an endless supply of blessed food.

Seeing that other spiders were gathering at the bottom of Mount Wobbly, he contorted his butt and secured his first cable.

Spirius had been investigating the origin of a strong smell that had started not long after Austreberthe puffed out of existence and became part of the dust she had spent her life chasing away. Which gave him one more proof that his theory of the holy body influence upon the physical world was true. He looked for a pen but they were behind two piles of unopened parcels he had started collecting when he had noticed that the postmen were leaving the boxes unattended and unprotected from the elements on the front porch of houses. His intentions were pure, as any saintly intentions are, but when he saw what good addition to the other boxes they made, he felt a pang of regret each time he thought of giving back those boxes to their rightful recipients.

Alas, most of them were dead by now, so he felt his duty was to keep those boxes intact to honour the memory of the dead.

Yvoise came in just as Spirius saw an odd and colourful australian jumping spider cast a delicate silk thread to one of the bottom row of his Tupperware collection.

“You should really do something about that smell,” she said. “I remember a time when decorum required holy people to exude only fragrance and essential oils.”

“Well, you know, it’s Austreberthe,” he said as wobbly as his heaps of plastic boxes. He had them all. You could even say he started the whole trend of pyramid schemes when his friend Pearl Topper saw him buy boxes from antiques shops. She invented the first plastic box as…

“Well, I asked you a question,” said Yvoise, interrupting his wandering thoughts.

“Have you noticed the spiders,” said Spirius.

“What spiders?”

“I think they’re trying to go up there,” Spirius said. “Look!”

He pointed a proud finger at the top of the highest Topperware tower in the Guyness book of records. A swarm of flies was circling around one of the boxes.

“And that means the smell comes from there.”

A cinematic, low-angle shot inside a flooded, ancient brick sewer tunnel that looks like a mix of Roman catacombs and Victorian industrial plumbing. The water is dark and murky, reflecting the light of a flickering lantern.

In the center of the frame, floating precariously, is a bright yellow, cheap inflatable dinghy.

Inside the dinghy are two men:

1. Spirius: An elderly man with a nervous expression, wearing a high-vis vest over ancient saintly robes. He is clutching an antique musket that is clearly too heavy for him. A faint, golden neon halo flickers erratically behind his head like a faulty streetlamp.

2. Boothroyd: A grumpy, weather-beaten gardener in a tweed cap. He looks completely resigned to his fate, lazily paddling with a plastic oar in one hand and holding a sharp garden spear in the other.

Action: The dinghy squeaks as it bumps against the wet brick walls. Spirius jumps at a drip of water falling from the ceiling. Something large ripples the water in the foreground—a menacing shadow moving beneath the surface.

Atmosphere:

• Lighting: Chiaroscuro—deep shadows and warm lantern light, contrasting with the synthetic yellow of the boat.

• Mood: Tense but ridiculous. High-stakes fantasy meets low-budget reality.

Movement:

• The camera tracks slowly backward as the boat drifts forward.

• The water ripples ominously.

• Spirius’s halo buzzes and dims when he gets scared.

A continuous, fast-moving FPV drone shot.

The Start: The camera zips through a sterile, white modern reception area with a sign reading ‘Sanctus Training Ltd.’ It flies over a bored receptionist’s desk and straight through a pair of unassuming double doors.

The Reveal: The moment the doors pass, the world expands impossible. We are now inside a massive, cathedral-like Grand Townhouse built of glowing golden Cotswold stone.

The Hoard: The drone dives into a ‘canyon’ of hoarded objects. It weaves perilously between towering stacks of yellowed newspapers, piles of 17th-century furniture, and a mountain of washing machines.

The Architecture: As the drone speeds up, we pass tall, elegant Georgian windows on the left (showing a blur of an overgrown orchard and stables outside). On the right, the architecture shifts to heavy, rough stone arches—the Medieval Norman wing.

The Details: The camera narrowly misses a hanging chandelier made of plastic coat hangers and crystal, zooms over a grand dining table buried in Roman pottery and taxidermy, and finally flies up towards the vaulted ceiling of a Norman Chapel, where a beam of purple stained-glass light catches dust motes dancing in the air.”

“In the name of god amen I Auftreberthe saint of wafhing and water of the parifh of Gloucefter in the county of Gloucefterfhire being weak of body but of sound and perfect mind and memory do hereby commit my soul to the almighty and hereby do make thif my laft will and teftament in manner and form af followeth…”

And so began the reading of Austreberthe’s will to the small gathering assembled in the library of the emporium. Bartholomew Gosnold, the aged barrister, stood behind the large oak desk, clearing his throat frequently and pausing to peer over his spectacles.  The library was atwinkle with lamps of a variety of styles and ages, but was otherwise dark and vast in the areas outside of the pools of light.  Heavy brocade curtains covered the windows, and a fire glowed in the hearth, for it was winter, the last day of the year, and darkness came early and freshly fallen snow blanketed the town in frigid holy silence.

Despite the fire, it was chilly in the library which was rarely heated, and Cerenise wound her ancient Kashmiri shawl aound her neck and shoulders, pausing to finger the cloth appreciatively. It was an exquisite Kani shawl, woven with intricate floral motifs in warm shades of red and plum, soft as a rabbit. She inched her wicker bath chair closer to the fire, accidentally tipping over a small table and sending the contents of a green glazed Tamegroute bowl skittering across the floor.

Yvoise tutted loudly as she rose from her chair to collect all the buttons and stand the little table back up. Luckily the bowl had landed on the Tabriz rug and hadn’t broken.

Bartholomew Gosnold paused until Yvoise had finished, and then resumed his reading of the will, after first clearing his throat again.

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

“Whatever happened to Miss Mossy Trotter, Finnley?” Liz asked, conversationally. She had a good idea what had happened to that innovative story writer, but she wanted to hear what Finnley had to say, before she mentioned it to Godfrey.

“What to YOU think happened to her?” Finnley responded, in her customary rudely intuitive manner.

“Sit down on that stool for a minute, and put the feather duster down,” Liz instructed, “And let’s have a talk about this because we both know that the possible ramifications don’t bear thinking about. Now then, sit still for five minutes and tell me everything.”

Unseen by either of them, Roberto had sidled up to the French windows and was peering inside, listening.

Feeling somewhat disgruntled at revealing so much of her raw new floundering character and yet learning so very little about the mysterious Thiram, Amy undertook a little side project and attempted to find out who THira I think I’ll leave that typo there  was by the conventional means of a simple search.

There were a number of exciting possibilities:

Thiram, directeur de Gelec Energy, gère avec sérénité la “ruée” sur ses groupes électrogènes…

Thiram, developer and PSC member of many OsGeo projects: OpenLayers; GeoExt….

Thiram,  Director of the Systems Engineering Division at the Canadian Nuclear….

Thiram, Actor: Origami. Known for Origami (2017), The Snip (2024) and Catharsis (2011).

Thiram, Managing Director, Kidou, tel. +33 & 73 %9 9$ 41, e-mail e.lmroine @ cosmoledo. comachamelean

So many likely possibilities, but what was the connection to port?

Chico Ray

Chico Ray

Directly Stated Visual and Behavioral Details:

• Introduces himself casually: “Name’s Chico,” with no clear past, suggesting a self-aware or recently-written character.

• Chews betel leaves, staining his teeth red, which gives him a slightly unsettling or feral appearance.

• Spits on the floor, even in a freshly cleaned café—suggesting poor manners, or possibly defiance.

• Appears from behind a trumpet tree, implying he lurks or emerges unpredictably.

• Fabricates plausible-sounding geo-political nonsense (e.g., the coffee restrictions in Rwanda), then second-guesses whether it was fiction or memory.

Inferred Traits:

• A sharp smile made more vivid by betel staining.

• Likely wears earth-toned clothes, possibly tropical—evoking Southeast Asian or Central American flavors.

• Comes off as a blend of rogue mystic and unreliable narrator, leaning toward surreal trickster.

• Psychological ambiguity—he doubts his own origins, possibly a hallucination, dream being, or quantum hitchhiker.

What Remains Unclear:

• Precise age or background.

• His affiliations or loyalties—he doesn’t seem clearly aligned with the Bandits or Lucid Dreamers, but hovers provocatively at the edges.

Key Themes and Narrative Elements

Metafiction & Self-Reference: Characters frequently comment on their own construction, roles, and how being written (or observed) defines their reality. Amy especially embodies this.

Lucid Dreaming & Dream Logic: The boundary between reality and dream is porous. Lucid Dreamers are parachuting onto plantations, and Carob dreams in reverse. Lucid Dreamers are adverse to Coffee Plantations as they keep the World awake.

Coffee as Sacred Commodity: The coffee plantation is central to the story’s stakes. It’s under threat from climate (rain), AI malfunctions, and rogue dreamers. This plays comically on global commodity anxiety.

Technology Satire & AI Sentience: Emotional AI, “Silly Intelligence” devices, and exasperation with modern tech hint at mild technophobia or skepticism. All fueled by hot caffeinated piece of news.

Fictionality vs. Reality: Juan and Dolores embody this—grappling with what it means to be real. Dolores vanishes when no one looks—existence contingent on observation.

Rain & Weather as Mood Symbol: The rain is persistent—setting a tone of gentle absurdity and tension, while also providing plot catalyst.

Amy supposed everyone was blaming her, for what she couldn’t say, but they had clearly been avoiding her. There was plenty of coffee here anyway, even if the rest of the world was suffering. Don’t even think it, she told herself sternly. We don’t want people flocking here in droves once they realise.

So, do I want people or not? she asked herself. One minute I’m wondering where everyone is, and then next minute I’m wanting everyone to stay away.

“You on the spectrum too, are you?” asked Carob, reading her mind.  “It’s ok,” she added, seeing the look of alarm cross Amy’s face, “Your secret’s safe with me. I mean about being on the spectrum. But be careful, they’re rounding people like us up and sending them to a correctional facility.  We’re quite lucky to be here, out of the way.”

“Have you been avoiding me?” Amy asked, which was more immediately concerning than the concentration camps.  “Because I’ve been here all alone for ages, nothing to do but read my book,  draw in my sketch pad, and work on my needlepoint cushion covers. And where are the others? And don’t read my mind, it’s so rude.”

“Needlepoint cushion covers? Are you serious?” Carob was avoiding the questions, but was genuinely curious about the cushion covers.

Amy blushed.  “No, I made that up. In fact, I don’t know what made me say that. I haven’t started any sketching either, but I have thought about starting sketching. And I’ve been reading. It’s an old Liz Tattler; the old ones were the best. Real old school Lizzie Tattie, if you know what I mean. Risque romps with potting sheds and stuff.  None of that ghastly sci fi she started writing recently.”

“Which one?” Carob asked, and laughed when Amy held it up.  “I read that years ago, T’Eggy Gets a Good Rogering, can I borrow it after you? God knows we could all do with a laugh.”

“How do you know the others need a good laugh?” Amy asked, peering at Carob with an attentive squint in order to catch any clues. “You’ve seen then, then?”

Carob smiled sadly and replied, “Only by remote viewing them.”

Amy asked where they had been and what they were doing when they were viewed remotely. Has she been remote viewing me? What if they ask her if she’s been remote viewing me, and she tells them?  “Oh never mind,” Amy said quickly, “No need to answer that.”

Carob snorted, and what a strangely welcome sound it was. “I didn’t really remote view them, I made  that up.  It never works if I try to spy on people. Fat lot of good it is really, it never works when I really really need to see  something. Or maybe it works, but I never believe it properly until later when I find out it was right.”

“Yeah,” Amy said, “It’s fun though, I haven’t done it in ages.”

“You should, it would give you something to do when everyone’s avoiding you.”

“Well, I’ll give you a point for that, Thiram,” Amy said, wondering, not for the first time, about his unusual name. Was it a play on the word theorem? I must ask him about it.  “But if Florida doesn’t exist anymore, which I am willing to admit it does not, then what is it doing on that map?”

“What was the population of Florida before it was submerged? Twenty four million or so?” asked Chico, appearing from behind a trumpet tree. “That’s 24 million less people drinking coffee, anyway, 144 million cups saved per day (assuming they drank 6 cups per day), which is a whopping 54.5 billion cups a year.”

“Chico! How long have you been hiding behind that trumpet tree?” asked Amy, but Chico ignored her.  Nettled, Amy continued, “That would be true if all the people in Florida were submerged along with the land, but most of them were resettled in Alabama.  There was plenty of room in Alabama, because the population of Alabama was relocated.”

“Yes but the people of Alabama were relocated to a holding camp in Rwanda, and they’re not allowed any coffee,” replied Chico crossly, making it up on the spot.

“Yeah I heard about that,” said Carob, which made Chico wonder if he had actually made it up on the spot, or perhaps he’d heard it somewhere too.

“I’m going back behind the trumpet tree,” announced Chico, flouncing off in high dudgeon.

“Now look what you’ve done!” exclaimed Carob.

“Why is it always my fault?” Amy was exasperated.

“Maybe because it usually is,” Carob replied, “But not to worry, at least we know where to find Chico now.”

“Juan, was it wise to speak to that man?” Dolores asked her husband.  “The cat’s out of the bag now, when Chico tells his friends…”

“Trust me, Dolores,” Juan Valdez implored, “What else can we do? We need their help.”

“But you’ve been fictional for so long, Juan. Nobody knew you were real. Until now.”

“You worry too much! It’s hardly going to make headlines on Focks News, is it, and even if it did, nobody believes anything anymore.  We can just spread a rumour that it was made up by one of those artifical story things.”

“But he took a photo of you!”

“Dolores,” Juan said with exaggerated patience, “Nobody believes photos any more either. I’m telling you, they make fakes these days and nobody can tell.  Trust me,” he repeated, giving her shoulder a reassuring squeeze.

“So we’ll still be fictional, Juan?” Dolores asked in an uncertain tone. “Because I’m not ready to be a real character yet, it seems so….so time consuming, to be real every day, all day… doing all those things every day that real people do…”

“No, no, not at all!  You only have to play the part when someone’s looking!”

“I hope you’re right. Too many things changing all at once, if you ask me.” And with that Dolores vanished, as nobody was looking at her.