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September 16, 2024 at 6:16 pm #7556
In reply to: The Incense of the Quadrivium’s Mystiques
The chill drizzle felt cold to Truella, and she wondered not for the first time if her overheated drought stricken summer longing for cold and rain would quickly change to a desire for bone warming dry heat as soon as the weather properly changed to autumn.
“Lend me a sweater and a raincoat will you, Frella? I always forget to change before teleporting over here.”
Frella gave her a look that could only be described as nonplussed. Murmuring a short incantation, with a snap of her fingers and an indescribable gesture, the requested garments appeared on Truella’s lap, as if thrown forcefully from the other side of the room.
“Steady on, Frel!” Gratefully Truella slipped the sweater on and said, “But thanks. You know what? I forget I’m a witch, that’s the trouble. I keep forgetting I can just magic things up. Honestly, you have no idea…”
“Oh, trust me, I have an idea.”
“..the trouble I go to, doing things I could do in an instant with a spell…”
“Have you only just realised?” Frella smirked.
“Hell no, I remember all the time that I always forget. How the hell did I end up in a witches coven?”
“That fake resume you concocted when you were dazzled by the allure and the mystery, and jealous that I was in it and not you?”
“Well yes, I know, but I mean, why did Malove hire me? Why am I still here?”
“I can tell you the answer to that!” announced Eris, entering the room with a wide toothy grin.
Mouth agape, Truella leaned forward to hear what Eris had to say next, but at that moment Jeezel spun round the door frame and skidded to a halt in front of the girls, clutching her forehead dramatically.
“Who is sending all the postcards! Every morning this week I’ve had dozens of old postcards in my mailbox, there were so many stuffed in there today one was poking out! No, I can’t read who sent it, I can’t decipher any of the writing on any of them.”
“Where are they sent from? What are the pictures of?” asked Truella, her curiosity aroused.
“Pictures, who cares about the pictures, I want to know who’s sending them!”
“Steady on, Jez. The pictures might provide clues to the sender and purpose of the card,” Truella said mildly, raising an eyebrow at Jezeel’s agitated state. “What’s ruffled your feathers so much about a few postcards?”
“I received a postcard too,” Frella chimed in, causing Jeezel to gasp and clutch her heart. “I wasn’t all melodramatic about it as you though, I thought it was magical and I dunno, had a nice story to it.”
Before Truella had a chance to ask Eris to expound on the previous question, and indeed before anyone got to the bottom of Jeezel’s outburst, Malove strode in with her usual menacing demeanor. Truella braced herself for tedious profit mongering coercive diatribes to inch their way along the slimy walls of time.
September 13, 2024 at 6:48 am #7550In reply to: The Incense of the Quadrivium’s Mystiques
The fair was in full swing, with vibrant tents and colourful stalls bursting with activity. The smell of freshly popped corn mingled with the fragrance of exotic spices and the occasional whiff of magical incense. Frella turned her attention back to setting up her own booth. Her thoughts were a swirl of anxiety and curiosity. Malové’s sudden appearance at the fair could not be a mere coincidence, especially given the recent disruptions in the coven.
Unbeknownst to Frella, Cedric Spellbind was nearby. His eyes, though hidden behind a pair of dark glasses, were fixated on Frella. He was torn between his duty to MAMA and his growing affection for her. He juggled his phone, checking missed calls and messages, while trying to keep a discreet distance. But he was drawn to her like moth to flame.
As Frella was adjusting her booth, she felt a sudden chill and turned to find herself face-to-face with Cedric. He quickly removed his glasses and their eyes met; Cedric’s heart skipped a beat.
Frella’s gaze was guarded. “Can I help you with something?” she asked, her tone icily polite.
Cedric, flustered, stammered, “I—uh—I’m just here to, um, look around. Your booth looks, uh, fascinating.”
Frella raised an eyebrow. “I see. Well, enjoy the fair.” She turned back to her preparations, but not before noticing a fleeting look of hurt in Cedric’s eyes.
Cedric moved away, wrestling with his conflicting emotions. He checked to make sure his tracker was working, which tracked not just Frella’s movements but those of her companions. He was determined to protect her from any potential threat, even if it meant risking his own standing with MAMA.
As the day progressed, the fair continued to buzz with magical energy and intrigue. Frella worked her booth, engaging with curious tourists, all suitably fascinated with the protective qualities of hinges. Suddenly, Frella’s attention was drawn away from her display by a burst of laughter and squeals coming from nearby. Curiosity piqued, she made her way toward the source of the commotion.
As she approached, she saw a crowd had gathered around a small, ornate tent. The tent’s entrance was framed by shimmering curtains, and an enchanting aroma of lavender and spices wafted through the air. Through the gaps in the curtains, Frella could see an array of magical trinkets and curiosities.Just as she was about to step closer, a peculiar sight caught her eye. Emerging from the tent was a girl wearing a rather large cloak and closely followed by a black cat. The girl looked bewildered, her wide eyes taking in the bustling fairground.
Frella, intrigued and somewhat amused, approached the girl. “Hello there! I couldn’t help but notice you seem a bit lost. Are you okay?”
The girl’s expression was a mix of confusion and wonder. “Oh, hello! I’m Arona, and this is Mandrake,” she said, bending down and patting the black cat, who gave a nonchalant twitch of his tail. “We were just trying to find the library in my time, and now we’re here. This isn’t a library by any chance?”
Frella raised her eyebrows. “A library? No, this is a fair—a magical fair, to be precise.”
Arona’s eyes widened further as she looked around again. “A fair? Well, it does explain the odd contraptions and the peculiar people. Anyway, that will teach me to use one of Sanso’s old time-travelling devices.”
Truella wandered over to join the conversation, her curiosity evident. “Time-travelling device? That sounds fascinating. How did you end up here?”
Arona looked sheepish. “I was trying to retrieve a rare book from a past century, and it seems I got my coordinates mixed up. Instead of the library, I ended up at this… um … delightful fair.”
Frella chuckled. “Well, don’t worry, we can help you get back on track. Maybe we can find someone who can help with your time-travelling predicament.”
Arona smiled, relieved. “Thank you! I really didn’t mean to intrude. And Mandrake here is quite good at keeping me company, but he’s not much help with directions.”
Mandrake rolled his eyes and turned away, his disinterest in the conversation evident.
As Frella and Truella led Arona to a quieter corner of the fair, Cedric Spellbind observed the scene with growing interest. His eyes were glued to Frella, but the appearance of the time-travelling girl and her cat added a new layer of intrigue. Cedric’s mission to spy on Frella had just taken an unexpected turn.
August 16, 2024 at 2:56 pm #7544In reply to: The Elusive Samuel Housley and Other Family Stories
Youlgreave
The Frost Family and The Big Snow
The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.
“The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”
J. Charles Cox, Notes on the Churches of Derbyshire, 1877.
Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.
Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.
Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.
Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.
Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.
The Frosts of Youlgreave
Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.
(Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)
John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.
John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.
David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.
William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.
William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.(Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)
Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.
Baptisms:
1581 Eliz Frost, father Michael.
1582 Francis f Michael. (must have died in infancy)
1582 Margaret f William.
1585 Francis f Michael.
1586 John f Nicholas.
1588 Barbara f Michael.
1590 Francis f Nicholas.
1591 Joane f Michael.
1594 John f Michael.
1598 George f Michael.
1600 Fredericke (female!) f William.Marriages in Youlgreave which could be William’s parents:
1579 Michael Frost Eliz Staley
1587 Edward Frost Katherine Hall
1600 Nicholas Frost Katherine Hardy.
1606 John Frost Eliz Hanson.Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.
(Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)
Frideswide:
A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.
(Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)
An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”
J. Charles Cox, Notes on the Churches of Derbyshire, 1877.
King James
A parish register entry in 1603:
“1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.” (March 1603 would be 1604, because of the Julian calendar in use at the time.)The Big Snow
“This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”
From the Youlgreave parish registers.
Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.
June 17, 2024 at 8:18 pm #7495In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Cedric Spellbind:
Cedric Spellbind stood tall, though not imposing, with a wiry frame that belied his years of rigorous witch-hunting. His eyes, a piercing green, darted nervously beneath the brim of his deerstalker hat, giving him the appearance of a man constantly on edge. A seasoned agent of MAMA, he carried an air of determined resolve, despite his recent demotion to desk duty in Limerick.
With a face that seemed perpetually caught between youthful eagerness and a weariness beyond his years, Cedric was a man marked by his contradictions. His dark hair, often disheveled from restless nights, framed a face etched with the lines of a life spent in pursuit of the arcane and the elusive.
Clad in a trench coat that had seen better days, Cedric’s attire was a patchwork of practicality and the remnants of a more distinguished past. Despite his amateurish attempts at stealth and the financial strains of his profession, Cedric’s spirit remained unbroken. He was a man driven by a fascination with the unknown and a cautious curiosity, particularly when it came to the enigmatic Frigella O’Green.
Yet, beneath the veneer of a bumbling spy, there lay a heart of determination and a mind constantly strategizing, always ready to seize the next opportunity to prove his worth in the clandestine world of witch hunting.
June 17, 2024 at 7:13 pm #7493In reply to: The Incense of the Quadrivium’s Mystiques
“Do you know who that Everone is?” Jeezel whispered to Eris.
“Shtt,” she silenced Jeezel worried that some creative inspiration sparked into existence yet another character into their swirling adventure.
The ancient stone walls of the Cloisters resonated with the hum of anticipation. The air was thick with the scent of incense barely covering musky dogs’ fart undertones, mingling with the faint aroma of fresh parchment eaten away by centuries of neglect. Illuminated by the soft glow of enchanted lanterns sparkling chaotically like a toddler’s magic candle at its birthday, the grand hall was prepared for an unprecedented gathering of minds and traditions.
While all the attendants were fumbling around, grasping at the finger foods and chitchatting while things were getting ready, Eris was reminded of the scene of the deal’s signature between the two sisterhoods unlikely brought together.
Few weeks before, under a great deal of secrecy, Malové, Austreberthe, and Lorena had convened in the cloister’s grand hall, the gothic arches echoing their words. Before she signed, Lorena had stated rather grandiloquently, with a voice firm and unwavering. “We are a nunnery dedicated to craftsmanship and spiritual devotion. This merger must respect our traditions.”
Austreberthe, ever the pragmatist, replied, “And we bring innovation and magical prowess. Together, we can create something greater than the sum of our parts.”
The undertaker’s spokesman, Garrett, had interjected with a charming smile, “Consider us the matchmakers of this unlikely union. We promise not to leave you at the altar.”
That’s were he’d started to spell out the numbingly long Strategic Integration Plan to build mutual understanding of the mission and a framework for collaboration.Eris sighed at the memory. That would require yet a great deal of joint workshops and collaborative sessions — something that would be the key to facilitate new product developments and innovation. Interestingly, Malové at the time had suggested for Jeezel to lead with Silas the integration rituals designed to symbolically and spiritually unite the groups. She’d had always had a soft spot for our Jeezel, but that seemed unprecedented to want to put her to task on something as delicate. Maybe there was another plan in motion, she would have to trust Malové’s foresight and let it play out.
As the heavy oak doors creaked open, a hush fell over the assembled witches, nuns and the undertakers. Mother Lorena Blaen stepped forward. Her presence was commanding, her eyes sharp and scrutinising. She wore the traditional garb of her order, but her demeanour was anything but traditional.
“Welcome, everyone,” Lorena began, her voice echoing through the hallowed halls. “Or should I say, welcome to the heart of tradition and innovation, where ancient craftsmanship meets arcane mastery.”
She paused, letting her words sink in, before continuing. “You stand at the threshold of the Quintessivium Cloister Crafts, a sanctuary where every stitch is a prayer, every garment a humble display of our deepest devotion. But today, we are not just nuns and witches, morticians and mystics. Today, we are the architects of a new era.”
Truella yawned at the speech, not without waving like a schoolgirl at the tall Rufus guy, while Lorena was presenting a few of the nuns, ready to model in various fashionable nun’s garbs for their latest midsummer fashion show.
Lorena’s eyes twinkled with a mixture of pride and determination as she turned back to the visitors. “Together, we shall transcend the boundaries of faith and magic. With the guidance of the Morticians’ Guild—Garrett, Rufus, Silas, and Nemo—we will forge a new path, one that honors our past while embracing the future.”
Garrett, ever the showman, gave a theatrical bow. “We’re here to ensure this union is as seamless as a well-tailored shroud, my dear Lorena.” Rufus, standing silent and vigilant, offered a nod of agreement. Silas, with his grandfatherly smile, added, “We bring centuries of wisdom to this endeavor. Trust in the old ways, and we shall succeed.” Nemo, with his characteristic smirk, couldn’t resist a final quip. “And if things go awry, well, we have ways of making them… interesting.”
June 15, 2024 at 9:34 am #7476In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Penelope Pomfrett: Let’s start with Penelope, shall we? She’s a statuesque woman with a sharp, angular face that could cut through butter – not unlike an Egon Schiele painting, if you’re familiar. Her hair’s a spun silver waterfall, always meticulously pinned up but with just a touch of wildness trying to escape, like she’s taming a tempest on top of her head. Her eyes are a piercing cerulean blue, always calculating, always observing; she’s the type who looks right through you and into your deepest secrets.
Personality-wise, Penelope’s got the demeanor of a headmistress crossed with a lioness. She’s precise, a bit of a perfectionist, never suffers fools gladly. But beneath that stern exterior, she’s got a heart of gold, especially when it comes to her coven sisters. Stern loyalty and high standards, that’s her in a nutshell. And she’s got this dry wit that’ll catch you off guard and have you chuckling before you know it.
Sandra Salt: Now Sandra, she’s a different kettle of fish altogether. Think earthy, grounded; she’s got that warm, approachable vibe that’s almost tangible. Picture her with curly auburn hair, always escaping its braids to frame her face in a halo of fiery ringlets. She’s got freckles smattered across her sun-kissed cheeks and a smile that feels like coming home after a long journey. Eyes? Warm hazel, like caramel with a hint of green, always twinkling with some hidden mischief or gentle wisdom.
Sandra’s personality is as grounded as the soil she loves to dig her fingers into; she’s the heart and soul of the crew, with an infectious laugh that could light up the darkest of days. She’s nurturing, perceptive, and has an uncanny knack for making everyone feel at ease. But don’t mistake her kindness for softness – she’s got a spine of steel and can summon a fierce storm if she’s wronged.
Audrey Ambrose: Now, dear Audrey, she’s a bit of a mysterious beauty. Think raven-black hair that falls in silky waves down her back, always perfectly styled without a hair out of place. She’s got porcelain skin, smooth and almost ethereal, like moonlight itself took her under its wing. Her eyes are a deep, striking emerald, always seeming to know more than she lets on. Add to that a penchant for elegant, vintage clothing, and you’ve got yourself a picture of classic, timeless beauty.
In terms of personality, Audrey’s a quiet storm. She’s enigmatic, often found lost in thought, with a deep, contemplative nature. While she may come off as aloof, she’s deeply empathetic and has an old-soul wisdom that guides her every action. She’s the sort you turn to when you need profound insight or a steady hand in times of chaos. And that wit – it’s as sharp as her fashion sense, subtle, and spot-on.
Sassafras Bentley: Lastly, let’s paint a picture of Sassafras. She’s vibrant and flamboyant, tall, thin and athletic, with hair dyed in shades of a peacock’s feathers – blues, greens, purples – ever changing with her whims. Her outfits are always eclectic and bold, but practical. She’s got a long hatchet face, and eyes that are a sparking topaz, full of zest and life ~ and secret undercurrents.
Sassafras is the party animal of the lot, always bringing fun and chaos in equal measure. She’s got a joie de vivre that’s downright infectious, a real firecracker with boundless energy. Her natural charisma draws people in, and her laugh – oh, her laugh! – it’s the kind of sound that warms the soul and invites everyone to join in her revelries, unless she’s being rude, aloof and secretive. Underneath all that sparkle, though, she’s fiercely protective of those she loves and more insightful than she lets on.
June 9, 2024 at 6:51 pm #7463In reply to: The Incense of the Quadrivium’s Mystiques
It was unlike Idle to reply to Truella’s email so promply.
Ah, Malové – she’d chase coins even if they were rolling off a cliff, that one. Alright, let’s strategize. You want a summer full of lazy days and fewer cauldrons bubbling with business schemes? First off, you can’t just hit her with “we need a break.” She’ll give you a lecture longer than the Nile on how “witchcraft never takes a holiday.” You need to catch her where she’s least fortified – in her relentless quest for profit.
Propose a Profitable Diversion: Convince her that giving everyone the summer off will actually increase productivity in the long run. Mention something about “rejuvenating our mystical energies to double our efficiency,” sprinkle some buzzwords in there. But make it tangible – maybe promise an autumn harvest of particularly lucrative spells.
Delegate the Drudgery: See if you can drum up a few apprentices or temporary hires to take over the basic grunt work for the summer. Tell Malové it’s a great opportunity to train new talent while you all focus on higher, strategic endeavors – which, of course, you can conveniently do from a hammock with a cocktail.
Truella thought this was a terrific idea.
Create a Catastrophic Scenario: Paint a picture of a burnout crisis in the coven. Suggest that ongoing stress might lead to mistakes, which could, I dunno, turn a lucrative potion into explosive chaos, unraveling all her precious profits. A summer hiatus could be framed as a preventive measure to avoid such disasters.
Distract with a Bigger Bone: Find a massive project that requires her singular focus – maybe even a solo venture. Get her so engrossed in this grand scheme that she barely notices you’re all slinking off away from the grind. Bonus points if it’s a decoy project you don’t actually care about.
Now there’s an idea, good old Idle’s on form, Truella sighed gratefully. She made it all sound so easy.
Leverage the Cleaning Conundrum: Remember Finnlee and the manual cleaning? Suggest that you need to undergo a “summer cleaning initiative” to physically and spiritually cleanse the headquarters, and this process “requires” the witches to be away. It’ll appeal to Malové’s practicality and her penchant for a neat, profitable operation.
Emphasize the Carnival’s Aftermath: Play up the importance of digesting the energy you’re about to collect from the Carnival. Frame it as a necessary incubation period – the energies need time to percolate and clarify before being crafted into those procreation-boosting incenses. Also, suggest it’s the perfect time to trial promising new volunteers eager for a taste of witchy life. You’re a clever lot; use whatever mix of these tactics suits your fancy, and don’t forget to sprinkle it all with just the right touch of sincerity and urgency. As long as she buys into the grand scheme, you might just find yourself lounging through summer without a care in the world, at least until Malové sniffs out the next opportunity. So, get plotting, and let’s see if you can keep Malové’s gold-scrying eyes off the coven for a blissfully quiet summer. Need help drafting the message?
February 7, 2024 at 9:41 pm #7359In reply to: The Incense of the Quadrivium’s Mystiques
Head witch Malové must have been used to it, for having seen that magic at play a number of times… there was nothing like the strange serendipity of chaos.
After the smoke had finally cleared, Malové couldn’t bear to stand amidst the wreckage of their once impeccably arranged ritual space. She looked at the mess, the sheer ridiculousness of it all, and decided to go for a brisk walk in the streets of Limerick. The light drizzle and sharp sting of the winter air brought back some pink to her pale face. To cover her perfectly coiffed head, he wrapped her shawl, black and shiny as a dung beetle, and moved swiftly cutting through the crowds effortlessly, parting the human congeries like Moses did the Red Sea. She was never unnoticed; her tall lean silhouette, accentuated by the sleek robe noire, the vertigo of her stiletto, the cheekbones so sharp they could kill — there was nothing common about her frame; and after the years, and all the side glances, she’d clearly lost practice on how to give a damn.
It was at the turn of a dark corner illuminated by the neon sign of a Chinese local eatery under which the delivery guy was having a break that the synchronicity stuck her. A slow smirk tugged at the corners of her mouth. From chaos, clarity had emerged.
Vaping, hookah, e-cigarettes —all the rage among the mindless masses. And there, in the plumes of artificially flavoured smoke, was their opportunity. A new way to infiltrate the consciousness of the people, to subtly attune their energies and guide them towards emotional management —or at the very least, less stupidity.
She imagined their Incense —the sacred concoctions of herbs and essences, entwined with potent spells— being drawn into eager lungs, seeping into the bloodstream, entangling with the very atoms of their being, a sweet balm better than the usual deleterious micro-plastics. The witches wouldn’t just be casting spells; they’d be weaving their magic into the fabric of life itself, one puff at a time.
The more she thought about it, the brighter the idea seemed. It was audacious, unconventional, bordering on scandalous. A few days ago maybe, she would have balked at the mere thought. But desperate times called for this… elegant, simply perfect. For the witches of the Quadrivium Coven of Mystiques, she had even less doubts or concerns about warming them up to such iconoclastic idea. She knew a group of them, those black sheep never to shy away from a little controversy. And if they could use the vaping trend to spread their influence, then why not? Enough with surviving on the Chinese New Year only, the whole world was ripe for extended incensing.
January 29, 2024 at 10:59 pm #7323In reply to: The Incense of the Quadrivium’s Mystiques
The Four Rites opening the new year were done in a sequence, each followed by a day’s gap, until the final Ritual.
They were considered to open the gates to the realm of truth and ultimate freedom.
The first one, which Echo had noticed anomalies for, was about Self control. Eris was poring over the data, but none seemed to make sense. Her intuition was telling her something, but she couldn’t correlate any of it with what came out of the first step of the Incense making process. The collection of ingredients seemed correct, the origins clear.Yet, something wasn’t quite right.
The first one would be followed by tomorrow’s spell for Spirit of Enquiry. That’s when they could select the most proper ingredient, focusing their collective energies and inner eyes to what the collective needed to work on.
The last two ones were Contentment, where the ingredients were ground in fine powder, and finally of Good Company, where the powders were blended with resin and heated for the final tests.
Probably Eris would have to go to the HQuad tomorrow, physically for once to check on the process more closely. She waved her blue-green hair, her studded nose frowning at the perspective to have to check-in with the crowd of people. At least, commuting couldn’t be more simple. She would just have to turn the knob of her kitchen door in the opposite direction, wave her hand, until the door frame glowed briefly, and the door would simply open into the main hall of the Quadrivium Emporium ladies’ room.
But for tonight, they had a movie’s night planned with Thorsten.
January 16, 2024 at 9:30 pm #7294In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
February 23, 2023 at 6:29 pm #6635In reply to: Orbs of Madjourneys
Xavier looked as discreetly as he could, and immediately after ducked behind Yasmin’s frail frame.
“Oh, no…” he whined softly “it looks like Glimmer… you know the strange colourful game stalker.”
Yasmin raised a perfectly trimmed eyebrow, looking still tired from her trip.
“YOOHOOO!”
“Oh no, as I feared…” Xavier said between his teeth, “I think she’s spotted us. What is she doing here, of all places?”
He turned to Glimmer with a broad smile. “Hello dear! Fancy meeting you here! Are we still in the game?”
Glimmer tittered, waving her perfumed feathered boa around, and slapping Yasmin in the face with it. “You’re so funny!” she turned to Yasmin “Oh hello, sweet pea, he IS funny, isn’t it!”
She clumsily drew a high stool next to the table, knocking off a few knees in the process, and sat precariously on the edge of it.
“Look, I found the Big Banana you know.”
Yasmin couldn’t help but snort laugh a little. Zara drew an ear closer, while still listening distractedly to Youssef expounding on the P mode of his camera.
“What?” it took Xavier a mere second to reconnect with his own discovery of the concrete sculpture… “You mean…?”
“Yes, the Big Banana, there’s one here in this town you know.” She drew closer, pushing the empty pints of beer, one of which Youssef managed to catch before it fell. “… but there’s a more interesting thing happening in the game now. Haven’t you checked your messages?”
Xavier looked at his message. It said
🔮[GROUP QUEST OPENED] click on the *Orb*
He clicked, while all the others where perched over his shoulder, looking at his avatar on the screen.
Suddenly all of them were transported in a new place that looked exactly like the Flying Fish Inn, while some instructions where scrolling on the screen of the game.
February 7, 2023 at 1:22 pm #6503In reply to: Orbs of Madjourneys
The plane trip stretched on forever. Xavier had the time to rewatch a few blockbusters, and catch up on light novels – in particular a roadtrip of 3 elderly Ukrainians —a story that didn’t seem to have much to say, but did put a smile on his face.
The plane has wifi, and he could have connected to the game, but he was trying his capacity to be weaned of the adrenaline rush that came with the adventures. Glimmer and the pirate ship would have to wait. He’d put his avatar on autopilot, and usually that helped propel the plot forward without investing too much time in going through relatively mundane adventures (those were needed to provide background balance and contrast against the rush of the occasional action). He hoped Glimmer wouldn’t abuse of it, and send them both to some crazy place looking for Flove knows what.
There was the occasional temptation to catch a hold of the news and his friends, but relying on the old ways of daydreaming and imagination, he could feel they were doing fine.
He could well picture Zara off to explore in and out of the game, that much was a given. As for Youssef he should be able to catch up in Alice Springs, since he wasn’t anywhere in Sydney when he landed. He was probably squeezed right now on an economy seat in between a sweaty tourist, an annoying expat, and a chatty woman. Xavier chuckled to himself thinking of the large frame of his friend in the tiny space.
He hoped all was right with Yasmin. He hadn’t be able to connect before the flight, but she was resourceful and given her competitive spirit, there was actually a good chance she had a shortcut to be there before any of them.Alice Springs was close by now. The plane prepared for landing.
Xavier remembered he’d have to get the black notebook that was part of the last assignment. They surely would have something like that in the duty free area.
February 3, 2023 at 8:35 pm #6495In reply to: The Jorid’s Travels – 14 years on
The landing on the sandy desert of Bluhm’Oxl was smoother than usual. It usually took a few minutes to get accustomed to their surrounding, the body transformations that came together with jumping across dimensions. In this case, it looked as though this dimension was quite close to their own.
“Checking translation device…” Georges touched his ear lightly.
“Gremsbtic newkil jumbal” said Salomé in response. Georges looked quizzically at her face before realising she was pulling a classic prank.
She laughed heartily. “That joke’s never getting old, isn’t it?”
“Let’s walk a little in this direction, the rendez-vous point with Klatu isn’t too far.”
“Any idea how Jorid managed to make contact this time?” Salomé asked.
“Not sure really. Generally the quantum probability framework that’s built into the Jorid is managing to make trades across the multiverse that are quite complex to conceive or track down. Last time I tried to check, Jorid had traded one tardigrade to obtain us a couple of premium pass to the Amp’hool of Athumbra”
“Underwater Whalets’ concert from the UniverseTour of Shakara, yes that was quite a night to remember…” Salomé reminisced fondly.
“Fully booked for centuries, near impossible to get, and yet all it took was about a hundred of trades across multiple owners… No idea how it manages, but it found someone who was ready to trade their two front-row seats in exchange for a single Snoot’s hair.”
“And why are we meeting this guy by the way? What’s his specialty?” Salomé winked. “You left me with the dressing duty, so happy you did all the reconnaissance.”
Georges chucked. “all that Jorid said was: Klatu’s a relatively trustworthy Zathu, known for their expertise in dimensional magic, which is a crucial asset in your search for Léonard, presumably gone missing in the conflict-ridden Zathu sector.”
“Mmmh” said Salomé. “Dimensional magic. Rather unscientific for Jorid to express in that way. Nothing that I’ve recently dreamt about seems to relate. I guess we’ll see.”
January 29, 2023 at 12:01 pm #6465In reply to: Orbs of Madjourneys
Given the new scenery unfolding in front of him, it was time for a change into more appropriate garments.
Luckily, the portal he’d clicked on came with some interesting new goodies. Xavier skimmed over some of the available options, until he found an interesting pair of old boots.
Looking at the old worn leather boots that had appeared in Xavier’s bag, he felt they would be quite appropriate, and put them on.
The changes were subtle, but Xavier already felt more in character with the place.
Suddenly a capuchin monkey jumped on his shoulder and started to pull his ear to make it to the casino boat.The too friendly, potentially mischievous pickpocketing monkey seemed a bit of a trope, but Xavier found the creature endearing.
“Let’s go then! Seems like this party is waiting for us.” he said to the excited monkey.
He jumped into one of the dinghy doing the rounds to the boat with some of the customers.
“Ahoy there, matey!” a rather small man with a piercing blue eye and massive top hat said, giving Xavier a sideways glance. He had an eerie presence and seemed very imposing for such a small frame. “The name’s Sproink, and ye be a first-timer, I see.” he said as a casual matter of introduction.
“Nice to meet you sir” Xavier said distractedly, as he was taking in all the details in the curious boat lit by lanterns dangling in the soft wind.
“Yer too polite for these parts, me friend,” Sproink guffawed. “But have no fear, Sproink’s got yer back.” He winked at the capuchin, Xavier couldn’t help but notice, and suddenly realised that the monkey truly belonged to Sproink.
“No need to check yer pockets, matey” Sproink smiled “I have me sights set on far more interesting game than yer trinkets.” He handed him back some of the stuff that the capuchin had managed to spirit away unnoticed. “But watch yerself, matey. Not all the folk here be what they seem.”
“Point taken!” Xavimunk was indeed a bit too naive, but if anything, that’d often managed to keep him out of trouble. As the small wiry guy left with his bag of tricks in a springy gait, he turned to check his shoulder, and the monkey had disappeared somewhere on the boat too. Xavier was left wondering if he’d see more of him later.
“Welcome, welcome, me hearties!” a buxom girl of large stature with a baroque assortment of feathers and garish colours was a the entrance chewing on a straw, and looking as though the place belonged to her. But there was something else, she was too playing a part, and didn’t seem from here.
She leaned conspiratorially towards Xavier, and dragged him in a corner.
“Yer a naughty monkey, ignoring me prompts,” she said. “Was I too discrete, or what?”
“Wait, what?” Xavier was confused. Then he remembered the strange message. “Wait a minute… you’re Glimble… something, with unicorns shit or something?” He didn’t have time to entertain the young geek gamers, they were too immature, and well… a lot more invested in the game than he was, they would often turn seriously creepy.
“Oi, come on now!” she raised her hands and shook herself violently. She had turned into a different version of herself. “Now, is it better? It’s true, them avatars easily turn into ava-tarts if you ask me. But you can’t deny a lady a bit o’ comfort with a wrinkle filter. They went a bit overboard with this one, if you ask me.”
“Let’s start again. Glimmer Gambol, and nice to meet you young man.”
January 24, 2023 at 11:59 pm #6459In reply to: Orbs of Madjourneys
It was pretty late, but Xavier remembered he had to book his flight (and his holidays, even if he could still mix the trip with his job… it would depend if Brytta would be able to join or not; if such were the case, he’d definitely would book time off).
At the hotel where he was staying for the 2-days business trip he had to attend for his job, he’d noticed the strange decor, with little people in costumes in odd sceneries patterned on the “Toile de Jouy” curtains and some others in the most curious framed paintings, many of them looked like actual monkeys. Curiously, there wasn’t any golden banana, or banana bus, but it made him wonder if there was something more to be looked at the Inn that Zara wanted them to go to.
Yasmin, a step ahead of him, had already looked at the reviews on MadjourneyAdvisor, and they were rave… in a fashion…
“The lady behind the bar is nearly 90 years old and believe me, she could out-work many much younger than her.”
“Old bird behind the bar is a lovely lady drop in for a chat and a beer or two – don’t mess with her or you will end up down a mine shaft”Well… better not to overthink it. He started to look at the flights, and last minute offers.
Still no word from Youssef either.
He placed an option on a flight, and decided he’d wait for everyone to confirm the dates for the rendez-vous.
December 6, 2022 at 2:17 pm #6350In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
March 26, 2022 at 11:36 am #6285In reply to: The Elusive Samuel Housley and Other Family Stories
Harriet Compton
Harriet Comptom is not directly related to us, but her portrait is in our family collection.
Alfred Julius Eugene Compton painted this portrait of his daughter, Harriet Compton, when she was six. Harriet Compton was Charles Tooby’s mothers mother, and Charles married my mothers aunt Dorothy Marshall. They lived on High Park Ave in Wollaston, and his parents lived on Park Road, Wollaston, opposite my grandparents, George and Nora Marshall. Harriet married Thomas Thornburgh, they had a daughter Florence who married Sydney Tooby. Florence and Sydney were Charles Tooby’s parents.
Charles and Dorothy Tooby didn’t have any children. Charles died before his wife, and this is how the picture ended up in my mothers possession.
I attempted to find a direct descendant of Harriet Compton, but have not been successful so far, although I did find a relative on a Stourbridge facebook group. Bryan Thornburgh replied: “Francis George was my grandfather.He had two sons George & my father Thomas and two daughters Cissie & Edith. I can remember visiting my fathers Uncle Charles and Aunt Dorothy in Wollaston.”
Francis George Thornburgh was Florence Tooby’s brother.
The watercolour portrait was framed by Hughes of Enville St, Stourbridge.
Alfred Julius Eugene Compton was born in 1826 Paris, France, and died on 6 February 1917 in Chelsea, London.
Harriet Compton his daughter was born in 1853 in Islington, London, and died in December 1926 in Stourbridge.Without going too far down an unrelated rabbit hole, a member of the facebook group Family Treasures Reinstated shared this:
“Will reported in numerous papers in Dec 1886.
Harriet’s father Alfred appears to be beneficiary but Harriet’s brother, Percy is specifically excluded .
“The will (dated March 6, 1876) of the Hon. Mrs. Fanny Stanhope, late of No. 24, Carlyle-square, Chelsea, who died on August 9 last, was proved on the 1st ult. by Alfred Julius Eugene Compton, the value of the personal estate amounting to over £8000.
The testatrix, after giving & few legacies, leaves one moiety of the residue of her personal estate, upon trust, for John Auguste Alexandre Compton, for life, and then, subject to an annuity to his wife, for the children (except Percy) of Alfred Julius Eugene Compton, and the other moiety, upon trust, for the said Alfred Julius Eugene Compton, for life, and at his death for his children, except Percy.”
-Illustrated London News.Harriet Compton:
February 25, 2022 at 8:21 am #6277In reply to: The Elusive Samuel Housley and Other Family Stories
William Housley the Elder
Intestate
William Housley of Kidsley Grange Farm in Smalley, Derbyshire, was born in 1781 in Selston, just over the county border in Nottinghamshire. His father was also called William Housley, and he was born in Selston in 1735. It would appear from the records that William the father married late in life and only had one son (unless of course other records are missing or have not yet been found). Never the less, William Housley of Kidsley was the eldest son, or eldest surviving son, evident from the legal document written in 1816 regarding William the fathers’ estate.
William Housley died in Smalley in 1815, intestate. William the son claims that “he is the natural and lawful son of the said deceased and the person entitled to letters of administration of his goods and personal estate”.
Derby the 16th day of April 1816:
I transcribed three pages of this document, which was mostly repeated legal jargon. It appears that William Housley the elder died intestate, but that William the younger claimed that he was the sole heir. £1200 is mentioned to be held until the following year until such time that there is certainty than no will was found and so on. On the last page “no more than £600” is mentioned and I can’t quite make out why both figures are mentioned! However, either would have been a considerable sum in 1816.
I also found a land tax register in William Housley’s the elders name in Smalley (as William the son would have been too young at the time, in 1798). William the elder was an occupant of one of his properties, and paid tax on two others, with other occupants named, so presumably he owned three properties in Smalley.
The only likely marriage for William Housley was in Selston. William Housley married Elizabeth Woodhead in 1777. It was a miracle that I found it, because the transcription on the website said 1797, which would have been too late to be ours, as William the son was born in 1781, but for some reason I checked the image and found that it was clearly 1777, listed between entries for 1776 and 1778. (I reported the transcription error.) There were no other William Housley marriages recorded during the right time frame in Selston or in the vicinity.
I found a birth registered for William the elder in Selston in 1735. Notwithstanding there may be pages of the register missing or illegible, in the absence of any other baptism registration, we must assume this is our William, in which case he married rather late in his 40s. It would seem he didn’t have a previous wife, as William the younger claims to be the sole heir to his fathers estate. I haven’t found any other children registered to the couple, which is also unusual, and the only death I can find for an Elizabeth Housley prior to 1815 (as William the elder was a widower when he died) is in Selston in 1812. I’m not convinced that this is the death of William’s wife, however, as they were living in Smalley ~ at least, they were living in Smalley in 1798, according to the tax register, and William was living in Smalley when he died in 1815.
February 8, 2022 at 2:24 pm #6275In reply to: The Elusive Samuel Housley and Other Family Stories
“AND NOW ABOUT EMMA”
and a mystery about George
I had overlooked this interesting part of Barbara Housley’s “Narrative on the Letters” initially, perhaps because I was more focused on finding Samuel Housley. But when I did eventually notice, I wondered how I had missed it! In this particularly interesting letter excerpt from Joseph, Barbara has not put the date of the letter ~ unusually, because she did with all of the others. However I dated the letter to later than 1867, because Joseph mentions his wife, and they married in 1867. This is important, because there are two Emma Housleys. Joseph had a sister Emma, born in 1836, two years before Joseph was born. At first glance, one would assume that a reference to Emma in the letters would mean his sister, but Emma the sister was married in Derby in 1858, and by 1869 had four children.
But there was another Emma Housley, born in 1851.
From Barbara Housley’s Narrative on the Letters:
“AND NOW ABOUT EMMA”
A MYSTERY
A very mysterious comment is contained in a letter from Joseph:
“And now about Emma. I have only seen her once and she came to me to get your address but I did not feel at liberty to give it to her until I had wrote to you but however she got it from someone. I think it was in this way. I was so pleased to hear from you in the first place and with John’s family coming to see me I let them read one or two of your letters thinking they would like to hear of you and I expect it was Will that noticed your address and gave it to her. She came up to our house one day when I was at work to know if I had heard from you but I had not heard from you since I saw her myself and then she called again after that and my wife showed her your boys’ portraits thinking no harm in doing so.”
At this point Joseph interrupted himself to thank them for sending the portraits. The next sentence is:
“Your son JOHN I have never seen to know him but I hear he is rather wild,” followed by: “EMMA has been living out service but don’t know where she is now.”
Since Joseph had just been talking about the portraits of George’s three sons, one of whom is John Eley, this could be a reference to things George has written in despair about a teen age son–but could Emma be a first wife and John their son? Or could Emma and John both be the children of a first wife?
Elsewhere, Joseph wrote, “AMY ELEY died 14 years ago. (circa 1858) She left a son and a daughter.”
An Amey Eley and a George Housley were married on April 1, 1849 in Duffield which is about as far west of Smalley as Heanor is East. She was the daughter of John, a framework knitter, and Sarah Eley. George’s father is listed as William, a farmer. Amey was described as “of full age” and made her mark on the marriage document.
Anne wrote in August 1854: “JOHN ELEY is living at Derby Station so must take the first opportunity to get the receipt.” Was John Eley Housley named for him?
(John Eley Housley is George Housley’s son in USA, with his second wife, Sarah.)
George Housley married Amey Eley in 1849 in Duffield. George’s father on the register is William Housley, farmer. Amey Eley’s father is John Eley, framework knitter.
On the 1851 census, George Housley and his wife Amey Housley are living with her parents in Heanor, John Eley, a framework knitter, and his wife Rebecca. Also on the census are Charles J Housley, born in 1849 in Heanor, and Emma Housley, three months old at the time of the census, born in 1851. George’s birth place is listed as Smalley.
On the 31st of July 1851 George Housley arrives in New York. In 1854 George Housley marries Sarah Ann Hill in USA.
On the 1861 census in Heanor, Rebecca Eley was a widow, her husband John having died in 1852, and she had three grandchildren living with her: Charles J Housley aged 12, Emma Housley, 10, and mysteriously a William Housley aged 5! Amey Housley, the childrens mother, died in 1858.
Back to the mysterious comment in Joseph’s letter. Joseph couldn’t have been speaking of his sister Emma. She was married with children by the time Joseph wrote that letter, so was not just out of service, and Joseph would have known where she was. There is no reason to suppose that the sister Emma was trying unsuccessfully to find George’s addresss: she had been sending him letters for years. Joseph must have been referring to George’s daughter Emma.
Joseph comments to George “Your son John…is rather wild.” followed by the remark about Emma’s whereabouts. Could Charles John Housley have used his middle name of John instead of Charles?
As for the child William born five years after George left for USA, despite his name of Housley, which was his mothers married name, we can assume that he was not a Housley ~ not George’s child, anyway. It is not clear who his father was, as Amey did not remarry.
A further excerpt from Barbara Housley’s Narrative on the Letters:
Certainly there was some mystery in George’s life. George apparently wanted his whereabouts kept secret. Anne wrote: “People are at a loss to know where you are. The general idea is you are with Charles. We don’t satisfy them.” In that same letter Anne wrote: “I know you could not help thinking of us very often although you neglected writing…and no doubt would feel grieved for the trouble you at times caused (our mother). She freely forgives all.” Near the end of the letter, Anne added: “Mother sends her love to you and hopes you will write and if you want to tell her anything you don’t want all to see you must write it on a piece of loose paper and put it inside the letter.”
In a letter to George from his sister Emma:
Emma wrote in 1855, “We write in love to your wife and yourself and you must write soon and tell us whether there is a little nephew or niece and what you call them.”
In June of 1856, Emma wrote: “We want to see dear Sarah Ann and the dear little boy. We were much pleased with the “bit of news” you sent.” The bit of news was the birth of John Eley Housley, January 11, 1855. Emma concluded her letter “Give our very kindest love to dear sister and dearest Johnnie.”
It would seem that George Housley named his first son with his second wife after his first wife’s father ~ while he was married to both of them.
Emma Housley
1851-1935
In 1871 Emma was 20 years old and “in service” living as a lodger in West Hallam, not far from Heanor. As she didn’t appear on a 1881 census, I looked for a marriage, but the only one that seemed right in every other way had Emma Housley’s father registered as Ralph Wibberly!
Who was Ralph Wibberly? A family friend or neighbour, perhaps, someone who had been a father figure? The first Ralph Wibberly I found was a blind wood cutter living in Derby. He had a son also called Ralph Wibberly. I did not think Ralph Wibberly would be a very common name, but I was wrong.
I then found a Ralph Wibberly living in Heanor, with a son also named Ralph Wibberly. A Ralph Wibberly married an Emma Salt from Heanor. In 1874, a 36 year old Ralph Wibberly (born in 1838) was on trial in Derby for inflicting grevious bodily harm on William Fretwell of Heanor. His occupation is “platelayer” (a person employed in laying and maintaining railway track.) The jury found him not guilty.
In 1851 a 23 year old Ralph Wibberly (born in 1828) was a prisoner in Derby Gaol. However, Ralph Wibberly, a 50 year old labourer born in 1801 and his son Ralph Wibberly, aged 13 and born in 1838, are living in Belper on the 1851 census. Perhaps the son was the same Ralph Wibberly who was found not guilty of GBH in 1874. This appears to be the one who married Emma Salt, as his wife on the 1871 census is called Emma, and his occupation is “Midland Company Railway labourer”.
Which was the Ralph Wibberly that Emma chose to name as her father on the marriage register? We may never know, but perhaps we can assume it was Ralph Wibberly born in 1801. It is unlikely to be the blind wood cutter from Derby; more likely to be the local Ralph Wibberly. Maybe his son Ralph, who we know was involved in a fight in 1874, was a friend of Emma’s brother Charles John, who was described by Joseph as a “wild one”, although Ralph was 11 years older than Charles John.
Emma Housley married James Slater on Christmas day in Heanor in 1873. Their first child, a daughter, was called Amy. Emma’s mother was Amy Eley. James Slater was a colliery brakesman (employed to work the steam-engine, or other machinery used in raising the coal from the mine.)
It occurred to me to wonder if Emma Housley (George’s daughter) knew Elizabeth, Mary Anne and Catherine (Samuel’s daughters). They were cousins, lived in the vicinity, and they had in common with each other having been deserted by their fathers who were brothers. Emma was born two years after Catherine. Catherine was living with John Benniston, a framework knitter in Heanor, from 1851 to 1861. Emma was living with her grandfather John Ely, a framework knitter in Heanor. In 1861, George Purdy was also living in Heanor. He was listed on the census as a 13 year old coal miner! George Purdy and Catherine Housley married in 1866 in Eastwood, Nottinghamshire ~ just over the county border. Emma’s first child Amy was born in Heanor, but the next two children, Eliza and Lilly, were born in Eastwood, in 1878 and 1880. Catherine and George’s fifth child, my great grandmother Mary Ann Gilman Purdy, was born in Eastwood in 1880, the same year as Lilly Slater.
By 1881 Emma and James Slater were living in Woodlinkin, Codnor and Loscoe, close to Heanor and Eastwood, on the Derbyshire side of the border. On each census up to 1911 their address on the census is Woodlinkin. Emma and James had nine children: six girls and 3 boys, the last, Alfred Frederick, born in 1901.
Emma and James lived three doors up from the Thorn Tree pub in Woodlinkin, Codnor:
Emma Slater died in 1935 at the age of 84.
IN
LOVING MEMORY OF
EMMA SLATER
(OF WOODLINKIN)
WHO DIED
SEPT 12th 1935
AGED 84 YEARS
AT RESTCrosshill Cemetery, Codnor, Amber Valley Borough, Derbyshire, England:
Charles John Housley
1949-
February 5, 2022 at 1:59 pm #6272In reply to: The Elusive Samuel Housley and Other Family Stories
The Housley Letters
The Carringtons
Carrington Farm, Smalley:
Ellen Carrington was born in 1795. Her father William Carrington 1755-1833 was from Smalley. Her mother Mary Malkin 1765-1838 was from Ellastone, in Staffordshire. Ellastone is on the Derbyshire border and very close to Ashboure, where Ellen married William Housley.
From Barbara Housley’s Narrative on the Letters:
Ellen’s family was evidently rather prominant in Smalley. Two Carringtons (John and William) served on the Parish Council in 1794. Parish records are full of Carrington marriages and christenings.
The letters refer to a variety of “uncles” who were probably Ellen’s brothers, but could be her uncles. These include:
RICHARD
Probably the youngest Uncle, and certainly the most significant, is Richard. He was a trustee for some of the property which needed to be settled following Ellen’s death. Anne wrote in 1854 that Uncle Richard “has got a new house built” and his daughters are “fine dashing young ladies–the belles of Smalley.” Then she added, “Aunt looks as old as my mother.”
Richard was born somewhere between 1808 and 1812. Since Richard was a contemporary of the older Housley children, “Aunt,” who was three years younger, should not look so old!
Richard Carrington and Harriet Faulkner were married in Repton in 1833. A daughter Elizabeth was baptised March 24, 1834. In July 1872, Joseph wrote: “Elizabeth is married too and a large family and is living in Uncle Thomas’s house for he is dead.” Elizabeth married Ayres (Eyres) Clayton of Lascoe. His occupation was listed as joiner and shopkeeper. They were married before 1864 since Elizabeth Clayton witnessed her sister’s marriage. Their children in April 1871 were Selina (1863), Agnes Maria (1866) and Elizabeth Ann (1868). A fourth daughter, Alice Augusta, was born in 1872 or 1873, probably by July 1872 to fit Joseph’s description “large family”! A son Charles Richard was born in 1880.
An Elizabeth Ann Clayton married John Arthur Woodhouse on May 12, 1913. He was a carpenter. His father was a miner. Elizabeth Ann’s father, Ayres, was also a carpenter. John Arthur’s age was given as 25. Elizabeth Ann’s age was given as 33 or 38. However, if she was born in 1868, her age would be 45. Possibly this is another case of a child being named for a deceased sibling. If she were 38 and born in 1875, she would fill the gap between Alice Augusta and Charles Richard.
Selina Clayton, who would have been 18, is not listed in the household in 1881. She died on June 11, 1914 at age 51. Agnes Maria Clayton died at the age of 25 and was buried March 31, 1891. Charles Richard died at the age of 5 and was buried on February 4, 1886. A Charles James Clayton, 18 months, was buried June 8, 1889 in Heanor.
Richard Carrington’s second daughter, Selina, born in 1837, married Walker Martin (b.1835) on February 11, 1864 and they were living at Kidsley Park Farm in 1872, according to a letter from Joseph, and, according to the census, were still there in 1881. This 100 acre farm was formerly the home of Daniel Smith and his daughter Elizabeth Davy Barber. Selina and Walker had at least five children: Elizabeth Ann (1865), Harriet Georgianna (1866/7), Alice Marian (September 6, 1868), Philip Richard (1870), and Walker (1873). In December 1972, Joseph mentioned the death of Philip Walker, a farmer of Prospect Farm, Shipley. This was probably Walker Martin’s grandfather, since Walker was born in Shipley. The stock was to be sold the following Monday, but his daughter (Walker’s mother?) died the next day. Walker’s father was named Thomas. An Annie Georgianna Martin age 13 of Shipley died in April of 1859.
Selina Martin died on October 29, 1906 but her estate was not settled until November 14, 1910. Her gross estate was worth L223.56. Her son Walker and her daughter Harriet Georgiana were her trustees and executers. Walker was to get Selina’s half of Richard’s farm. Harriet Georgiana and Alice Marian were to be allowed to live with him. Philip Richard received L25. Elizabeth Ann was already married to someone named Smith.
Richard and Harriet may also have had a son George. In 1851 a Harriet Carrington and her three year old son George were living with her step-father John Benniston in Heanor. John may have been recently widowed and needed her help. Or, the Carrington home may have been inadequate since Anne reported a new one was built by 1854. Selina’s second daughter’s name testifies to the presence of a “George” in the family! Could the death of this son account for the haggard appearance Anne described when she wrote: “Aunt looks as old as my mother?”
Harriet was buried May 19, 1866. She was 55 when she died.In 1881, Georgianna then 14, was living with her grandfather and his niece, Zilpah Cooper, age 38–who lived with Richard on his 63 acre farm as early as 1871. A Zilpah, daughter of William and Elizabeth, was christened October 1843. Her brother, William Walter, was christened in 1846 and married Anna Maria Saint in 1873. There are four Selina Coopers–one had a son William Thomas Bartrun Cooper christened in 1864; another had a son William Cooper christened in 1873.
Our Zilpah was born in Bretley 1843. She died at age 49 and was buried on September 24, 1892. In her will, which was witnessed by Selina Martin, Zilpah’s sister, Frances Elizabeth Cleave, wife of Horatio Cleave of Leicester is mentioned. James Eley and Francis Darwin Huish (Richard’s soliciter) were executers.
Richard died June 10, 1892, and was buried on June 13. He was 85. As might be expected, Richard’s will was complicated. Harriet Georgiana Martin and Zilpah Cooper were to share his farm. If neither wanted to live there it was to go to Georgiana’s cousin Selina Clayton. However, Zilpah died soon after Richard. Originally, he left his piano, parlor and best bedroom furniture to his daughter Elizabeth Clayton. Then he revoked everything but the piano. He arranged for the payment of £150 which he owed. Later he added a codicil explaining that the debt was paid but he had borrowed £200 from someone else to do it!
Richard left a good deal of property including: The house and garden in Smalley occupied by Eyres Clayton with four messuages and gardens adjoining and large garden below and three messuages at the south end of the row with the frame work knitters shop and garden adjoining; a dwelling house used as a public house with a close of land; a small cottage and garden and four cottages and shop and gardens.
THOMAS
In August 1854, Anne wrote “Uncle Thomas is about as usual.” A Thomas Carrington married a Priscilla Walker in 1810.
Their children were baptised in August 1830 at the same time as the Housley children who at that time ranged in age from 3 to 17. The oldest of Thomas and Priscilla’s children, Henry, was probably at least 17 as he was married by 1836. Their youngest son, William Thomas, born 1830, may have been Mary Ellen Weston’s beau. However, the only Richard whose christening is recorded (1820), was the son of Thomas and Lucy. In 1872 Joseph reported that Richard’s daughter Elizabeth was married and living in Uncle Thomas’s house. In 1851, Alfred Smith lived in house 25, Foulks lived in 26, Thomas and Priscilla lived in 27, Bennetts lived in 28, Allard lived in 29 and Day lived in 30. Thomas and Priscilla do not appear in 1861. In 1871 Elizabeth Ann and Ayres Clayton lived in House 54. None of the families listed as neighbors in 1851 remained. However, Joseph Carrington, who lived in house 19 in 1851, lived in house 51 in 1871.
JOHN
In August 1854, Anne wrote: “Uncle John is with Will and Frank has been home in a comfortable place in Cotmanhay.” Although John and William are two of the most popular Carrington names, only two John’s have sons named William. John and Rachel Buxton Carrington had a son William christened in 1788. At the time of the letters this John would have been over 100 years old. Their son John and his wife Ann had a son William who was born in 1805. However, this William age 46 was living with his widowed mother in 1851. A Robert Carrington and his wife Ann had a son John born 1n 1805. He would be the right age to be a brother to Francis Carrington discussed below. This John was living with his widowed mother in 1851 and was unmarried. There are no known Williams in this family grouping. A William Carrington of undiscovered parentage was born in 1821. It is also possible that the Will in question was Anne’s brother Will Housley.
–Two Francis Carringtons appear in the 1841 census both of them aged 35. One is living with Richard and Harriet Carrington. The other is living next door to Samuel and Ellen Carrington Kerry (the trustee for “father’s will”!). The next name in this sequence is John Carrington age 15 who does not seem to live with anyone! but may be part of the Kerry household.
FRANK (see above)
While Anne did not preface her mention of the name Frank with an “Uncle,” Joseph referred to Uncle Frank and James Carrington in the same sentence. A James Carrington was born in 1814 and had a wife Sarah. He worked as a framework knitter. James may have been a son of William and Anne Carrington. He lived near Richard according to the 1861 census. Other children of William and Anne are Hannah (1811), William (1815), John (1816), and Ann (1818). An Ann Carrington married a Frank Buxton in 1819. This might be “Uncle Frank.”
An Ellen Carrington was born to John and Rachel Carrington in 1785. On October 25, 1809, a Samuel Kerry married an Ellen Carrington. However this Samuel Kerry is not the trustee involved in settling Ellen’s estate. John Carrington died July 1815.
William and Mary Carrington:
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