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So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

Looking at the clearing, where there was seemingly only a little girl on the trunk of a cut down coconut tree, Akita found himself puzzled. A girl, alone, in that dangerous jungle… Might it be a trick from his old enemies? The giant spiders were vicious, and could play some tricks of mind on humans, he’d witnessed before he’d run into Kay, who was granting him some sort of protection. But as far as he knew, they couldn’t do anything that elaborate. They were rather primitive in their projections, and were more inclined to slimy nightmarish visions than cute little dark-skinned girls, however untidy were her clothes…
Besides, Kay seemed to trust her. And she could see him too. Usually, humans other than partners of spirit dogs couldn’t see them, but at times before they reached puberty, children were able to get glimpses of them, Kay had explained him.

Apparently either the girl was a simpleton, or she had an impossible chance not having yet encountered the spiders, being as she were, pretty oblivious to what was around her, and speaking to herself or imaginary friends, while fiddling with a small device the like of which Akita never had seen in his life. The thing was making beeping noises much like a radio emitter, and his heart leapt at the idea that she might break some god-sent transponder found in the wreckage from which she surely had been a miraculous survivor…
Kay, who had been observing and talking to the little girl, came back near Akita in a blink.

— Don’t worry for that device, it’s just a game…
— A game? It seems quite sophisticated for a game…
— It’s my Gamegirl Advanced, said the girl, without detaching her gaze from the tiny screen… But the batteries will soon be dead, she added with a lovely pouting face.
— Better the batteries than you, retorted Akita. So who are you? You can call me Akita… And I guess you’ve already met Kay.
— I’m Anita, but everybody calls me Anu.

She put the tiny thing at her side, and smiled broadly at Akita.

— Wow, you have such strange clothes, it’s like you’re out of one of those black and white war movies that my father used to watch…
— No wonder, little girl, we are at war.
— I’m not a little girl, and I don’t think you’re right. We’re not at war!
— That was probably well intended of your parents to hide you the truth, but thing is we are. I’ve been stranded on this island for months now with these loathsome creatures, and all I can suppose is that these spiders are secret weapons from the Nazis.
— Oh, Nazis? Like in Indiana Jones! Anu started to giggle…
— What do you mean? So you know of Nazis?
— Sure, my great granddad fought them on the beaches of Normandy, that was many years ago.
— I don’t understand… Do you have any idea of what’s going on? Akita asked Kay…
— Grwl… All of your human quandaries don’t usually make a great deal of sense to me, if you ask me, but I guess her friends would probably know more…
— Her friends? You mean, her imaginary friends?
— Oh they are not imaginary, Anu and Kay chorused.

— Let me try something, Kay said.

And the ghostly dog form contours started to wobble like a poked cube of jelly, becoming a single ball of phosphorescent ectoplastic energy that started to rotate around Akita. Akita’s vision, disturbed by the movements started to blink at a more rapid rate until his peripheral vision started to show some distinct coloured St Elmo’s fires. They were four he could count, at least for the closest ones. At time they overlapped, and when he was focusing on his peripheral vision, he could get more and more stability in these visions.

Kay had stopped, and was again crouched near Akita.
— That’s all? Akita asked in dismay…
— Now you know the trick, answered Kay, almost shrugging…

— It’s really easy, said Anita, beaming at a disoriented Akita. Also… Yuki told me that apparently time is considerably slowed down on this island. And while a month passes here, ten years pass in the world we come from…

Mavis had not yet received any news from her friends Sharon and Gloria. She’d hoped she could have some postcard from them before she goes and join them…

Nearly two months… Two months since they had all received the exciting email from that Dr. Bronklehampton and had decided to take a leap of faith.
As a matter of fact, they had taken that leap of faith just before, and it was just a… “synchronistic confirmation that they were heading in the right direction”, that’s what old Harry had said… Or was it Joe? No, that was surely Harry.
Fred wasn’t very pleased.

Bored by all the variations of dominoes and dices games at their third-age club, the three inseparable ladies had decided, in a bout of delightful unreasonableness, to embrace all that modern technology had to offer. Sharon and Gloria, being the devil-may-care as they were, got their computer first. Mavis had to convince Fred that he could make his horse-racing bets with that computer without having to go to the city, now that the last pub in the village wasn’t taking bets any longer… and even play poker! she’d said, bluffing so vehemently that she’d almost blushed in shame for fear of being wrong. But that last argument had convinced old Fred. And now, she was connected too. A second-hand computer, with a dusty old keyboard, but she’d let it soak a night in a soapy basin, and it was now shiny as a brand-new one. Except that it now kept behaving strangely…

In their club, they could boast that now they were connected all over the word, and all the old parakeets of the club had almost choked over their tea when they had heard all of what they had discovered.
Sharon had won most of the glaring bedazzlement. Wearing newly bought sunglasses, she’d said whispering like a conspirator that she had searched her name on a website and she had seen more than 7 million pages talking of her! Imagine! More than seven million people talking of her! And she had not known she was so famous… Hence the sunglasses, she’d added with a wink… there were probably a slew of paparazzi hidden somewhere to discover all that was to know about her… But you can’t fool dear ol’ Sharon Stone.
Gloria Fowles had been gathering almost 4,000 pages… But well, she had not the charismatic aura of Shah.
And Mavis Staples had got a hefty 470,000 pages!… Of course, she had not told Fred, who was already so paranoid about all of this stuff. When they had received the machine, he was convinced there were miniature cameras and transponders from the MI6 inside the PC and had spent hours disassembling and reassembling it.

Very soon after they had registered for their free email address (the reseller had explained patiently that she couldn’t electrocute herself while licking the envelop), the next day to be precise, at 5:33 —that was the hour when Mavis had finished her routine dusting and breakfast preparing for Fred, and just before taking Gulp, the dog for a news reading (that was what Sha was saying “butt sniffing for dogs, is like news reading for us”), she had granted herself a little peek into the emailbox— she had seen something in the recipe folder.
She wasn’t sure why they had called that folder “meat” or “ham”… no that wasn’t “ham”… “SPAM” more like it… Anyway, in the recipes folder, she’d received her first email. She’d called eagerly Sha and Glo, and they had received it too, and had even answered it already, as they had spent the all night “surfing” as they said — which was a bit difficult for Sharon with her sunglasses in the dark.

All three of them had received a free coupon for a massage and therapeutic rejuvenating treatments (and possibly some bonus organ enlargements free of charge) in Tikfijikoo Island!

Well, now Mavis was ready to go too, now that Fred had been mollified and she’d gathered the money for the trip.
In a sense, that was good she’d not received anything yet from Sha and Glo, it would allow her to imagine the wildest things!

On Channel TV-5, Tobi the ventriloquist’s show was on.

The usual gang was gathered in Al and Tina’s flat, to enjoy the popular show. Becky, who was a huge aficionado of the show had made it to the flat before everyone, despite her suffering from apparently unexplainable pains in the chest.
When the show started, Becky felt a little better though she couldn’t really breathe easily. The Yeath Lady, in her ash-blue mummy outfit was making her giggle. It wasn’t very good for her floating ribs, but she couldn’t help, and decided to giggle softly.

Al was trying his best to munch some pop-corn but one of his tooth was still moving in his mouth, and it wasn’t time to get some pop-corn implanted into his gums…

Ted was quite fond of Ogrean.
Twilight was a bit sorry for the sheriff, for she had thought him a good guy at first,… whatever that means… but obviously he was a bit blinded by the slickness of the slimy condescending Pompousaur.

But something interesting had happened this day, and she wondered how it would change things again.
Apparently, from what she had caught from the scene, Ted had left the saloon in a cold rage, and it was quite obvious that the Pudgeon was a bit distraught… What could have moved the jovial sheriff like that?

When she and Anna were changing clothes behind the scene after the representation, Anna started to talk quite freely and unexpectedly about the accident.

— That Marshall guy is not as silly as he seems…

As she was more talking to herself, Twilight didn’t answer.

— What d’ya reckon? Anna asked more directly
— Oh me? I don’t really know what happened…
— Don’t play dumb with me, girl. You’re smarter than you wanna show.

Twilight took some time to ponder…
— I don’t think that Ogrean tried to bribe the sheriff, not as obviously…
— Yeah…
— Apparently, he started to explain the sheriff who he was supposed to arrest, and that didn’t please him the least.
— More likely, yes. Definitely sounds like him…
— Anna?
— Yes?

Twilight almost wanted to tell her how she did understand Anna and how it must have been difficult for her with that child from Mc Gaughran, but she couldn’t express all of that.

— Terry is sweet.
— Yes he is, he’s a lovely boy. I love him so much despite…
— I know.

When she came back to their ranch, Twilight felt relieved somewhat about what had occurred. Perhaps that this era of heavy cloaked ruthless order incarnated by Ogrean was coming to an end.
She was a hopeless dreamer.

— A marmoset then… Georges said Salome grinning widely.
— Yes. Did you get a name for him?
— Leo.
— That’s cute… With his little white mane around his face, Malvina will love him.

Leo had jumped on Salome’s shoulder, as it was a bit exhausting for the little creature to follow them.

— You know they are disappearing on this island of Tikfijikoo where I was just before. I think they found the invasion of their habitat by humans no longer funny. Lots of them have already popped into another reality for their kind… It takes some adjustment to refocus and reconfigure the energy, but it seems to go smoothly, as Leo being here is proof.
— Yes, as lots of old species on Earth ware doing. The relocation process is a bit energetically crowded, in a manner of speaking…
Georges was finding usage of words in that dimension a bit uneasy. That ware was such an example of how language needed rearrangement when they talked about simultaneous events in both past and present. At least, he knew Salome was understanding beyond the words.

Salome smiled and envisioned Georges and herself bathed into a field of fluid mulberry jelly colour, and around them some of the particles floating haphazardly around started to gather orbiting in rippling circles around them.
Salome was remembering an undulating shape too that she could use as a tuning fork, and she added it inside the central circle.

— Oh, you’re right…

« the translation device ! » they both said simultaneously, bursting into laughter.

— I always tend to forget about that funny toy Malvina once explained to me. And you know how much I love to play with it… when I remember it, of course…

Malvina had told Georges that the particles which were in his field were assisting him in translation, and had a grounding and focusing effect.

Leo started to applaud frantically at the new light quality of the energy.

Even with the help of the buntifluën, which translated the foreign expressions between the men of the Seas and him, young Tomkin had some difficulty to explain some concepts to the men.

When the three boats had landed on the warm shores of Golfindely, Tomkin had been a little anxious about the ominous looking men, especially the giant one, with the big ugly baby face who seemed to be in command.
But apparently, Tomkin had found a faithful friend in the black and white myna, and the ugly baby-faced giant had been interested by his unusual talent of being able to understand and communicate with them.

I had been two weeks now that the men had arranged a settlement for themselves on these friendly shores, and Tomkin had been quickly adopted by the whole crew.
He soon made friend with Jahiz, Austor and even the wild man in shackles —who had told his name unwillingly in energy, that the buntifluën had helped to translate. Tomkin was finding that the wild man, Cpt. Razkÿ, had been a greatly interesting adventurer and had known many places of the lands from where the men came. In fact, he reminded him of Captain Bone.
The most difficult to deal with was the chief cook Renouane, who was complaining about the lack of some kind of unknown vegetable to do the meals. Jahiz had comforted Tomkin saying they were all fed up with “cabbage” anyway.

The villagers around had become slowly aware of the presence of the foreigners on their lands, but they were relatively accustomed to seeing strange people, and upon seeing that these ones were friendly with Tomkin, they returned to their Scotch bonnets harvests, without much more of an afterthought.

Tomkin had helped them to learn basic words of their language, words of greeting (“wallahu”), of thanks (“alami”) etc.
But the ugly baby-faced giant (who had said he was “Badul”) was interested in many other things.
And the concept Tomkin was now struggling with, to clearly explain it to Badul, was that of the traveling portals.

Badul had somehow intuited that the strange shift in the environment they had met in the middle of the Rift, was something due to Unseen action. And when he had heard Tomkin speak about these methods for traveling easily, he had been interested in understanding more of them.
Until now, it was a frustrating experience, as the young boy only knew such and such, probably told to him by some others, and not having actually experienced one himself.
But the information was good to learn.

Bringing back this technology to his land would probably be more interesting than some decorative glowing egg, he was thinking…

— Well, I’m sorry to have to tell you Becky Pooh, but your script is getting awfully confusing… Al was saying swaying his head in dismay.
— What?! Becky nearly spluttered her cappuccino on Tina who was munching marshmallows at the cafeteria of the rehearsal room.
— Yes, you see… Al was once again lost in his thoughts… This Illi is driving me crazy, once she’s here, then she’s elsewhere. At one moment you said she was dead, and I went to great extents to try to clarify…
— Muddle, interrupted Becky Pooh, Muddle…
— … the whole thing, Al continued imperturbably, and made clear, or so I thought, that the Illi cat was alive, and the Illi human was indeed dead, but now Tina makes the Illi in the dream of little Chiara the cat again… Could you both explain what happens. I’m completely lost.
— AHAHAH, LOST! cried Becky so insanely, so that all of the others looked at her with eyes wide as saucers.
— Well, there could be lots of explanations of course, interjected Sam, whose energy was always soothing to incorporate in the midst of heated discussions on the reality play they were all writing.
— Yes, of course there are! It all makes perfect sense, said Becky.
— Oh sure, said Tina, except that you don’t really make Illi do anything…
— Do I?
— Well, they were near the cave, but you won’t face the scaly stinky dragons anyway, said Al a bit disappointed.
— Why can’t you imagine them all fluffy and pink if it’s easier for you? said Sam. Like Chinese dragons, why not? A bit dog-headed, wouldn’t that be easier for you?
— Mmmm. Becky was pondering.

— And what were your suggestions to explain that insane dream? asked Al to Sam.
— Mmm, let me see… Perhaps it’s from another timeline. No one has said when that dream has occurred, so it may be before, or after the events happening right now.
— And for the cat seen by Chiara, said Tina gently, that could just be her seeing the essence of Illi, and seeing other of her personalities…
— Well, seems to make sense… acknowledged Al and Sam, all turning to Becky to see if she agreed.

Tomkin had a keen eye, and despite the dazzling light reflected on the calm glittering surface of the sea, he could see a little dark shape detaching itself from the three bigger forms, and that little dark shape was quickly identifiable as a bird.
Apparently the bird was not from these lands, it was black with white strips, or perhaps the contrary, and was flying like a grake drunk of having gorged on overripe Scotch bonnets.
Obviously the bird was exhausted, and crashed on the shore where it was nearly knocked out by the grogonuts which fell with big *thuds* from the grogonut tree on which it had just finished its erratic course.

Seeing the whole scene from the top of the fatly mossy cliff, Tomkin decided his curiosity was a much more pressing matter than taking care of the herd of grakes, so he ran to the little rocky path which led to the beach below.

Apparently the bird was still alive, and more surprising even, that was a talking bird. It could speak strange words.
And even stranger, though Tomkin knew none of these words, he could understand all of what the bird wanted to communicate to him.

What an odd thing, he wondered… The bird was requesting some food apparently.
Tomkin fumbled in his pocket for some bread crumbs, when the gift of the Captain fell on the sand.
Could it be?

Tomkin’s heart was racing. Could it be that there was magic after all in this strange simple gift? The Captain had said it meant all was connected. That could explain why he could understand that foreign bird… And perhaps it worked on other talking creatures and people too…
A whole realm of potentials seemed to open in front of young dreamy Tomkin, who was quickly brought down to more earthly matter when Rudy the myna pricked his hand with its beck for the bread crumbs, projecting to him “Give it to me! Give it to me!”.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…