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With a warm smile of approval, Cerenise tapped out the names and dates on her keyboard.  So refreshing when people were original when naming the fruit of their loins, she thought.  Some of the family trees she’d done for friends and clients had been a veritable cesspit of endlessly repeated Johns and Marys, Williams and Elizabeths.  Despite suppressing a shudder when introduced to a modern human named River or Sky, or worse, the ridiculously creative spelling of a common name, some of the older examples of unusual names she found quite delightful. Especially, it had to be said, French ones.

Pierre Wenceslas Varlet born on the 28th of  September, 1824  in Clenleu, Pas-de-Calais, brother of Austreberthe Varlet, born two years previously on the 8th of June.  Wenceslas!   What would you call Wenceslas for short? she mused. Wence?

“An ’twere not as good a deed as drink to turn true man and to leave these rogues, I am the veriest varlet that ever chewed with a tooth”.

A cautious knock at the door interrupted Cerenise’s mental meanderings.

“Enter,” she called, and Laddie Bentry sidled in looking sheepish.

“Ah, it’s you, the veriest varlet of number 26. Well, what is it?  You look as though you accidentally dropped Helier’s trashy novel in the water butt.”

Taken aback by Cernice’s perspicacity, Laddie recoiled slightly and then squared his shoulders. “How did you know?” he asked.

“Oh just a lucky guess,” Cerenise replied breezily, tapping the side of her nose. “I suppose you want me to order you another copy from Amaflob before he notices?  I’ll arrange for an express delivery. Keep an eye out for the delivery man”

Waving away his thanks, she picked up the old document on her desk that Yvoise had kindly provided, albeit reluctantly, and squinted at it. She could make out the name Austreberthe, but what did the rest say?

Cerenise dozed off, dreaming of the Folies Bergere. The atmosphere was exciting and convivial at first, escalating into an eruption of approval when the new act came on the stage. Cerenise felt the energy of the crowd but her attention was drawn to the flamboyant figure of a man dressed as one of the three kings of the Magi, and he was making his way over to her. Why, it was Lazuli Galore! What on earth was he doing here? And who was that dumpy overly made up woman in the blue dress, Godfreda, who had tagged along with them?

Another knock on the door wakened her and she called out “Come in!” in an irritable tone. She’d been having such fun in the dream.  “Oh it’s you, oh good, the book has arrived.”

Laddie shifted his feet and replied, “Well yes, a Liz Tattler novel has arrived.”

“Oh, good, well be off with you then so I can get on with my work.”

“But it’s not The Vampires of Varna.  It’s The Valedictorian Vampires of Valley View High.”

“Jolly good, I expect you’ll enjoy it,”  Cerenise said, picking up the old document again and peering at it.  Perceiving that Laddie had not yet exited the room, she looked up.  “Helier won’t notice, those books are all the same. Now get off with you.”

A continuous, fast-moving FPV drone shot.

The Start: The camera zips through a sterile, white modern reception area with a sign reading ‘Sanctus Training Ltd.’ It flies over a bored receptionist’s desk and straight through a pair of unassuming double doors.

The Reveal: The moment the doors pass, the world expands impossible. We are now inside a massive, cathedral-like Grand Townhouse built of glowing golden Cotswold stone.

The Hoard: The drone dives into a ‘canyon’ of hoarded objects. It weaves perilously between towering stacks of yellowed newspapers, piles of 17th-century furniture, and a mountain of washing machines.

The Architecture: As the drone speeds up, we pass tall, elegant Georgian windows on the left (showing a blur of an overgrown orchard and stables outside). On the right, the architecture shifts to heavy, rough stone arches—the Medieval Norman wing.

The Details: The camera narrowly misses a hanging chandelier made of plastic coat hangers and crystal, zooms over a grand dining table buried in Roman pottery and taxidermy, and finally flies up towards the vaulted ceiling of a Norman Chapel, where a beam of purple stained-glass light catches dust motes dancing in the air.”

Yvoise gaze was transfixed on the brittle yellow document held reverently in the old barristers hands. Her eyes widened when she saw the pile of similar written sheets on the desk. I simply must have them, she thought, I simply must. What an addition to my collection of written records!  Unique document, absolutely unique. Listen to old Bart, she admonished herself, and with an effort she focused on the old barristers reading of the will.

Cerenise had noticed Yvoise practically drooling over the written paper type matter, and suppressed a grin (in consideration of the occasion), and smiled fondly at the saint she’d known for so very long. Such a confident capable character, despite her private mysteries. As saints go, she’s been a good one really.  And as the holy mother of all saints surely knows, the organisers above all should be revered, for where would be be without them. Amen.

I hope this is being recorded so I can watch it later, Yvoise and Cerenise simultaneously thought, Because I haven’t paid attention to Bartholomew since my mind started wandering. 

“In the name of god amen I Auftreberthe saint of wafhing and water of the parifh of Gloucefter in the county of Gloucefterfhire being weak of body but of sound and perfect mind and memory do hereby commit my soul to the almighty and hereby do make thif my laft will and teftament in manner and form af followeth…”

And so began the reading of Austreberthe’s will to the small gathering assembled in the library of the emporium. Bartholomew Gosnold, the aged barrister, stood behind the large oak desk, clearing his throat frequently and pausing to peer over his spectacles.  The library was atwinkle with lamps of a variety of styles and ages, but was otherwise dark and vast in the areas outside of the pools of light.  Heavy brocade curtains covered the windows, and a fire glowed in the hearth, for it was winter, the last day of the year, and darkness came early and freshly fallen snow blanketed the town in frigid holy silence.

Despite the fire, it was chilly in the library which was rarely heated, and Cerenise wound her ancient Kashmiri shawl aound her neck and shoulders, pausing to finger the cloth appreciatively. It was an exquisite Kani shawl, woven with intricate floral motifs in warm shades of red and plum, soft as a rabbit. She inched her wicker bath chair closer to the fire, accidentally tipping over a small table and sending the contents of a green glazed Tamegroute bowl skittering across the floor.

Yvoise tutted loudly as she rose from her chair to collect all the buttons and stand the little table back up. Luckily the bowl had landed on the Tabriz rug and hadn’t broken.

Bartholomew Gosnold paused until Yvoise had finished, and then resumed his reading of the will, after first clearing his throat again.

Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.

Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”

“Oh is that what you’ve been doing, I wondered where you were.  Well, let’s thank our lucky stars THAT’S all over!”

“Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place.  Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”

“Good old Roberto, at least he doesn’t keep complaining.  You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”

Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper.  “Is it some sort of historical re enactment?  Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”

“It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”

“Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.

“Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”

“Sounds gripping,” muttered Finnley.

“And a blind uncle who never married and lived to 102.  He was so good at being blind that he knew all his sheep individually.”

“Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.

“The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”

“Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.

“If I’ve told you once, Godfrey, I’ve told you a thousand times, I am NOT a pink person!” Liz slammed her hand down on the desk, causing the strange pink vase to tremble, which had the unexpected effect of silencing them both.

Quintessence – Looking for the 5th — A concept film trailer… 

The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:

• Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
• Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
• Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
• Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.

The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.

Mon. November 25th, 10am.

The bell sat on the stool near Lucien’s workbench, its bronze surface polished to a faint glow. He had spent the last ten minutes running a soft cloth over its etched patterns, tracing the curves and grooves he’d never fully understood. It wasn’t the first time he had picked it up, and it wouldn’t be the last. Something about the bell kept him tethered to it, even after all these years. He could still remember the day he’d found it—a cold morning at a flea market in the north of Paris, the stalls cramped and overflowing with gaudy trinkets, antiques, and forgotten relics.

He’d spotted it on a cluttered table, nestled between a rusted lamp and a cracked porcelain dish. As he reached for it, she had appeared, her dark eyes sharp with curiosity and mischief. Éloïse. The bell had been their first conversation, its strange beauty sparking a connection that quickly spiraled into something far more dangerous. Her charm masking the shadows she moved in. Slowly she became the reason he distanced himself from Amei, Elara, and Darius. It hadn’t been intentional, at least not at first. But by the time he realized what was happening, it was already too late.

A sharp knock at the door yanked him from the memory. Lucien’s hand froze mid-polish, the cloth resting against the bell. The knock came again, louder this time, impatient. He knew who it would be, though the name on the patron’s lips changed depending on who was asking. Most called him “Monsieur Renard.” The Fox. A nickname as smooth and calculating as the man himself.

Lucien opened the door, and Monsieur Renard stepped in, his gray suit immaculate and his air of quiet authority as sharp as ever. His eyes swept the studio, frowning as they landed on the unfinished painting on the easel—a lavish banquet scene, rich with silver and velvet.

“Lucien,” Renard said smoothly, his voice cutting through the silence. “I trust you’ll be ready to deliver on this commission.”

Lucien stiffened. “I need more time.”

“Of course,” Renard replied with a small smile that didn’t reach his eyes. “We all need something we can’t have. You have until the end of the week. Don’t make her regret recommending you.”

As Renard spoke, his gaze fell on the bell perched on the stool. “What’s this?” he asked, stepping closer. He picked it up, his long and strong fingers brushing the polished surface. “Charming,” he murmured, turning it over. “A flea market find, I suppose?”

Lucien said nothing, his jaw tightening as Renard tipped the bell slightly, the etched patterns catching the faint light from the window. Without care, Renard dropped it back onto the stool, the force of the motion knocking it over. The bell struck the wood with a resonant tone that lingered in the air, low and haunting.

Renard didn’t even glance at it. “You’ve always had a weakness for the past,” he remarked lightly, turning his attention back to the painting. “I’ll leave you to it. Don’t disappoint.”

With that, he was gone, his polished shoes clicking against the floor as he disappeared down the hall.

Lucien stood in the silence, staring at the bell where it had fallen, its soft tone still reverberating in his mind. Slowly, he bent down and picked it up, cradling it in his hands. The polished bronze felt warm, almost alive, as if it were vibrating faintly beneath his fingertips. He wrapped it carefully in a piece of linen and placed it inside his suitcase, alongside his sketchbooks and a few hastily folded clothes. The suitcase had been half-packed for weeks, a quiet reflection of his own uncertainty—leaving or staying, running or standing still, he hadn’t known.

Crossing the room, he sat at his desk, staring at the blank paper in front of him. The pen felt heavy in his hand as he began to write: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time!

He paused, rereading the words, then wrote them again and again, folding each note with care. He didn’t know what he expected from his friends—Amei, Elara, Darius—but they were the only ones who might still know him, who might still see something in him worth saving. If there was a way out of the shadows Éloïse and Monsieur Renard had drawn him into, it lay with them.

As he sealed the last envelope, the low tone of the bell still hummed faintly in his memory, echoing like a call he couldn’t ignore.

It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing.  It had been Florian’s idea to take the Mongolian hat with her.  Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right.  It had been a present from Amei, many years ago, but Elara had barely worn it.  It wasn’t often that she found herself in a place cold enough to warrant it.

In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship.  It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order.  Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.

Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side.  They had come into contact while researching the family, comparing notes and photographs and family anecdotes.  They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing.  He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.

If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.

Pulling the hat down over her ears, Elara ventured out into the early November chill.  Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!”  Mrs Lovejoy was bareheaded, wearing only a cardigan.

“It was a gift,” Elara told her, “I haven’t worn it much.  A friend bought it for me years ago when we were in Mongolia.”

“Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.

“Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”

“Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go.  Like my Bert…”

“Must go or I’ll be late!” Elara had already heard all about Bert a number of times.

Amei found the letter waiting on the narrow hallway table; her flatmate, Felix, must have left it there. They rarely crossed paths these days as he was working long shifts at the hospital. His absence suited her—mostly.

It was a novelty to get a letter! She turned it over in her hands, noting the faint coffee stain on one corner and the Paris postmark. The handwriting was sharp and angular, unmistakably Lucien’s. It felt like a relic from another life, a self she’d long ago left behind in favour of the safe existence she had built in London.

She slipped a finger under the flap and opened the envelope. It contained a single piece of paper—she read the words and Lucien’s familiar insistence leapt off the page.

Amei set the letter on the kitchen counter and stood for a moment, staring out the window. The view was of the neighbouring building—a dreary brick wall streaked with stains, its monotony interrupted only by a single trailing vine struggling to cling to life.

The flat was small but tidy, shaped by two lives that rarely intersected. Felix’s presence was minimal: a mug left on the counter, a jacket draped over a chair. The rest was hers—books stacked on shelves, notebooks brimming with half-formed ideas, and an easel by the window holding an unfinished canvas. She freelanced as a textile designer. On the desk lay fabric swatches and sketches for her latest project—a clean, modern design for a boutique client. The work was steady and paid the bills but left little room for the creative freedom she once craved.

It certainly wasn’t the life she’d envisioned for herself at twenty, or even thirty, but it was functional. Yet there was an emptiness to it all; she was good at what she did, but the passion she’d once felt for her work had dulled.

There were no children at home to fill the silence, no pets to demand her attention. Relationships had come and gone, but none had felt like forever. Felix offered a semblance of company, though their conversations had dwindled to polite exchanges or the odd humorous anecdote. Her days had settled into a rhythm of predictability, punctuated only by deadlines and occasional dinners with colleagues she liked but never truly connected with.

Amei sank into the armchair by the window. Should she go? She had to admit she was curious. It must be nearly five years since they had last been together and the events of that last occasion still haunted her.

She leaned back, her gaze trailing to the vine outside the window, and let the question linger.

After leaving the clamour of her fellow witches behind, Frella took a moment to ground herself after the whirlwind of ideas and plans discussed during their meeting.

As she walked home, her thoughts drifted back to Herma’s cottage. The treasure trove of curiosities in the camphor chest had captivated her imagination, but the trips had grown tiresome, each journey stretching her time and energy. Instead, she gathered a few items to keep at her own cottage—an ever growing collection of mysterious postcards, a brass spyglass, some aged papers hinting at forgotten histories, and of course, the mirror. Each object hummed with potential, calling to her in quiet moments, urging her to dig deeper.

The treasures from Herma’s chest were scattered across her kitchen table; each object felt like a piece of a larger puzzle, and she was determined to fit them together.

As Frella settled into a chair, she felt a sudden urge to inspect the mirror; the thought of its secrets sent a thrill through her, albeit tinged with trepidation.

It was exquisite, its opalescent sheen casting soft reflections across the room. She held it up to the light, watching colours shift within the glass, swirling like a living entity.

“What do you wish to show me this time?” she whispered.

As she gazed into the mirror, her reflection blurred, and she felt a pull—a connection to the past. Images began to form, and Frella found herself once more staring at the same elderly woman, her silver hair wild and glistening.

As the vision settled around her, Frella felt the air shimmer with energy, and the scene began to shift again. She focused intently, eager to grasp every detail.

Oliver Cromwell sat at a grand wooden desk piled high with scrolls and papers, his quill poised in his hand and brow furrowed in concentration. The room bustled with activity—servants hurried to and fro, and shrill laughter floated in from outside, where a gathering seemed to be taking place.

“By the King’s beard, where is the ink?” Cromwell muttered, his voice a deep rumble. With a flourish, he dipped the quill into a small inkwell that looked suspiciously like it had been made from a goat’s hoof.

With great care, he began to write on a piece of parchment. The ornate script flowed from his quill, remarkably elegant despite the chaos around him.

“To my dearest friend,” he wrote, brow twitching with the effort of being both eloquent and succinct. “I trust this missive finds you well, though your ears may be ringing from the ruckus outside. We’ve recently triumphed over the King, and while my duties as Lord Protector keep me occupied, I have stolen a moment to compose this note.”

He paused, casting a wary glance around the room as if expecting eavesdroppers. “I must admit, I have developed a curious fondness for a young lady who claims she can commune with spirits. I suspect she may know a thing or two about the secret lives of witches. If you find yourself in town, perhaps we could investigate together? Bring wine. And if you can manage it, a decent snack. One can hardly strategise on an empty stomach.”

Cromwell’s mouth twitched into a wry smile as he added, “P.S. If you happen to encounter Seraphina, do inform her that I’ll return her mirror just as soon as I’m done with my… experiments. I fear she may not appreciate the ‘creative applications’ I’ve discovered for it.”

With a sigh of resignation, he sealed the parchment with an ornate wax stamp shaped like a owl. “Now, where did I see that errant messenger?” he grumbled, scanning the room irritably.

Frella placed the mirror gently back on the table, her heart pounding. She needed to unravel the mysteries linking her to Seraphina and Cromwell. The time for discovery was upon her, and with each passing moment, she felt the call of her ancestors echoing through the very fabric of her being.

But could she untangle the mystery before her fellow witches set off on yet another ill-fated adventure? She would have to make haste.

An unexpected result (or was it an intentional one?) of the octobus ride was a profound appreciation for the arrival at the destination.  Not one of the witches had been truly looking forward to the event, but when they entered the building they were deeply grateful for the smooth hard floors and walls and sharp minimalism, if that is what the sparse clean decor was called.

“This place is sorely in need of some steampunk hats,” remarked Truella.  “And some Victorian clothes.”

“Beats the hell out of that gross octobus, though,” Jezeel said, who was swanning grandly around the large entrance foyer, her boots making a neat thud rather than a revolting sucking sound.

“I rather like it,” said Frella, “Steampunk hats wouldn’t fit in here at all. Are you sure that party is being held here?”  For a moment, she felt a ray of hope.  She was feeling that it might be possible to remain unnoticed and unbothered in the vast clean space if she sat somewhere looking serenely vacant and unapproachable.

Spotting the shiny black grand piano in the corner, Jezeel glided majestically over to it and hopped onto the back of it, striking a glamourous pose.  Naturally everyone took flattering photos of her as was expected.

Eris had rushed off to find a lavatory, and eventually emerged holding a strange awkward bundle.

“What on earth is that and where did you find it?” Frella noticed the look of alarm on Eris’s face.  Truella was still taking photos of Jez from various angles, much to Jezreel’s delight.

“What does it bloody look like!” Eris said in an exasperated tone, “It’s a baby, someone left it in the loo!  Go and ask at the desk, find out who lost a baby. I think it’s nappy needs changing.”

Frella went off to ask, returning shortly with surprising news.  “There is nobody checked in here with a baby, Eris. Nobody knows whose it is.  Here, give it to me, the poor thing.”

Eris handed over the smelly bundle gratefully.

I can stay in my room with this baby, Frella thought, It will be the perfect excuse not to go to the party.

“Attention, Witches!” Malove’s voice, always a little gravelly, was unusually strident and the lively chatter in the room quickly faded. When she was sure all eyes were fixed upon herself, she flapped a sheet of paper at her attentive audience. “This  … ” Malove paused and regarded the piece of paper with bemusement. “… This diatribe was on my desk this morning.  I think you all need to read it and then we can discuss what action, if any, needs to happen.”

“Action!” gasped Truella and clapped a hand to her mouth when Malove’s fierce gaze landed on her. A shiver went through the assembled witches.

Another forceful wave of Malove’s  arm and a shimmering screen appeared. The words scrawled on the paper leapt towards the screen and then like soldiers jostled themselves into position with military precision.

“Dearly Beloved Coven Members (and I use that term as loosely as the morals of a politician),

It’s your ever-so-humble and not-at-all-grumbling cleaner, Finnlee, here. Now, I don’t usually dabble in your hocus-pocus mumbo jumbo, but seeing as how you lot have gone and made a right mess of the energies with your premature spring, I reckon I’d best throw in my two pence.

Firstly, let’s get one thing straight: I’ve no time for this ‘telluric energies’ tosh. Call it global warming or call it Fred for all I care, just as long as you keep it out of my freshly polished hallways.

Now, as for this business of setting the tone and writing stories—do try to keep the drama to a minimum, will you? Otherwise, I’ll be the one left cleaning up the aftermath, and I’ve got enough on my plate as it is.

And Frigella, my hat’s off to you, dear. A woman of action, not just words. Reminds me of myself, only I prefer to wield a broom rather than a wand.

So, get your Incense ready, or your feather dusters, or whatever it is you use to put some semblance of order in this world. Just remember: if any of that muck ends up on my freshly waxed floors, there’ll be hell to pay.

Yours in perpetual crankiness,

Finnlee”

“Oh!” exclaimed Liz, who had heretofore been struggling to stay abreast of recent developments.  “You mean Mr Du Grat!  Honestly Finnley, your pronunciation leaves much to be desired.  I have it from the horses mouth that the charming Mr Du Grat has gone on an adventure.  More’s the pity,” she added, “As I was just starting to take a shine to him.”

“But what about Walter Melon?” Roberto chimed in nervously.

“What’s it got to do with you?” Liz narrowed her eyes.  “Turning the garden into a wildlife haven was a mistake, it’s left you with far too much time on your hands, my boy!  See if there’s anything you can do to help Finnley, it might stop her screaming.”

“Why not help her with the baby faced cookies, Roberto?” Godfrey said mildly, peering over the top of his spectacles.

“What was that you said? I can’t hear over that racket.”

“I SAID..” Godfrey shouted, but was prevented from continuing when the corner of Liz’s desk landed on his gouty toe, which left him momentarily speechless.

“Well that shut you all up, didn’t it!” With a triumphant smile, Liz surveyed the room. Her sudden urge to upend her desk, sending papers, books, ashtrays, peanuts and coffee cups scattering all over the room had been surprisingly therapeutic.  “I must do that more often,” she said quietly to herself.

“I heard that,” retorted Finnley. “Let’s see how therapeutic it is to clean it all up.”  And with that, Finnley marched out of the room, tossing her toilet plunger over her shoulder which hit Godfrey on the side of his head knocking his glasses off.

“Not so fast, Finnely! Godfrey shouted.  The pain in his big toe had enraged him.  But it was too late, the insubordinate wench slammed the door behind her and thundered up the stairs.

“Ah, Roberto!  You can clean all this mess up.   I’m off to the dentist for a bit of peace and quiet.  I’ll expect it all to be tip top and Bristol fashion when I get back.”

Thundering back down the stairs, Finnley flung the door open. “You use far too many cliches!” and then slammed back out again.

“I worry about the dreadful limbo, those poor characters! So much going on and there they all are, frozen in time, perched on the edge of all those cliffs, waiting to spring into action, leap across chasms of revelations, lurch into dark mysterious depths…” Liz trailed off, looking pensively out of the window.  “I wonder if the characters will ever forgive me for the jerky spasms of action followed by interminable stretches of oblivion, endlessly repeated…. Oh dear, oh dear! What a terrible torment, taunting them with great unveilings, and then… then, the desertion, forsaken yet again, abandoned …. and for what?”

“Attending to other pressing matters in real life?” offered Finnley. “Entertaining guests? Worrying about aged relatives?” Liz interrupted with a cross between a snort and a harumph.  “Writing shopping lists?” Finnley continued, a fount of gently patient sagacity. Bless that girl, thought Liz, uncharacteristically generous in her assessment of the often difficult maid.  “Do you even know if they’re aware of the dilated gaps in the narrative?”

Liz was momentarily nonplussed.   This was something she had heretofore not considered.  “You mean they might not be waiting?”

“That’s right”, Finnley replied, warming to the idea that she hadn’t given much thought to, and had just thrown into the conversation to mollify Liz, who was in danger of droning on depressingly for the rest of the evening.  “They probably don’t even notice, a bit like blinking out, and then springing back into animation.  I wouldn’t worry if I were you.  Why don’t you ask them and see what they say?”

“Ask them?” repeated Liz stupidly.  I really am getting dull in the head, she thought to  herself and wondered why Finnley was smirking and nodding. Was the dratted girl reading her mind again? “Fetch me something to buck me up, Finnley.  And fetch Roberto and Godfrey in here. Oh and bring a tray of whatever you’re bringing me, to buck us all up.”  Liz looked up and smiled magnanimously into Finnley’s face.  “And one for yourself, dear.”

Tidying the stack of papers on her desk into a neat pile and blowing the ash and crumbs off, Liz felt a plan forming.  They would have a meeting with the characters and discuss their feelings, their hopes and ambitions, work it all out together. Why didn’t I think of this before? she wondered, quite forgetting that it was Finnley’s idea.