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Georges and Salome’s journal

From Salome’s account of their first journey to the Alienor star system

I had more insights about the Murtuane and its biosphere. The race of green-skinned people seem to foster some deeply religious feelings. Not religious as in our age old beliefs on Earth, nothing of that sort. It’s more “religious” in the sense of caring for life, and the sacredness of it.
It seems they are so attuned to their feelings that they can feel in each other’s waves of moods, so that it becomes very difficult for them to entertain such violence that we have been enacting for so long on Earth.
It is like they form some kind of invisible bond, and can feel each other through the belonging of some kind of unseen social memory complex. I think they call each others Children of Turmak, or somewhat close.

There are other forms of lives present here, many underwater, and I can feel some ties between the Nirguals (those huge eagle-like winged beings) and what we, on Earth, remember as “dragons”. It is as though they are different forms of the same energetic blueprints, or species… In evolutionary terms, it would be tantamount to say that they share a common ancestor, but I know it is none of that either.
The Nirguals (let us call them like that for the time being) are indigenous to this planetoid of Murtuane, but they somewhat seem to have seeded some of them on the Duane, the dual or sister planet — though this is my loose interpretation… But even though it reminds me of a cuckoo being forgetful of its eggs in another nest, this strikes me as an evidence of some kind of awareness of each other, by each of the planets sentients. And also of an evidence of a kind of travel route between the two, though discontinuous if not vagarious, and probably uni-directional as per now, as nothing tends to corroborate a continuous interaction.

Georges and Salome’s journal

From Salome’s account of their first journey to the Alienor star system

The Jorid has spotted what will be the destination for our first joined adventure.
It’s a dimension which seems unexplored yet, and rather fascinating. Georges, as he is, would already have jumped right in, but I preferred to get a little more background information before moving into it. It’s still a little awkward to move into these realms where the laws of physics as we’ve known them are different, sometimes dramatically so. These would not be too much of a difficulty as the adaptation of the physical body usually goes quite fast, as Georges has shown me when we trained in more familiar dimensions, but the most delicate part is when we barely know the relationships at play.
Georges will laugh because he’s more confident that everything is perfect, but somehow, I tend to believe that things can be a little more perfect when we know how to avoid making faux-pas.
So we’ve spent a few days gathering some basic informations on this dimension we call Alienor. The most part of the activity seems to revolve around a cluster of planetoids. At this moment, it’s forming a system of three planets revolving on the same orbit around their sun. We call them Duane, Murtuane, and Phrëal.
They seem to form a complex web of relationships, and cover such a wide range of aspects that we have decided on a mutual agreement to split our exploration to cover more ground for a beginning.
Georges is exploring the Duane, and I took the Murtuane, both planetoids seeming to come from the same core of matter, in a manner of speaking. The feeling around the Phrëal is more ambivalent, as though it is undergoing some deep change, not unlike to the Shift that will be (or has been) occurring on our Earth. So, we’ve decided not to interfere with it right now. It may take a dozen of years (as we understand them) for them to undergo that process, but it’s not like we care of time issues in any case.

Here are my first observations concerning the Murtuane. Obviously, it ties into the Duane, but I am not completely aware of all of these ties yet.
The first connection I had to the Murtuane was with some ancient beings living here. I saw myself riding one of these sentient beings, gliding through the sky in a mountainous land. The colours are vivid, even if the atmosphere seems very light, and filtering the sun’s ray in a spectrum slightly more indigo than our sky on Earth. These beings, whose name I can’t yet translate accurately (it’s something close to Nirgual) are powerful winged focuses of essence, though I suspect this to be a mere convenient form that they use. They somewhat remind me of the Rokhs (or Rocs) that the sultan’s wifes were telling us about in their legends. Apparently, they are respected, perhaps feared by the people inhabiting the lands, though I can feel they are for the most part benevolent.
These people, those that I could spot, seem to have a slightly green skin, but overall humanoid form (within my translation of them).

I will probably have more to connections once we gather our impressions with Georges.

All that farting had been quite exhausting, but the mummy felt that she was reincorporating vigor more quickly now, as the old fartesque energy was giving way.
This was a quicker process than birthing, but also more disturbing.

She slowly started to unwrap her bandages.
She smiled as she saw her peach smooth skin on her hands.

Malvina had clapped her hands and made the food and drinks and decorations disappear in the reception hall of the cave, feeling the time was not to big parties right now. The guest had moved again, and she had not been in the mood for party either.
She had not yet managed to reestablish contact with her sisters and that was a more pressing matter.

Leörmn had been retreating into his seasonal slumber, and would not be of great help at the moment, so she knew it was also time for her to get back to simple things and not worry about what was not yet here. Probabilities had simply moved, they would come back.

The silgreen tree had bloomed, and she wanted to brew some potions with its flowers. She would then go with Irtak to the village sell some vials of potion, and perhaps they would take the opportunity to see Huÿgens too, as he sometimes needed such potions for his langoats.

For Illi the cat, that cave filled with slimey scaly beasts was now out of her way.
Good riddance.

This dead Illi experience had been so intense she had almost believed there indeed was a pink indigo dragon right were she was at the entrance of the cave. But the impression had vanished all of a sudden, and she had found herself with her mind again her own only, without the echoing thoughts of that deranged other.
She had found a tree nearby, and comfortably seated on some high branches had been mediating with the help of trance inducing betel catkins that she carried with her as she traveled.

She had seen some weird stuff, like farting bandage wrapped people putting cobblestones to make a way to the sky, but that was enjoyable. As nothing really could make sense that night, she decided to go to sleep on her tree.

In the morning, a snorting sound made her raise her pointy ears. Just below her tree, a man was eating and singing, looking at some map, obviously planning some interesting adventure…

In the cave, where Vincentius was left with the Ugling boy and Mandrake, the latter finally decided to break the ice.

— How pitiful we left that sabulmantium to the snorting man… Mandrake said, we could have had a peek into Arona’s adventure… Not that I am concerned, she is so brave, but you know, she’ll always be my little… What am I saying? mumbled Mandrake temporarily confused.
— Oh, you mean, Arona had a sabulmantium?
— Mmm, well, of course… We projected hairy cows and stuff… (I’m really saying the stupidest things today, might be that herbal tea, shivered Mandrake, licking his paw and combing with it the unkempt hair on his head)
— Interesting… But you know if you want to have a look, we can do otherwise. Let me see…
— (trying to make yourself important, huh) thought Mandrake

Vincentius took a little blue bag tied to his belt, and threw a pinch of a smelly mossy powder on the smoldering embers.
A thick greenish smoke started to rise making Mandrake retreat carefully (or tactfully he would say) in his favourite place behind the pile of logs to look at the discomfiture of poor Vincentius without having to overwhelm him too much with his own superior sharp intuitive senses.
But to Mandrake’s surprise, the smoke steadied like a moving wall, and images started to foarm.

— Hey, this is my little girl, Arona! Mandrake couldn’t help but say.
— A-lo-na, the slow voice of Yikes/Zacquer said.

http://www.eliasforum.org/digests/shrines.html

See footnotes at the bottom: George, and a baby…..

“What is interesting is that Mary’s daughter Elizabeth had an imaginary friend as a child…… Elias identified this imaginary friend as the essence of Tomkin. Elizabeth called him George.”

When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

But Bådul knew better.
He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

A few months earlier, Northern Åsgurdy

A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

He knew that such a shelter wouldn’t be far away now.
That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
He had felt he could trust that man known to him only by a strange name, something like Gheorg.
There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
She needed to move on.

When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

Austor did not believe his eyes…
They had crossed the Rift, all three of the ships.
And it was nothing like the dark void they had nearly expected behind.

It was an open sea, glistening in the sun, and all hope had come back through them all.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…