Search Results for 'fully'

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…

It said:

I’ve been wandering through the valleys of death
Where time knows no ending and all is gray
And shadows seek nothing but oblivion itself
In mazes of mist, minds’ errands led astray…

Perhaps it was time to let go of useless things, Bill thought to himself.

He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.

Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.

She had giggled at his surprise, telling him that yes, she was catching up with him…

The City, year 2255

Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.

It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.

Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.

When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.

Then she opened her eyes.

She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.

— Good morning!
— Good morning Cyprus, you wanted to say something to me?
— In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
— Yes, I thought so. Is it about what I am choosing to do as an activity?
— Correct.
— You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
— Yes, I am aware. And you wanted me to highlight some misconceptions about that.
— Oh, misconceptions?
— Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
— It feels like a tremendous responsibility.
— It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
— OK, I will do that…
— Ahaha, there is another thing, my dear.
— Oooh…
— You also wanted me to make sure you understood what I meant.
— Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
— Nothing is hidden from you, as always.

So Janice took a look at the sheet of paper on top of her own school desk.

— I’ll be around if you need me, reassured Cyprus.
— Thank you, said Janice

The paper was like a spot test, with a few questions on it.

Study on a Few Contradictory Beliefs

1. GUILT

a. An old lord has lost contact with his son, because of harsh things said in the past.

Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.

b. Detail the main beliefs you can see associated with this action of guilt.

2. FEAR

a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.

Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.

b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.

DUPLICITY

In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.

Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.

Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

New York, October, 4 ^th 2033

Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

(click for article)

Dublin, October 5 ^th 2033

Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

He was pleased to read from her, and wanted to enjoy it fully.

So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

Dear Sean, Becky was writing

I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

Love,

Becky.

Orkney Islands, October 4 ^th, 2057

This year again, Sean Doran had not answered his father’s calls.

This September 23 ^th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

Illi had not known as powerful an opponent as this other Illi.

At first, she had been remembered of stories of possession by evil sprites (or djinns) that she had heard in her youth, when Ibn al’ Gruk, the old angora storyteller was entertaining the desert settlement beating the rhythm with sonorous drums.

So, she had pushed, and rebelled, and fought, as fiercely as any other gripshawk skilled and trained in the hand-to-hand martial arts would have done.

But the other Illi wasn’t so easily vanquished.

Then Illi had collapsed. She had sorrowfully abandoned the fight to the dreaded adversary.

All of this had been occurring in a twinkle of an eye, but for Illi, the fight had been during ages and ages, while she was trying to focus on what BelleDora was explaining to her about the land where she was now.

And when she had abandoned the fight, everything was again so easy. She did not care any longer, she was free again. Her evil twin could do anything, it could not matter less.

But the evil twin had been in fact doing the same, and she had struggled to keep the focus coherent to her. Didn’t want stupid moth-looking people in her reality, or even spare hair on her face! But that other one was strong, and fierce. And stubborned too!

— Who are you? she finally had asked
— I’m Illi, had the other answered
— I am Illi.
— So we are both Illi…
— Yeah, that may be it, but we are quite different.
— Are we? You feel quite like me, despite your stupid affection for smooth baby face.
— Well, wouldn’t it be for that, I can see some resemblance…
— Will you let me continue my trip?
— Oh, I would have, but you’ve hijacked mine, said Illi Fergusson.
— So you think.
— And where does your trip leads to? asked Illi F. who wasn’t too sure of her trip either
— From traveling portals to traveling portals, to discover all that can be discovered on this world. Magical creatures, I distrust them, but the lands and people are fascinating… And what about yours?
— Hmm, hmm, pondered Illi F. for a moment… Well, I’m dead actually, but I didn’t expect being dead to be so busy. There are so many things to discover, and I like that. I see funny looking people, and this looks like fun. Like a minute ago, I was in some kind of funny cave, with a parrot…
— A what?
— A parrot, you know, a kind of talking bird full of colours…
— Mmm, some kind of demonic creature for sure. Would have slain it without an hesitation!
— Hey! You see, that’s why I didn’t want you to come with me.
— Well, seems like for a moment, we don’t have much more choice…
— At least, look at the bright side, with us merged like that, each of us can provide the other one with some sound experience on each other’s worlds.
— Well, that’s not as airy-fairy as it seems…
— Well, thank you for that, I’ll take that as a compliment.
— You really are dreadfully serious at times!
— Hey, I’m not anybody you see. My parents were aristocrats, I’m not the common hairy lot.
— Ahahah, you’re funny.
— So are you!

And they ended laughing blissfully together.

After a moment, Illi asked again:

— Huh, a funny cave you said?
— Well, yes. With lots of people…
— Interesting… I was near some sort of strange cave too a while ago, that is, before I was found by this nice man and his dogs. Perhaps there is some connection here.
— And could you go there again?
— Not sure if I want to; there were some smelly fumes, smelt like demonic magic in there.
— Oh you see, for as long as I’ve been dead, well even if that’s not so long ago, anyway, the point is I’ve not seen any demon so far… blustered Illi F.
— Oh, and I have to take your word like that then?
— Well, do as you please, but I’m going there again…
— Just wait for me now, will you; let’s try to do things hand in hand, because you’re driving me mad!

And the deal was made.

BelleDora had continued to explain lots of things about her ancestors, but had not really noticed Illi’s attention had been so far away. She was a bit surprised when she found herself interrupted in a middle of a poetic depiction of the coastal plains of the Peninsula of the Dragon Head, where some glistening Capricorns were sometimes seen swimming in the creeks.

— And how do I get back safely to this hole where I was found? asked Illi abruptly.

Jibberacky is…

• Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

_

• an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.

Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

_

• Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.

• Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures^² born from the Marshes were roaming the Southern parts of Lan’ork.

That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

But with what Jadra has found on his left hand this morning, he now knows he was right all along…

—

[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

— And how can I be of assistance, dear little one?

— Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
— Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
— Well, let me think.

India Louise took a moment, and asked again

— For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
— Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

— Areas of consciousness?

— Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

— And Illi? Who is she?
— This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
— Mmmm, this is quite intricate…
— Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

India Louise had been switching her own book with Cuthbert’s that night. And as she was exploring some of the stories told in his, he was having a peek into hers.

Very quickly, he became aware of a whole new continent, in that World, across the Middle Seas. In that continent far North of the one where Malvina’s was living, lived some intrepid people. They were strong with big voices, and a bit quarrelsome too. Their ways had forgotten lots about Magix and they placed most of the value into tangible items.

The next page, a man was sailing across the Middle Seas with a handful of trusted men. He was a captain pirate, named Båd Al’Guz, which meant, Båd son of Guz. His crew referred to him as Bådul.

Cuthbert was intrigued by this man, and had begun to discuss with him mentally, asking who he was, who were his people. The same as Cuthbert had been very innocently doing with gentle Malvina.

But Bådul was tricky, and after a bit of a surprise, very soon discovered that the little boy could be a very interesting informant, though an unusual one.

And in fact, his information was much more interesting than that which the shamans of King Wulfrick babbled in the most inspired manner.

Till now, from the mouths of the buck-pelts clothed shamans had only came stupid gibberish that the King and his court gobbled endlessly. Something about “YaWn”, as they said: You animate Worlds neatly .

How stupid was that? Their only answers were useless to him, they were only telling him that he activated and animated the Worlds neatly, and that, in short, nothing was fixed and he could do anything.

Well, with that boy, that was different. He was talking about a cave with gilded dragon eggs, and THAT was of a great value to Bådul.

But of course, he would not frighten the young boy and pretended that his intentions were that of an explorer, trying to discover new shores and new continents, so as to become closer to understand from where he came, and hopefully make people aware of their closeness to each others.

He was such an eloquent actor that he almost shed a tear saying that sentence.

As a matter of fact, for as long as he remembered, he had been wandering in many situations, and lots of them had not been very pleasant. Born from uncaring parents, as lots, if not all, of his people were, working as a janitor in a sordid tavern, then as a warden (if not executioner when requested) in an even more sordid jail… Were the Gods to be blamed for that? Well, according to the shamans, he was the only one to be blamed, because he did not accept his responsibility as a weaver of Worlds.

Idiots.

At least, he had found his passion. He love sailing, and taking riches for his pleasure. Whatever then, he would take his share, and not care about what was next.

At least, if he could coax the boy into revealing more about that cave.

When Dorothy Mc Leane, the imperviously impetuous and buoyant archaeologist, temporarily reduced to dust shawls in a small antique boutique of the coast of Madagascar, had been finally coming to her mind, she had felt so out of place.

She had been in many places at once, and these have hardly been vacations at all. Well, all she had wanted at first was to follow that funny lemur winking on a placard, which was hinting at a funny expedition in a cave.

But that may just have been phoney gooey advertisement, as she was now stranded in that shoppe with a stupid parrot. No-name parrot…

That’d make Fiona laugh for sure… she thought; she would say that she wasn’t doing things in halves. Can’t even think if I can find a postcard big enough to tell her everything, she had laughed.

— Well, you don’t have a name by chance? she suddenly asked the bright bird.

— Archibaaaaald howled the parrot joyfully.

Bugger this, I knew that… Dory couldn’t help but thinking.

— Aaaaaarchibaaaaald

Oh!, she had started to feel exasperated. Archibald would take care of the key anyway, no need to stay here any much longer.

And right after the parrot had flown through the window, as she was leaving the shoppe and heading to the mini-van where the distraught guide had been obviously looking for her since hours, she couldn’t help but wonder at the number of noisy Italian tourists who had just seemed to pop in, crowding the tiny shawl shoppe…

Wow… She could have bet they could have been as many as fifty seven…