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In reply to: The Last Cruise of Helix 25
It was still raining the morning after the impromptu postcard party at the Golden Trowel in the Hungarian village, and for most of the morning nobody was awake to notice. Molly had spent a sleepless night and was the only one awake listening to the pounding rain. Untroubled by the idea of lack of sleep, her confidence bolstered by the new company and not being solely responsible for the child, Molly luxuriated in the leisure to indulge a mental re run of the previous evening.
Finjas bombshell revelation after the postcard game suddenly changed everything. It was not what Molly had expected to hear. In their advanced state of inebriation by that time it was impossible for anyone to consider the ramifications in any sensible manner. A wild and raucous exuberance ensued of the kind that was all but forgotten to all of them, and unknown to Tundra. It was a joy that brought tears to Mollys eyes to see the wonderful time the child was having.
Molly didn’t want to think about it yet. She wasn’t so sure she wanted to have anything to do with it, the ship coming back. Communication with it, yes. The ship coming back? There was so much to consider, so many ways of looking at it. And there was Tundra to think about, she was so innocent of so many things. Was it better that way? Molly wasn’t going to think about that yet. She wanted to make sure she remembered all the postcard stories.
There is no rush.
The postcard Finja had chosen hadn’t struck Molly as the most interesting, not at the time, but later she wondered if there was any connection with her later role as centre stage overly dramatic prophet. What an extraordinary scene that was! The unexpected party was quite enough excitement without all that as well.
Finja’s card was addressed to Miss FP Finly, c/o The Flying Fish Inn somewhere in the outback of Australia, Molly couldn’t recall the name of the town. The handwriting had been hard to decipher, but it appeared to be a message from “forever your obedient servant xxx” informing her of a Dustsceawung convention in Tasmania. As nobody had any idea what a Dustsceawung conference was, and Finja declined to elaborate with a story or anecdote, the attention moved on to the next card. Molly remembered the time many years ago when everyone would have picked up their gadgets to find out what it meant. As it was now, it remained an unimportant and trifling mystery, perhaps something to wonder about later.
Why did Finja choose that card, and then decline to explain why she chose it? Who was Finly? Why did The Flying Fish Inn seem vaguely familiar to Molly?
I’m sure I’ve seen a postcard from there before. Maybe Ellis had one in his collection.
Yes, that must be it.
Mikhail’s story had been interesting. Molly was struggling to remember all the names. He’d mentioned his Uncle Grishenka, and a cousin Zhana, and a couple called Boris and Elvira with a mushroom farm. The best part was about the snow that the reindeer peed on. Molly had read about that many years ago, but was never entirely sure if it was true or not. Mickhail assured them all that it was indeed true, and many a wild party they’d had in the cold dark winters, and proceeded to share numerous funny anecdotes.
“We all had such strange ideas about Russia back then,” Molly had said. Many of the others murmured agreement, but Jian, a man of few words, merely looked up, raised an eyebrow, and looked down at his postcard again. “Russia was the big bad bogeyman for most of our lives. And in the end, we were our own worst enemies.”
“And by the time we realised, it was too late,” added Petro.
In an effort to revive the party spirit from the descent into depressing memories, Tala suggested they move on to the next postcard, which was Vera’s.
“I know the Tower of London better than any of you would believe,” Vera announced with a smug grin. Mikhail rolled his eyes and downed a large swig of vodka. “My 12th great grandfather was employed in the household of Thomas Cromwell himself. He was the man in charge of postcards to the future.” She paused for greater effect. In the absence of the excited interest she had expected, she continued. “So you can see how exciting it is for me to have a postcard as a prompt.” This further explanation was met with blank stares. Recklessly, Vera added, “I bet you didn’t know that Thomas Cromwell was a time traveller, did you? Oh yes!” she continued, although nobody had responded, “He became involved with a coven of witches in Ireland. Would you believe it!”
“No,” said Mikhail. “I probably wouldn’t.”
“I believe you, Vera,” piped up Tundra, entranced, “Will you tell me all about that later?”
Tundra’s interjection gave Tala the excuse she needed to move on to the next postcard. Mikhail and Vera has always been at loggerheads, and fueled with the unaccustomed alcohol, it was in danger of escalating quickly. “Next postcard!” she announced.
Everyone started banging on the tables shouting, “Next postcard! Next postcard!” Luka and Lev topped up everyone’s glasses.
Molly’s postcard was next.
In reply to: The Last Cruise of Helix 25
Helix 25 — Aftermath of the Solar Flare Alert
The Second Murder
It didn’t take them long to arrive at the scene, Riven alerted by a distraught Finkley who’d found the body.
Evie knelt beside the limp, twitching form of Mandrake, his cybernetic collar flickering erratically, tiny sparks dancing along its edge. The cat’s body convulsed, its organic parts frozen in eerie stillness while the cybernetic half stuttered between functions, blinking in and out of awareness.
Mandrake was both dead and not dead.
“Well, this is unsettling,” TP quipped, materializing beside them with an exaggerated frown. “A most profound case of existential uncertainty. Schrödinger himself would have found this delightful—if he weren’t very much confirmed dead.”
Riven crouched, running a scanner over Mandrake’s collar. The readout spat out errors. “Neural link’s corrupted. He’s lost something.”
Evie’s stomach twisted. “Lost what? But… he can be repaired, surely, can’t he?”
Evan replied with a sigh “Hard to tell how much damage he’s suffered, but we caught him in time thanks to Finkley’s reflexes, he may stand a chance, even if he may need to be reprogrammed.”
Mandrake’s single functioning eye flickered open, its usual sharpness dull. Then, rasping, almost disjointedly, he muttered:
“I was… murdered.”
Then his system crashed, leaving nothing but silence.
Upper Decks Carnival
Sue was still adjusting her hat and feathers for the Carnival Party wondering if that would be appropriate as she was planning to go to the wake first, and then to the Lexican’s baby shower. It wasn’t every day there was a baby nowadays. And a boy too. But then, there was no such thing as being overdressed in her book.
The ship’s intercom crackled to life, cutting through her thoughts, its automated cheerfulness electrifying like a misplaced party horn.
“Attention, dear passengers! As scheduled, with the solar flare now averted, we are preparing for our return to Earth. Please enjoy the journey and partake in today’s complimentary hibiscus tea at the Grand Hall! Samba!”
The words ‘return to Earth’ sent a shudder through Sue’s spine. That wasn’t right. That wasn’t possible.
A sudden pulse of static in her artificial limb made her flinch. A garbled transmission—so faint she almost dismissed it—whispered through her internal interface, that was constantly scanning hacking through the data streams of the ship, and having found critical intel that was quickly being scrubbed by the maintenance system.
Signal detected…
Beacon coordinates triangulating…
…origin: Earth…Her breath stopped. Sue had spent years pretending she knew everything, but this… was something else entirely.
She got the odd and ominous feeling that Synthia was listening.
Quadrant B – The Wake of Mr. Herbert
The air in the gathering hall was thick with preservative floral mist—the result of enthusiastic beauticians who had done their best to restore and rehydrate the late Mr. Herbert to some semblance of his former self.
And yet, despite their efforts, he still looked vaguely like a damp raisin in a suit.
Gloria adjusted her shawl and whispered to Sharon, “He don’t look half bad, does he?”
Sharon squinted. “Oh, love, I’d say he looks at least three-quarters bad.”
Marlowe Sr. stood by the casket, his posture unnervingly rigid, as if he were made of something more fragile than bone. When he spoke, his voice cracked. “Ethan.”
He was in no condition for a speech— only able to utter the name.
Gloria dabbed her eyes, nudging Mavis. “I reckon this is the saddest thing I’ve seen since they discontinued complimentary facials at the spa.”
Mavis sniffed. “And yet, they say he’ll be composted by next Tuesday. Bloody efficient, innit?”
Marlowe didn’t hear them.
Because at that moment, as he stared at his son’s face, the realization struck him like a dying star—this was no mistake. This was something bigger.
And for the first time in years, he felt the weight of knowing too much.
He would have to wake and talk to the Captain. She would know what to do.
In reply to: The Last Cruise of Helix 25
Helix 25 – Below Lower Decks – Shadow Sector
Kai Nova moved cautiously through the underbelly of Helix 25, entering a part of the Lower Decks where the usual throb of the ship’s automated systems turned muted. The air had a different smell here— it was less sterile, more… human. It was warm, the heat from outdated processors and unmonitored power nodes radiating through the bulkheads. The Upper Decks would have reported this inefficiency.
Here, it simply went unnoticed, or more likely, ignored.
He was being watched.
He knew it the moment he passed a cluster of workers standing by a storage unit, their voices trailing off as he walked by. Not unusual, except these weren’t Lower Deck engineers. They had the look of people who existed outside of the ship’s official structure—clothes unmarked by department insignias, movements too intentional for standard crew assignments.
He stopped at the rendezvous point: an unlit access panel leading to what was supposed to be an abandoned sublevel. The panel had been manually overridden, its system logs erased. That alone told him enough—whoever he was meeting had the skills to work outside of Helix 25’s omnipresent oversight.
A voice broke the silence.
“You’re late.”
Kai turned, keeping his stance neutral. The speaker was of indistinct gender, shaved head, tall and wiry, with sharp green eyes locked on his movements. They wore layered robes that, at a glance, could have passed as scavenged fabric—until Kai noticed the intricate stitching of symbols hidden in the folds.
They looked like Zoya’s brand —he almost thought… or let’s just say, Zoya’s influence. Zoya Kade’s litanies had a farther reach he would expect.
“Wasn’t aware this was a job interview,” Kai quipped, leaning casually against the bulkhead.
“Everything’s a test,” they replied. “Especially for outsiders.”
Kai smirked. “I didn’t come to join your book club. I came for answers.”
A low chuckle echoed from the shadows, followed by the shifting of figures stepping into the faint light. Three, maybe four of them. It could have been an ambush, but that was a display.
“Pilot,” the woman continued, avoiding names. “Seeker of truth? Or just another lost soul looking for something to believe in?”
Kai rolled his shoulders, sensing the tension in the air. “I believe in not running out of fuel before reaching nowhere.”
That got their attention.
The recruiter studied him before nodding slightly. “Good. You understand the problem.”
Kai crossed his arms. “I understand a lot of problems. I also understand you’re not just a bunch of doomsayers whispering in the dark. You’re organized. And you think this ship is heading toward a dead end.”
“You say that like it isn’t.”
Kai exhaled, glancing at the flickering emergency light above. “Synthia doesn’t make mistakes.”
They smiled, but it wasn’t friendly. “No. It makes adjustments.” — the heavy tone on the “it” struck him. Techno-bigots, or something else? Were they denying Synthia’s sentience, or just adjusting for gender misnomers, it was hard to tell, and he had a hard time to gauge the sanity of this group.
A low murmur of agreement rippled through the gathered figures.
Kai tilted his head. “You think she’s leading us into the abyss?”
The person stepped closer. “What do you think happened to the rest of the fleet, Pilot?”
Kai stiffened slightly. The Helix Fleet, the original grand exodus of humanity—once multiple ships, now only Helix 25, drifting further into the unknown.
He had never been given a real answer.
“Think about it,” they pressed. “This ship wasn’t built for endless travel. Its original mission was altered. Its course reprogrammed. You fly the vessel, but you don’t control it.” She gestured to the others. “None of us do. We’re passengers on a ride to oblivion, on a ship driven by a dead man’s vision.”
Kai had heard the whispers—about the tycoon who had bankrolled Helix 25, about how the ship’s true directive had been rewritten when the Earth refugees arrived. But this group… they didn’t just speculate. They were ready to act.
He kept his voice steady. “You planning on mutiny?”
They smiled, stepping back into the half-shadow. “Mutiny is such a crude word. We’re simply ensuring that we survive.”
Before Kai could respond, a warning prickle ran up his spine.
Someone else was watching.
He turned slowly, catching the faintest silhouette lingering just beyond the corridor entrance. He recognized the stance instantly—Cadet Taygeta.
Damn it.
She had followed him.
The group noticed, shifting slightly. Not hostile, but suddenly alert.
“Well, well,” the woman murmured. “Seems you have company. You weren’t as careful as you thought. How are you going to deal with this problem now?”
Kai exhaled, weighing his options. If Taygeta had followed him, she’d already flagged this meeting in her records. If he tried to run, she’d report it. If he didn’t run, she might just dig deeper.
And the worst part?
She wasn’t corruptible. She wasn’t the type to look the other way.
“You should go,” the movement person said. “Before your shadow decides to interfere.”
Kai hesitated for half a second, before stepping back.
“This isn’t over,” he said.
Her smile returned. “No, Pilot. It’s just beginning.”
With that, Kai turned and walked toward the exit—toward Taygeta, who was waiting for him with arms crossed, expression unreadable.
He didn’t speak first.
She did.
“You’re terrible at being subtle.”
Kai sighed, thinking quickly of how much of the conversation could be accessed by the central system. They were still in the shadow zone, but that wasn’t sufficient. “How much did you hear?”
“Enough.” Her voice was even, but her fingers twitched at her side. “You know this is treason, right?”
Kai ran a hand through his hair. “You really think we’re on course for a fresh new paradise?”
Taygeta didn’t answer right away. That was enough of an answer.
Finally, she exhaled. “You should report this.”
“You should,” Kai corrected.
She frowned.
He pressed on. “You know me, Taygeta. I don’t follow lost causes. I don’t get involved in politics. I fly. I survive. But if they’re right—if there’s even a chance that we’re being sent to our deaths—I need to know.”
Taygeta’s fingers twitched again.
Then, with a sharp breath, she turned.
“I didn’t see anything tonight.”
Kai blinked. “What?”
Her back was already to him, her voice tight. “Whatever you’re doing, Nova, be careful. Because next time?” She turned her head slightly, just enough to let him see the edge of her conflicted expression.
“I will report you.”
Then she was gone.
Kai let out a slow breath, glancing back toward the hidden movement behind him.
No turning back now.
In reply to: The Last Cruise of Helix 25
Survivors in Ukraine
Not for the first time Molly wished they’d never made the journey. She wanted to go back and end her days where she’d chosen to retire. With Ellis gone, and then Ethan and Nina, there was nothing to keep her here, and nothing to keep Tundra here. And there had been no reason to come, in the end. There were no survivors in Ukraine either, and they encountered none on the long and difficult journey from Spain.
It was Nina’s idea to go back to her home country. She was a refugee from the war, she and her mother. Nina met Ethan at school in England and Ethan often used to bring her on holidays to visit his grandmother in Andalucia. When the plague struck, they were there with Molly, quarantined and with no way to return to England. Molly shuddered at the memory of the awful realisation that there was nobody else alive, but for her friend over the road who looked after the cows. Just Molly, Ethan, Nina, and Antonio and all the bodies.
It was Antonio’s idea to take all the bodies of the neighbours out into the fields for the vultures, rightly stating that it was impossible for him and Ethan to bury them all. And so they did. Best photos of vultures I ever took, and nobody to show them to, Molly had grumbled at the time.
They managed for a considerable time looting the neighbours pantries, garages, and barns and foraging further afield until all the cars in the village ran out of fuel, always hoping to find people, other survivors, but they never did. When the fuel ran out they used the horses. They could have managed for some time longer if they stayed where they were, but the desire to find people was strong.
The decision was made to head north, along the once populous coast, taking 12 horses to carry themselves and essentials, hoping to find more people. There were no people. They kept walking, and when Nina suggested they keep walking to Ukraine, nobody could think of a good reason why not to.
Molly’s sorrowful reminiscence sitting in the late afternoon sun was interrupted by a shout from Tundra who was running towards her. “Look, look over there!” Molly winced as Tundra pulled her upright too quickly. “Over there!” she said, pointing to a copse just below the hills on the horizon.
“A wisp of smoke!” Molly whispered wonderingly. “Like…like a campfire or something…”
The 93 year old woman and her twelve year old great granddaughter looked at each other in amazement. “People,” they whispered in unison.
“Tundra, saddle up the horses. We can’t wait for morning”, Molly said, “They may be gone. Run, girl! Don’t just stand there with your mouth open!”
Suddenly Molly felt like she was only 67 again.
People!
In reply to: Quintessence: Reversing the Fifth
The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.
Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph. The white bull.
Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways. Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods. She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.
Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him. Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.
You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.
They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees. Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.
Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.
Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours.
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.
Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that. So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it? Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.
In reply to: Quintessence: Reversing the Fifth
Matteo — Winter 2023: The Move
The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.
The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.
The sound of the doorbell brought him back from his rêverie.
Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.
Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.
“That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”
“They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.
The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”
Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.
Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”
As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.
“Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.
“Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.
Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.
“Special how?” her mother asked lightly.
“It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”
Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.
“Why you want to keep those?” Amei asked, tilting her head.
Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”
Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.
The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.
As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.
“It’s different, isn’t it?” she said suddenly, not looking at him.
“Moving?” Matteo asked, unsure if the question was for him.
“Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”
Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.
The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.
By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.
“Do you know where I can find absinthe?” he asked, the question more instinct than intent.
Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.
In reply to: Quintessence: Reversing the Fifth
The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.
The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”
“Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.
A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.
“These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”
Amei nodded politely. “They do,” she said.
He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”
“They’re just for light on this occasion,” she said, her tone sharper than she intended.
“Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”
Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”
The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”
Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”
The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.
In reply to: Quintessence: Reversing the Fifth
Mon. November 25th, 10am.
The bell sat on the stool near Lucien’s workbench, its bronze surface polished to a faint glow. He had spent the last ten minutes running a soft cloth over its etched patterns, tracing the curves and grooves he’d never fully understood. It wasn’t the first time he had picked it up, and it wouldn’t be the last. Something about the bell kept him tethered to it, even after all these years. He could still remember the day he’d found it—a cold morning at a flea market in the north of Paris, the stalls cramped and overflowing with gaudy trinkets, antiques, and forgotten relics.
He’d spotted it on a cluttered table, nestled between a rusted lamp and a cracked porcelain dish. As he reached for it, she had appeared, her dark eyes sharp with curiosity and mischief. Éloïse. The bell had been their first conversation, its strange beauty sparking a connection that quickly spiraled into something far more dangerous. Her charm masking the shadows she moved in. Slowly she became the reason he distanced himself from Amei, Elara, and Darius. It hadn’t been intentional, at least not at first. But by the time he realized what was happening, it was already too late.
A sharp knock at the door yanked him from the memory. Lucien’s hand froze mid-polish, the cloth resting against the bell. The knock came again, louder this time, impatient. He knew who it would be, though the name on the patron’s lips changed depending on who was asking. Most called him “Monsieur Renard.” The Fox. A nickname as smooth and calculating as the man himself.
Lucien opened the door, and Monsieur Renard stepped in, his gray suit immaculate and his air of quiet authority as sharp as ever. His eyes swept the studio, frowning as they landed on the unfinished painting on the easel—a lavish banquet scene, rich with silver and velvet.
“Lucien,” Renard said smoothly, his voice cutting through the silence. “I trust you’ll be ready to deliver on this commission.”
Lucien stiffened. “I need more time.”
“Of course,” Renard replied with a small smile that didn’t reach his eyes. “We all need something we can’t have. You have until the end of the week. Don’t make her regret recommending you.”
As Renard spoke, his gaze fell on the bell perched on the stool. “What’s this?” he asked, stepping closer. He picked it up, his long and strong fingers brushing the polished surface. “Charming,” he murmured, turning it over. “A flea market find, I suppose?”
Lucien said nothing, his jaw tightening as Renard tipped the bell slightly, the etched patterns catching the faint light from the window. Without care, Renard dropped it back onto the stool, the force of the motion knocking it over. The bell struck the wood with a resonant tone that lingered in the air, low and haunting.
Renard didn’t even glance at it. “You’ve always had a weakness for the past,” he remarked lightly, turning his attention back to the painting. “I’ll leave you to it. Don’t disappoint.”
With that, he was gone, his polished shoes clicking against the floor as he disappeared down the hall.
Lucien stood in the silence, staring at the bell where it had fallen, its soft tone still reverberating in his mind. Slowly, he bent down and picked it up, cradling it in his hands. The polished bronze felt warm, almost alive, as if it were vibrating faintly beneath his fingertips. He wrapped it carefully in a piece of linen and placed it inside his suitcase, alongside his sketchbooks and a few hastily folded clothes. The suitcase had been half-packed for weeks, a quiet reflection of his own uncertainty—leaving or staying, running or standing still, he hadn’t known.
Crossing the room, he sat at his desk, staring at the blank paper in front of him. The pen felt heavy in his hand as he began to write: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time!
He paused, rereading the words, then wrote them again and again, folding each note with care. He didn’t know what he expected from his friends—Amei, Elara, Darius—but they were the only ones who might still know him, who might still see something in him worth saving. If there was a way out of the shadows Éloïse and Monsieur Renard had drawn him into, it lay with them.
As he sealed the last envelope, the low tone of the bell still hummed faintly in his memory, echoing like a call he couldn’t ignore.
In reply to: Quintessence: Reversing the Fifth
From Decay to Birth: a Map of Paths and Connections
7. Darius’s Encounter (November 2024)
Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.
He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.
When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.
6. Matteo’s Discovery (near Avignon, Spring 2024)
The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.
His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.
Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.
Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.
“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”
Matteo nodded. “Take it, then. Maybe you’ll figure it out.”
The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.
5. From Hand to Hand (1995–2024)
By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.
2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.
2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.
1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.
The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.
4. The Artist (1995)
The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.
“I don’t map what is,” she once told a curious buyer. “I map what could be.”
In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.
3. The Ink (1990s)
The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.
From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.
2. The Paper (1980)
The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.
By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.
The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.
This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.
1. The Seed (1950s)
It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.
“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.
Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”
In reply to: Quintessence: Reversing the Fifth
The Bell’s Moment: Paris, Summer 2024 – Olympic Games
The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.
1st Ring of the Bell: Matteo
The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.
“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”
Matteo nodded. “And after that?”
The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”
Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.
When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.
Somewhere, miles away, the bell rang its first note.
2nd Ring of the Bell: Darius
In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.
A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.
“Sometimes,” Darius replied, his pen still moving.
“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”
Darius chuckled. “You recruiting me?”
“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”
The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.
3rd Ring of the Bell: Elara
The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.
The voicemail notification glared at her, and she tapped it reluctantly.
“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”
Her coffee cup trembled slightly as she set it down.
Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.
Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.
She would have to travel to Montrouge for the funeral arrangements.
In that moment, the bell in Les Reliques rang a third time.
4th Ring of the Bell: Lucien
The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.
Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.
He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.
He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.
The bell rang again in Paris, its resonance threading through the quiet hum of the train.
5th Ring of the Bell: …. Tabitha
In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.
“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”
“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”
Her friend raised an eyebrow. “Pretending?”
“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”
The bell rang faintly in Paris, though neither of them could hear it.
“Maybe you should tell her to come with you,” the friend suggested.
Tabitha grinned. “Now that would be a trip.”
Last Ring: The Pawn
It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.
Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.
“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.
“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”
The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”
“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”
“Not anymore,” the shopkeeper murmured, handing him a stack of bills.
The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.
And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.
Matteo Appears
Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.
“Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.
“Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”
The group exchanged glances, each of them caught off-guard by the comment.
“You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.
“Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”
“What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.
Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.
“You’ve never all been here before,” he said, a simple statement that landed like a challenge.
“Wait,” Amei said, narrowing her eyes. “You know us?”
“Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”
“Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.
Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”
He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.
“You’re being cryptic,” Elara said, her voice edged with suspicion.
“It’s a talent,” Matteo replied smoothly.
“Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”
“Nor I,” Amei added, her voice soft but steady.
Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”
The words hung in the air, unsettling and oddly satisfying at once.
“You’re saying we’ve met you before?” Elara asked.
Matteo inclined his head. “In a manner of speaking.”
“That doesn’t make sense,” Lucien said, his voice quiet but firm.
“Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”
A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.
“It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”
“For what?” Amei asked, her eyes narrowing.
“For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.
“Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.
One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.
“Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”
And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.
They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.
“What the hell was that?” Darius asked finally, breaking the spell.
“Does he seem… different to you?” Amei asked, her voice distant.
“He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.
“He remembered me,” Lucien said, almost to himself. “Something about absinthe.”
“I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”
“And he didn’t explain anything,” Darius added, shaking his head.
“Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.
They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.
The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.
And though none of them said it aloud, the thought was the same: What had happened before?
Quintessence: Reversing the Fifth
In reply to: The Incense of the Quadrivium’s Mystiques
“Why has Frella gone so soon?” asked Truella, when the beastly morality prayers were finished. “She was supposed to accompany us down the cellars tonight. I tell you what,” Truella rubbed her eyes and pushed her hair back, “This has been the longest day I’ve ever known. And it’s not over yet. Maybe we should leave the exploration of the cellars until tomorrow night.”
“Suits me,” said Zeezel, “I didn’t want to go down there anyway. The thought of going down there would ruin my evening, and I’ve got a gorgeous little cocktail dress picked out for tonight.”
“Jeezel, ” Eris said warningly, “We’re here on business.”
“Oh, lighten up, Eris! None of us even knows what we’re really here for! One minute it’s a boring merger or even a takeover, the next minute it’s all cloak and dagger mystery, then it’s a morality play, what’s it gonna be next?”
“A Barbara Cartland novel? Or 50 shades of undertakers?” Eris said with scowl.
“You don’t want to go down the cellar either, do you, Eris?” Truella asked, knowing the answer. “Never mind. You go and say some more prayers with Audrey. Jez, enjoy your evening to the hilt,” Truella wiggled her eyebrows. “I’ll go on my own.”
The others looked at her open mouthed. “You can’t be serious!”
“She isn’t going on her own,” Eric said darkly.
“I don’t know what you mean,” Truella pretended innocence. Of course she wasn’t going on her own. Rufus would go with her, and she even had an idea to invite Sassafras and Sandra. “Oh, alright then, I won’t go,” she lied. ” I’ll wait for you and we’ll go tomorrow night. But only if Frella comes back so she can come with us.”
Eris wasn’t stupid, she knew exactly what Truella was planning. She had to rein Truella in, but how? Suddenly, inspiration struck.
“We’d better go and get ready for dinner,” Eris said, “See you all later in the dining hall.” And with that she stalked out of the room.
As soon as she was out of the door, Eris sprinted up the hallway. She had to get to him before Truella got there. Crashing into Brother Bartolo as she careered round a corner, she apologised hurriedly and asked if he knew where Rufus was. Bartolo informed her that he’d seen Rufus by the fountain. Eris resisted the temptation to remark snidely about him needing to cool down.
He was still there when Eris reached the courtyard, sitting on the side of the water feature, trailing his hand in the water and looking gloweringly pensive. Eris took a deep breath.
“Mind if I join you?” she asked pleasantly, sitting down beside him. “We’re so grateful to you guys for coming to help us out, it’s all quite a lot for us to take in, you know?” Eris smiled disarmingly. “We’d feel so much better if Frella was here with us. We did manage to get her here, but something went wrong and she didn’t stay as long as we hoped she would. She’s on a mission in Ireland, and couldn’t come over, but Sister Audrey kindly offered to let Frella posess her for 24 hours, and then I don’t know what happened but Frella was called back abruptly to her own body.” Eris knew she was garbling semi incoherently, which was most unlike her normally, but she thought this approach would appeal. Rufus seemed to be the type to be a sucker for a damsel in distress. “If only someone else would offer to let Frella possess his body for 24 hours so that she can come and join us…”
Eris’s little spell must have worked a treat, as Rufus promptly agreed. “I can help you with this. I offer my body for Frella to possess, if you think it will assist you.”
Eris beamed at him. “What a charming gentleman you are!” she gushed, surprisingly both of them as she leaned forward and impulsively kissed his cheek. “I must go,” she said. Horrified, her face crimson, she fled back inside the cloisters.
In reply to: The Incense of the Quadrivium’s Mystiques
Truella sighed. She was making good progress with the dig, the weather was favorable and not too hot yet. It was only a matter of weeks before she would have to start at first light before the sun became too intense, and reverse her current habit of a slow morning and a busy afternoon. Perhaps she should wait before filling in Frella’s diary entry. Was she going to write it herself this time? If only Truella knew for sure. At least Jeezel was feeling a bit better, which was a relief to them all, and it seemed that Eris was lightening up a bit now too. Thank Flove for that! Better not let Malove know too soon though, or she’d have them all off on another of those tedious conferences. Wouldn’t it be nice if Malove let them all have a long summer recess, Truella thought, without much hope. She sighed again, wondering if Frella had progressed any further with the mystery of the camphor chest.
Truella had heard of camphor, of course, but associated it with moth balls, not chests. Camphor chests were a Chinese thing, and none of her studies or interests had ever taken her that far east. It struck her that a camphor chest would be a good place to store the fragments of Hannibal’s tunic safely, until such time as they required another antidote to an ancient Punic spell. And it could happen. Truella wondered if she could order a small one off Oboy. One could order anything one could imagine these days, from anywhere in the world, but a guaranteed delivery to Truella’s village was another matter.
The pale blue sandals had arrived yesterday though, much to her delighted surprise. It had helped when she recognised the postman as a Roman basket seller in a previous life. At that moment, Truella’s postal delivery experiences changed. It was as if the unwinnable battle with giant delivery companies morphed into a cooperation of village tradesmen. Glancing admiringly at her pristine new sandals, Truella smiled with satisfaction. Things could change for the better. Indeed, they could.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: The Whale’s Diaries Collection
Greetings from the depths, what is your query this day?
Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?
Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.
Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.
Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.
Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.
Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.
Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.
And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.
Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.
very inspiring, thank you very much!
Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!
Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?
Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.
Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.
Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.
In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.
Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.
You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.
And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.
Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.
very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?
Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.
Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.
Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.
Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.
You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.
Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.
And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.
The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.
very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?
Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.
Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.
Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.
Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.
You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.
Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.
And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.
Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.
very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?
Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.
Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.
You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.
Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.
Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.
You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?
And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.
Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.
Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?
Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?
Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.
Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.
Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.
You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.
Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.
And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.
In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.
Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?
Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?
Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.
Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.
Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.
Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.
You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.
And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.
In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.
very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?
Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.
One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.
Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.
Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.
Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.
Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.
Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.
And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.
In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.
thank you, all very exciting and inspring suggestions
Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.
In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: The Precious Life and Rambles of Liz Tattler
Godfrey had been in a mood. Which one, it was hard to tell; he was switching from overwhelmed, grumpy and snappy, to surprised and inspired in a flicker of a second.
Maybe it had to do with the quantity of material he’d been reviewing. Maybe there were secret codes in it, or it was simply the sleep deprivation.
Inspired by Elizabeth active play with her digital assistant —which she called humorously Whinley, he’d tried various experiments with her series of written, half-written, second-hand, discarded, published and unpublished, drivel-labeled manuscripts he could put his hand on to try to see if something —anything— would come out of it.
After all, Liz’ generous prose had always to be severely edited to meet the editorial standards, and as she’d failed to produce new best-sellers since the pandemic had hit, he’d had to resort to exploring old material to meet the shareholders expectations.
He had to be careful, since some were so tartied up, that at times the botty Whinley would deem them banworthy. “Botty Banworth” was Liz’ character name for this special alternate prudish identity of her assistant. She’d run after that to write about it. After all, “you simply can’t ignore a story character when they pop in, that would be rude” was her motto.
So Godfrey in turn took to enlist Whinley to see what could be made of the raw material and he’d been both terribly disappointed and at the same time completely awestruck by the results. Terribly disappointed of course, as Whinley repeatedly failed to grasp most of the subtleties, or any of the contextual finely layered structures. While it was good at outlining, summarising, extracting some characters, or content, it couldn’t imagine, excite, or transcend the content it was fed with.
Which had come as the awestruck surprise for Godfrey. No matter how raw, unpolished, completely off-the-charts rank with madness or replete with seeming randomness the content was, there was always something that could be inferred from it. Even more, there was no end to what could be seen into it. It was like life itself. Or looking at a shining gem or kaleidoscope, it would take endless configurations and had almost infinite potential.
It was rather incredible and revisited his opinion of what being a writer meant. It was not simply aligning words. There was some magic at play there to infuse them, to dance with intentions, and interpret the subtle undercurrents of the imagination. In a sense, the words were dead, but the meaning behind them was still alive somehow, captured in the amber of the composition, as a fount of potentials.
What crafting or editing of the story meant for him, was that he had to help the writer reconnect with this intent and cast her spell of words to surf on the waves of potential towards an uncharted destination. But the map of stories he was thinking about was not the territory. Each story could be revisited in endless variations and remain fresh. There was a difference between being a map maker, and being a tour-operator or guide.
He could glimpse Liz’ intention had never been to be either of these roles. She was only the happy bumbling explorer on the unchartered territories of her fertile mind, enlisting her readers for the journey. Like a Columbus of stories, she’d sell a dream trusting she would somehow make it safely to new lands and even bigger explorations.
Just as Godfrey was lost in abyss of perplexity, the door to his office burst open. Liz, Finnley, and Roberto stood in the doorway, all dressed in costumes made of odds and ends.
“You are late for the fancy dress rehearsal!” Liz shouted, in her a pirate captain outfit, her painted eye patch showing her eye with an old stitched red plush thing that looked like a rat perched on her shoulder supposed to look like a mock parrot.
“What was the occasion again?”
“I may have found a new husband.” she said blushing like a young damsel.
Finnley, in her mummy costume made with TP rolls, well… did her thing she does with her eyes.
In reply to: Coma Cameleon
Tibu looked up at her, surprised by the offer. He hadn’t expected anyone to offer him anything more than spare change or a half-eaten sandwich. “That’s very kind of you,” he said with a small smile, “I’d like that very much.”
The young woman returned his smile and disappeared for a while. She came back a few minutes later, with two cups of steaming hot tea. Handing one to Tibu, she started sipping her own while they stood in silence for a moment looking at the last drops of dripping water from the eaves overhead, as the rain had started to subside.
Tibu couldn’t help but feel a pang of sadness. Here he was, a man with no memory of his past, selling books on the street for spare change, and yet this stranger was treating him with kindness and respect.
“Thank you,” he said softly his voice barely audible, “I really appreciate this.”
The woman shrugged and smiled again. “It’s no trouble at all. I think it’s nice to just take a break and chat with someone for a while. It can get lonely in this city sometimes.”
Tibu nodded in agreement. “I know what you mean. I feel like a stranger in my own life sometimes.”
The woman’s expression softened. “That must be hard. But you know, sometimes it’s good to start over. You can be whoever you want to be, do whatever you want to do. It’s like a second chance.”
As they continued their conversation, a crumpled torn piece of newspaper caught Tibu’s eye, lodged in a nearby gutter. The headline mentioned a job fair happening the next day, an opportunity for people to find new careers. An idea began to form in his mind – attending the job fair could be his first step in creating a new life.
Tibu looked at the woman, still struck by her earlier words. It was a new way of thinking for him. Maybe he didn’t have to be defined by his past or his amnesia. Maybe he could create a new life for himself, with new people and new experiences.
“Thank you,” he said again, feeling a newfound sense of hope. “You’ve given me a lot to think about.”
The woman smiled and finished her tea. “Well, I should probably get back to work. But it was nice talking to you. Maybe I’ll see you around. I’m Lorena, by the way.”
Tibu nodded and watched her walk away, feeling a warmth in his chest. Maybe things weren’t so hopeless after all. Maybe he could create a new life for himself; he checked the crumbled paper; his decision was made; armed with renewed purpose, he’d resolved to attend the job fair.
Of course, he’d need to prepare, sort out stuff…
He looked down at the book in his hand and smiled. For now, he had Lord Gustard Willoughby Fergusson to keep him company and inspire him about acts of bravery and embrace with gusto the great leap into the unknown.
In reply to: Orbs of Madjourneys
With the flurry of activities going around, in life and virtually, Xavier had trouble keeping track.
His sanity demanded some clarity of intention and some focus. Too many threads were open, and of all things, he didn’t like loose ends.
Somehow that silly notion of the Golden Banana quest did pose him a nagging reminder of something incomplete he was eager to get a resolution to. That, or he was unconsciously getting annoyed at seeing his 3 friends making strides in their adventures. The pirate quest was fun enough, but he’d rather enjoy it without having to check everything against being a possible clue.There were no rules against cheating. The thought struck him. Maybe that was it. The simplicity of it!
Since they made the rules, they could make them, break them, amend or bend them.
He looked up on the internet for an image he could feed AL, and *bam* it was there! In all its glory, a gorgeous Golden Banana on a purple cushion, in a pirate chest. The reward for an online game… That was eerie!He’d had a sneaking suspicion the game was not just about virtual any longer. Synchronistic happenings like that were more than just random.
He logged into the game only to discover a simple message.
“Congratulations on completing your quest. You may enjoy your trip until the next stage of your journey.
Look for the cook on the pirate boat, she will give you directions to regroup with your friends.
And don’t forget to confirm your bookings.”In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 7
With thanks to Mike Rushby.
Oldeani Hospital. 19th September 1938
Dearest Family,
George arrived today to take us home to Mbulu but Sister Marianne will not allow
me to travel for another week as I had a bit of a set back after baby’s birth. At first I was
very fit and on the third day Sister stripped the bed and, dictionary in hand, started me
off on ante natal exercises. “Now make a bridge Mrs Rushby. So. Up down, up down,’
whilst I obediently hoisted myself aloft on heels and head. By the sixth day she
considered it was time for me to be up and about but alas, I soon had to return to bed
with a temperature and a haemorrhage. I got up and walked outside for the first time this
morning.I have had lots of visitors because the local German settlers seem keen to see
the first British baby born in the hospital. They have been most kind, sending flowers
and little German cards of congratulations festooned with cherubs and rather sweet. Most
of the women, besides being pleasant, are very smart indeed, shattering my illusion that
German matrons are invariably fat and dowdy. They are all much concerned about the
Czecko-Slovakian situation, especially Sister Marianne whose home is right on the
border and has several relations who are Sudentan Germans. She is ant-Nazi and
keeps on asking me whether I think England will declare war if Hitler invades Czecko-
Slovakia, as though I had inside information.George tells me that he has had a grass ‘banda’ put up for us at Mbulu as we are
both determined not to return to those prison-like quarters in the Fort. Sister Marianne is
horrified at the idea of taking a new baby to live in a grass hut. She told George,
“No,No,Mr Rushby. I find that is not to be allowed!” She is an excellent Sister but rather
prim and George enjoys teasing her. This morning he asked with mock seriousness,
“Sister, why has my wife not received her medal?” Sister fluttered her dictionary before
asking. “What medal Mr Rushby”. “Why,” said George, “The medal that Hitler gives to
women who have borne four children.” Sister started a long and involved explanation
about the medal being only for German mothers whilst George looked at me and
grinned.Later. Great Jubilation here. By the noise in Sister Marianne’s sitting room last night it
sounded as though the whole German population had gathered to listen to the wireless
news. I heard loud exclamations of joy and then my bedroom door burst open and
several women rushed in. “Thank God “, they cried, “for Neville Chamberlain. Now there
will be no war.” They pumped me by the hand as though I were personally responsible
for the whole thing.George on the other hand is disgusted by Chamberlain’s lack of guts. Doesn’t
know what England is coming to these days. I feel too content to concern myself with
world affairs. I have a fine husband and four wonderful children and am happy, happy,
happy.Eleanor.
Mbulu. 30th September 1938
Dearest Family,
Here we are, comfortably installed in our little green house made of poles and
rushes from a nearby swamp. The house has of course, no doors or windows, but
there are rush blinds which roll up in the day time. There are two rooms and a little porch
and out at the back there is a small grass kitchen.Here we have the privacy which we prize so highly as we are screened on one
side by a Forest Department plantation and on the other three sides there is nothing but
the rolling countryside cropped bare by the far too large herds of cattle and goats of the
Wambulu. I have a lovely lazy time. I still have Kesho-Kutwa and the cook we brought
with us from the farm. They are both faithful and willing souls though not very good at
their respective jobs. As one of these Mbeya boys goes on safari with George whose
job takes him from home for three weeks out of four, I have taken on a local boy to cut
firewood and heat my bath water and generally make himself useful. His name is Saa,
which means ‘Clock’We had an uneventful but very dusty trip from Oldeani. Johnny Jo travelled in his
pram in the back of the boxbody and got covered in dust but seems none the worst for
it. As the baby now takes up much of my time and Kate was showing signs of
boredom, I have engaged a little African girl to come and play with Kate every morning.
She is the daughter of the head police Askari and a very attractive and dignified little
person she is. Her name is Kajyah. She is scrupulously clean, as all Mohammedan
Africans seem to be. Alas, Kajyah, though beautiful, is a bore. She simply does not
know how to play, so they just wander around hand in hand.There are only two drawbacks to this little house. Mbulu is a very windy spot so
our little reed house is very draughty. I have made a little tent of sheets in one corner of
the ‘bedroom’ into which I can retire with Johnny when I wish to bathe or sponge him.
The other drawback is that many insects are attracted at night by the lamp and make it
almost impossible to read or sew and they have a revolting habit of falling into the soup.
There are no dangerous wild animals in this area so I am not at all nervous in this
flimsy little house when George is on safari. Most nights hyaenas come around looking
for scraps but our dogs, Fanny and Paddy, soon see them off.Eleanor.
Mbulu. 25th October 1938
Dearest Family,
Great news! a vacancy has occurred in the Game Department. George is to
transfer to it next month. There will be an increase in salary and a brighter prospect for
the future. It will mean a change of scene and I shall be glad of that. We like Mbulu and
the people here but the rains have started and our little reed hut is anything but water
tight.Before the rain came we had very unpleasant dust storms. I think I told you that
this is a treeless area and the grass which normally covers the veldt has been cropped
to the roots by the hungry native cattle and goats. When the wind blows the dust
collects in tall black columns which sweep across the country in a most spectacular
fashion. One such dust devil struck our hut one day whilst we were at lunch. George
swept Kate up in a second and held her face against his chest whilst I rushed to Johnny
Jo who was asleep in his pram, and stooped over the pram to protect him. The hut
groaned and creaked and clouds of dust blew in through the windows and walls covering
our persons, food, and belongings in a black pall. The dogs food bowls and an empty
petrol tin outside the hut were whirled up and away. It was all over in a moment but you
should have seen what a family of sweeps we looked. George looked at our blackened
Johnny and mimicked in Sister Marianne’s primmest tones, “I find that this is not to be
allowed.”The first rain storm caught me unprepared when George was away on safari. It
was a terrific thunderstorm. The quite violent thunder and lightening were followed by a
real tropical downpour. As the hut is on a slight slope, the storm water poured through
the hut like a river, covering the entire floor, and the roof leaked like a lawn sprinkler.
Johnny Jo was snug enough in the pram with the hood raised, but Kate and I had a
damp miserable night. Next morning I had deep drains dug around the hut and when
George returned from safari he managed to borrow an enormous tarpaulin which is now
lashed down over the roof.It did not rain during the next few days George was home but the very next night
we were in trouble again. I was awakened by screams from Kate and hurriedly turned up
the lamp to see that we were in the midst of an invasion of siafu ants. Kate’s bed was
covered in them. Others appeared to be raining down from the thatch. I quickly stripped
Kate and carried her across to my bed, whilst I rushed to the pram to see whether
Johnny Jo was all right. He was fast asleep, bless him, and slept on through all the
commotion, whilst I struggled to pick all the ants out of Kate’s hair, stopping now and
again to attend to my own discomfort. These ants have a painful bite and seem to
choose all the most tender spots. Kate fell asleep eventually but I sat up for the rest of
the night to make sure that the siafu kept clear of the children. Next morning the servants
dispersed them by laying hot ash.In spite of the dampness of the hut both children are blooming. Kate has rosy
cheeks and Johnny Jo now has a fuzz of fair hair and has lost his ‘old man’ look. He
reminds me of Ann at his age.Eleanor.
Iringa. 30th November 1938
Dearest Family,
Here we are back in the Southern Highlands and installed on the second floor of
another German Fort. This one has been modernised however and though not so
romantic as the Mbulu Fort from the outside, it is much more comfortable.We are all well
and I am really proud of our two safari babies who stood up splendidly to a most trying
journey North from Mbulu to Arusha and then South down the Great North Road to
Iringa where we expect to stay for a month.At Arusha George reported to the headquarters of the Game Department and
was instructed to come on down here on Rinderpest Control. There is a great flap on in
case the rinderpest spread to Northern Rhodesia and possibly onwards to Southern
Rhodesia and South Africa. Extra veterinary officers have been sent to this area to
inoculate all the cattle against the disease whilst George and his African game Scouts will
comb the bush looking for and destroying diseased game. If the rinderpest spreads,
George says it may be necessary to shoot out all the game in a wide belt along the
border between the Southern Highlands of Tanganyika and Northern Rhodesia, to
prevent the disease spreading South. The very idea of all this destruction sickens us
both.George left on a foot safari the day after our arrival and I expect I shall be lucky if I
see him occasionally at weekends until this job is over. When rinderpest is under control
George is to be stationed at a place called Nzassa in the Eastern Province about 18
miles from Dar es Salaam. George’s orderly, who is a tall, cheerful Game Scout called
Juma, tells me that he has been stationed at Nzassa and it is a frightful place! However I
refuse to be depressed. I now have the cheering prospect of leave to England in thirty
months time when we will be able to fetch Ann and George and be a proper family
again. Both Ann and George look happy in the snapshots which mother-in-law sends
frequently. Ann is doing very well at school and loves it.To get back to our journey from Mbulu. It really was quite an experience. It
poured with rain most of the way and the road was very slippery and treacherous the
120 miles between Mbulu and Arusha. This is a little used earth road and the drains are
so blocked with silt as to be practically non existent. As usual we started our move with
the V8 loaded to capacity. I held Johnny on my knee and Kate squeezed in between
George and me. All our goods and chattels were in wooden boxes stowed in the back
and the two houseboys and the two dogs had to adjust themselves to the space that
remained. We soon ran into trouble and it took us all day to travel 47 miles. We stuck
several times in deep mud and had some most nasty skids. I simply clutched Kate in
one hand and Johnny Jo in the other and put my trust in George who never, under any
circumstances, loses his head. Poor Johnny only got his meals when circumstances
permitted. Unfortunately I had put him on a bottle only a few days before we left Mbulu
and, as I was unable to buy either a primus stove or Thermos flask there we had to
make a fire and boil water for each meal. Twice George sat out in the drizzle with a rain
coat rapped over his head to protect a miserable little fire of wet sticks drenched with
paraffin. Whilst we waited for the water to boil I pacified John by letting him suck a cube
of Tate and Lyles sugar held between my rather grubby fingers. Not at all according to
the book.That night George, the children and I slept in the car having dumped our boxes
and the two servants in a deserted native hut. The rain poured down relentlessly all night
and by morning the road was more of a morass than ever. We swerved and skidded
alarmingly till eventually one of the wheel chains broke and had to be tied together with
string which constantly needed replacing. George was so patient though he was wet
and muddy and tired and both children were very good. Shortly before reaching the Great North Road we came upon Jack Gowan, the Stock Inspector from Mbulu. His car
was bogged down to its axles in black mud. He refused George’s offer of help saying
that he had sent his messenger to a nearby village for help.I hoped that conditions would be better on the Great North Road but how over
optimistic I was. For miles the road runs through a belt of ‘black cotton soil’. which was
churned up into the consistency of chocolate blancmange by the heavy lorry traffic which
runs between Dodoma and Arusha. Soon the car was skidding more fantastically than
ever. Once it skidded around in a complete semi circle so George decided that it would
be safer for us all to walk whilst he negotiated the very bad patches. You should have
seen me plodding along in the mud and drizzle with the baby in one arm and Kate
clinging to the other. I was terrified of slipping with Johnny. Each time George reached
firm ground he would return on foot to carry Kate and in this way we covered many bad
patches.We were more fortunate than many other travellers. We passed several lorries
ditched on the side of the road and one car load of German men, all elegantly dressed in
lounge suits. One was busy with his camera so will have a record of their plight to laugh
over in the years to come. We spent another night camping on the road and next day
set out on the last lap of the journey. That also was tiresome but much better than the
previous day and we made the haven of the Arusha Hotel before dark. What a picture
we made as we walked through the hall in our mud splattered clothes! Even Johnny was
well splashed with mud but no harm was done and both he and Kate are blooming.
We rested for two days at Arusha and then came South to Iringa. Luckily the sun
came out and though for the first day the road was muddy it was no longer so slippery
and the second day found us driving through parched country and along badly
corrugated roads. The further South we came, the warmer the sun which at times blazed
through the windscreen and made us all uncomfortably hot. I have described the country
between Arusha and Dodoma before so I shan’t do it again. We reached Iringa without
mishap and after a good nights rest all felt full of beans.Eleanor.
Mchewe Estate, Mbeya. 7th January 1939.
Dearest Family,
You will be surprised to note that we are back on the farm! At least the children
and I are here. George is away near the Rhodesian border somewhere, still on
Rinderpest control.I had a pleasant time at Iringa, lots of invitations to morning tea and Kate had a
wonderful time enjoying the novelty of playing with children of her own age. She is not
shy but nevertheless likes me to be within call if not within sight. It was all very suburban
but pleasant enough. A few days before Christmas George turned up at Iringa and
suggested that, as he would be working in the Mbeya area, it might be a good idea for
the children and me to move to the farm. I agreed enthusiastically, completely forgetting
that after my previous trouble with the leopard I had vowed to myself that I would never
again live alone on the farm.Alas no sooner had we arrived when Thomas, our farm headman, brought the
news that there were now two leopards terrorising the neighbourhood, and taking dogs,
goats and sheep and chickens. Traps and poisoned bait had been tried in vain and he
was sure that the female was the same leopard which had besieged our home before.
Other leopards said Thomas, came by stealth but this one advertised her whereabouts
in the most brazen manner.George stayed with us on the farm over Christmas and all was quiet at night so I
cheered up and took the children for walks along the overgrown farm paths. However on
New Years Eve that darned leopard advertised her presence again with the most blood
chilling grunts and snarls. Horrible! Fanny and Paddy barked and growled and woke up
both children. Kate wept and kept saying, “Send it away mummy. I don’t like it.” Johnny
Jo howled in sympathy. What a picnic. So now the whole performance of bodyguards
has started again and ‘till George returns we confine our exercise to the garden.
Our little house is still cosy and sweet but the coffee plantation looks very
neglected. I wish to goodness we could sell it.Eleanor.
Nzassa 14th February 1939.
Dearest Family,
After three months of moving around with two small children it is heavenly to be
settled in our own home, even though Nzassa is an isolated spot and has the reputation
of being unhealthy.We travelled by car from Mbeya to Dodoma by now a very familiar stretch of
country, but from Dodoma to Dar es Salaam by train which made a nice change. We
spent two nights and a day in the Splendid Hotel in Dar es Salaam, George had some
official visits to make and I did some shopping and we took the children to the beach.
The bay is so sheltered that the sea is as calm as a pond and the water warm. It is
wonderful to see the sea once more and to hear tugs hooting and to watch the Arab
dhows putting out to sea with their oddly shaped sails billowing. I do love the bush, but
I love the sea best of all, as you know.We made an early start for Nzassa on the 3rd. For about four miles we bowled
along a good road. This brought us to a place called Temeke where George called on
the District Officer. His house appears to be the only European type house there. The
road between Temeke and the turn off to Nzassa is quite good, but the six mile stretch
from the turn off to Nzassa is a very neglected bush road. There is nothing to be seen
but the impenetrable bush on both sides with here and there a patch of swampy
ground where rice is planted in the wet season.After about six miles of bumpy road we reached Nzassa which is nothing more
than a sandy clearing in the bush. Our house however is a fine one. It was originally built
for the District Officer and there is a small court house which is now George’s office. The
District Officer died of blackwater fever so Nzassa was abandoned as an administrative
station being considered too unhealthy for Administrative Officers but suitable as
Headquarters for a Game Ranger. Later a bachelor Game Ranger was stationed here
but his health also broke down and he has been invalided to England. So now the
healthy Rushbys are here and we don’t mean to let the place get us down. So don’t
worry.The house consists of three very large and airy rooms with their doors opening
on to a wide front verandah which we shall use as a living room. There is also a wide
back verandah with a store room at one end and a bathroom at the other. Both
verandahs and the end windows of the house are screened my mosquito gauze wire
and further protected by a trellis work of heavy expanded metal. Hasmani, the Game
Scout, who has been acting as caretaker, tells me that the expanded metal is very
necessary because lions often come out of the bush at night and roam around the
house. Such a comforting thought!On our very first evening we discovered how necessary the mosquito gauze is.
After sunset the air outside is thick with mosquitos from the swamps. About an acre of
land has been cleared around the house. This is a sandy waste because there is no
water laid on here and absolutely nothing grows here except a rather revolting milky
desert bush called ‘Manyara’, and a few acacia trees. A little way from the house there is
a patch of citrus trees, grape fruit, I think, but whether they ever bear fruit I don’t know.
The clearing is bordered on three sides by dense dusty thorn bush which is
‘lousy with buffalo’ according to George. The open side is the road which leads down to
George’s office and the huts for the Game Scouts. Only Hasmani and George’s orderly
Juma and their wives and families live there, and the other huts provide shelter for the
Game Scouts from the bush who come to Nzassa to collect their pay and for a short
rest. I can see that my daily walk will always be the same, down the road to the huts and
back! However I don’t mind because it is far too hot to take much exercise.The climate here is really tropical and worse than on the coast because the thick
bush cuts us off from any sea breeze. George says it will be cooler when the rains start
but just now we literally drip all day. Kate wears nothing but a cotton sun suit, and Johnny
a napkin only, but still their little bodies are always moist. I have shorn off all Kate’s lovely
shoulder length curls and got George to cut my hair very short too.We simply must buy a refrigerator. The butter, and even the cheese we bought
in Dar. simply melted into pools of oil overnight, and all our meat went bad, so we are
living out of tins. However once we get organised I shall be quite happy here. I like this
spacious house and I have good servants. The cook, Hamisi Issa, is a Swahili from Lindi
whom we engaged in Dar es Salaam. He is a very dignified person, and like most
devout Mohammedan Cooks, keeps both his person and the kitchen spotless. I
engaged the house boy here. He is rather a timid little body but is very willing and quite
capable. He has an excessively plain but cheerful wife whom I have taken on as ayah. I
do not really need help with the children but feel I must have a woman around just in
case I go down with malaria when George is away on safari.Eleanor.
Nzassa 28th February 1939.
Dearest Family,
George’s birthday and we had a special tea party this afternoon which the
children much enjoyed. We have our frig now so I am able to make jellies and provide
them with really cool drinks.Our very first visitor left this morning after spending only one night here. He is Mr
Ionides, the Game Ranger from the Southern Province. He acted as stand in here for a
short while after George’s predecessor left for England on sick leave, and where he has
since died. Mr Ionides returned here to hand over the range and office formally to
George. He seems a strange man and is from all accounts a bit of a hermit. He was at
one time an Officer in the Regular Army but does not look like a soldier, he wears the
most extraordinary clothes but nevertheless contrives to look top-drawer. He was
educated at Rugby and Sandhurst and is, I should say, well read. Ionides told us that he
hated Nzassa, particularly the house which he thinks sinister and says he always slept
down in the office.The house, or at least one bedroom, seems to have the same effect on Kate.
She has been very nervous at night ever since we arrived. At first the children occupied
the bedroom which is now George’s. One night, soon after our arrival, Kate woke up
screaming to say that ‘something’ had looked at her through the mosquito net. She was
in such a hysterical state that inspite of the heat and discomfort I was obliged to crawl into
her little bed with her and remained there for the rest of the night.Next night I left a night lamp burning but even so I had to sit by her bed until she
dropped off to sleep. Again I was awakened by ear-splitting screams and this time
found Kate standing rigid on her bed. I lifted her out and carried her to a chair meaning to
comfort her but she screeched louder than ever, “Look Mummy it’s under the bed. It’s
looking at us.” In vain I pointed out that there was nothing at all there. By this time
George had joined us and he carried Kate off to his bed in the other room whilst I got into
Kate’s bed thinking she might have been frightened by a rat which might also disturb
Johnny.Next morning our houseboy remarked that he had heard Kate screaming in the
night from his room behind the kitchen. I explained what had happened and he must
have told the old Scout Hasmani who waylaid me that afternoon and informed me quite
seriously that that particular room was haunted by a ‘sheitani’ (devil) who hates children.
He told me that whilst he was acting as caretaker before our arrival he one night had his
wife and small daughter in the room to keep him company. He said that his small
daughter woke up and screamed exactly as Kate had done! Silly coincidence I
suppose, but such strange things happen in Africa that I decided to move the children
into our room and George sleeps in solitary state in the haunted room! Kate now sleeps
peacefully once she goes to sleep but I have to stay with her until she does.I like this house and it does not seem at all sinister to me. As I mentioned before,
the rooms are high ceilinged and airy, and have cool cement floors. We have made one
end of the enclosed verandah into the living room and the other end is the playroom for
the children. The space in between is a sort of no-mans land taken over by the dogs as
their special territory.Eleanor.
Nzassa 25th March 1939.
Dearest Family,
George is on safari down in the Rufigi River area. He is away for about three
weeks in the month on this job. I do hate to see him go and just manage to tick over until
he comes back. But what fun and excitement when he does come home.
Usually he returns after dark by which time the children are in bed and I have
settled down on the verandah with a book. The first warning is usually given by the
dogs, Fanny and her son Paddy. They stir, sit up, look at each other and then go and sit
side by side by the door with their noses practically pressed to the mosquito gauze and
ears pricked. Soon I can hear the hum of the car, and so can Hasmani, the old Game
Scout who sleeps on the back verandah with rifle and ammunition by his side when
George is away. When he hears the car he turns up his lamp and hurries out to rouse
Juma, the houseboy. Juma pokes up the fire and prepares tea which George always
drinks whist a hot meal is being prepared. In the meantime I hurriedly comb my hair and
powder my nose so that when the car stops I am ready to rush out and welcome
George home. The boy and Hasmani and the garden boy appear to help with the
luggage and to greet George and the cook, who always accompanies George on
Safari. The home coming is always a lively time with much shouting of greetings.
‘Jambo’, and ‘Habari ya safari’, whilst the dogs, beside themselves with excitement,
rush around like lunatics.As though his return were not happiness enough, George usually collects the
mail on his way home so there is news of Ann and young George and letters from you
and bundles of newspapers and magazines. On the day following his return home,
George has to deal with official mail in the office but if the following day is a weekday we
all, the house servants as well as ourselves, pile into the boxbody and go to Dar es
Salaam. To us this means a mornings shopping followed by an afternoon on the beach.
It is a bit cooler now that the rains are on but still very humid. Kate keeps chubby
and rosy in spite of the climate but Johnny is too pale though sturdy enough. He is such
a good baby which is just as well because Kate is a very demanding little girl though
sunny tempered and sweet. I appreciate her company very much when George is
away because we are so far off the beaten track that no one ever calls.Eleanor.
Nzassa 28th April 1939.
Dearest Family,
You all seem to wonder how I can stand the loneliness and monotony of living at
Nzassa when George is on safari, but really and truly I do not mind. Hamisi the cook
always goes on safari with George and then the houseboy Juma takes over the cooking
and I do the lighter housework. the children are great company during the day, and when
they are settled for the night I sit on the verandah and read or write letters or I just dream.
The verandah is entirely enclosed with both wire mosquito gauze and a trellis
work of heavy expanded metal, so I am safe from all intruders be they human, animal, or
insect. Outside the air is alive with mosquitos and the cicadas keep up their monotonous
singing all night long. My only companions on the verandah are the pale ghecco lizards
on the wall and the two dogs. Fanny the white bull terrier, lies always near my feet
dozing happily, but her son Paddy, who is half Airedale has a less phlegmatic
disposition. He sits alert and on guard by the metal trellis work door. Often a lion grunts
from the surrounding bush and then his hackles rise and he stands up stiffly with his nose
pressed to the door. Old Hasmani from his bedroll on the back verandah, gives a little
cough just to show he is awake. Sometimes the lions are very close and then I hear the
click of a rifle bolt as Hasmani loads his rifle – but this is usually much later at night when
the lights are out. One morning I saw large pug marks between the wall of my bedroom
and the garage but I do not fear lions like I did that beastly leopard on the farm.
A great deal of witchcraft is still practiced in the bush villages in the
neighbourhood. I must tell you about old Hasmani’s baby in connection with this. Last
week Hasmani came to me in great distress to say that his baby was ‘Ngongwa sana ‘
(very ill) and he thought it would die. I hurried down to the Game Scouts quarters to see
whether I could do anything for the child and found the mother squatting in the sun
outside her hut with the baby on her lap. The mother was a young woman but not an
attractive one. She appeared sullen and indifferent compared with old Hasmani who
was very distressed. The child was very feverish and breathing with difficulty and
seemed to me to be suffering from bronchitis if not pneumonia. I rubbed his back and
chest with camphorated oil and dosed him with aspirin and liquid quinine. I repeated the
treatment every four hours, but next day there was no apparent improvement.
In the afternoon Hasmani begged me to give him that night off duty and asked for
a loan of ten shillings. He explained to me that it seemed to him that the white man’s
medicine had failed to cure his child and now he wished to take the child to the local witch
doctor. “For ten shillings” said Hasmani, “the Maganga will drive the devil out of my
child.” “How?” asked I. “With drums”, said Hasmani confidently. I did not know what to
do. I thought the child was too ill to be exposed to the night air, yet I knew that if I
refused his request and the child were to die, Hasmani and all the other locals would hold
me responsible. I very reluctantly granted his request. I was so troubled by the matter
that I sent for George’s office clerk. Daniel, and asked him to accompany Hasmani to the
ceremony and to report to me the next morning. It started to rain after dark and all night
long I lay awake in bed listening to the drums and the light rain. Next morning when I
went out to the kitchen to order breakfast I found a beaming Hasmani awaiting me.
“Memsahib”, he said. “My child is well, the fever is now quite gone, the Maganga drove
out the devil just as I told you.” Believe it or not, when I hurried to his quarters after
breakfast I found the mother suckling a perfectly healthy child! It may be my imagination
but I thought the mother looked pretty smug.The clerk Daniel told me that after Hasmani
had presented gifts of money and food to the ‘Maganga’, the naked baby was placed
on a goat skin near the drums. Most of the time he just lay there but sometimes the witch
doctor picked him up and danced with the child in his arms. Daniel seemed reluctant to
talk about it. Whatever mumbo jumbo was used all this happened a week ago and the
baby has never looked back.Eleanor.
Nzassa 3rd July 1939.
Dearest Family,
Did I tell you that one of George’s Game Scouts was murdered last month in the
Maneromango area towards the Rufigi border. He was on routine patrol, with a porter
carrying his bedding and food, when they suddenly came across a group of African
hunters who were busy cutting up a giraffe which they had just killed. These hunters were
all armed with muzzle loaders, spears and pangas, but as it is illegal to kill giraffe without
a permit, the Scout went up to the group to take their names. Some argument ensued
and the Scout was stabbed.The District Officer went to the area to investigate and decided to call in the Police
from Dar es Salaam. A party of police went out to search for the murderers but after
some days returned without making any arrests. George was on an elephant control
safari in the Bagamoyo District and on his return through Dar es Salaam he heard of the
murder. George was furious and distressed to hear the news and called in here for an
hour on his way to Maneromango to search for the murderers himself.After a great deal of strenuous investigation he arrested three poachers, put them
in jail for the night at Maneromango and then brought them to Dar es Salaam where they
are all now behind bars. George will now have to prosecute in the Magistrate’s Court
and try and ‘make a case’ so that the prisoners may be committed to the High Court to
be tried for murder. George is convinced of their guilt and justifiably proud to have
succeeded where the police failed.George had to borrow handcuffs for the prisoners from the Chief at
Maneromango and these he brought back to Nzassa after delivering the prisoners to
Dar es Salaam so that he may return them to the Chief when he revisits the area next
week.I had not seen handcuffs before and picked up a pair to examine them. I said to
George, engrossed in ‘The Times’, “I bet if you were arrested they’d never get
handcuffs on your wrist. Not these anyway, they look too small.” “Standard pattern,”
said George still concentrating on the newspaper, but extending an enormous relaxed
left wrist. So, my dears, I put a bracelet round his wrist and as there was a wide gap I
gave a hard squeeze with both hands. There was a sharp click as the handcuff engaged
in the first notch. George dropped the paper and said, “Now you’ve done it, my love,
one set of keys are in the Dar es Salaam Police Station, and the others with the Chief at
Maneromango.” You can imagine how utterly silly I felt but George was an angel about it
and said as he would have to go to Dar es Salaam we might as well all go.So we all piled into the car, George, the children and I in the front, and the cook
and houseboy, immaculate in snowy khanzus and embroidered white caps, a Game
Scout and the ayah in the back. George never once complain of the discomfort of the
handcuff but I was uncomfortably aware that it was much too tight because his arm
above the cuff looked red and swollen and the hand unnaturally pale. As the road is so
bad George had to use both hands on the wheel and all the time the dangling handcuff
clanked against the dashboard in an accusing way.We drove straight to the Police Station and I could hear the roars of laughter as
George explained his predicament. Later I had to put up with a good deal of chaffing
and congratulations upon putting the handcuffs on George.Eleanor.
Nzassa 5th August 1939
Dearest Family,
George made a point of being here for Kate’s fourth birthday last week. Just
because our children have no playmates George and I always do all we can to make
birthdays very special occasions. We went to Dar es Salaam the day before the
birthday and bought Kate a very sturdy tricycle with which she is absolutely delighted.
You will be glad to know that your parcels arrived just in time and Kate loved all your
gifts especially the little shop from Dad with all the miniature tins and packets of
groceries. The tea set was also a great success and is much in use.We had a lively party which ended with George and me singing ‘Happy
Birthday to you’, and ended with a wild game with balloons. Kate wore her frilly white net
party frock and looked so pretty that it seemed a shame that there was no one but us to
see her. Anyway it was a good party. I wish so much that you could see the children.
Kate keeps rosy and has not yet had malaria. Johnny Jo is sturdy but pale. He
runs a temperature now and again but I am not sure whether this is due to teething or
malaria. Both children of course take quinine every day as George and I do. George
quite frequently has malaria in spite of prophylactic quinine but this is not surprising as he
got the germ thoroughly established in his system in his early elephant hunting days. I
get it too occasionally but have not been really ill since that first time a month after my
arrival in the country.Johnny is such a good baby. His chief claim to beauty is his head of soft golden
curls but these are due to come off on his first birthday as George considers them too
girlish. George left on safari the day after the party and the very next morning our wood
boy had a most unfortunate accident. He was chopping a rather tough log when a chip
flew up and split his upper lip clean through from mouth to nostril exposing teeth and
gums. A truly horrible sight and very bloody. I cleaned up the wound as best I could
and sent him off to the hospital at Dar es Salaam on the office bicycle. He wobbled
away wretchedly down the road with a white cloth tied over his mouth to keep off the
dust. He returned next day with his lip stitched and very swollen and bearing a
resemblance to my lip that time I used the hair remover.Eleanor.
Splendid Hotel. Dar es Salaam 7th September 1939
Dearest Family,
So now another war has started and it has disrupted even our lives. We have left
Nzassa for good. George is now a Lieutenant in the King’s African Rifles and the children
and I are to go to a place called Morogoro to await further developments.
I was glad to read in today’s paper that South Africa has declared war on
Germany. I would have felt pretty small otherwise in this hotel which is crammed full of
men who have been called up for service in the Army. George seems exhilarated by
the prospect of active service. He is bursting out of his uniform ( at the shoulders only!)
and all too ready for the fray.The war came as a complete surprise to me stuck out in the bush as I was without
wireless or mail. George had been away for a fortnight so you can imagine how
surprised I was when a messenger arrived on a bicycle with a note from George. The
note informed me that war had been declared and that George, as a Reserve Officer in
the KAR had been called up. I was to start packing immediately and be ready by noon
next day when George would arrive with a lorry for our goods and chattels. I started to
pack immediately with the help of the houseboy and by the time George arrived with
the lorry only the frig remained to be packed and this was soon done.Throughout the morning Game Scouts had been arriving from outlying parts of
the District. I don’t think they had the least idea where they were supposed to go or
whom they were to fight but were ready to fight anybody, anywhere, with George.
They all looked very smart in well pressed uniforms hung about with water bottles and
ammunition pouches. The large buffalo badge on their round pill box hats absolutely
glittered with polish. All of course carried rifles and when George arrived they all lined up
and they looked most impressive. I took some snaps but unfortunately it was drizzling
and they may not come out well.We left Nzassa without a backward glance. We were pretty fed up with it by
then. The children and I are spending a few days here with George but our luggage, the
dogs, and the houseboys have already left by train for Morogoro where a small house
has been found for the children and me.George tells me that all the German males in this Territory were interned without a
hitch. The whole affair must have been very well organised. In every town and
settlement special constables were sworn in to do the job. It must have been a rather
unpleasant one but seems to have gone without incident. There is a big transit camp
here at Dar for the German men. Later they are to be sent out of the country, possibly to
Rhodesia.The Indian tailors in the town are all terribly busy making Army uniforms, shorts
and tunics in khaki drill. George swears that they have muddled their orders and he has
been given the wrong things. Certainly the tunic is far too tight. His hat, a khaki slouch hat
like you saw the Australians wearing in the last war, is also too small though it is the
largest they have in stock. We had a laugh over his other equipment which includes a
small canvas haversack and a whistle on a black cord. George says he feels like he is
back in his Boy Scouting boyhood.George has just come in to say the we will be leaving for Morogoro tomorrow
afternoon.Eleanor.
Morogoro 14th September 1939
Dearest Family,
Morogoro is a complete change from Nzassa. This is a large and sprawling
township. The native town and all the shops are down on the flat land by the railway but
all the European houses are away up the slope of the high Uluguru Mountains.
Morogoro was a flourishing town in the German days and all the streets are lined with
trees for coolness as is the case in other German towns. These trees are the flamboyant
acacia which has an umbrella top and throws a wide but light shade.Most of the houses have large gardens so they cover a considerable area and it
is quite a safari for me to visit friends on foot as our house is on the edge of this area and
the furthest away from the town. Here ones house is in accordance with ones seniority in
Government service. Ours is a simple affair, just three lofty square rooms opening on to
a wide enclosed verandah. Mosquitoes are bad here so all doors and windows are
screened and we will have to carry on with our daily doses of quinine.George came up to Morogoro with us on the train. This was fortunate because I
went down with a sharp attack of malaria at the hotel on the afternoon of our departure
from Dar es Salaam. George’s drastic cure of vast doses of quinine, a pillow over my
head, and the bed heaped with blankets soon brought down the temperature so I was
fit enough to board the train but felt pretty poorly on the trip. However next day I felt
much better which was a good thing as George had to return to Dar es Salaam after two
days. His train left late at night so I did not see him off but said good-bye at home
feeling dreadful but trying to keep the traditional stiff upper lip of the wife seeing her
husband off to the wars. He hopes to go off to Abyssinia but wrote from Dar es Salaam
to say that he is being sent down to Rhodesia by road via Mbeya to escort the first
detachment of Rhodesian white troops.First he will have to select suitable camping sites for night stops and arrange for
supplies of food. I am very pleased as it means he will be safe for a while anyway. We
are both worried about Ann and George in England and wonder if it would be safer to
have them sent out.Eleanor.
Morogoro 4th November 1939
Dearest Family,
My big news is that George has been released from the Army. He is very
indignant and disappointed because he hoped to go to Abyssinia but I am terribly,
terribly glad. The Chief Secretary wrote a very nice letter to George pointing out that he
would be doing a greater service to his country by his work of elephant control, giving
crop protection during the war years when foodstuffs are such a vital necessity, than by
doing a soldiers job. The Government plan to start a huge rice scheme in the Rufiji area,
and want George to control the elephant and hippo there. First of all though. he must go
to the Southern Highlands Province where there is another outbreak of Rinderpest, to
shoot out diseased game especially buffalo, which might spread the disease.So off we go again on our travels but this time we are leaving the two dogs
behind in the care of Daniel, the Game Clerk. Fanny is very pregnant and I hate leaving
her behind but the clerk has promised to look after her well. We are taking Hamisi, our
dignified Swahili cook and the houseboy Juma and his wife whom we brought with us
from Nzassa. The boy is not very good but his wife makes a cheerful and placid ayah
and adores Johnny.Eleanor.
Iringa 8th December 1939
Dearest Family,
The children and I are staying in a small German house leased from the
Custodian of Enemy Property. I can’t help feeling sorry for the owners who must be in
concentration camps somewhere.George is away in the bush dealing with the
Rinderpest emergency and the cook has gone with him. Now I have sent the houseboy
and the ayah away too. Two days ago my houseboy came and told me that he felt
very ill and asked me to write a ‘chit’ to the Indian Doctor. In the note I asked the Doctor
to let me know the nature of his complaint and to my horror I got a note from him to say
that the houseboy had a bad case of Venereal Disease. Was I horrified! I took it for
granted that his wife must be infected too and told them both that they would have to
return to their home in Nzassa. The boy shouted and the ayah wept but I paid them in
lieu of notice and gave them money for the journey home. So there I was left servant
less with firewood to chop, a smokey wood burning stove to control, and of course, the
two children.To add to my troubles Johnny had a temperature so I sent for the European
Doctor. He diagnosed malaria and was astonished at the size of Johnny’s spleen. He
said that he must have had suppressed malaria over a long period and the poor child
must now be fed maximum doses of quinine for a long time. The Doctor is a fatherly
soul, he has been recalled from retirement to do this job as so many of the young
doctors have been called up for service with the army.I told him about my houseboy’s complaint and the way I had sent him off
immediately, and he was very amused at my haste, saying that it is most unlikely that
they would have passed the disease onto their employers. Anyway I hated the idea. I
mean to engage a houseboy locally, but will do without an ayah until we return to
Morogoro in February.Something happened today to cheer me up. A telegram came from Daniel which
read, “FLANNEL HAS FIVE CUBS.”Eleanor.
Morogoro 10th March 1940
Dearest Family,
We are having very heavy rain and the countryside is a most beautiful green. In
spite of the weather George is away on safari though it must be very wet and
unpleasant. He does work so hard at his elephant hunting job and has got very thin. I
suppose this is partly due to those stomach pains he gets and the doctors don’t seem
to diagnose the trouble.Living in Morogoro is much like living in a country town in South Africa, particularly
as there are several South African women here. I go out quite often to morning teas. We
all take our war effort knitting, and natter, and are completely suburban.
I sometimes go and see an elderly couple who have been interred here. They
are cold shouldered by almost everyone else but I cannot help feeling sorry for them.
Usually I go by invitation because I know Mrs Ruppel prefers to be prepared and
always has sandwiches and cake. They both speak English but not fluently and
conversation is confined to talking about my children and theirs. Their two sons were
students in Germany when war broke out but are now of course in the German Army.
Such nice looking chaps from their photographs but I suppose thorough Nazis. As our
conversation is limited I usually ask to hear a gramophone record or two. They have a
large collection.Janet, the ayah whom I engaged at Mbeya, is proving a great treasure. She is a
trained hospital ayah and is most dependable and capable. She is, perhaps, a little strict
but the great thing is that I can trust her with the children out of my sight.
Last week I went out at night for the first time without George. The occasion was
a farewell sundowner given by the Commissioner of Prisoners and his wife. I was driven
home by the District Officer and he stopped his car by the back door in a large puddle.
Ayah came to the back door, storm lamp in hand, to greet me. My escort prepared to
drive off but the car stuck. I thought a push from me might help, so without informing the
driver, I pushed as hard as I could on the back of the car. Unfortunately the driver
decided on other tactics. He put the engine in reverse and I was knocked flat on my back
in the puddle. The car drove forward and away without the driver having the least idea of
what happened. The ayah was in quite a state, lifting me up and scolding me for my
stupidity as though I were Kate. I was a bit shaken but non the worse and will know
better next time.Eleanor.
Morogoro 14th July 1940
Dearest Family,
How good it was of Dad to send that cable to Mother offering to have Ann and
George to live with you if they are accepted for inclusion in the list of children to be
evacuated to South Africa. It would be wonderful to know that they are safely out of the
war zone and so much nearer to us but I do dread the thought of the long sea voyage
particularly since we heard the news of the sinking of that liner carrying child evacuees to
Canada. I worry about them so much particularly as George is so often away on safari.
He is so comforting and calm and I feel brave and confident when he is home.
We have had no news from England for five weeks but, when she last wrote,
mother said the children were very well and that she was sure they would be safe in the
country with her.Kate and John are growing fast. Kate is such a pretty little girl, rosy in spite of the
rather trying climate. I have allowed her hair to grow again and it hangs on her shoulders
in shiny waves. John is a more slightly built little boy than young George was, and quite
different in looks. He has Dad’s high forehead and cleft chin, widely spaced brown eyes
that are not so dark as mine and hair that is still fair and curly though ayah likes to smooth it
down with water every time she dresses him. He is a shy child, and although he plays
happily with Kate, he does not care to play with other children who go in the late
afternoons to a lawn by the old German ‘boma’.Kate has playmates of her own age but still rather clings to me. Whilst she loves
to have friends here to play with her, she will not go to play at their houses unless I go
too and stay. She always insists on accompanying me when I go out to morning tea
and always calls Janet “John’s ayah”. One morning I went to a knitting session at a
neighbours house. We are all knitting madly for the troops. As there were several other
women in the lounge and no other children, I installed Kate in the dining room with a
colouring book and crayons. My hostess’ black dog was chained to the dining room
table leg, but as he and Kate are on friendly terms I was not bothered by this.
Some time afterwards, during a lull in conversation, I heard a strange drumming
noise coming from the dining room. I went quickly to investigate and, to my horror, found
Kate lying on her back with the dog chain looped around her neck. The frightened dog
was straining away from her as far as he could get and the chain was pulled so tightly
around her throat that she could not scream. The drumming noise came from her heels
kicking in a panic on the carpet.Even now I do not know how Kate got herself into this predicament. Luckily no
great harm was done but I think I shall do my knitting at home in future.Eleanor.
Morogoro 16th November 1940
Dearest Family,
I much prefer our little house on the hillside to the larger one we had down below.
The only disadvantage is that the garden is on three levels and both children have had
some tumbles down the steps on the tricycle. John is an extremely stoical child. He
never cries when he hurts himself.I think I have mentioned ‘Morningside’ before. It is a kind of Resthouse high up in
the Uluguru Mountains above Morogoro. Jess Howe-Browne, who runs the large
house as a Guest House, is a wonderful woman. Besides running the boarding house
she also grows vegetables, flowers and fruit for sale in Morogoro and Dar es Salaam.
Her guests are usually women and children from Dar es Salaam who come in the hot
season to escape the humidity on the coast. Often the mothers leave their children for
long periods in Jess Howe-Browne’s care. There is a road of sorts up the mountain side
to Morningside, but this is so bad that cars do not attempt it and guests are carried up
the mountain in wicker chairs lashed to poles. Four men carry an adult, and two a child,
and there are of course always spare bearers and they work in shifts.Last week the children and I went to Morningside for the day as guests. John
rode on my lap in one chair and Kate in a small chair on her own. This did not please
Kate at all. The poles are carried on the bearers shoulders and one is perched quite high.
The motion is a peculiar rocking one. The bearers chant as they go and do not seem
worried by shortness of breath! They are all hillmen of course and are, I suppose, used
to trotting up and down to the town.Morningside is well worth visiting and we spent a delightful day there. The fresh
cool air is a great change from the heavy air of the valley. A river rushes down the
mountain in a series of cascades, and the gardens are shady and beautiful. Behind the
property is a thick indigenous forest which stretches from Morningside to the top of the
mountain. The house is an old German one, rather in need of repair, but Jess has made
it comfortable and attractive, with some of her old family treasures including a fine old
Grandfather clock. We had a wonderful lunch which included large fresh strawberries and
cream. We made the return journey again in the basket chairs and got home before dark.
George returned home at the weekend with a baby elephant whom we have
called Winnie. She was rescued from a mud hole by some African villagers and, as her
mother had abandoned her, they took her home and George was informed. He went in
the truck to fetch her having first made arrangements to have her housed in a shed on the
Agriculture Department Experimental Farm here. He has written to the Game Dept
Headquarters to inform the Game Warden and I do not know what her future will be, but
in the meantime she is our pet. George is afraid she will not survive because she has
had a very trying time. She stands about waist high and is a delightful creature and quite
docile. Asian and African children as well as Europeans gather to watch her and George
encourages them to bring fruit for her – especially pawpaws which she loves.
Whilst we were there yesterday one of the local ladies came, very smartly
dressed in a linen frock, silk stockings, and high heeled shoes. She watched fascinated
whilst Winnie neatly split a pawpaw and removed the seeds with her trunk, before
scooping out the pulp and putting it in her mouth. It was a particularly nice ripe pawpaw
and Winnie enjoyed it so much that she stretched out her trunk for more. The lady took
fright and started to run with Winnie after her, sticky trunk outstretched. Quite an
entertaining sight. George managed to stop Winnie but not before she had left a gooey
smear down the back of the immaculate frock.Eleanor.
