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  • #7391

    Jeezel didn’t really have time to go back to her routine after the Brasilian shambles. She had lost her favorite wig when during the race to the portal she turned back to face the pigmy hippo charging at the coven, a durante of toucans attacked her, which in turn stopped her in the middle of casting the Halteus Maximus spell as two pairs of arms snatched her from a flat death. She learned later that it was Truella and Eris who caught her arms. Her wig had fallen and they didn’t allow her go back to pick it up. Seeing the hippo trample her wig in the mud broke her heart.

    “Jeez! We need you to open the portal!”

    In the end, she shout out in triumph as the portal sliced the beast in two dead halves.

    She had spent hours looking for a similar wig on the internet, forgetting about her duties and her work. But it had finally arrived and she was ready to resume. But before, she put all her wigs on diplay on mannequin heads and check for misplaced locks or rebel strand of hair. She added a touch of sparkling pink fairy dust on some of them and introduced the new wig to her siblings.

    “Don’t forget the Criniere Céleste Extravaganza, dear,”said Lumina in between licking her rear paws.

    “I was going to,” said Jeezel a bit irritated.

    With a flick of her bejeweled wand and a sashay of her hips, she invoked a shower of sparkling light and gentle hum of harps to welcome the new addition.

    “Adorn my collection with splendor anew, bring forth the beauty, both fierce and true…”

    The wig started to levitate, glowing with a divine aura before delicately settling down into its rightful place among its fabulous brethren.

    Now everything was ready for her next show.

    #7366

    “Are we going down a sewer?” asked Truella as if you’d asked her to put her hand into dragon poop to see why they had diarrhoea. She was wearing the green blouse of a nurse. Jeezel’s thought the colour was almost a match with the witch’s face.

    “Don’t be difficult,” said Frigella a bit annoyed.  “You spend most of your free time in a hole as a hobby.” She was readjusting her purple blouse, which seemed to be bit too big for her.

    “It’s my hole,” said Truella. “I know what’s in there. It’s got nothing to do with that murky miasma of decayed dreams and digested dinners piling up down there as a testimony of Limerick’s population’s contemplation of their puny lives on their pitiful thrones. And the stench, it cuts through the air, it would make a maggot gag. I tell you, certain portals are best left untraveled. I wonder why Malové has left you in charge of the portal.”

    “We won’t go through the sewer,” said Jeezel. “It’s an ancient spell I got from my grand-mother Linda Pol from the time of her Time Travelling drag show. It creates a vortex impervious to any smell. If maggots gag it’ll be because they saw your panties.”

    Truella, who had never learned how to hold her tongue, started to open her mouth when Malové arrived. She inspected every witch’s nurse attire and winced at Jeezel’s white blouse that made the tall witch look like one of those nightingale from the 50’s.

    “Will you be able to breathe?” she asked. “We don’t want to be stuck here because you fainted before finishing your spell.”

    “This is my natural silhouette, whispered Jeezel. The fabric is very stretchy. Anyway, I’m using sigils to cast this spell.”

    Truella stopped her snort short when Malové glanced at her own blouse.

    “As for you, your words are not the only thing you could iron out.”

    Then she gave a nod of appreciation to Frigella and Eris. “Then we’re good to go.”

    Jeezel started to draw lines and curves in space above and around the manhole, she looked like a peacock flaunting its feathers. Then she used her orange gloss to draw the one sigil around the manhole and invoked its name. Frigella who was seeing it performed for the first time had the impression Jeezel said “Fern” but she wouldn’t put her hand in a witch’s fire for it. The manhole cover shimmied and shook like it was coming to life. It lifted, hovering with all the grace of a duchess at high tea before sliding aside.

    “Et voilà,” said Jeezel with glitter in her eyes. “Who’s first?”

    Eris, intrigued by the vortex of glowing and sparkling with all the magical energy coursing through it, jumped right in, not waiting for anyone to answer.

    #7352

    “If it’s nae Frigella O’green! Fancy seeing ye ‘ere!”

    Frigella stiffened. She’d know that accent and the dank tang of peat moss anywhere. She’d have smelt it sooner if it weren’t for the brewing coffee. She must be getting soft … or maybe it was the sour smell of smoke clogging up her nostrils; she’d not been able to shake the stench since the debacle that morning. Turning away from Aaron, the pleasant young barista serving her, she willed her lips into a smile – no harm in being civil! It was a long time since all the Scottish shenanigans and word amongst the witches was the Scots Coven were trying to tidy up their act.

    “Well, If it’s not Aggie Bog now!” Frigella leaned in for a cool peck on the cheek. “And what brings you to these parts? Let me buy you a coffee and we can catch up?”

    Aggie sniggered. ” Ye pay for it?” She pushed Frigella aside and approached the counter. Aaron’s eyes widened and Frigella had to admit Aggie cut a striking figure in her tiny black top and leather leggings. As a child she’d been taunted and called fat, but now she was best described as Rubenesque, and clearly had learned how to use her assets.

    I bet those pants squeak when she walks.

    Aggie leaned forward and Aaron’s gaze flicked toward her abundant cleavage. “A double black insomnia fur me, on the hoose.”  As Aaron started to protest, Aggie waved several plump fingers towards his face and Frigella saw his eyes were now dark and glazed. “Whirling ‘n’ twirling a muckle puff o’ rowk,” crooned Aggie. “Ye’ll dae as ah say or caw intae a ….

    Frigella clasped Aggie’s wrist. Thank god the lunch crowd had gone and the cafe was nearly empty apart from an older man reading his paper by the window. “Aggie Bog! Shame on you! That’s not the way we do things here.”

    #7333

    “Attention, Witches!” Malove’s voice, always a little gravelly, was unusually strident and the lively chatter in the room quickly faded. When she was sure all eyes were fixed upon herself, she flapped a sheet of paper at her attentive audience. “This  … ” Malove paused and regarded the piece of paper with bemusement. “… This diatribe was on my desk this morning.  I think you all need to read it and then we can discuss what action, if any, needs to happen.”

    “Action!” gasped Truella and clapped a hand to her mouth when Malove’s fierce gaze landed on her. A shiver went through the assembled witches.

    Another forceful wave of Malove’s  arm and a shimmering screen appeared. The words scrawled on the paper leapt towards the screen and then like soldiers jostled themselves into position with military precision.

    “Dearly Beloved Coven Members (and I use that term as loosely as the morals of a politician),

    It’s your ever-so-humble and not-at-all-grumbling cleaner, Finnlee, here. Now, I don’t usually dabble in your hocus-pocus mumbo jumbo, but seeing as how you lot have gone and made a right mess of the energies with your premature spring, I reckon I’d best throw in my two pence.

    Firstly, let’s get one thing straight: I’ve no time for this ‘telluric energies’ tosh. Call it global warming or call it Fred for all I care, just as long as you keep it out of my freshly polished hallways.

    Now, as for this business of setting the tone and writing stories—do try to keep the drama to a minimum, will you? Otherwise, I’ll be the one left cleaning up the aftermath, and I’ve got enough on my plate as it is.

    And Frigella, my hat’s off to you, dear. A woman of action, not just words. Reminds me of myself, only I prefer to wield a broom rather than a wand.

    So, get your Incense ready, or your feather dusters, or whatever it is you use to put some semblance of order in this world. Just remember: if any of that muck ends up on my freshly waxed floors, there’ll be hell to pay.

    Yours in perpetual crankiness,

    Finnlee”

    #7312

    Every conversation stopped and every head turned to the door when Jeezel entered the Faded Cabbage. Her cheeks, round as plums, always gave her a fresh look. Her eyes, a mesmerizing shade of deep emerald green sparkling with otherworldy wisdom, slowly scanned the room, never looking at anyone in particular but seeing all. Her long ebony locks cascaded down her back, accentuating the mysterious aura that surrounded her. When Jeezel spotted her friends in that dimly lit corner, she pouted. The conversations suddenly started again, questions and rumours about her in every mouth. When she was sure everybody was talking about her, the hint of a smile raised the corner of her lips, as red as the apple that poisoned Snow White. She moved nonchalantly between the tables. The air around her shimmered with magic, leaving an indelible impression on those fortunate enough to be here that day.

    Although, as soon as Jeezel entered Truella’s cloaking spell, people forgot all about her and resumed their conversation. She felt a pang of regret and sighed as she let her bottom fall gracefully on the chair. She put her phone on the table and started tapping it with her fingers. Each of them had an intricate silver ring carrying a unique enchantment.

    “Jeez, Jeez!” exclaimed Truella. “Do you always have to project that attention-catching spell wherever you go? We need discretion.”

    “What’s the purpose of having a beautiful silhouette if nobody’s looking at it?” Jeezel asked looking sideways at a blushing Frigella.

    “And boy, stop that noise with your rings, said Truella. It makes me want to puke.”

    “And I thought you were all about freedom,” snorted Jeezel.

    “My freedom! How many times do I have to repeat? Where were we?” Truella asked rhetorically to Frigella.

    A dozen notifications popped up on Jeezel’s phone. She picked it up, counted the likes to her last reality potion spell and started to scroll the replies of her Flick Flock fans.

    #7293

    thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

    Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

    Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

    Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

    Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

    Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

    And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

    In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

    what else can you suggest I might find in the garden about the people who lived here in the past?

    Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

    Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

    Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

    Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

    You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

    Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

    And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

    Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

    the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

    Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

    Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

    Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

    Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

    You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

    Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

    And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

    In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

    What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

    Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

    Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

    Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

    Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

    The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

    Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

    And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

    The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

    you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

    Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

    Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

    Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

    Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

    Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

    Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

    In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

    Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

    Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

    Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

    Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

    Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

    Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

    The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

    In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

    That’s wonderful. Can you offer anything else, something I haven’t thought of?

    Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

    Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

    Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

    Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

    Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

    What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

    Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

    In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

    Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

    A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

    This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

    And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

    why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

    What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

    In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

    The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

    Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

    Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

    Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

    thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

    Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

    Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

    If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

    Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

    Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

    Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

    Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

    Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

    Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

    Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

    Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

    Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

    Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

    Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

    The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

    what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

    Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

    Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

    If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

    Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

    Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

    Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

    Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

    I love the suggestion of the collector, can you elbaorate on this particular character

    Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

    Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

    Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

    His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

    Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

    Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

    In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

    thank you very much. Very good!

    Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

    sweet dreams

    Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

    #7286

    In reply to: Orbs of Madjourneys

    Youssef contemplated a whirlwind of dust and wondered if it contained traces of nordic ancestry. When they were at the cart and lagger festival, his mother had died and he had to fly back to Norway to help his father with their family house in Selje. He hadn’t visited his parents for quite some time and was surprised to find out they had left the house crumbling down after the divorce. Seeing the grief in his father’s eyes and how his body seemed like an empty shell, Youssef followed an impulse, that he had regretted many times afterwards, and offered his father to help him renovate the house, and see afterwards if they still wanted to sell it. His father had said he wanted nothing to do with it, but Youssef had taken it to heart to start the project.

    A cold gust of wind whipped his face with thousands of sea salt needles. He laughed. What kind of thought was that? Who could possibly come up with such a convoluted image? A tear ran down his face. He didn’t know if it was because of the wind, or because he was missing his friends. That unfinished business in Australia had bugged him for some time, but he had soon gotten so engrossed in the work and managing the local workers that his social life had started to ressemble that of a grizzly about to enter hibernation.

    After a few months of work, he couldn’t believe that the house was done. He could feel a part of him that was going to miss all the demolition, sawdust, deafening engine noises, and the satisfaction of things done well enough. It seemed he was awakening back to his life. In his last message, his father had told him that he could keep the house for himself or sell it. Youssef hadn’t made his mind. He thought he wanted to enjoy quiet for a time.

    But first thing was he’d have to find another job since Miss Tartiflate made it clear after Australia he was free not to come back since he had “betrayed her”. He snorted to cover a blend of amusement and disappointment. His phone rang. Unknown caller. Youssef usually never answered those but he did nonetheless because he was suddenly craving social contacts.

    “We know you’re looking for a job,” said a metallic voice. Youssef’s phone buzzed. “We’ve sent you a job offer. Click the link at the end of the message if you’re game.”

    As soon as the caller hung up Youssef opened the message. It proclaimed:

    “Uncover the Secret of a Lost Civilization and Earn Limitless Riches! If you’re game, you may delve into this link.”

    Youssef winced at the clickbait. It was spam, evidently. Or was it the job offer? The voice sounded metallic, just like a bot. Should he call Xavier about that? Have him trace the call? He clicked on the link, thinking he hadn’t accepted anything yet.

    #7253
    AvatarJib
    Participant

      A scream not unlike those of Irish Banshees made Roberto jump and inadvertently cut the head of the duck shaped box tree he was tending to and had been carefully shaping for years. He looked, first, horrified at the headless duck, then towards the manor, from where the scream had originated. The grand patio door was open and revealed Finnley standing behind the pink furred sofa. He could only see her back. She was wearing green dungarees that oddly gave her an adventurous Lara Croft look. She brandished her duster and plunger like a pair of combat knives in front of Godfrey and a disheveled Liz. Godfrey picked up a book and frowned.
      All he could make were two words “Dung” and “rat”. Could that be related to that time when Liz asked him to find a solution for the rat she had spotted several times near the pool? Did Finnley find rat dungs somewhere? Roberto thought the problem would have been resolved with the poisonous wheat, but he never found a body.

      He looked again at Finnley, Godfrey and Liz. Seeing them all agitated, an idea started to sprout in his mind. The inauguration of Tatler’s Roman Villa was near. Walter Melon had responded positively to his suggestion. Maybe he could find special someones for the other two too. His abuela had always told him he had a knack for finding missing pieces.

      He picked up the duck’s head and put it back on top of the box tree. He pouted. Could a piece of wire and some special glue do the trick? There might be another solution. The duck’s body just looked like a whale calf.

      #7234
      TracyTracy
      Participant

        Aunt Idle:

        It took us weeks to clean up after that dust storm, and I’ll be honest, I didn’t help much. I had a lot to think about.  Finley and the twins did most of it, and Bert of course. Mater took to her room after the revelations and stayed up there like queen bee, not speaking to any of us, only Finley who took her meals up. I banged on her door a few times (she’d locked it, can you believe it?) but she wouldn’t even speak to me through the door. I’d have thought she was dead but Finley said no she wasn’t dead, she’d just about had enough of all of us and wanted to be left in peace to think about it.  Well, what about me, I said, don’t you think I need some time to think about it all too? But Finley snorted (picked it up off that Yasmin I reckon) and swanned off, quite rudely if you ask me.

        I did spend quite a bit of time down by the water hole, thinking about it all.  I never in a million years expected that baby to come back and haunt me forty odd years later.  I did get to wondering though, if I’d have brought her up instead of those nuns, she might have been a happier soul.   Not much ever seemed to please her, quite the reverse in fact.  Bert said Well what do you expect? in an exasperated tone.  I got a bit fed up with all the dirty looks to tell you the truth. I even thought of leaving the Flying Fish once and for all and never coming back. Then I thought, bugger that, I’m staying right here.

        Zara and her friends left right after the dust had settled (from the dust storm that is ~ it was quite some time before the metaphorical dust had settled, in fact I don’t think it’ll ever settle.  Some people do like to harp on and on about things) and I was sorry to see them go. They were great sports about everything, they didn’t judge me. Unlike my own family!

        I didn’t dare tell anyone about the night of the cart race when Youssef and I holed up in the cellar with all the old books. Thank goodness I had the presence of mind to grab a couple of bottles of gin and something to smoke before we fled down the stairs.  I tell you what though, the next day I had such a hangover I had a job remembering everything and wondered if I’d been dreaming.  Youssef wasn’t there when I woke up, and he had the darn cheek to avoid me the next day, and the day after that, and then they left.

        One good thing was seeing Fred again. I wish he’d have stayed for a bit longer.  If Fred had stayed awhile, maybe he’d have helped smooth things over with me and my ill gotten brat.  Some people are so ungrateful! I may have dumped her, but it was in a nice place and she wouldn’t be alive at all if it wasn’t for me.

        People are strange.

        #6552

        In reply to: Orbs of Madjourneys

        When Xavier woke up, the sun was already shining, its rays darting in pulsating waves throughout the land, blinding him. The room was already heating up, making the air difficult to breathe.

        He’d heard the maid rummaging in the neighbouring rooms for some time now, which had roused him from sleep. He couldn’t recall seeing any “DO NOT DISTURB” sign on the doorknob, so staying in bed was only delaying the inevitable barging in of the lady who was now vacuuming vigorously in the corridor.

        Feeling a bit dull from the restless sleep, he quickly rose from the bed and put on his clothes.

        Once out of his room, he smiled at the cleaning lady (who seemed to be the same as the cooking lady), who harumphed back as a sort of greeting. Arriving in the kitchen, he wondered whether it was probably too late for breakfast —until he noticed the figure of the owner, who was quietly watching him through half-closed eyes in her rocking chair.

        Idle should have left some bread, butter and jam to eat if you’re hungry. It’s too late for bacon and sausages. You can help yourself with tea or coffee, there’s a fresh pot on the kitchen counter.”

        “Thanks M’am.” He answered, startled by the unexpected appearance.

        “No need. Finly didn’t wake you up, did she? She doesn’t like when people mess up her schedule.”

        “Not at all, it was fine.” he lied politely, helping himself to some tea. He wasn’t sure buttered bread was enough reward to suffer a long, awkward conversation, given that the lady (Mater, she insisted he’s called him) wasn’t giving him any sign of wanting to leave.

        “It shouldn’t be long until your friends come back from the airport. Your other friend, the big lad, he went for a walk around. Idle seems to have sold him a visit to our Gems & Rocks boutique down Main avenue.” She tittered. “Sounds grand when we say it —that’s just the only main road, but it helps with tourists bookings. And Betsy will probably tire him down quickly. She tends to get too excited when she gets clients down there; most of her business she does online now.”

        Xavier was done with his tea, and looking for an exit strategy, but she finally seemed to pick up on the signals.

        “… As I probably do; look at me wearing you down. Anyway, we have some preparing to do for the Carts & whatnot festival.”

        When she was gone, Xavier’s attention was attracted by a small persistent ticking noise followed by some cracking.

        It was on the front porch.

        A young girl in her thirteens, hoodie on despite the heat, and prune coloured pants, was sitting on the bench reading.

        She told him without raising her head from her book. “It’s Aunt Idle’s new pet bird. It’s quite a character.”

        “What?”

        “The noise, it’s from the bird. It’s been cracking nuts for the past twenty minutes. Hence the noise. And yes, it’s annoying as hell.”

        She rose from the bench. “Your bear friend will be back quick I’m certain; it’s just a small boutique with some nice crystals, but mostly cheap orgonite new-agey stuff. Betsy only swears by that, protection for electromagnetic waves and stuff she says, but look around… we are probably got more at risk to be hit by Martian waves or solar coronal mass ejections that by the ones from the telecom tower nearby.”

        Xavier didn’t know what to say, so he nodded and smiled. He felt a bit out of his element. When he looked around, the girl had already disappeared.

        Now alone, he sat on the empty bench, stretched and yawned while trying to relax. It was so different from the anonymity in the city: less people here, but everything and everyone very tightly knit together, although they all seemed to irk and chafe at the thought.

        The flapping of wings startled him.

        “Hellooo.” The red parrot had landed on the backrest of the bench and dropped shells from a freshly cracked nut which rolled onto the ground.

        Xavier didn’t think to respond; like with AL, sometimes he’d found using polite filler words was only projecting human traits to something unable to respond back, and would just muddle the prompt quality.

        “So ruuuude.” The parrot nicked his earlobe gently.

        “Ouch! Sorry! No need to become aggressive!”

        “You arrrre one to talk. Rouge is on Yooour forehead.”

        Xavier looked surprised at the bird in disbelief. Did the bird talk about the mirror test? “What sort of smart creature are you now?”

        “Call meee Rose. Pretty Giiirl acceptable.”

        Xavier smiled. The bird seemed quite fascinating all of a sudden.
        It was strange, but the bird seemed left completely free to roam about; it gave him an idea.

        “Rose, Pretty Girl, do you know some nice places around you’d like to show me?”

        “Of couuurse. Foôllow Pretty Girl.”

        #6550

        In reply to: Orbs of Madjourneys

        “I’ve got something to tell you, too.   Come on, you can meet him. He’s waiting in the car,” Zara told Yasmin as they made their way out of the arrivals hall at Alice Springs airport.

        “Who the dickens is Sergio?” Yasmin replied, and then added, “You tart!” when Zara explained.

        “That’s rich, coming from you, you old slapper,” Zara laughed, giving Yasmin an affectionate elbow poke.  “He’s leaving tomorrow, so when he phoned this morning inviting me out sightseeing, I couldn’t refuse.  Xavier and Youssef weren’t up yet when I left, lazy buggers.  They’re an odd family at the Inn, and it’s a funny old place. Some strange undercurrents though, I can’t put my finger on it. Secrets, you know? Why, what’s up?”  Yasmin had given her a funny look, but as they had just reached the hire car, Yasmin whispered “Tell you later!”

        #6541

        In reply to: Orbs of Madjourneys

        When Sergio dropped her back at the Flying Fish Inn it was later than Zara realized.  The verandah and reception lights were on but everyone had gone to bed, everyone except Idle who was poring over a pile of old notebooks at a dining room table. “Good day out?” she looked up over the top of her reading glasses and smiled at Zara.

        Zara returned the smile. “It was great, thanks!  I’d love one”,  she added when Idle asked her if she fancied a glass of wine.

        “Grab a glass off the sideboard there and come and sit down,” Idle said. “Are you hungry or did you grab a bite in Alice?”

        “Yeah, I did, thanks,” replied Zara, trying hard not to pull a face at the first sip of the Australian wine.  “Nice label,” she said, “Yellow Trail. I should be used to seeing kangaroos on wine bottles by now” she laughed.

        “A place called Monte’s Lounge,” she replied when Idle asked where she’d eaten, “A cabaret meets circus theme, not what I was expecting out here.  I met a guy on the trail…”

        “The plot thickens,” Idle grinned, “Comedy and romance.”

        Zara laughed, warming to her genial host.   Accepting a second glass of wine, she told Idle all about Sergio.  He was a Spanish archaeologist who had come over to see his daughter in Townsville on the east coast, and had booked a few side trips to see some of the indigenous rock art.  When Zara walked off the trail after she found the compass (and the damn parrot vanished, leaving her alone) she had found herself in a small clearing with high rocky sides. Sergio had his back to her and was photographing the rock wall.

        “Well, long story short, we got on like a house on fire,” Idle smiled encouragingly as Zara continued. “It’s been absolutely ages you know, ever since I left Rupert, nobody’s really taken my fancy.  Anyway he invited me for dinner and said he didn’t mind bringing me back here later in the hire car.”

        Zara had another sip of wine, thinking about Rupert.  What a prize twat he’d turned out to be.  Still, the divorce settlement had been good.  He’d seemed so adventurous and just the ticket at first, lots of holidays in unusual places. Bit of a Hooray Henry and a Champagne Charlie, but it had been fun at first. And a tad too much charlie, too. She had been blissfully unaware of politics and conspiracy theories at the time, but it wasn’t long before his views came between them and she could no longer stomach his idiotic and, to her mind, dangerously cretinous beliefs.

        “My parents are both archaeologists,” Zara told Idle, “I learned a lot from them and always been interested in it, but didn’t fancy all the years of studying, and I really wanted to work with animals.  There aren’t many good paying jobs working with animals though, not the kind of animals that need helping.  Anyway, it worked out ok in the end, thanks to Rupert’s money.”

        “You must have had a lot in common to talk about with Sergio, then, him being an archaeologist,” Idle remarked and Zara felt herself blush, much to her astonishment.  She couldn’t recall blushing in years.

        “Yes we did do some talking,” they both laughed and Zara said “I better get off to bed. Thanks for the wine.”

        Zara had completely forgotten about her friends arriving, or the game she’d intended to play until they arrived. She collapsed on the bed without brushing her teeth and was asleep within minutes.

        #6482

        In reply to: Orbs of Madjourneys

        With the flurry of activities going around, in life and virtually, Xavier had trouble keeping track.

        His sanity demanded some clarity of intention and some focus. Too many threads were open, and of all things, he didn’t like loose ends.
        Somehow that silly notion of the Golden Banana quest did pose him a nagging reminder of something incomplete he was eager to get a resolution to. That, or he was unconsciously getting annoyed at seeing his 3 friends making strides in their adventures. The pirate quest was fun enough, but he’d rather enjoy it without having to check everything against being a possible clue.

        There were no rules against cheating. The thought struck him. Maybe that was it. The simplicity of it!

        Since they made the rules, they could make them, break them, amend or bend them.

        He looked up on the internet for an image he could feed AL, and *bam* it was there! In all its glory, a gorgeous Golden Banana on a purple cushion, in a pirate chest. The reward for an online game… That was eerie!

        He’d had a sneaking suspicion the game was not just about virtual any longer. Synchronistic happenings like that were more than just random.

        He logged into the game only to discover a simple message.

        “Congratulations on completing your quest. You may enjoy your trip until the next stage of your journey.
        Look for the cook on the pirate boat, she will give you directions to regroup with your friends.
        And don’t forget to confirm your bookings.”

        #6479
        AvatarJib
        Participant

           

          Chapter 1: The Search Begins

           

          Georges was sitting more or less comfortably in the command chair on the control deck of the Jorid, slowly drinking his tea. The temperature of the beverage seemed to be determined randomly since the interference patterns in the navigation array weren’t totally fixed when they removed those low quality tiles. Drinking cold or hot tea was not the worse of it, and it was even kind of a challenge to swallow it and not get burned by ice. The deck kept changing shape and colours, reconfiguring along with the quantum variations of the Boodenbaum field variation due to some leakage of information between dimensions. Salomé had preferred resting in her travelpod where the effects were not as strongly felt.

          “The worse is not as much seeing your face morph into a soul-insect and turn inside down, although those greenish hues usually make me feel nauseous, but feeling two probable realities where my organs grow and shrink at the same time is more than I can bear.”

          After a few freakish experiences, where his legs cross-merged with the chair, or a third eye grow behind his head, or that time when dissolved into a poof of greasy smoke, Georges got used to the fluid nature of reality during the trips. You just had to get along with it and not resist. He thought it gave some spice and colours to their journey across dimensions. He enjoyed the differences of perceptions generated by the fluctuations of the Boodenbaum field, as it allowed his tea to taste like chardonnay or bœuf bourguignon, and was glad when he discovered a taste that he had never experienced before.

          During the last few trips, he had attempted to talk with Jorid, but their voices were so garbled and transformed so quickly that he lost interest. He couldn’t make the difference with the other noises, like honking trucks passing by on a motorway, or the cry of agony of a mating Irdvark. He felt a pang of nostalgia as the memories of Duane, Murtuane and Phréal merged into the deck around him. He wondered if he could get physically lost during one of the trips as he started to feel his limbs move away from his body, one hairy foot brushing by his left ear while he drank a sip of tea with the mouth that had grown on his middle finger. Salomé had warned him about fractured perception and losing a piece of his mind… It seemed it hadn’t happened yet. But would he notice?

          Already he felt the deceleration he had come to notice when they neared their destination. The deck stabilized into a shape adapted to this quadrant of the dimensional universes. The large command screen displayed images of several ruins lost in the sand desert of Bluhm’Oxl.

          Georges looked at his hands, and touched his legs. His reflection  on the command screen looked back at him. Handsome as usual. He grinned. Salomé wouldn’t refrain from telling him if something was off anyway.

          Jorid: “I have woken up Salomé.”

          She won’t be long now. Georges ordered a hot meklah, one of her favorites drink that usually helped her refocus when getting out of her pod.

          A blip caught Georges’ attention.

          Jorid: “This is Tlal Klatl’Oxl, better know as Klatu. Your potential contact on Bluhm’Oxl and a Zathu. He’ll guide and protect you as you enter the conflict zone to look for Léonard.”

          #6466

          In reply to: Orbs of Madjourneys

          Xavier couldn’t help but give Glimmer a quizzical look as she’d suddenly transformed before his eyes — her accent and mannerisms shifting in an instant. She swayed lightly on her feet, in an airy manner, as if not fully aware of her surroundings, but she quickly laughed it off. “You’ve got me curious about this golden banana business, I tell ya,” she said with a twinkle in her eye.

          Xavier’s suspicious expression softened as she spoke. “I’m not the one you’re looking for if you’re after information, but it sounds like a right thrilling adventure.” Glimmer grinned, “Mind if I tag along for a bit and show you around the casino boat? I know all the best games and I’ve met all sorts of pirate-talking characters here.”

          With a cheeky grin, Xavier replied, “I’ll take your word for it, love.”

          Glimmer’s enthusiasm for the game and eagerness to show him around the casino boat was contagious. Xavier followed her as she bounced through the crowd, pointing out different games and introducing him to the various pirate-talking characters that populated the boat.

          “Watch yer back ’round ‘im,” Glimmer warned, nodding towards a tall, scruffy-looking man with a patch over one eye. ” ‘E’s a bit of a card shark, and ‘e’s known to cheat.”

          As they walked, Glimmer regaled Xavier with tales of her adventures in the land and the colourful characters she had encountered. Xavier couldn’t help but feel a bit envious of her level of immersion and her enjoyment of the game.

          Suddenly, the boat began to move, and Xavier realised that it was no longer anchored to the dock. Glimmer’s face lit up with excitement, “Oooh, it looks like we’re on a journey now! I’ve heard rumours of secret locations along the river that the boat takes players to. I can’t wait to see where we’re headed!”

          Xavier couldn’t help but feel a sense of adventure and wonder and he followed Glimmer to the deck, watching as the boat sailed away from the dock along the river and into the unknown. He was terribly curious and looking forward to seeing where the boat would take him and what other surprises this adventure had in store.

          #6419

          In reply to: Orbs of Madjourneys

          “I’d advise you not to take the parrot, Zara,” Harry the vet said, “There are restrictions on bringing dogs and other animals into state parks, and you can bet some jobsworth official will insist she stays in a cage at the very least.”

          “Yeah, you’re right, I guess I’ll leave her here. I want to call in and see my cousin in Camden on the way to the airport in Sydney anyway.   He has dozens of cats, I’d hate for anything to happen to Pretty Girl,” Zara replied.

          “Is that the distant cousin you met when you were doing your family tree?” Harry asked, glancing up from the stitches he was removing from a wounded wombat.  “There, he’s good to go.  Give him a couple more days, then he can be released back where he came from.”

          Zara smiled at Harry as she picked up the animal. “Yes!  We haven’t met in person yet, and he’s going to show me the church my ancestor built. He says people have been spotting ghosts there lately, and there are rumours that it’s the ghost of the old convict Isaac who built it.  If I can’t find photos of the ancestors, maybe I can get photos of their ghosts instead,” Zara said with a laugh.

          “Good luck with that,” Harry replied raising an eyebrow. He liked Zara, she was quirkier than the others.

          Zara hadn’t found it easy to research her mothers family from Bangalore in India, but her fathers English family had been easy enough.  Although Zara had been born in England and emigrated to Australia in her late 20s, many of her ancestors siblings had emigrated over several generations, and Zara had managed to trace several down and made contact with a few of them.   Isaac Stokes wasn’t a direct ancestor, he was the brother of her fourth great grandfather but his story had intrigued her.  Sentenced to transportation for stealing tools for his work as a stonemason seemed to have worked in his favour.  He built beautiful stone buildings in a tiny new town in the 1800s in the charming style of his home town in England.

          Zara planned to stay in Camden for a couple of days before meeting the others at the Flying Fish Inn, anticipating a pleasant visit before the crazy adventure started.

           

          ~~~

           

          Zara stepped down from the bus, squinting in the bright sunlight and looking around for her newfound cousin  Bertie.   A lanky middle aged man in dungarees and a red baseball cap came forward with his hand extended.

          “Welcome to Camden, Zara I presume! Great to meet you!” he said shaking her hand and taking her rucksack.  Zara was taken aback to see the family resemblance to her grandfather.  So many scattered generations and yet there was still a thread of familiarity.  “I bet you’re hungry, let’s go and get some tucker at Belle’s Cafe, and then I bet you want to see the church first, hey?  Whoa, where’d that dang parrot come from?” Bertie said, ducking quickly as the bird swooped right in between them.

          “Oh no, it’s Pretty Girl!” exclaimed Zara. “She wasn’t supposed to come with me, I didn’t bring her! How on earth did you fly all this way to get here the same time as me?” she asked the parrot.

          “Pretty Girl has her ways, don’t forget to feed the parrot,” the bird replied with a squalk that resembled a mirthful guffaw.

          “That’s one strange parrot you got here, girl!” Bertie said in astonishment.

          “Well, seeing as you’re here now, Pretty Girl, you better come with us,” Zara said.

          “Obviously,” replied Pretty Girl.  It was hard to say for sure, but Zara was sure she detected an avian eye roll.

           

          ~~~

           

          They sat outside under a sunshade to eat rather than cause any upset inside the cafe.  Zara fancied an omelette but Pretty Girl objected, so she ordered hash browns instead and a fruit salad for the parrot.  Bertie was a good sport about the strange talking bird after his initial surprise.

          Bertie told her a bit about the ghost sightings, which had only started quite recently.  They started when I started researching him, Zara thought to herself, almost as if he was reaching out. Her imagination was running riot already.

           

          ghost of Isaac Stokes

           

          Bertie showed Zara around the church, a small building made of sandstone, but no ghost appeared in the bright heat of the afternoon.  He took her on a little tour of Camden, once a tiny outpost but now a suburb of the city, pointing out all the original buildings, in particular the ones that Isaac had built.  The church was walking distance of Bertie’s house and Zara decided to slip out and stroll over there after everyone had gone to bed.

          Bertie had kindly allowed Pretty Girl to stay in the guest bedroom with her, safe from the cats, and Zara intended that the parrot stay in the room, but Pretty Girl was having none of it and insisted on joining her.

          “Alright then, but no talking!  I  don’t want you scaring any ghost away so just keep a low profile!”

          The moon was nearly full and it was a pleasant walk to the church.   Pretty Girl fluttered from tree to tree along the sidewalk quietly.  Enchanting aromas of exotic scented flowers wafted into her nostrils and Zara felt warmly relaxed and optimistic.

          Zara was disappointed to find that the church was locked for the night, and realized with a sigh that she should have expected this to be the case.  She wandered around the outside, trying to peer in the windows but there was nothing to be seen as the glass reflected the street lights.   These things are not done in a hurry, she reminded herself, be patient.

          Sitting under a tree on the grassy lawn attempting to open her mind to receiving ghostly communications (she wasn’t quite sure how to do that on purpose, any ghosts she’d seen previously had always been accidental and unexpected)  Pretty Girl landed on her shoulder rather clumsily, pressing something hard and chill against her cheek.

          “I told you to keep a low profile!” Zara hissed, as the parrot dropped the key into her lap.  “Oh! is this the key to the church door?”

          It was hard to see in the dim light but Zara was sure the parrot nodded, and was that another avian eye roll?

          Zara walked slowly over the grass to the church door, tingling with anticipation.   Pretty Girl hopped along the ground behind her.  She turned the key in the lock and slowly pushed open the heavy door and walked inside and  up the central aisle, looking around.  And then she saw him.

          Zara gasped. For a breif moment as the spectral wisps cleared, he looked almost solid.  And she could see his tattoos.

          “Oh my god,” she whispered, “It is really you. I recognize those tattoos from the description in the criminal registers. Some of them anyway, it seems you have a few more tats since you were transported.”

          “Aye, I did that, wench. I were allays fond o’ me tats, does tha like ’em?”

          He actually spoke to me!  This was beyond Zara’s wildest hopes. Quick, ask him some questions!

          “If you don’t mind me asking, Isaac, why did you lie about who your father was on your marriage register?  I almost thought it wasn’t you, you know, that I had the wrong Isaac Stokes.”

          A deafening rumbling laugh filled the building with echoes and the apparition dispersed in a labyrinthine swirl of tattood wisps.

          “A story for another day,” whispered Zara,  “Time to go back to Berties. Come on Pretty Girl. And put that key back where you found it.”

           

          Ghost of Isaac Stokes

          #6367
          EricEric
          Keymaster

            Something in the style of TPooh:

            The family tree was a tangled web of branches and roots, stretching back centuries and even millennia. The branches were thick with the leaves of secrets, scandals, and mysteries that the family had accumulated over the years. They were a close-knit group, friends for all time, and they loved nothing more than exploring the twists and turns of their family history.

            They met regularly in their dreams, in a place they called The City, where they could exchange stories and clues they had uncovered during their waking hours. They often found themselves in the midst of strange and puzzling occurrences, and they would spend hours discussing the possible meanings and connections of these events. They saw the world as a tapestry, with each thread and pattern contributing to the greater picture. They were the weavers of their own story, the authors of their own fate.

            But as the years went on, their dreams began to take on a darker and more ominous tone. They started having nightmares of monstrous beasts, and some of them even saw these beasts in the daylight, as if they were falling through the cracks in reality. They compared notes and found that they were often seeing the same beasts, and this led to heated debates about what these beasts represented and whether they were real or just figments of their imagination.

            But no matter what they encountered, the family remained united in their quest to unravel the secrets of their past and to weave a tapestry that would be the envy of all. They were thick as thieves and they would never give up their pursuit of the truth, no matter how many rules they had to break along the way.

            #6348
            TracyTracy
            Participant

              Wong Sang

               

              Wong Sang was born in China in 1884. In October 1916 he married Alice Stokes in Oxford.

              Alice was the granddaughter of William Stokes of Churchill, Oxfordshire and William was the brother of Thomas Stokes the wheelwright (who was my 3X great grandfather). In other words Alice was my second cousin, three times removed, on my fathers paternal side.

              Wong Sang was an interpreter, according to the baptism registers of his children and the Dreadnought Seamen’s Hospital admission registers in 1930.  The hospital register also notes that he was employed by the Blue Funnel Line, and that his address was 11, Limehouse Causeway, E 14. (London)

              “The Blue Funnel Line offered regular First-Class Passenger and Cargo Services From the UK to South Africa, Malaya, China, Japan, Australia, Java, and America.  Blue Funnel Line was Owned and Operated by Alfred Holt & Co., Liverpool.
              The Blue Funnel Line, so-called because its ships have a blue funnel with a black top, is more appropriately known as the Ocean Steamship Company.”

               

              Wong Sang and Alice’s daughter, Frances Eileen Sang, was born on the 14th July, 1916 and baptised in 1920 at St Stephen in Poplar, Tower Hamlets, London.  The birth date is noted in the 1920 baptism register and would predate their marriage by a few months, although on the death register in 1921 her age at death is four years old and her year of birth is recorded as 1917.

              Charles Ronald Sang was baptised on the same day in May 1920, but his birth is recorded as April of that year.  The family were living on Morant Street, Poplar.

              James William Sang’s birth is recorded on the 1939 census and on the death register in 2000 as being the 8th March 1913.  This definitely would predate the 1916 marriage in Oxford.

              William Norman Sang was born on the 17th October 1922 in Poplar.

              Alice and the three sons were living at 11, Limehouse Causeway on the 1939 census, the same address that Wong Sang was living at when he was admitted to Dreadnought Seamen’s Hospital on the 15th January 1930. Wong Sang died in the hospital on the 8th March of that year at the age of 46.

              Alice married John Patterson in 1933 in Stepney. John was living with Alice and her three sons on Limehouse Causeway on the 1939 census and his occupation was chef.

              Via Old London Photographs:

              “Limehouse Causeway is a street in east London that was the home to the original Chinatown of London. A combination of bomb damage during the Second World War and later redevelopment means that almost nothing is left of the original buildings of the street.”

              Limehouse Causeway in 1925:

              Limehouse Causeway

               

              From The Story of Limehouse’s Lost Chinatown, poplarlondon website:

              “Limehouse was London’s first Chinatown, home to a tightly-knit community who were demonised in popular culture and eventually erased from the cityscape.

              As recounted in the BBC’s ‘Our Greatest Generation’ series, Connie was born to a Chinese father and an English mother in early 1920s Limehouse, where she used to play in the street with other British and British-Chinese children before running inside for teatime at one of their houses. 

              Limehouse was London’s first Chinatown between the 1880s and the 1960s, before the current Chinatown off Shaftesbury Avenue was established in the 1970s by an influx of immigrants from Hong Kong. 

              Connie’s memories of London’s first Chinatown as an “urban village” paint a very different picture to the seedy area portrayed in early twentieth century novels. 

              The pyramid in St Anne’s church marked the entrance to the opium den of Dr Fu Manchu, a criminal mastermind who threatened Western society by plotting world domination in a series of novels by Sax Rohmer. 

              Thomas Burke’s Limehouse Nights cemented stereotypes about prostitution, gambling and violence within the Chinese community, and whipped up anxiety about sexual relationships between Chinese men and white women. 

              Though neither novelist was familiar with the Chinese community, their depictions made Limehouse one of the most notorious areas of London. 

              Travel agent Thomas Cook even organised tours of the area for daring visitors, despite the rector of Limehouse warning that “those who look for the Limehouse of Mr Thomas Burke simply will not find it.”

              All that remains is a handful of Chinese street names, such as Ming Street, Pekin Street, and Canton Street — but what was Limehouse’s chinatown really like, and why did it get swept away?

              Chinese migration to Limehouse 

              Chinese sailors discharged from East India Company ships settled in the docklands from as early as the 1780s.

              By the late nineteenth century, men from Shanghai had settled around Pennyfields Lane, while a Cantonese community lived on Limehouse Causeway. 

              Chinese sailors were often paid less and discriminated against by dock hirers, and so began to diversify their incomes by setting up hand laundry services and restaurants. 

              Old photographs show shopfronts emblazoned with Chinese characters with horse-drawn carts idling outside or Chinese men in suits and hats standing proudly in the doorways. 

              In oral histories collected by Yat Ming Loo, Connie’s husband Leslie doesn’t recall seeing any Chinese women as a child, since male Chinese sailors settled in London alone and married working-class English women. 

              In the 1920s, newspapers fear-mongered about interracial marriages, crime and gambling, and described chinatown as an East End “colony.” 

              Ironically, Chinese opium-smoking was also demonised in the press, despite Britain waging war against China in the mid-nineteenth century for suppressing the opium trade to alleviate addiction amongst its people. 

              The number of Chinese people who settled in Limehouse was also greatly exaggerated, and in reality only totalled around 300. 

              The real Chinatown 

              Although the press sought to characterise Limehouse as a monolithic Chinese community in the East End, Connie remembers seeing people of all nationalities in the shops and community spaces in Limehouse.

              She doesn’t remember feeling discriminated against by other locals, though Connie does recall having her face measured and IQ tested by a member of the British Eugenics Society who was conducting research in the area. 

              Some of Connie’s happiest childhood memories were from her time at Chung-Hua Club, where she learned about Chinese culture and language.

              Why did Chinatown disappear? 

              The caricature of Limehouse’s Chinatown as a den of vice hastened its erasure. 

              Police raids and deportations fuelled by the alarmist media coverage threatened the Chinese population of Limehouse, and slum clearance schemes to redevelop low-income areas dispersed Chinese residents in the 1930s. 

              The Defence of the Realm Act imposed at the beginning of the First World War criminalised opium use, gave the authorities increased powers to deport Chinese people and restricted their ability to work on British ships.

              Dwindling maritime trade during World War II further stripped Chinese sailors of opportunities for employment, and any remnants of Chinatown were destroyed during the Blitz or erased by postwar development schemes.”

               

              Wong Sang 1884-1930

              The year 1918 was a troublesome one for Wong Sang, an interpreter and shipping agent for Blue Funnel Line.  The Sang family were living at 156, Chrisp Street.

              Chrisp Street, Poplar, in 1913 via Old London Photographs:

              Chrisp Street

               

              In February Wong Sang was discharged from a false accusation after defending his home from potential robbers.

              East End News and London Shipping Chronicle – Friday 15 February 1918:

              1918 Wong Sang

               

              In August of that year he was involved in an incident that left him unconscious.

              Faringdon Advertiser and Vale of the White Horse Gazette – Saturday 31 August 1918:

              1918 Wong Sang 2

               

              Wong Sang is mentioned in an 1922 article about “Oriental London”.

              London and China Express – Thursday 09 February 1922:

              1922 Wong Sang

              A photograph of the Chee Kong Tong Chinese Freemason Society mentioned in the above article, via Old London Photographs:

              Chee Kong Tong

               

              Wong Sang was recommended by the London Metropolitan Police in 1928 to assist in a case in Wellingborough, Northampton.

              Difficulty of Getting an Interpreter: Northampton Mercury – Friday 16 March 1928:

              1928 Wong Sang

              1928 Wong Sang 2

              The difficulty was that “this man speaks the Cantonese language only…the Northeners and the Southerners in China have differing languages and the interpreter seemed to speak one that was in between these two.”

               

              In 1917, Alice Wong Sang was a witness at her sister Harriet Stokes marriage to James William Watts in Southwark, London.  Their father James Stokes occupation on the marriage register is foreman surveyor, but on the census he was a council roadman or labourer. (I initially rejected this as the correct marriage for Harriet because of the discrepancy with the occupations. Alice Wong Sang as a witness confirmed that it was indeed the correct one.)

              1917 Alice Wong Sang

               

               

              James William Sang 1913-2000 was a clock fitter and watch assembler (on the 1939 census). He married Ivy Laura Fenton in 1963 in Sidcup, Kent. James died in Southwark in 2000.

              Charles Ronald Sang 1920-1974  was a draughtsman (1939 census). He married Eileen Burgess in 1947 in Marylebone.  Charles and Eileen had two sons:  Keith born in 1951 and Roger born in 1952.  He died in 1974 in Hertfordshire.

              William Norman Sang 1922-2000 was a clerk and telephone operator (1939 census).  William enlisted in the Royal Artillery in 1942. He married Lily Mullins in 1949 in Bethnal Green, and they had three daughters: Marion born in 1950, Christine in 1953, and Frances in 1959.  He died in Redbridge in 2000.

               

              I then found another two births registered in Poplar by Alice Sang, both daughters.  Doris Winifred Sang was born in 1925, and Patricia Margaret Sang was born in 1933 ~ three years after Wong Sang’s death.  Neither of the these daughters were on the 1939 census with Alice, John Patterson and the three sons.  Margaret had presumably been evacuated because of the war to a family in Taunton, Somerset. Doris would have been fourteen and I have been unable to find her in 1939 (possibly because she died in 2017 and has not had the redaction removed  yet on the 1939 census as only deceased people are viewable).

              Doris Winifred Sang 1925-2017 was a nursing sister. She didn’t marry, and spent a year in USA between 1954 and 1955. She stayed in London, and died at the age of ninety two in 2017.

              Patricia Margaret Sang 1933-1998 was also a nurse. She married Patrick L Nicely in Stepney in 1957.  Patricia and Patrick had five children in London: Sharon born 1959, Donald in 1960, Malcolm was born and died in 1966, Alison was born in 1969 and David in 1971.

               

              I was unable to find a birth registered for Alice’s first son, James William Sang (as he appeared on the 1939 census).  I found Alice Stokes on the 1911 census as a 17 year old live in servant at a tobacconist on Pekin Street, Limehouse, living with Mr Sui Fong from Hong Kong and his wife Sarah Sui Fong from Berlin.  I looked for a birth registered for James William Fong instead of Sang, and found it ~ mothers maiden name Stokes, and his date of birth matched the 1939 census: 8th March, 1913.

              On the 1921 census, Wong Sang is not listed as living with them but it is mentioned that Mr Wong Sang was the person returning the census.  Also living with Alice and her sons James and Charles in 1921 are two visitors:  (Florence) May Stokes, 17 years old, born in Woodstock, and Charles Stokes, aged 14, also born in Woodstock. May and Charles were Alice’s sister and brother.

               

              I found Sharon Nicely on social media and she kindly shared photos of Wong Sang and Alice Stokes:

              Wong Sang

               

              Alice Stokes

              #6344
              TracyTracy
              Participant

                The Tetbury Riots

                 

                While researching the Tetbury riots  (I had found some Browning names in the newspaper archives in association with the uprisings) I came across an article called Elizabeth Parker, the Swing Riots, and the Tetbury parish clerk” by Jill Evans.

                I noted the name of the parish clerk, Daniel Cole, because I know someone else of that name. The incident in the article was 1830.

                I found the 1826 marriage in the Tetbury parish registers (where Daniel was the parish clerk) of my 4x great grandmothers sister Hesther Lock. One of the witnesses was her brother Charles, and the other was Daniel Cole, the parish clerk.

                Marriage of Lewin Chandler and Hesther Lock in 1826:

                Daniel Cole witness

                 

                from the article:

                “The Swing Riots were disturbances which took place in 1830 and 1831, mostly in the southern counties of England. Agricultural labourers, who were already suffering due to low wages and a lack of work after several years of bad harvests, rose up when their employers introduced threshing machines into their workplaces. The riots got their name from the threatening letters which were sent to farmers and other employers, which were signed “Captain Swing.”

                The riots spread into Gloucestershire in November 1830, with the Tetbury area seeing the worst of the disturbances. Amongst the many people arrested afterwards was one woman, Elizabeth Parker. She has sometimes been cited as one of only two females who were transported for taking part in the Swing Riots. In fact, she was sentenced to be transported for this crime, but never sailed, as she was pardoned a few months after being convicted. However, less than a year after being released from Gloucester Gaol, she was back, awaiting trial for another offence. The circumstances in both of the cases she was tried for reveal an intriguing relationship with one Daniel Cole, parish clerk and assistant poor law officer in Tetbury….

                ….Elizabeth Parker was committed to Gloucester Gaol on 4 December 1830. In the Gaol Registers, she was described as being 23 and a “labourer”. She was in fact a prostitute, and she was unusual for the time in that she could read and write. She was charged on the oaths of Daniel Cole and others with having been among a mob which destroyed a threshing machine belonging to Jacob Hayward, at his farm in Beverstone, on 26 November.

                …..Elizabeth Parker was granted royal clemency in July 1831 and was released from prison. She returned to Tetbury and presumably continued in her usual occupation, but on 27 March 1832, she was committed to Gloucester Gaol again. This time, she was charged with stealing 2 five pound notes, 5 sovereigns and 5 half sovereigns, from the person of Daniel Cole.

                Elizabeth was tried at the Lent Assizes which began on 28 March, 1832. The details of her trial were reported in the Morning Post. Daniel Cole was in the “Boat Inn” (meaning the Boot Inn, I think) in Tetbury, when Elizabeth Parker came in. Cole “accompanied her down the yard”, where he stayed with her for about half an hour. The next morning, he realised that all his money was gone. One of his five pound notes was identified by him in a shop, where Parker had bought some items.

                Under cross-examination, Cole said he was the assistant overseer of the poor and collector of public taxes of the parish of Tetbury. He was married with one child. He went in to the inn at about 9 pm, and stayed about 2 hours, drinking in the parlour, with the landlord, Elizabeth Parker, and two others. He was not drunk, but he was “rather fresh.” He gave the prisoner no money. He saw Elizabeth Parker next morning at the Prince and Princess public house. He didn’t drink with her or give her any money. He did give her a shilling after she was committed. He never said that he would not have prosecuted her “if it was not for her own tongue”. (Presumably meaning he couldn’t trust her to keep her mouth shut.)”

                Contemporary illustration of the Swing riots:

                Swing Riots

                 

                Captain Swing was the imaginary leader agricultural labourers who set fire to barns and haystacks in the southern and eastern counties of England from 1830. Although the riots were ruthlessly put down (19 hanged, 644 imprisoned and 481 transported), the rural agitation led the new Whig government to establish a Royal Commission on the Poor Laws and its report provided the basis for the 1834 New Poor Law enacted after the Great Reform Bills of 1833.

                An original portrait of Captain Swing hand coloured lithograph circa 1830:

                Captain Swing

                #6317

                In reply to: The Sexy Wooden Leg

                The sharp rat-a-tat on the door startled Olga Herringbonevsky. The initial surprise quickly turned to annoyance. It was 11am and she wasn’t expecting a knock on the door at 11am. At 10am she expected a knock. It would be Larysa with the lukewarm cup of tea and a stale biscuit. Sometimes Olga complained about it and Larysa would say, Well you’re on the third floor so what do you expect? And she’d look cross and pour the tea so some of it slopped into the saucer. So the biscuits go stale on the way up do they? Olga would mutter. At 10:30am Larysa would return to collect the cup and saucer. I can’t do this much longer, she’d say. I’m not young any more and all these damn stairs. She’d been saying that for as long as Olga could remember.

                For a moment, Olga contemplated ignoring the intrusion but the knocking started up again, this time accompanied by someone shouting her name.

                With a very loud sigh, she put her book on the side table, face down so she would not lose her place for it was a most enjoyable whodunit, and hauled herself up from the chair. Her ankle was not good since she’d gone over on it the other day and Olga was in a very poor mood by the time she reached the door.

                “Yes?” She glowered at Egbert.

                “Have you seen this?” Egbert was waving a piece of paper at her.

                “No,” Olga started to close the door.

                Olga stop!” Egbert’s face had reddened and Olga wondered if he might cry. Again, he waved the piece of paper in her face and then let his hand fall defeated to his side. “Olga, it’s bad news. You should have got a letter .”

                Olga glanced at the pile of unopened letters on her dresser. It was never good news. She couldn’t be bothered with letters any more.

                “Well, Egbert, I suppose you’d better come in”.

                “That Ursula has a heart of steel,” said Olga when she’d heard the news.

                “Pfft,” said Egbert. “She has no heart. This place has always been about money for her.”

                “It’s bad times, Egbert. Bad times.”

                Egbert nodded. “It is, Olga. But there must be something we can do.” He pursed his lips and Olga noticed that he would not meet her eyes.

                “What? Spit it out, Old Man.”

                He looked at her briefly before his eyes slid back to the dirty grey carpet. “I have heard stories, Olga. That you are … well connected. That you know people.”

                Olga noticed that it had become difficult to breathe. Seeing Egbert looking at her with concern, she made an effort to steady herself. She took an extra big gasp of air and pointed to the book face-down on the side table. “That is a very good book I am reading. You may borrow it when I have finished.”

                Egbert nodded. “Thank you.” he said and they both stared at the book.

                “It was a long time ago, Egbert. And no business of anyone else.” Olga  knew her voice was sharp but not sharp enough it seemed as Egbert was not done yet with all his prying words.

                Olga, you said it yourself. These are bad times. And desperate measures are needed or we will all perish.” Now he looked her in the eyes. “Old woman, swallow your pride. You must save yourself and all of us here.”

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