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  • #7623

    At the Café

    The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.

    Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.

    The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.

    “Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.

    “Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.

    Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”

    “You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”

    She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.

    The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.

    “Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.

    “Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.

    Lucien snorted. “Still paying for strangers’ stories, I see.”

    “The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.

    The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.

    “You’re late,” Darius said, but his voice carried no accusation.

    “Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”

    Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”

    “Not all of us live in Paris,” Elara said, with a glance at Lucien.

    “Only some of us make better life choices,” Lucien replied dryly.

    The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.

     

    :fleuron2:

    #7618

    Matteo Appears

    Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.

    “Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.

    “Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”

    The group exchanged glances, each of them caught off-guard by the comment.

    “You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.

    “Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”

    “What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.

    Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.

    “You’ve never all been here before,” he said, a simple statement that landed like a challenge.

    “Wait,” Amei said, narrowing her eyes. “You know us?”

    “Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”

    “Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.

    Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”

    He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.

    “You’re being cryptic,” Elara said, her voice edged with suspicion.

    “It’s a talent,” Matteo replied smoothly.

    “Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”

    “Nor I,” Amei added, her voice soft but steady.

    Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”

    The words hung in the air, unsettling and oddly satisfying at once.

    “You’re saying we’ve met you before?” Elara asked.

    Matteo inclined his head. “In a manner of speaking.”

    “That doesn’t make sense,” Lucien said, his voice quiet but firm.

    “Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”

    A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.

    “It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”

    “For what?” Amei asked, her eyes narrowing.

    “For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.

    “Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.

    One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.

    “Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”

    And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.

    They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.

    “What the hell was that?” Darius asked finally, breaking the spell.

    “Does he seem… different to you?” Amei asked, her voice distant.

    “He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.

    “He remembered me,” Lucien said, almost to himself. “Something about absinthe.”

    “I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”

    “And he didn’t explain anything,” Darius added, shaking his head.

    “Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.

    They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.

    The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.

    And though none of them said it aloud, the thought was the same: What had happened before?

    :fleuron2:

    Quintessence: Reversing the Fifth

    #7605

    Although the small hotel was tucked in a relatively quiet corner, and despite the authentic but delightfully shabby interior of soothing dimensions ~ roomy and airy, but not vast and terrifyingly empty ~ the constant background hum of city life was making Truella yearn for the stillness of home. Not that home was silence, indeed not: the background tranquility was frequently punctuated with noises, many strident. A dog barks, a neighbour shouts, a car drives past from time to time.  But the noises have an identifiable individuality and reason, unlike the continual maddening drone of the metropolis.

    She was pleased to find her room had a little balcony. Even if the little wooden chair was rickety and uncomfortable, it was enough to perch on to enjoy a cigarette and breathe in the car fumes.  Truella slept fitfully, waking to remember Tolkeinesque snapshots of dreams, drifting off again and returning to wakefullness with snatches of conversations in unknown tongues. Sitting on the balcony in the deep dark hours of the night, the street below, now quiet, shivered and changed, her head still swimming with dream images. She caught glimpses of people as they passed, vivid, clear and full of character.  Many who passed were carrying bunches of grasses or herbs or wildflowers in their hands, the women with a basket over their arm and a shawl draped over their head or shoulders.

    Hardly any men though, I wonder why? 

    When Truella mentioned it over breakfast the next moring, Eris said “You’ve been reading too much of that new gender and feminist anthropology stuff over on GreenGrotto.”

    Laughing, Truella tipped another packet of sugar in her coffee.  “I love the colour of the walls in here,” she said, gazing around the breakfast room. “A sort of bright but muted sun shining on a white wall. Nice old furniture, too.”

    “Tell me about the old furniture, the mirror in my room is all speckled, makes me look like I have blemishes all over my face,” said Zeezel with a toss of her head. “Can I have your sugar, Frella, if you’re not having it,”  adding I’m on holiday by way of excuse.

    Absentmindely Frella passed over the paper packet.  “I had strange dreams last night too…about that place we’re supposed to be going to a picnic to later.”

    Catching everyones attention, she continued, “The abandoned colosseum with Giovanni, with all the vines and flowers.  It was like a game board and the stone statues were the players and they moved around the board, Oh! and such a beautiful board it was with all the vines and flowers ….. ”

    “Gosh” said Truella, leaning back and folding her hands. What an idea.

    #7595

    Jeezel was reading the ‘Love Among the Ruins‘ by famous author Liz Tatler, sitting comfortably in her favourite  chair.

    “Celestine, darling,” Vivienne St Clair exclaimed, her perfectly arched brow lifting as she set down her champagne glass, “you mean to tell me you’ve been lounging by your pool on what might very well be the throne of some Roman goddess? And you wouldn’t let me near it? Honestly, the nerve of you!”

    She adjusted her silk scarf with a dramatic flourish, her green eyes sparkling mischievously. “Though I must say, I do admire your determination to get that pool built before I could turn it into some excavation site. Practical as ever, aren’t you, darling?”

    As the mention of the mosaic came up, Vivienne St Clair froze mid-sip of her drink, her expression an artful mixture of shock and indignation. “Lost? The Aramanthus Mosaic, lost? Oh, Celestine, this is beyond belief. It’s a tragedy of epic proportions! Worse than the time Aunt Agatha’s pearls were stolen during the garden party—at least we found those under the butler’s cushion.”

    She leaned in conspiratorially, her voice dropping to a whisper. “Celestine, my dear, if the Barcelona museum can’t find it, then someone must! Perhaps I should enlist one of my… shall we say… resourceful acquaintances. A charming rogue with a penchant for treasures, perhaps?”

    Then, with a dramatic sigh, she sank back into her chair, looking every inch the heroine caught in a whirlwind of intrigue. “Celestine, life is simply too absurd sometimes. Roman ruins, lost mosaics, and a bench fit for an empress—I can hardly keep up.”

    Jeezel almost choked on a mint leaf. What a bunch of amateurs, if they had to deal with a tenth of what her coven had been through these last few months…

    #7590

    “Permission to speak, My Lady Malove?” Truella asked respectfully.  She was still wearing Frella’s raincoat of respect as it hadn’t stopped raining the whole time she’d been in Ireland, although the respectfulness was becoming tedious.   But she was inside the Quadrivium building now, facing her agitated boss. She shrugged the raincoat off and tossed it aside and squared her shoulders.

    “Speak!” Malove replied, rude and abrupt.

    “I say, would you like some new pyjamas by any chance? No, never mind that now.  Someone needs to say this to your face, as you haven’t figured it out for yourself yet.”

    Gasps of astonishment echoed around the great hall and the air quivered with tension.

    “You have been so obsessed with the fact sheets of the merge and the number crunching that you’ve been blind to a more significant merge.” Truella boldly held her hand up to silence Malove whose mouth was gaping open like a goldfish, or perhaps more like a carp.

    “No, you listen to me for once,” Truella almost quaked at her own impudence then, but caught the merest glimmer of amusement from the depths of Malove’s being, or rather the essence of Cromwell who was lodged there.

    Don’t you dare leave me now, Thomas, stay right there until I’ve finished or I’m toast.

    “You have been so outwardly focused that you’re not paying attention to your own self, or you’d have noticed.  Which just goes to show the immense efficiency and subtley of Cromwell’s merge tactics.  It would behoove you to admit that you needed direction, and to appreciate the help that has been provided for you.  You are not entirely yourself, or rather, you are entirely yourself, but at times lately you are more than that.”

    Taking a deep breath, Truella continued.  “At first it may be unsettling, but you must persevere and don’t fight it.  Accept that you needed help, give thanks that you received it, and work well with Cromwell’s suggestions.”

    “Saints preserve us,” whispered Malove, shocked to the core. “I don’t mean papish saints though,” she added hastily, unsure how to proceed.

    Truella laughed nervously, her courage suddenly evaporating. She felt a strong urge to flee.

    I asked you not to leave me alone with her!  

    #7585

    “Oh sweet revenge…” November was looking gleeful, and truth be told, too smug. With a tinge of orange anticipating a delectable tapestry of chaos.

    The results had come as cold as an early winter for a world standing on the precipice of another era under President Lump’s reign.

    “The winds of change rustling the curtains of the Beige House once more. And amidst this swirling tempest of political intrigue, our story unfurls with the maids au pair at its heart.”

    “Liz, are you sure this is wise to pursue?”

    “Oh stop, it Godfrey, the harm is done, November was written already in that story; I knew she would spell trouble from the beginning. And please, don’t interrupt.”

    As April and June departed to pursue their ventures—perhaps April embarked on a global crusade for environmental stewardship while June disappeared into the realms of espionage, her whereabouts known only to the shadows—November emerged, a true force of nature. With an iron will and a meticulous attention to detail, she transformed the Beige House into a bastion of order amid political disarray under old Joe Mitten—bless his bumbling heart. Her reign as the clandestine conductor of this domestic symphony was nothing short of legendary.

    During those four years, November proved herself indispensable. She orchestrated everything from state dinners to covert intelligence briefings, all while maintaining the perfect façade of domestic tranquility. The press would whisper her name, speculating on her true influence behind the scenes. Little did they know that November had eyes and ears in every corner of the Beige House, including a network of whispering portraits and eavesdropping sconces.

    And now, with President Lump’s reelection, November faces her most formidable challenge yet. The political climate is rife with unpredictability—alliances shift like sand, loyalties waver, and secrets simmer beneath the surface. November must navigate this labyrinth with the precision of a masterful chess player, anticipating every move and countermove.

    #7580

    When Eris arrived at the meeting room, she overheard Malové requesting yet another of those delicious licorice spider. Jeezel sprang to her feet, flashing what looked like a welcoming gesture toward Eris, in fact asking to join her at the treats table.

    “She arrived so tense,” Jeezel said, seizing the bowl of licorice spiders. “I was worried she’d pick up that something was off, but the incense you prepared, combined with my sigils, worked like a charm.” She winked. “Now she’s as mellow as a sweet old grandma. And I must say she’s actually enjoying the party.”

    “I’m wondering if we didn’t went too far on the relaxing part,” Frella remarked as she joined her sisters at the treats table. “Malové just asked when we’re starting the karaoke.

    “Now, that is spooky,” Eris replied, smirking, “but I suppose it’s in keeping with today’s theme. I think the spell she’s under is reacting to our own enchantments. By the way, where is Truella?”

    Frella, sighed, slightly uneasy. “She mentioned a leak in the historic artifacts warehouse—or maybe a flood? Hard to tell with all the gurgling sounds in the background. Then the line cut off, and I haven’t been able to reach her since.”

    “I’m afraid we’ll have to start without her,” said Eris, a hint of concern in her voice. “Echo,” she said to her familiar who just appeared in a rainbow swirl at the mention of its name, “do whatever it takes to reach her, see if she needs our help. She still has with her an essential element for our spell.”

    Echo nodded before vanishing just as swiftly as it had arrived, leaving a trail of iridescent light in its wake.

    “It’s so beautiful,” said Malové, suddenly appearing behind them and startling the three witches. “I want one too. You’re naughty to leave me alone at the big table, as if I were being punished.” She pouted playfully, her eyes darting toward the array of treats and decorations that had caught her attention.

    Jeezel exchanged a quick, amused glance with Eris, who quickly composed herself. It was going to be one of those long meetings.

    #7579

    When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.

    Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.

    “Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.

    Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.

    “What?” Malové’s eyebrows arched.

    “Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.

    Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”

    “They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”

    Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.

    When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.

    Symbols, runes, sigils—even some impressively powerful ones—where scattered  thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.

    As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.

    #7576

    After the postcard craze had passed, Frella returned to Herma’s cottage several times to study the camphor chest. Every day for a week, Herma let her into the living room, where she would sit quietly in front of the chest, sometimes for hours. The wood’s glossy surface would catch the light, warm and rich, like polished honey. Frella would trace the strange curves of the mysterious engravings with her fingers, feeling the subtle dips and rises beneath her touch. The patterns felt ancient, worn smooth in places, yet sharp along certain edges, as if holding onto secrets just out of reach.

    Then, as she lifted the heavy lid, a soft creak would break the silence, the hinges groaning as if they hadn’t moved in ages. A burst of cool, earthy fragrance would immediately rise, filling the air with camphor’s sharp, clean scent, mingled with faint hints of aged cedar and spice.

    It didn’t take long for Frella to notice that each time she opened the chest, she would find a new object among the old papers and postcards. It was never the same. Once, it was an old brass spyglass; another time, it might be an ornate compass with seven directions marked. Yet another day, she found a teddy bear. By some odd coincidence, each item always seemed to be something she needed in her life at that particular moment.

    When Eris informed them that Malove was most likely under a powerful spell, Frella found the mirror. An inscription carved clumsily on its back read, “This Mystic Mirror belongs to Seraphina.” The mirror’s metal was cold, tarnished, and in need of a good polish. Jeezel would have surely raved about the intricate vines of silver and gold, twisting in delicate patterns that seemed to shift with the viewer’s perspective. But what captivated Frella most was the glass itself. It held a faint opalescent sheen, swirling with hints of colors, like a rainbow caught in crystal.

    The first time Frella looked into it, she saw, behind her own reflection, an elderly woman with silver hair handing the mirror down to a little girl who looked just like Frella had as a child. The clothes were peculiar, and the room they stood in looked as if it belonged in a fantasy movie. Then the little girl began carefully carving something on the back of the mirror with what looked like a golden chisel. When she finally turned the mirror and looked into it, her reflection replaced Frella’s. She said something, but there was no sound. Frella had the distinct impression that the girl’s lips had formed the words, “We are the same. It’s yours now; you’ll need it soon.” Then she vanished, and Frella’s own reflection reappeared.

    Still filled with awe at what just happened, Frella wondered if Seraphina was a long lost ancestor. “Was that chest also yours, Seraphina?” she asked in a whisper to the ghosts of the past.

    #7570

    “If you’re planning on having a baby, you’d better use those droplets fast. That silvery glow? It’s already decaying,” said Jeezel, meticulously selecting twelve golden pheasant feathers from the pile in front of her. She inspected each one carefully, choosing only the finest, most vibrant feathers, free from even the slightest flaw.

    Truella snorted. “I’m well aware of the effects of time on matter,” she replied, shifting back in her swivel chair. “I am, after all, an experienced amateur archaeologist. Take a look at this.” She held her hand up closer to the camera, fingers spread.

    “I’m not sure what your dirty fingernails are supposed to prove,” said Jeezel, arranging her selected feathers into a fan shape. “That they’re overdue for a manicure? Natural decay has nothing to do with time travel side effects, as you’d know if you watched my YouTube series on the subject.”

    “We know all about your videos,” said Eris quickly, stepping in before Jeezel could launch into one of her infamous lectures on the dangers of time travel as seen by her Gran, Linda Pol. “I’m sure those droplets can still be useful in our spell. Cromwell had to navigate treacherous political waters with an impeccable grasp of strategy, manipulation, and the darker facets of power. Those droplets could act as a metaphysical catalyst, adding depth and purpose to the spell.”

    “Exactly,” said Truella, tilting her chin up proudly. “A proactive hunch on my part.”

    “I get the metaphysical catalyst bit,” said Frella, “but won’t those darker facets blow up in our faces? I mean, wasn’t Cromwell a master of secrets and deception? In the rudest way possible, if you ask me.”

    “He could be gentle, too,” Truella murmured, blushing slightly.

    “And that’s not even mentioning the spell’s potential to tap into the collective memory of his era,” added Jeezel. “And ‘rude’ isn’t how I’d describe his atrocities and ruthlessness. I covered that in detail in the video series…”

    “We know,” Eris cut in. “That’s why we need to craft this spell with precision and include safeguards. Are the fans ready?”

    “All set,” said Jeezel, her eyes sparkling with pride as she held up the four finished fans. “One for each of us, crafted with care and magic. They’ll clear the space, sweep away falsehoods, and purge any misleading energies. With these, only pure, unfiltered truth will emerge.”

    “I’ll bring the Mystic Mirror I found in that old camphor chest,” said Frella. “Its surface shimmers and reflects the hidden truth of the soul.”

    “And I have my unusual but eminently practical container—containing Cromwell’s droplets,” Truella chimed in, holding it up.

    “Perfect. Then it’s settled. I’ll send Malove a meeting invitation for tonight,” said Eris, leaning in with a knowing smile. “You all know the place.”

    #7562

    It was good to be digging again. The relentless heat of the summer over, the days were perfect for excavating the next hole in her garden. It was hard work and slow hacking off bits of earth almost as hard and dry as concrete, but each day the promise of new finds became more tantalizing and encouraged her to keep working at it. There was not much more of the top layer to remove now before Truella could expect to start seeing bits of pottery and whatever else the deep dark earth had to reveal about its past.

    Unable to see any particular connecting link to the dig (and Truella was usually good at that), she had become obsessed with Cromwell. Maybe she’d find a postcard from Cromwell; everyone seemed to be getting strange postcards these days. The idea of a postcard from Cromwell had wafted into her mind, but it lingered.  What would he say on a postcard? She could imagine him sanding the ink, the candlelight flickering. Smiling to himself, with a stray thought wafting into his mind that someone centuries from now would find it, and wonder.

    “Let them make of that what they will,” he might say, as he handed it to the man in charge of sending postcards to other centuries. “I have one here for you,” the man in charge of the postcards might say by way of reply, “Just arrived. It’s from the future by the look of it, from Ireland.”

    Cromwell may take the postcard in his hand with a feeling of satisfaction ~ all information was potentially useful after all, if not in this life, in the next. Time traveling spies, you could say.  He would take a moment to decipher the unfamiliarly written letters in order to read the message. His eyebrows would raise in mild astonishment to see witches sending messages so openly, so shamelessly, so fearlessly! Five hundred years from now, Ireland would be a heathen primitive nest of superstition controlled by the devils strumpets. It may not be perfect in England now, he might think, but we do try to keep some order.  Frella, he said to himself. Frella. What do you look like, Frella? God’s teeth, why didn’t you send me your likeness, a portrait, on the postcard!  For reasons he couldn’t explain, Cromwell couldn’t stop thinking about the mysterious witch in Ireland many centuries from now.

    #7557

    The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.

    She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.

    The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.

    Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.

    As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.

    Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.

    Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.

    “Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.

    Eris took a deep breath and began to chant, her voice steady and resonant:

    “By the light of the harvest moon,
    I call forth clarity, swift and soon.
    Let fog disperse and shadows flee,
    Reveal the truth, illuminate me.”

    She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.

    As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.

    Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.

    “Show me the path,” she whispered. “Guide me through the haze.”

    The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.

    The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.

    Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.

    “Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.

    As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.

    “Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”

    Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.

    #7553

    What is that book doing under the table?  Truella frowned and bent down, squinting. It was a dark covered old book, with yellowy pages, loose and thick. Wiping the dust off with her hand, she walked over the the window, trying to decipher the faded title. Me and Minn.

    book minn

     

    The mysterious Mr Minn. Where had she heard that before?

    #7550

    The fair was in full swing, with vibrant tents and colourful stalls bursting with activity. The smell of freshly popped corn mingled with the fragrance of exotic spices and the occasional whiff of magical incense. Frella turned her attention back to setting up her own booth. Her thoughts were a swirl of anxiety and curiosity. Malové’s sudden appearance at the fair could not be a mere coincidence, especially given the recent disruptions in the coven.

    Unbeknownst to Frella, Cedric Spellbind was nearby. His eyes, though hidden behind a pair of dark glasses, were fixated on Frella. He was torn between his duty to MAMA and his growing affection for her. He juggled his phone, checking missed calls and messages, while trying to keep a discreet distance. But he was drawn to her like moth to flame.

    As Frella was adjusting her booth, she felt a sudden chill and turned to find herself face-to-face with Cedric. He quickly removed his glasses and their eyes met; Cedric’s heart skipped a beat.

    Frella’s gaze was guarded. “Can I help you with something?” she asked, her tone icily polite.

    Cedric, flustered, stammered, “I—uh—I’m just here to, um, look around. Your booth looks, uh, fascinating.”

    Frella raised an eyebrow. “I see. Well, enjoy the fair.” She turned back to her preparations, but not before noticing a fleeting look of hurt in Cedric’s eyes.

    Cedric moved away, wrestling with his conflicting emotions. He checked to make sure his tracker was working, which tracked not just Frella’s movements  but those of her companions. He was determined to protect her from any potential threat, even if it meant risking his own standing with MAMA.

    As the day progressed, the fair continued to buzz with magical energy and intrigue. Frella worked her booth, engaging with curious tourists, all suitably fascinated with the protective qualities of hinges. Suddenly, Frella’s attention was drawn away from her display by a burst of laughter and squeals coming from nearby. Curiosity piqued, she made her way toward the source of the commotion.

    As she approached, she saw a crowd had gathered around a small, ornate tent. The tent’s entrance was framed by shimmering curtains, and an enchanting aroma of lavender and spices wafted through the air. Through the gaps in the curtains, Frella could see an array of magical trinkets and curiosities.Just as she was about to step closer, a peculiar sight caught her eye. Emerging from the tent was a girl wearing a rather large cloak and closely followed by a black cat. The girl looked bewildered, her wide eyes taking in the bustling fairground.

    Frella, intrigued and somewhat amused, approached the girl. “Hello there! I couldn’t help but notice you seem a bit lost. Are you okay?”

    The girl’s expression was a mix of confusion and wonder. “Oh, hello! I’m Arona, and this is Mandrake,” she said, bending down and patting the black cat, who gave a nonchalant twitch of his tail. “We were just trying to find the library in my time, and now we’re here. This isn’t a library by any chance?”

    Frella raised her eyebrows. “A library? No, this is a fair—a magical fair, to be precise.”

    Arona’s eyes widened further as she looked around again. “A fair? Well, it does explain the odd contraptions and the peculiar people. Anyway, that will teach me to use one of Sanso’s old time-travelling devices.”

    Truella wandered over to join the conversation, her curiosity evident. “Time-travelling device? That sounds fascinating. How did you end up here?”

    Arona looked sheepish. “I was trying to retrieve a rare book from a past century, and it seems I got my coordinates mixed up. Instead of the library, I ended up at this… um … delightful fair.”

    Frella chuckled. “Well, don’t worry, we can help you get back on track. Maybe we can find someone who can help with your time-travelling predicament.”

    Arona smiled, relieved. “Thank you! I really didn’t mean to intrude. And Mandrake here is quite good at keeping me company, but he’s not much help with directions.”

    Mandrake rolled his eyes and turned away, his disinterest in the conversation evident.

    As Frella and Truella led Arona to a quieter corner of the fair, Cedric Spellbind observed the scene with growing interest. His eyes were glued to Frella, but the appearance of the time-travelling girl and her cat added a new layer of intrigue. Cedric’s mission to spy on Frella had just taken an unexpected turn.

    #7549
    TracyTracy
    Participant

      The Tailor of Haddon
      Wibberly and Newton of Over Haddon

       

      It was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.

      Taylor of Haddon

       

      James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.

       

      Newton:

      George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.

      George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.

      George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.

      John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.

      1636 marriage of John Newton and Anne Buxton:

      John Newton Anne Buxton

       

       

      Wibberly

      Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.

      Dorothy Wibberly

       

      John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.

      John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.

      The tiny village of Over Haddon was historically associated with Haddon Hall.

      A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:

      1619 Joyce Wibersley married Raphe Cowper.
      1621 Jocosa Wibersley married Radulphus Cowper
      1623 Agnes Wibersley married Richard Palfreyman
      1635 Cisley Wibberlsy married ? Mr. Mason
      1653 John Wibbersly married Grace Dayken

       

      Haddon Hall

      Haddon hall

       

      Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
      Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.

      Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.

      In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:

      Haddon Hall accounts

      Haddon Accounts

       

      Also in this book, an early 1600s “washing tally” from Haddon Hall:

      washing tally

       

      Over Haddon

      Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.

      #7546
      TracyTracy
      Participant

        The Potters of Darley Bridge

        Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

        Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

         

        marriage Roger Knowles

         

        I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

         

        1720 will James Potter

         

        Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

        Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

         

        James Potter will

         

        Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

        I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

        The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

         

        Three Stags Heads

         

        Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

         

        Charles Potter

         

        Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

         

        Potters Cottage

        Potters Cottage

         

        Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

        “Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

        via Derbyshire Heritage website.

        According to Wikipedia, the bridge dates back to the 15th century.

        #7544
        TracyTracy
        Participant

          Youlgreave

          The Frost Family and The Big Snow

           

          The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

          “The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

          J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

          Youlgreave registers

           

          Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

          churchwardens accounts

          Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

          Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
          On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

          John Keeling

           

          John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

          Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

          Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

          The Frosts of Youlgreave

          Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

          (Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

          John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

          Frost and keeling

           

          John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

          David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

          William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

          Ellens will

           

          William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
          William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

          (Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

          Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

          Baptisms:
          1581 Eliz Frost, father Michael.
          1582 Francis f Michael. (must have died in infancy)
          1582 Margaret f William.
          1585 Francis f Michael.
          1586 John f Nicholas.
          1588 Barbara f Michael.
          1590 Francis f Nicholas.
          1591 Joane f Michael.
          1594 John f Michael.
          1598 George f Michael.
          1600 Fredericke (female!) f William.

          Marriages in Youlgreave which could be William’s parents:
          1579 Michael Frost Eliz Staley
          1587 Edward Frost Katherine Hall
          1600 Nicholas Frost Katherine Hardy.
          1606 John Frost Eliz Hanson.

          Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

          (Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

          Frideswide:

          A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

          (Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

          An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

          Frideswide

          J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

           

          King James

          A parish register entry in 1603:
          “1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

          King James

           

          The Big Snow

          “This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

          The Big Snow

          From the Youlgreave parish registers.

          Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.

          #7531
          TracyTracy
          Participant

            Rose lens

            The rose coloured spectacle lens.

             

            Aunt Idle:

            “Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

            1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

            2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

            3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

            4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

            5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

            Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

            Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

            In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

            ~~~

            “A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
            ~Journey of Reflections, Enrich P. Lwellman.

            ~~~

            The Snoot:

            “Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

            Lean close! Such a find whispers soft secrets:

            Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
            Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
            Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

            Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

            ~~~

            Liz:

            Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

            Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

            One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

            Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

            Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

            So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

            ~~~

            Mater:

            Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

            Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

            A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

            Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

            Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

            Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

            Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

            Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

            ~~~

            Finnley:

            Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

            Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

            Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

             

            ~~~

            Mandrake:

            Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

            ~~~

            Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

            Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

            Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

            Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

            Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

            Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

            Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

            Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

            #7529
            ÉricÉric
            Keymaster

              Cedric Spellbind scene with Frella at Herma’s cottage. (ref)

              On the rugged coast of Ireland bathed by a sunny light. Near a secluded cottage, the scene unfolds with the figure of a tall, middle-aged man with disheveled dark hair, a deerstalker hat, and a trench coat, who stands nervously. His piercing eyes reveal a lifetime of supernatural pursuits.

              Next to him, a modern witch with striking blond hair reminiscent of Tilda Swinton, sits on a camphor chest. The cottage owner, a middle aged lady frets nearby. He declares his official business, accusing her of Witch Violations. He is entranced by her presence, admits he knows she’s a witch but won’t turn her in.

              The scene captures a rare moment of levity and complex attraction in the tense atmosphere and their complicated relationship, set against the backdrop of a mysterious and mystical investigation.

              #7522

              As soon as Eris had left the room, Truella thought for a moment she was hallucinating, as Eris popped back right in through the entrance.

              “So, what did I miss?” Eris asked, looking exactly the same if a little worn out.

              “What do you mean what did you miss? You hardly missed anything, since you’ve just never left!” Truella protested, as the absence of sleep wasn’t cause enough to make her doubt her senses.

              “Ah… I see… Those time-travel shenanigans. Hard to wrap one’s head around sometimes.” Eris said matter-of-factly. “No matter, glad to be back, well… so soon… by your standards. Let’s get back to business then? When’s the next ritual? Don’t we have to brew a potion or something?”

              “No, no, no… Not so fast! What happened to your trip? you have to tell us all, and TIME TRAVEL! Where, when, how, with whom? We want to know all, n’est-ce-pas ma petite Jeezel?”

              “Tsk, tsk. For another time. Suffice to say, I was gone for longer than I wanted, and clearly that nun-witch portal had been tempered with, sent me right in the middle of the darn Middle-Ages. But I can’t tell you more here…” Eris said with an air of mystery. “Stone walls are thick, but not as deaf as Mother Lorena, that’s for sure.”

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