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That night Glynnis had a strange dream. She knew that it was no ordinary dream and in the morning diligently recorded it in her dream journal.

I was walking on a windy path through the forest. A young woman with bizarre hair and a cackling laugh appeared before me, blocking my path.
“Tell me your name!” I commanded.
“My name is Eleri, and I have a parrot to accompany you on your journey.”
“A parrot! What would I do with a parrot?”
“This is no ordinary parrot. This parrot can tell jokes,” responded the woman.
“A funny parrot! Well why didn’t you tell me that in the first place. Give me the parrot and I will be on my way.”
“Hold your horses. It’s not such an easy thing as that,” said the woman. “It never is you know. First you must tell me what is going on.”
I sighed and handed her a manuscript. “Read this a dozen times and all will be made clear.”
A look of petulant fury distorted the young woman’s face.
“ Tell me what is going on, you rude tart!“ she said crossly.
Here is what I told her:

Glynnis is a young woman living in the enchanted forest in an abandoned mansion. She practices magic and has a great affinity for nature. She also has the face of dragon after she annoyed a powerful sorcerer. She is being troubled by dreams which seem to be calling her on a mission—the purpose of which she is unsure. Glynnis sells her potions at a stall in the city. One day she finds a map hidden behind a painting and knows that she needs to follow the path shown on the map.
Rushkan is fae. He works as the city ‘chief overseer’ looking after the clock tower. He isn’t that keen on his job. Rushkan has a half-formed vision to assemble a team but for what purpose he is not sure. He has also discovered something worrying, dark even, about the clock tower.
One day, Rushkan uses his magic to call for an Oliphant. He packs a small bag of belongs and departs on a journey. Before departing, he leaves a gift for Olliver, the office errand boy.
Rushkan is a little irritated to find that the forest has been fenced off and a toll-booth erected—who wouldn’t be annoyed by this needless bureaucracy? Anyway, after farewelling the helpful Oliphant he continues his journey on foot.
He hears a cry for help and comes across a dying Gibbon. The Gibbon entrusts her infant to his care. He takes the baby—named Tak—to an old woman who lives in a lodge close to the Dragon Heartwood: Margoritt Loursenoir, a writer. It seems Tak is a shape-shifter and can also take the form of a child. Perhaps that is his true form. Rushkan stays with Margoritt for a while to recoup but it isn’t very long before he feels compelled to continue his journey to find the hermit, Kumihimo,in the forest. Kumihimo seems to be weaving seven braids.
To get to the hermit Rushkan has to cross Fae land. He isn’t overjoyed about this because he has left the ‘old ways’ of his people. Rushkan has to declare his presence to the Fae people—it’s a rule. The Queen is a bit annoyed because her empire is not as powerful as it once was and she has had to use precious resources to protect Rushkan on his journey. Anyway, she doesn’t stay uppity for long and ends up in bed with him.
Gorash is a dwarf statue who abides in the grounds of the deserted mansion in the enchanted forest. At night he comes to life. He has a friend called Rainbow. Gorash assists Rainbow in stealing Glynis’s magic potions and they make seven colourful eggs which Rainbow is infatuated with.
Mr Fox lives in a hut outside the city walls. At sunset he can shapeshift into a fox. He prefers being in animal form. Fox is quite a character. Not much gets past him.
Fox’s master is a Gibbon who taught him how to shapeshift. After going on a journey into the forest to find Gibbon, Fox is told that it is time to learn the wisdom of the Heart. Gibbon gives Fox an assignment: “You’ll find a lost soul in the enchanted forest. Bring it back to its rightful owner. Then you shall find your master.”
Fox goes back to the mansion in the deserted forest just as Glynnis is leaving on her journey. He befriends Gorash who has become increasingly lonely since Rainbow now has the eggs.

“That’s brilliant,” said the woman called Eleri. “You should probably get lots of points for doing that.” She gave one more loud cackle and shouted: “I am off to pick some mushrooms. You will find the parrot when you wake up from this crazy dream!”

“But how?” asked Liz. “We don’t even know where she came from, or how she got here. I don’t think you can just banish characters that easily. Look what happened last time.”

“What happened last time?” asked Finnley.

“Oh, I don’t remember! Never mind that now! How are we going to get rid of that rude interloper?”

Finnley snorted at the word INterLOPEr. “That was rather clever, Liz” she tittered.

Liz couldn’t help but snigger too. “I didn’t plan that,” she admitted.

“Do you mean the story character refugee crisis, Liz?” interjected Godfrey.

“Yes! Of course, that was it.”

“Well you can’t banish characters just because they’re rude, Liz,” remarked Godfrey, reaching for the cashew nuts.

“Don’t bother me with that now, Finnley! We really must do something about that loose hanging thread before it trips us up. Godfrey will wrap it up, and we will unravel again. We’ve left those poor dears hanging by a thread ~ again! ~ stitched up….. if we carry on like this we’ll never get characters to agree to work in our stories again! And who could blame them! They gem hemmed into a scene and left there. Until someone tries to patch it up, and then it all starts fraying at the seams.”

“Is something needling you, Elizabeth?”

“I can do without your warped sense of humour. Do pay attention dear, how can we knit this all back together?”

It had been three days. Fox wasn’t sure of what to do next. The witch was gone, the manor was empty, and she wasn’t coming back. For a moment he felt like the small fox he was before his master found him, feeling abandoned by his mother. She had been killed after hiding him from the hunters. But he didn’t know it at the time. Fox sighed. How was he supposed to find the lost piece of soul now? It was easier when he was in his animal form, he wouldn’t think so much about what to do next, he would just be doing, anything that fit the moment. But his master had warned him not to revert back to his animal form, that he was not yet free. Fox wasn’t sure if it was true, but he trusted his master, and despite the strong desire to turn back, each moment he was making the decision to keep his human form.

There was another who was not yet free, Fox thought. He looked at the cold stone face of his new friend. They had talked every night since his arrival and as usual they hadn’t seen the daylight coming. This time, Gorrash had been frozen laughing, and Fox thought it was the liveliest statue he had ever seen. They had gotten along quite easily, especially after Fox had given the dwarf some medicine to help with the nausea after his incursion underground. Afterward, Gorrash had been an endless source of questions about the world. Fox thought the dwarf was an interesting character. He looked old with his long beard and the wrinkles around his eyes, but he had not been around very long. Grey during the day, he was very colourful once the daylight had gone; he wore red hat and pants, green jacket, and brown crakows and belt. His voice had the sound of a grinding stone, with a hint of melancholy as he talked about his maker. But for the moment, despite his expressive outburst, he was cast in silence.

Fox shook himself and decided it was time to make some plans about where to go next. He would try to catch up with the witch, he might be able to find her before she went to far away from the forest. The woman looked old and she couldn’t have gone far, especially as she seemed to avoid human contact, she wouldn’t have found a carriage. Fox remembered his master warning him about hope, that it was one of the cause of suffering in the world. Nonetheless, roaming randomly into the enchanted forest could take him years to find the lost piece of soul. Hope or no hope, he had spent enough time waiting in his life. He had a quest now.

Fox wouldn’t have admitted aloud, but his new friendship brought in some complication. Fox had tried to lift him, but despite its rather small size the statue was quite heavy. He would have to find something to carry it during the day as they couldn’t just walk at night time.
Fox looked at the garden for a moment, the frozen pond, the yellow grass, some old abandoned furniture. Then he looked at the closed door of the house, and wondered why he hadn’t thought of it before. There might be something useful inside. And if the witch was gone, she wouldn’t mind, would she?

Fox used a pair of pins to open the door. The smell of herbs, spices and a few other things he didn’t want to know about, brushed past his nose as he entered the dark house.

“The characters don’t like it, you know,” Liz said, realizing that nobody was listening. “The don’t like it at all, being abandoned during the festivities. Maybe they’d like to join in singing happy bollocks to christmas carols, or pull a cracker for a cheap hat and a dumb joke, or stuff themselves with dead poultry. Maybe they’d like half a chance to join in!”

“Scrooge,” muttered Finnley.

“I said nobody was listening, and what are you doing here anyway?”

“It all seems so samey,” replied Finnley. “I got bored so I left.”

“Same every year,” agreed Liz. “it’s like writing the same chapter over and over and over again.”

“Good morning Yorath! I had a most amazing dream last night,” said Eleri, while turning the mushrooms sizzling in the pan. “But I can’t recall a thing. Do you have a spell for dream recall?”

“Of course I do! Put orange skin on your forehead and say carambar, that will do the trick,” he replied with a smile. If it works, he thought to himself, I can put it in my new spell book.

“How handy that it’s orange season, I was just about to squeeze some for breakfast.” Eleri did as he suggested and placed the orange on her forehead. Immediately she had a vision of a fairy tale castle, silvery with many turrets. She was at a crossroads and a little bridge was in front of her leading to the castle. An old crone swathed in black skirts and shawl approached from the right, carrying a basket. The dream character pulled aside a red gingham cloth covering her basket and handed Eleri a large black book. Holding the book, she had an almost trippy sensation that the book was writhing or pulsing as if it’s stories would burst through the plain cover. And sure enough, as she held the book in her dream hands, while holding the cool orange to the middle of her forehead, she started to get flashes of recall.

As the crow flies, Glenville is about 100 miles from the Forest of Enchantment.

“What a pretty town!” tourists to the area would exclaim, delighted by the tree lined streets and quaint houses with thatched roofs and brightly painted exteriors. They didn’t see the dark underside which rippled just below the surface of this exuberant facade. If they stayed for more than a few days, sure enough, they would begin to sense it. “Time to move on, perhaps,” they would say uneasily, although unsure exactly why and often putting it down to their own restless natures.

Glynis Cotfield was born in one of these houses. Number 4 Leafy Lane. Number 4 had a thatched roof and was painted a vibrant shade of yellow. There were purple trims around each window and a flower box either side of the front door containing orange flowers which each spring escaped their confines to sprawl triumphantly down the side of the house.

Her father, Kevin Cotfield, was a bespectacled clerk who worked in an office at the local council. He was responsible for building permits and making sure people adhered to very strict requirements to ‘protect the special and unique character of Glenville’.

And her mother, Annelie … well, her mother was a witch. Annelie Cotfield came from a long line of witches and she had 3 siblings, all of whom practised the magical arts in some form or other.

Uncle Brettwick could make fire leap from any part of his body. Once, he told Glynis she could put her hand in the fire and it wouldn’t hurt her. Tentatively she did. To her amazement the fire was cold; it felt like the air on a frosty winter’s day. She knew he could also make the fire burning hot, if he wanted. Some people were a little scared of her Uncle Brettwick and there were occasions—such as when Lucy Dickwit told everyone at school they should spit at Glynis because she came from an ‘evil witch family’—when she used this to her advantage.

“Yes, and I will tell my Uncle to come and burn down your stinking house if you don’t shut your stinking stupid mouth!” she said menacingly, sticking her face close to Lucy’s face. “And give me your bracelet,” she added as an after thought. It had worked. She got her peace and she got the bracelet.

Aunt Janelle could move objects with her mind. She set up a stall in the local market and visitors to the town would give her money to watch their trinkets move. “Lay it on the table”, she would command them imperiously. “See, I place my hands very far from your coin. I do not touch it. See?” Glynis would giggle because Aunt Janelle put on a funny accent and wore lots of garish makeup and would glare ferociously at the tourists.

But Aunt Bethell was Glynis’s favourite—she made magic with stories. “I am the Mistress of Illusions,” she would tell people proudly. When Glynis was little, Aunt Bethell would create whole stories for her entertainment. When Glynis tried to touch the story characters, her hand would go right through them. And Aunt Bethell didn’t even have to be in the same room as Glynis to send her a special magical story. Glynis adored Aunt Bethell.

Her mother, Annelie, called herself a healer but others called her a witch. She concocted powerful healing potions using recipes from her ’Big Book of Spells’, a book which had belonged to Annelie’s mother and her mother before her. On the first page of the book, in spindly gold writing it said: ‘May we never forget our LOVE of Nature and the Wisdom of Ages’. When Glynis asked what the ‘Wisdom of Ages’ meant, her mother said it was a special knowing that came from the heart and from our connection with All That Is. She said Glynis had the Wisdom of Ages too and then she would ask Glynis to gather herbs from the garden for her potions. Glynis didn’t think she had any particular wisdom and wondered if it was a ploy on her mother’s part to get free labour. She obeyed grudgingly but drew the line at learning any spells. And on this matter her father sided with her. “Don’t fill her mind with all that hocus pocus stuff,” he would say grumpily.

Despite this, the house was never empty; people came from all over to buy her mother’s potions and often to have their fortunes told as well. Mostly while her father was at work.

Glynis’s best friend when she was growing up was Tomas. Tomas lived at number 6 Leafy Lane. They both knew instinctively they shared a special bond because Tomas’s father also practised magic. He was a sorcerer. Glynis was a bit scared of Tomas’s Dad who had a funny crooked walk and never spoke directly to her. “Tell your friend you must come home now, Tomas,” he would call over the fence.

Being the son of a sorcerer, Tomas would also be a sorcerer. “It is my birthright,” he told her seriously one day. Glynis was impressed and wondered if Tomas had the Wisdom of Ages but it seemed a bit rude to ask in case he didn’t.

When Tomas was 13, his father took him away to begin his sorcery apprenticeship. Sometimes he would be gone for days at a time. Tomas never talked about where he went or what he did there. But he started to change: always a quiet boy, he became increasingly dark and brooding.

Glynis felt uneasy around this new Tomas and his growing possessiveness towards her. When Paul Ackleworthy asked her to the School Ball, Tomas was so jealous he broke Paul’s leg. Of course, nobody other than Glynis guessed it was Tomas who caused Paul’s bike to suddenly wobble so that he fell in the way of a passing car.

“You could have fucking killed him!” she had shouted at Tomas.

Tomas just shrugged. This was when she started to be afraid of him.

One day he told her he was going for his final initiation into the ‘Sorcerer Fraternity’.

“I have to go away for quite some time; I am not sure how long, but I want you to wait for me, Glynis.”

“Wait for you?”

He looked at her intensely. “It is destined for us to be together and you must promise you will be here for me when I get back.”

Glynis searched for her childhood friend in his eyes but she could no longer find him there.

“Look, Tomas, I don’t know,” she stuttered, wary of him, unwilling to tell the truth. “Maybe we shouldn’t make any arrangements like this … after all you might be away for a long time. You might meet someone else even …. some hot Sorceress,” she added, trying not to sound hopeful.

Suddenly, Glynis found herself flying. A gust of wind from nowhere lifted her from her feet, spun her round and then held her suspended, as though trying to decide what to do next, before letting her go. She landed heavily at Tomas’s feet.

“Ow!” she said angrily.

“Promise me.”

“Okay! I promise!” she said.

Her mother’s face went white when Glynis told her what Tomas had done.

That evening there was a gathering of Uncle Brettwick and the Aunts. There was much heated discussion which would cease abruptly when Glynis or her father entered the room. “Alright, dearie?” one of the Aunts would say, smiling way too brightly. And over the following days and weeks there was a flurry of magical activity at 4 Leafy Lane, all accompanied by fervent and hushed whisperings.

Glynis knew they were trying to help her, and was grateful, but after the initial fear, she became defiant. “Who the hell did he think he was, anyway?” She left Glenville to study architecture at the prestigious College of Mugglebury. It was there she met Conway, who worked in the cafe where she stopped for coffee each morning on her way to class. They fell in love and moved in together, deciding that as soon as Glynis had graduated they would marry. It had been 4 years since she had last seen Tomas and he was now no more than a faint anxious fluttering in her chest.

It was a Friday when she got the news that Conway had driven in the path of an oncoming truck and was killed instantly. She knew it was Friday because she was in the supermarket buying supplies for a party that weekend to celebrate her exams being over when she got the call. And it was the same day Tomas turned up at her house.

And it was then she knew.

“You murderer!” she had screamed through her tears. “Kill me too, if you want to. I will never love you.”

“You’ve broken my heart,” he said. “And for that you must pay the price. If I can’t have you then I will make sure no-one else wants you either.”

“You don’t have a heart to break,” she whispered.

Dragon face,” Tomas hissed as he left.

Glynis returned to Glenville just long enough to tell her family she was leaving again. “No, she didn’t know where,” she said, her heart feeling like stone. Her mother and her Aunts cried and begged her to reconsider. Her Uncle smouldered in silent fury and let off little puffs of smoke from his ears which he could not contain. Her father was simply bewildered and wanted to know what was all the fuss about and for crying out loud why was she wearing a burka?

The day she left her mother gave her the ‘Book of Spells”. Glynis knew how precious this book was to her mother but could only think how heavy it would be to lug around with her on her journey.

“Remember, Glynis,” her mother said as she hugged Glynis tightly to her, “the sorcerers have powerful magic but it is a mere drop in the ocean in comparison to the magic of All That Is. You have that great power within you and no sorcerer can take take that from you. You have the power to transform this into something beautiful.”

The fire in the wood stove had gone out when Eleri awoke but she didn’t rekindle it. The dream of the girl with the dragon face filled her thoughts, and the mundane actions of the morning were not a primary interest yet. The face was perfect to replicate into stone, with an interesting texture that would lend itself perfectly to her paint effects, but no extreme protuberances to cause potential problems during the process. The inch long horns would not present too much of a problem, provided they didn’t grow too much. (and what was that in centimeters anyway, she wondered, and why was she dreaming in imperial measures? Perhaps it was a clue to the location of the owner of the dragon face.) But how was she to find that face? And if she found it, would she be able to take a mold of it? There must be a way, she pondered, to take a rubber mold of a dream character somehow.

Rousing herself, she decided to ask Yorath about it. He was always full of surprises, and knew so much more than one ever imagined about multitudes of diverse topics. Eleri started to become excited at the thought of what this could mean to the development of her project. With the addition of the anti gravity animating ingredient, she could bring dream characters to life in a way never seen before in the physical world.

And Yorath had returned as promised, and just at the right time. Despite doubting her abilities to use the elerium when he first introduced her to it, she had developed a simple enough technique to incorporate it into the statues.

It was good to see him again, although she was disappointed to see he was not wearing that red silk jacket this time. But he had the goods, and that was the important thing. And he might have an idea about the dream casting. She would treat him to a breakfast of fresh picked mushrooms and then ask him.

hello dead bloody hands
line indeed somehow great threads
talking catch matter virtual gone
longer job characters wondering
getting dido head

When Eleri’s little dog started coughing and wheezing again her first reaction was to snap at him. Irritating though it inevitably was, once again she realized she’d been holding her breath somehow, or probably more accurately, holding her energy. Or holding everyone elses, like a brick layers hod carrier, weighed down with blocks from other peoples walls.

“It’s too hot in here, come outside,” she said to the scruffy mongrel. The cozy warmth of the wood stoves had become stifling. She slipped through the door into the cool night.

Breathe, she said to herself, momentarily forgetting the gasping dog. Her hunched shoulders descended jerkily as she inhaled the sodden air, wondering about ozone or ions, what was it people said about the air after the rain? Whatever it was, it was good for something, good for the heart and soul of mortal humans.

Feeling better with every breath, Eleri noticed the olive branches rustling wetly overhead. The olive tree had been planted too close to the fig tree ~ wasn’t that always the way, forgetting how large things grow when one plants a seed or a sapling. As the old fig tree had broadened it’s sheltering canopy, the olive sapling had reached out an an angle to find the sun, and sprinted upwards in a most un olive like manner. This reminded her of the straight little sapling story, which had always irritated her. What was commendable about a row of straight little soldier saplings anyway? All neat and tidy and oh so boring, none of them stepping out of line with a twist here or a gnarl there. No character! But the olive tree, in it’s race towards the light, leaned over the gable end of the dwelling as if spreading it’s arms protectively over the roof. A regimental straight sapling would have simply withered in among the fig leaves, whereas this one had the feel of a grandfatherly embrace of benevolent support.

What was it she’d heard about trees and oxygen? They exhaled the stuff that we wanted and inhaled the stuff we didn’t want, that was about as technical as she could muster, and it was enough. She breathed in tandem with the trembling rain sparkled leaves. In. And out. In, and out. Deeper breaths. Damn, it was good! That was good air to be breathing, what with the rain and the trees doing their thing. And there for the taking, no strings attached.

When the oven timer interrupted her sojourn in the night air, Eleri noticed that the little dog had stopped coughing. On her way back inside, she noticed the new mermaids patiently awaiting a coat or two of sea green paint and wondered if she would ever find a dragon to replicate. She was sure they’d be popular, if only she could find one.

Finnley staring at Godfrey in a bemused manner. Dragons? She hated it when characters changed personality mid-story and without warning. It was unsettling. Sidling closer to him she tentatively reached out and poked his arm firmly with her index finger.

“Ouch, dammit Finnley! What are you doing?”

“Testing to see if you are real or if I am hallucinating. Anyway, seems you are real so all good.”

“Oh, there you are, Finnley!” Liz beamed. “I seem to recall I was looking for you but I can’t remember why. Perhaps it was to remind you not to monopolise my thread. You are doing it again, you know.”

Liz was aghast. What had her characters been writing about her now? If there was one thing Elizabeth had learned while unleashing characters into the reality experience, was that there was no such thing as control. You could not expect the expected when it came to characters. It was almost as if they had a mind of their own.

“Not so fast!” she shouted to Felicity who was trying to climb the fence with the help of a sturdy old vine. She glared at Godfrey. “Now look what you’ve started.”

“Oh. how ridiculous!” exclaimed Elizabeth, throwing a transcript at Godfrey.

Deftly catching the paper being tossed in the whirlwind of a forceful exhalation of Liz’s cigarette smoke, he raised an eyebrow but remained silent.

“She had a dream, you see,” continued Liz. “A dream about a writer and her maid. She mentioned it to me because she had one of those funny feelings it was about me, and when she told me, well the first thing I thought about was, well, you know….”

But Godfrey wasn’t listening, he was winking at Finnley who was reading over his shoulder. The maid stifled a giggle.

“So then I said to her,” Elizabeth explained, “‘I wonder what she’s been up to, left to her own devices?” and then she asked him all about it, and that’s what he said. Thrown me for a loop, I must say.”

E: (chuckling) Left to her own devices, she generates considerable intensity in extremes.

A: is this a character that has become a focus?

E: Reverse.

A: So it’s a focus that has become a character…. is there any information on the focus itself that I could offer her to play with that?

E: The focus is a past focus, but a recent past focus…a past focus in the timeframework of the 1940s…

A: in the Americas?

E: This focus travels, but I would express is based in Britain.

A: That makes sense.

E: And in actuality is involved with early computers…with large cables. LARGE cables…

A: [babble babble ohh ahh blah blah] …and she is female?

E: Yes.

“I recalled a dream last night. One thing led to another, maybe I’ll tell you about that later, but it is connected, so remind me later. Then I was reminded of a story. Then I had a message from someone about a dream about a writer with a maid called Agnes, and she had recalled another story about Brooklyn. And of course, that got me thinking about stories. And story characters! And us!”

At this point in Liz’s monologue she paused and looked meaningfully at Godfrey, Finnley and Roberto. She repressed an urge to slap Roberto, who was gazing out of the window (thinking about mountain tajines no doubt), to get his attention for the meaningful look that she wanted to give him, and cleared her throat loudly instead.

Not a moment later she had to control the urge to slap Finnley, who was just about to make another remark about the length of her sentences.

“I didn’t say a word!” Finnley exclaimed with righteous indignation. “I only thought about it!”

“And I didn’t slap you, did I. I only thought about it too!” retorted Liz.

“Ah, but you’re the one who wrote it down. You’ve gone and done it once you write it down.”

“Don’t be daft,” replied Liz. But she wondered, what if?

“Where have you kept my clothes, Liz, the boxes I left here after my last visit?” asked Felicity. Not for the first time Liz pondered the immense unsuitability of that name for a character such as her mother. She should have been named Snipe E Fuckbucket, or Condescendia Critique.

“Well?” snapped Felicity, “Where are they?”

“I ripped them all up and made collages.” Liz noted with smug satisfaction the look of horror on her mothers face. “Well, you did ask, last time we met, why I wasn’t creative anymore. I thought you’d approve” she added, knowing full well that she wouldn’t.

Corrie’s findings from elsewhere:

“Mike wasn’t as courageous as his former self, the Baron. That new name had a cowardly undertone which wasn’t as enticing to craze and bravery as “The Baron”.

The idea of the looming limbo which had swallowed the man whole, and having to care for a little girl who surely shouldn’t be out there on her own at such an early hour of the day spelt in unequivocal letters “T-R-O-U-B-B-L-E” — ah, and that he was barely literate wasn’t an improvement on the character either.

Mike didn’t want to think to much. He could remember a past, maybe even a future, and be bound by them. As well, he probably had a family, and the mere though of it would be enough to conjure up a boring wife named Tina, and six or seven… he had to stop now. Self introspection wasn’t good for him, he would get lost in it in quicker and surer ways than if he’d run into that Limbo.

“Let me tell you something… Prune?… Prune is it?”
“I stop you right there, mister, we don’t have time for the “shouldn’t be here on your own” talk, there is a man to catch, and maybe more where he hides.”

“Little girl, this is not my battle, I know a lost cause when I see one. You look exhausted, and I told my wife I would be back with her bloody croissants before she wakes up. You can’t imagine the dragon she becomes if she doesn’t get her croissants and coffee when she wakes up. My pick-up is over there, I can offer you a lift.”

Prune made a frown and a annoyed pout. At her age, she surely should know better than pout. The thought of the dragon-wife made her smile though, she sounded just like Mater when she was out of vegemite and toasts.

Prune started to have a sense of when characters appearing in her life were just plot devices conjured out of thin air. Mike had potential, but somehow had just folded back into a self-imposed routine, and had become just a part of the story background. She’d better let him go until just finds a real character. She could start by doing a stake-out next to the strange glowing building near the frontier.

“It’s OK mister, you go back to your wife, I’ll wait a little longer at the border. Something tells me this story just got started.”

“Aunt Idle was craving for sweets again. She tip toed in the kitchen, she didn’t want to hear another lecture from Mater. It only took time from her indulging in her attachments. Her new yogiguru Togurt had told the flockus group that they had to indulge more. And she was determined to do so.
The kitchen was empty. A draft of cold air brushed her neck, or was it her neck brushing against the tiny molecules of R. She cackled inwardly, which almost made her choke on her breath. That was surely a strange experience, choking on something without substance. A first for her, if you know what I mean.

The shelves were closed with simple locks. She snorted. Mater would need more than that to put a stop to Idle’s cravings. She had watched a video on Wootube recently about how to unlock a lock. She would need pins. She rummaged through her dreadlocks, she was sure she had forgotten one or two in there when she began to forge the dreads. Very practicle for smuggling things.

It took her longer than she had thought, only increasing her craving for sweets.
There was only one jar. Certainly honey. Idle took the jar and turned it to see the sticker. It was written Termite Honey, Becky’s Farm in Mater’s ornate writing. Idle opened the jar. Essence of sweetness reached her nose and made her drool. She plunged her fingers into the white thick substance.”

“But wait! What is this?

Her greedy fingers had located something unexpected; something dense and uncompromising was lurking in her precious nectar. Carefully, she explored the edges of the object with her finger tips and then tugged. The object obligingly emerged, a gooey gelatinous blob.

Dido sponged off the honey allowing it to plunk on to the table top. It did not occur to her to clean it up. Indeed, she felt a wave of defiant pleasure.

The ants will love that, although I guess Mater won’t be so thrilled. Fussy old bat.
She licked her fingers then transferred her attention back to the job at hand. After a moment of indecision whilst her slightly disordered mind flicked through various possibilities, she managed to identify the object as a small plastic package secured with tape. Excited, and her ravenous hunger cravings temporarily stilled in the thrill of the moment, she began to pick at the edges of the tape.

Cocooned Inside the plastic was a piece of paper folded multiple times. Released from its plicature, the wrinkled and dog-eared paper revealed the following type written words:

food self herself next face write water truth religious behind mince salt words soon yourself hope nature keep wrong wonder noticed.”

““What a load of rubbish!” Idle exclaimed, disappointed that it wasn’t a more poetic message. She screwed up the scrap of crumpled paper, rolled it in the honey on the table, and threw it at the ceiling. It stuck, in the same way that cooked spaghetti sticks to the ceiling when you throw it to see if it’s done. She refocused on the honey and her hunger for sweetness, and sank her fingers back into the jar.”

“The paper fell from the ceiling on to Dido’s head. She was too busy stuffing herself full of honey to notice. In fact it was days before anyone noticed.”

“The honeyed ball of words had dislodged numerous strands of dried spaghetti, which nestled amongst Aunt Idle’s dreadlocks rather attractively, with the paper ball looking like a little hair bun.”

““Oh my god …. gross!“ cackled the cautacious Cackler.”

““Right, that does it! I’m moving the whole family back to the right story!” said Aunt Idle, invigorated and emboldened with the sweet energy of the honey. “Bloody cackling nonsense!””