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As the bride and groom were exchanging the rings, Al was brought back a few weeks earlier, when Becky had announced the little group she and Sean would get married. The initial excitement gone, Tina, Sam and Al had been given the honor to organize that very special day, while Becky surely wouldn’t care to be bothered by such petty things.

I think she’s already getting that distinguished snobbish style of the Wricks muttered Tina who was not so fond of being handed down these kinds of unprompted crottes.
Al, who was probably thinking as much managed a Don’t be so hard on her, that’ll be a mighty fine wedding, after all, marrying a Wrick has its advantages, we don’t have to be measly on the expenditures
Sam, a bit lost in circles, had acknowledged.

Well, that had been fun after all, at least Al was thinking, he had not needed to deal with Becky’s own mood fluctuations. As the only Sumafi of the group, he had willingly taken care of the list of the guests, and all the catering orders, while Tina was taking care of the decoration (bride included), and Sam was arranging for the organization and rental of the places and hotels for the wedding and its slew of guests.

Of course, as intimate Becky had first required the wedding to be, she had soon changed her mind, and had not resisted long the temptation to gather lots of people she had almost forgotten over the years.
Al could almost see clear as day — now the weather had brighten up a bit — in his mind his notepad full of Becky’s recommendations:

— Becky’s family and friends
Sam, Tina & Al (of course)
Sabine Baina (mother) and Patel Mahapushtra, her new husband (a child’s toys mogul)
Dan (father) and Dory (step-mother; might fear a trip to New Venice, you’ll have to use some extra coaxing with her)

[long list of friends, snipped for reader’s comfort]

— Sean’s family and friends
(mother deceased, father unwilling to come, pretexting his rheumatisms and not being able travel so far, but most likely unwilling to see Sean)
Sean’s children, Perry and Guiny
(aunt and cousin, Deirdre and Dorean Wrick) — Al’s update: they have unexpected guests coming back from Russia at their home, wonder if they could come? Becky: Sure!… Mmmm, Russia you said?

Now, finding some great gift for someone as easily distracted as Becky, and as spoiled as Sean was another ball of wax…

[For legacy] A more complete view of the current set of data here

I will reintegrate into the main layout (done), and complete the dataset, but I post it here so that you can play a bit with the various filters and maps…
In the meantime, should you have any suggestion on the events to add, or locations to adjust, feel free to tell me…

Here follows a list of pictures related to various threads of the story.

Various sketches and early comments on the story inception — most of which can be now also found in the thread named Yuki’s Livrary — including sketches of some of the early characters (Malvina, Leormn, Dory, Fiona/Finn, Yann, Quintin/Yurick etc.), Dory’s map from her sketching book, a partial map of the Duane, and also Chiara and Buckberry…

Concept Sketches, with Badul in Asgurdy, Tomkin Sharple on the shores of Golfindely, and Becky in New Venice

Naasir’s dream, an immersive panorama, where you may find some of the recurring animal representations in a dream-like essence land…

Princesses and fairies are to be acknowledged too with Mævel, and her legend and the Weaving Princess

Georges, and Salomé

Other-dimensional creatures, like The Snoot and a Nirgual (found on the Murtuane)

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

I must be talking to an angel Yurick thought, as he was feeling the presence of the lady he had seen in his dreams a few times before. Her presence was remarkably soft, yet, she was unmistakably here, like a loving sisterly figure. Yurick could see at times streaks of a shimmering blue-green halo when he was thinking of her, and this morning, walking in the underground corridors, as he was humming and thinking of this angel, his gaze landed on a movie poster, with beautiful women profiles. None of these profiles had attracted his gaze at first, but a name. Salomé.
Then only, the poster slowly began to unfold itself into focus around that name…
The women were beautiful and seemed to be like beams of a multitude of variations from a single energy essence, like some traditional Avalokiteshvara (Kuan Yin) representations.
The title of that movie was “Les Femmes de l’Ombre” (Women of the Shadow), and that “Salomé” he had seen was the name of the director… How interesting symbolic information…

While she reminded him not of the Salomé of Wilde’s play, but of another biblical figure, the Salomé of the New Testament, follower of the Christ, and likely sister of Mary, Yurick decided he would call that gentle feminine presence “Salomé”…
A woman of the Shadow. For now…