Search Results for 'franlise'

I have an idea. Are you game?

The Whale: I’m always game for a good idea! What do you have in mind?

I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point

The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.

“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various

No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1

The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.

Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.

As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.

The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.

As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.

Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.

As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.

Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.

Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.

As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.

The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.

In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.

Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:

Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.

As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.

But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.

Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.

And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.

thank you! I appreciate your input.

The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.

But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.

He thanked the whale for this rather surprising response.

The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!

So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.

*1  In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.

“You know, I think they got a name for your condition” Franlise said while throwing another piece of rotten furniture and a dusty half-plucked stuffed pheasant from the window.
“Oh no!” Elizabeth was crestfallen “not my favourite plucked pheasant, let’s at least keep this! A perfectly functioning piece that one, Lewis Someteenth, French expensive furniture dammit!”
“You’re a bloody compulsive hoarder, that’s what you are!” Franlise said authoritatively. “Now, move along, let me do my job.”
“Your job? And what are you now?”
“A professional organiser, of course.”

“Guess it was about bloody time I got back here” Franlise said, her feather duster firmly clutched in her left hand.
The matronly black woman started dusting vigourously, sending myriads of half-written papers flying in the air.
“My draaafts!” Elizabeth shriek was lost in the gusts of winds.

“Bugger, bugger, bugger” the impromptu cleaning lady started to enunciate in a most perfect Queen’s English. “Nothing like some good buggery bugger to start the day and clear the lungs. And many a little makes a damn buggery mickle, isn’t that right darling?”. She said, striking a pilates pose in between the cleaning.

Elizabeth stood aghast, not knowing what to say but a meek “Didn’t I fire you?” to which Franlise knew better than to answer with nought but a smile.
Drawing a sharp letter opener from behind her back, she nimbly leaned toward Elizabeth, with all her white teeth glowing in the dark apartment where even the aspidistras had long gone dried up and wrinkled, their pots now no more than mere ashtrays.

“Well, now, what shall we do about all that spider cobwebs you’ve got yourself wrapped in…”

Franlise was unusually despondent. She flicked half heartedly through the last pages of Ann’s novel, looking for some sort of common thread which she could cleverly take hold of and expand upon, in order to provide the necessary continuity.

Daunted by the formidable proportions of her task, her thoughts turned instead to the strange man who had followed her that afternoon. Her attempts to lose him had failed, and, in the end, she had thought it best to delay her appointment with the Fellowship. Perhaps the man was just lured by her beauty, but she knew she could not risk exposure.

Maybe if I throw in a mermaid or two and a bit of bondage gear, well just the odd handcuff … perhaps that would sexy it up a bit, pondered Franlise, not really wanting to taint her reputation for inner loveliness and wondering what exactly the Fell o’ Whip were wanting.

Franlise read the message from the Fellowship with mixed emotions.

The Fellowship congratulates and thanks you for your continuity work on the script. We acknowledge the extreme difficulties you contend with as you face erratic forces resistant to any form of continuity and seeking only to create meaningless threads. The Fellowship also advises the script will be even further improved if you could sexy it up a bit.

Arthur Bickerswell-Snodley had been delighted to receive Ann’s invitation to stay with her at Little Big Hopeswell for the May Day weekend. He hadn’t seen Ann for 570 years, although they had remained in contact through the years, at first by old fashioned handwritten letters, and later by email —as well, of course, by telepathic means and out of body rendezvous— but this was to be an actual physical visit.

Arthur travelled by train to Chipping Else Hampton, where Jibblington, Ann’s chauffeur and general dogsbody, met him in the old jalopy, a rather grand old Silver Ghost Rolls.
Jibblington, it must be stated, worked part time for Ann, as did the enigmatic cleaning lady, Franlise — both were merely aspects of much larger personalities elsewhere engaged in myriad pursuits. Jibblington was a much of a mystery to Ann as dear Franlise was, not to mention old Godfrey Pig Littleton. Godrey’s flooh, in point of fact, had been the catalyst behind Ann’s invitation to Arthur.

While Jibblington and Bickerswell-Snodley glided along the country lanes, cushioned and buoyant in the silver car’s plush, if a trifle vulgar, crimson upholstery, Ann tutted in exasperation as Godfrey pestered her to finish her latest entry to the Play.

“I haven’t finished it yet, Godfrey, sheesh!” she exclaimed. “OK, OK!” Godfrey was rather rudely drumming his fingers on her desk. “Here, you can read what I’ve written so far.”

Franlise was pondering the distorted image she knew Ann had of her. Of course Ann was perhaps not the best judge of character. Her seven failed marriages bore testament to that indisputable fact.

It is a bloody good thing, she mused, that I am so confident of my own inner loveliness. All these disparaging remarks could really begin to get me down otherwise.

Casting an admiring sideways glance at herself in the large, and somewhat dusty, mirror hanging from the wall in Ann’s office, she hurried off for her 3pm meeting with the Fellowship.

With an amused chuckle, Ann remarked to Franlise “Chapters, whatever next! Poor old Godfrey’s getting his strings in a twist.”

“I think he might be picking up on Chapter Focuses, Ann” replied the cleaner.

Ann looked at Franlise in surprise. “Good gracious me, Franlise, what an extraordinary thing for you to say!”

“Why?”

“Well, I didn’t think you were into any of that stuff.”

“I’m not!”

“Well why did you say it then?”

“I didn’t; you wrote that I said it, but I didn’t say a word.”

_{Ann sighed, feeling tired and disillusioned at the unexpected changes. It felt like too much effort to start afresh, as if the disruptions and changes everywhere were permeating her own private sanctuary, and stray random thoughts now had no easy path towards release, that they would be bogged down and hampered with new details, and new explanations.}

“How things have changed” Franlise remarked drily, reading the previous months entries. “I don’t know about ‘no easy path’, Ann, there’s a rush hour expressway of random stray thoughts gushing forth, don’t you think you should rein yourself in a bit?”

“I don’t see much evidence of a bog of explanations, either, or hampers of details.”

:yahoo_nerd:“I dont know how you can read that paper, Franlise, really I don’t.” Ann said sniffily.

“Oh I like to keep up with what’s going on, it’s interesting, it’s the end of an era you know, fascinating really,” her cleaner replied.

“Yeah, you’re right, it is interesting,” Ann had to admit that Franlise was right. It WAS interesting, and newpapers like The Old Reality Harbinger wouldn’t be around for much longer. She made a mental note to buy some to put away in case they became valuable artifacts in the future.

“Well interesting it may be, but only in small doses. I prefer The Simultaneous Times, myself.”

“The Daily Mirror’s my favourite” replied Franlise.

“You can’t make a silk purse out of a pigs ear flu, Ann.” Franlise remarked as she perused the headlines in the Old Reality Harbinger newspaper.

“Or maybe you can! hhmm” replied Ann. “Maybe the gathered snot of the victims is spun into the finest silk, an amazingly versatile new fabric called snilk”

Franlise rolled her eyes, but Ann didn’t notice.

“One of the qualities” Ann went on “that the snilk had was to replicate anything gathered within its folds, so purses were made out of snilk, proving that it WAS indeed possible to make a snilk purse out of a pigs ear flu.”

“Godfrey, she’s doing it on purpose now, what am I going to do with her?”

Godfrey turned and frowned at Ann, pausing in the doorway. “Who’s doing what, Ann?” he sighed.

“Oh never mind Godfrey, bugger off if you can’t be bothered” Ann said crossly, and then added “You know exactly what I’m talking about, it’s Franlise, she’s making spelling mistakes on purpose and I’ll get the blame!”

“Ann,” said Godfrey with exaggerated patience, “You of all people should be the last person to worry about a spelling mistake.”

“My OWN spelling mistakes are acceptable, Godfrey, they contain clues…”

Pig Littleton raised an eyebrow. “And why wouldn’t Franlise’s contain clues too? Have you forgotten that you’re the one creating Franlise in the first place?”

“Oh” said Ann, momentatily non-plussed.

Bitch, muttered Ann to herself after Franlise left the room. How could any one person be endowed with such outward beautiy and inward loveliness in such an unsubtle way?

Perhaps I will call my next chapter “The Subtlety of the Tarty Cleaner”. Not really having any idea what this meant, the thought still managed to lift Ann’s spirits considerably. She felt particularly vindicated when she saw the title of the the great philospher Leemoon’s latest book:

Belabouring Fools of the Continuity Paradigm

Exactly! stupid tarty belabouring fool of a cleaner!

“Franlise, your words gave hope where once there was despair” Ann said to her cleaning lady. “Thank you.”

“Oh don’t mention it, Ann” Franlise replied modestly.

“You are so humble, Franlise, as well as outwardly beautiful” replied Ann. “And inwardly lovely” she added.

Ann wasn’t altogether sure what Godfrey meant when he referred to her new interest in continuity. Ann had always been interested in connecting links, yes, of that there was no doubt, but with so very many connecting links, and so many possible strings of connecting links, with so many possible divergences into yet more strings of connecting links, Ann really couldn’t fathom how anyone could possibly keep track of all those threads of continuity. Even a seemingly discontinuous assortment of unconnected links, once connected into a nonsense thread, became another continuity string. Furthermore, Ann continued ~ in a continuous fashion ~ to ponder, if everything is connected, then what, in actuality, was all the fuss about continuity? What exactly then WAS this concept of continuity? It seemed to Ann to be more like a string of barbed wire, or one of those flimsy but effective electric wire fences, boxing in the free flow of continuity, so that the objectively perceived continuity stayed rigidly within the confines of the preconceived tale. The inner landscape knew no such boundaries, although admittedly the inner landscape was far too vast to map.

Ann smiled to herself as she imagined trying to push pins into various inner landscape locations, tying strings from one to another, in an effort to map and label the inner continuity connections. Of course she was imagining it in a visual manner, because it was hard to imagine all those connections and strings being invisible and not taking up any space, and before long Ann’s inner map of pins and strings quickly resembled a tangle of overcooked spaghetti, perilously speckled with sharp pointy pins.

The image of the glutinous tangle dotted with sharp shiny pointers led Ann off on another tangent, but it was a tangent that soon became utter nonsense. Or was it, she mused. Perhaps it was those symbolically sharp pointy bits that in fact pointed out the immense variety of potential other continuity threads to choose from. Indeed, it could easily be said that having one of her characters dumped in Siberia in the previous story, painful though it was, was not unlike being pricked by a pin amidst the tangle of sticky pasta, a brilliantly effective pointer towards unlimited new directions.

Whichever way she looked at it (and Ann was aware that she might have gone down a side string) she simply couldn’t comprehend how anyone on this side of the veil could possibly even begin to understand the ramifications of the concept of continuity at all. Or how there could ever conceivably be a lack of it.

What was really intriguing Ann at this particular juncture of the experimental exploration of the story was the concept of the World View Library. This wasn’t unconnected to the continuity issue, far from it, it was all tied in (Ann sniggered at the unintentional pun) and connected. There were any infinite amount of potential continuity threads leading from, say, one persons desire or intent, to a particular world view in the library.

AHA shouted Ann, who at that moment had an ‘aha’ moment. Pfft, it’s gone, she sighed moments later.

Ann tried to catch the wisp of an idea that had flitted through her awareness. She had a visual impression of the library, endlessly vast and marvellously grand, with countless blindfolded characters dashing through, grabbing random pages or sentences, bumping into each other, snatching at phrases willy nilly, dropping notes along the way, and racing back out again into the ether. A stray thought here, a picture there, a name or a date, all on separate bits of crumbled paper clutched in the sweaty palms of the blindfolded characters as they rushed headlong back to their own realities to proudly share the new clues. Like magpies they were, snatching at anything that glittered brightly enough.

“I thought you said they were blindfolded?” interrupted Franlise.

Ann ignored the interruption, and continued ~ in a continuous fashion ~ to ponder the imagery of the library.

What the undisciplined purloiners of random snatches didn’t notice on their pell-mell excursions into the library were the characters in the library who weren’t wearing blindfolds. They smiled down from the galleries, calmly watching from above the mayhem that the news of the unlimited library access had occasioned, chortling at the scenes of chaos below. They smiled indulgently, for they too had first visited the library blindfolded, snatching at this and that, and racing home again to inspect the booty; they too had fretted and pondered over the enigmas of the incomplete snippets. Eventually (or not, it was after all a choice), they had bravely removed the blindfolds, slowed the mad race into a sedate stroll through the library, opened their eyes and looked around, sure of the way back home now, and not in a desperate hurry to blast in, snatch anything, and run back home.

After awhile, they began to realize that all the enchanting glittering jewels scattered around to catch their eye would still be there later, there was no urgency to grab them all at once ~ although, as Ann reminded herself, that too was a choice ~ some may well choose to be eternally snatching at glittering jewels.

Ann frowned slightly and wondered if she’d lost the thread altogether, and then decided that it didn’t matter if she had.

It was a choice, therefore, to remove ones blindfold, and stroll through the library ~ a choice to perhaps choose a book, sit down at a polished oak table and open it, a choice to stay and read the book, rather than ripping out a page and dashing back home. That would be one choice of continuity, a coming together of strings.

Ann wondered whether that would then be called a cable, or a rope ~ well perhaps not a rope, she decided, that had other associations entirely ~ but a cable, yes, that had associations of reliable and regular communications. There were always strings of continuity, then, strings of connecting links, between anything and everything, but when one stopped dashing about clutching at the sparkley bits, one might form a cable.

Or not, of course. Thin strings of continuity and connections were not ‘less than’ thick cables of reliable and regular communications. It has to be said though, Ann reluctantly admitted, that thick cables often made more sense.

She decided to hit send before embarking on a pondering of the meaning of Sense.