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Phurt was starting to think something fishy was a play, each time he thought his short spider life had ended he was pulled back from Spiderheaven by some unknown force. Not that he minded this time, there were plenty of places to hide and cast his strong silk cables. He had developed a sense of adventure and the sheer height of some of the mounds made him dizzy. It also made him want to be the first spider in the history of this thread to climb on top of that Mount Wobbly of the Topperware Chain.

Phurt had also noticed a strange and strong smell that seemed to come from the top of Mount Wobbly. Not that he minded the hygiene of the place; it was, to the contrary, a rather promising smell. It was the smell that said swarms of flies would gather there like an endless supply of blessed food.

Seeing that other spiders were gathering at the bottom of Mount Wobbly, he contorted his butt and secured his first cable.

Spirius had been investigating the origin of a strong smell that had started not long after Austreberthe puffed out of existence and became part of the dust she had spent her life chasing away. Which gave him one more proof that his theory of the holy body influence upon the physical world was true. He looked for a pen but they were behind two piles of unopened parcels he had started collecting when he had noticed that the postmen were leaving the boxes unattended and unprotected from the elements on the front porch of houses. His intentions were pure, as any saintly intentions are, but when he saw what good addition to the other boxes they made, he felt a pang of regret each time he thought of giving back those boxes to their rightful recipients.

Alas, most of them were dead by now, so he felt his duty was to keep those boxes intact to honour the memory of the dead.

Yvoise came in just as Spirius saw an odd and colourful australian jumping spider cast a delicate silk thread to one of the bottom row of his Tupperware collection.

“You should really do something about that smell,” she said. “I remember a time when decorum required holy people to exude only fragrance and essential oils.”

“Well, you know, it’s Austreberthe,” he said as wobbly as his heaps of plastic boxes. He had them all. You could even say he started the whole trend of pyramid schemes when his friend Pearl Topper saw him buy boxes from antiques shops. She invented the first plastic box as…

“Well, I asked you a question,” said Yvoise, interrupting his wandering thoughts.

“Have you noticed the spiders,” said Spirius.

“What spiders?”

“I think they’re trying to go up there,” Spirius said. “Look!”

He pointed a proud finger at the top of the highest Topperware tower in the Guyness book of records. A swarm of flies was circling around one of the boxes.

“And that means the smell comes from there.”

It must be two hundred years at least since we’ve heard a will read at number 26, Cerenise thought to herself, still in a mild state of shock at the unexpected turn of events. She allowed her mind to wander, as she was wont to do.

Cerenise had spent the best part of a week choosing a suitable outfit to wear for the occasion and the dressing room adjoining her bedroom had become even more difficult to navigate. Making sure her bedroom door was securely locked before hopping out of her wicker bath chair  (she didn’t want the others to see how nimble she still was), she spent hours inching her way through the small gaps between wardrobes and storage boxes and old wooden coffers, pulling out garment after garment and taking them to the Napoleon III cheval mirror to try on.  She touched the rosewood lovingly each time and sighed. It was a beautiful mirror that had faithfully reflected her image for over 150 years.

Holding a voluminous black taffetta mourning dress under her chin, Cerenise scrutinised her appearance. She looked well in black, she always felt, and it was such a good background for exotic shawls and scarves. Pulling the waist of the dress closer, it became apparent that a whalebone corset would be required if she was to wear the dress, a dreadful blight on the fun of wearing Victorian dresses.  She lowered the dress and peered at her face. Not bad for, what was it now? One thousand 6 hundred and 43 years old? At around 45 years old, Cerenise decided that her face was perfect, not too young and not too old and old enough to command a modicum of respect. Thenceforth she stopped visibly aging, although she had allowed her fair hair to go silver white.

It was just after the siege of Gloucester in 1643, which often seemed like just yesterday, when Cerenise stopped walking in public.  Unlike anyone else, she had relished the opportunity to stay in one place, and not be sent on errands miles away having to walk all the way in all weathers.  Decades, or was it centuries, it was hard to keep track,  of being a saint of travellers had worn thin by then, and she didn’t care if she never travelled again. She had done her share, although she still bestowed blessings when asked.

It was when she gave up walking in public that the hoarding started.  Despite the dwellings having far fewer things in general in those days, there had always been pebbles and feathers, people’s teeth when they fell out, which they often did, and dried herbs and so forth. As the centuries rolled on, there were more and more things to hoard, reaching an awe inspiring crescendo in the last 30 years.

Cerenise, however, had wisely chosen to stop aging her teeth at the age of 21.

Physically, she was in surprisingly good shape for an apparent invalid but she spent hours every day behind locked doors, clambering and climbing among her many treasures, stored in many rooms of the labyrinthine old building.  There was always just enough room for the bath chair to enter the door in each of her many rooms, and a good strong lock on the door. As soon as the door was locked, Cerenise parked the bath chair in front of the door and spent the day lifting boxes and climbing over bags and cupboards, a part of herself time travelling to wherever the treasures took her.

Eventually Cerenise settled on a long and shapeless but thickly woven, and thus warm, Neolithic style garment of unknown provenance but likely to be an Arts and Crafts replica. It was going to be cold in the library, and she could dress it up with a colourful shawl.

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

Chico poured grenadine into an ornate art nouveau glass filled with ginger ale. He hesitated, eying the tin of chicory powder. After a moment of deliberation, he sprinkled a dash into the mix, then added the maraschino cherry.

“I’m not sure Ivar the Boneless, chief of the Draugaskald, will appreciate that twist on his Shirley Temple,” said Godrick. “He may be called Boneless, but he’s got an iron grip and a terrible temper when he’s parched.”

Chico almost dropped the glass. Muttering a quick prayer to the virgin cocktail goddess, he steadied his hand. Amy wouldn’t have appreciated him breaking her freshly conjured aunt Agatha Twothface’s crystal glasses service.

“I don’t know what you mean,” said Chico a tad too quickly. “Do I know you?”

“I’m usually the one making the drinks,” said Godrick. “I served you your first americano when you popped into existence. Chico, right?”

“Oh! Yes. Right. You’re the bartender,” Chico said. He fidgeted. Small talks had always made him feel like a badly tuned Quena flute.

“I am,” said Godrick with a wink. “And if you want a tip? Boneless may forgive you the chicory if you make his cocktail dirty.”

Chico pause, considered, then reached down, grabbed a pinch of dust from the gazebo floor, and sprinkled it on the Temple, like cocoa on a cappuccino foam. He’d worked at Stardust for years before appearing here, after all. When he looked up, Godrick was chuckling.

“Ok!” Godrick said. “Now, add some vodka. I think I’ll take it to Ivar myself.”

“Oh! Right.” Chico nodded, grabbed the vodka bottle and poured in a modest shot and placed it back on the table.

Godrick titled his head. “Looks like your poney wants a sip too.”

For a moment, Chico blinked in confusion at the black stuffed poney standing nearby. Then freshly baked memories flooded in.

Right, the poney’s name was Tyrone.

It had been a broken toy that someone had tossed in the street. Amy had insisted Chico take it home. “It needs saving,” she said. “And you need the company.”

At first, Chico didn’t know what to do with it. He ended up replacing some of the missing stuffing with dried chicory leaves.

The next morning, Tyrone was born and trotting around the apartment. All he ever wanted was strong alcohol.

Chico had a strange thought, scrolling across the teleprompter in his mind.

Is that how character building works?

Another one!  A random distant memory wafted into Amy’s mind.  Uncle Jack always used to say GATZ e bo.  Amy could picture his smile when he said it, and how his wife always smiled back at him and chuckled. Amy wondered if she’d even known the story behind that or if it had always been a private joke between them.

“What’s been going on with my gazebo?” Amy’s father rushed into the scene. So that’s what he looks like. Amy couldn’t take her eyes off him, until Carob elbowed her in the neck.

“Sorry, I meant to elbow you in the ribs, but I’m so tall,” Carob said pointlessly, in an attempt to stop Amy staring at her father as if she’d never seen him before.

Thiram started to explain the situation with the gazebo to Amy’s father, after first introducing him to Kit, the new arrival.  “Humphrey, meet Kit, our new LBGYEQCXOJMFKHHVZ story character. Kit, this is Amy’s father who we sometimes refer to as The Padre.”

“Pleased to meet you, ” Kit said politely, quaking a little at the stern glare from the old man. What on earth is he wearing?  A tweed suit and a deerstalker, in this heat!  How do I know that’s what they’re called?  Kit wondered, quaking a little more at the strangeness of it all.

“Never mind all that now!” Humphrey interrupted Thiram’s explanation.

Still as rude as ever! Amy thought.

“I’ve too much to think about, but I’ll tell you this: I’ve planned a character building meeting in the gazebo, and you are all invited. As a matter of fact,” Humphrey continued, “You are all obliged to attend.  If you choose not to ~ well, you know what happened last time!”

“What happened last time?” asked Carob, leaning forward in anticipation of an elucidating response, but Humphrey merely glared at her.

Amy sniggered, and Humphrey shot her a lopsided smile.  “YOU know what happened in Jack’s GATZ e bo, don’t you, my girl?”

Where were those random memories when you wanted them? Amy had no idea what he was talking about.

“Who else is invited, Humph? asked Chico, resisting the urge to spit.

“My good man,” Humphrey said with a withering look. “Sir Humphrey’s the name to you.”

Sir? what’s he on about now?  wondered Amy.  Does that make me a Lady?

“Who else is invited, Padre?” Amy echoed.

Humphrey pulled a scroll tied with a purple ribbon out of his waistcoat pocket and unfurled it.    Clearing his throat importantly, he read the list to all assembled.

Juan and Dolores Valdez.
Godric, the Swedish barman
Malathion and Glyphosate, Thiram’s triplet brothers.  Mal and Glyph for short.
Liz Tattler
Miss Bossy Pants
Goat Horned Draugaskald

“Did I forget anyone?” Humphrey asked, peering over his spectacles as he looked at each of the characters.  “You lot,” he said, “Amy, Carob, Thiram, Chico, Kit and Ricardo: you will be expected to play hosts, so you might want to start thinking about refreshments. And not,” he said with a strong authoritarian air, “Not just coffee!  A good range of beverages. And snacks.”

Thiram, leaning against a tree, started whistling the theme tune to Gone With The Wind. Tossing an irritated glance in his direction, Carob roughly gathered up her mass of frizzy curls and tethered it all in a tight pony tail.  I still don’t know what happened before, she fumed silently.  The latest developments where making her nervous. Would they find out her secret?

“You guys,” called Chico, who had wandered over to the gazebo. “It’s full of ants.”

One too many cups of coffee and I should know better by now, Amy realised after tossing and turning in her crumpled bed through the strange dark hours of the night, wondering if someone had spiked her wine with cocaine or if she was having a heart attack or a nervous breakdown.  They all say to just breathe, she thought, But that is the last thing you should focus on when you’re hyperventilating.  You should forget your breathing entirely when you can’t control it.  After several hours of imagining herself in the death throes of some dire terminal physical malfunction, she fell asleep, only to be woken up by a strong need to piss like a racehorse.  Don’t open your eyes more than you need to, don’t wake up too much, she told herself as she lurched blindly to the privy.

Latte! Fucking Latte! what a stupid word for coffee with milk.  Amy hated the word latte, it was so pretentious and stupid. Revolting anyway, putting milk in coffee, made inexpressibly worse by calling the bloody thing JUST MILK in another language. Why not call it Milch or Leche or молоко or γάλα or 牛奶 or sữa or दूध….

Amy flushed the toilet, wide awake and irritated, but never the less grateful for the realisation that her discomfort was nothing more than an ooverdoose of cafoone.

Theme Song

Welcome to the Flying Fish Inn

[Verse]
Dusty inn of stories wide
Gum-leaf whispers where dreams abide
Mater’s laugh like the crackling fire
Dodo’s show lifts the spirits higher

[Chorus]
Out on the edge where memories spin
Bushland beats and legends begin
With clove and Corrie’s mischievous grin
Here lies the heart of a dusty inn

[Verse 2]
Prune plays tricks by lantern’s gleam
Kookaburras join this timeless theme
Aunt Idle’s wink it holds a spark
Lighting tales in the outback dark

[Bridge]
Rusted signs swing slow with pride
Creaking porch where secrets hide
Every soul has a verse within
And every night’s a new tale to spin

[Chorus]
Out on the edge where memories spin
Bushland beats and legends begin
With clove and Corrie’s mischievous grin
Here lies the heart of a dusty inn

[Verse 3]
Old Bert hums with a pipe in hand
Echoes surf on the scorched red land
Shadows dance on the pub’s embrace
Laugh lines drawn on every face

“I don’t know, Amy. I thought it was Chico who was mysterious — subversively spitting at every opportunity.”

“Well, Carob, maybe we could just agree they’re equally mysterious?” suggested Amy, turning her attention back to her search.

Carob shrugged. “A woman in Greece is divorcing her husband because AI read her coffee cup and said he was cheating.”

Amy paused and looked up. “For real?”

“Yeah. I read it on Thiram’s news stream. He left it running on that weird device of his — over there, next to his half-drunk coffee. Not sure where he went, actually.”

Amy gasped and clapped her hands. “Oh! Oh! Brainwave occurring — let’s get AI to read Thiram’s coffee cup!”

Carob snorted. “Genius.”

They raced over to the small folding table where Thiram’s cup sat. Carob held up her phone.

“Okay. One quick pic. Hold it steady!”

They excitedly uploaded the image to an AI analysis app Thiram had installed on his device.

The app whirred for a few minutes:

DEEP COFFEE CUP ANALYSIS COMPLETE

Latent emotional residue: contemplative, fond of secrets.
Foam pattern suggests hidden loyalty to an entity known only as “The Port.”
Swirling suggests alignment with larger forces not currently visible.
Presence of cardamom notes: entirely unaccounted for.
Recommendation: approach carefully with gentle questioning.

“Blimey, what does that mean?” asked Carob.

Amy nodded solemnly, perhaps with just a touch of smugness. “He is a man of mystery. Didn’t I say it?”

Godric

⚫ Godric

What We Know Visually:

• Identified as Swedish, possibly tall and pale by stereotype.

• A barista-channeler, so likely has the look of a mystical hipster.

Inferred Presence/Style:

• May wear layered scarves, bracelets with charms, or ceremonial aprons.

• The term Draugaskalds connects him to Norse aesthetics—he might carry old symbols or tattoos.

Unclear:

• Concrete outfit, facial expression, or posture.

• Age and physical habits.

Thiram Izu

Thiram Izu – The Bookish Tinkerer with Tired Eyes

Explicit Description

• Age: Mid-30s

• Heritage: Half-Japanese, half-Colombian

• Face: Calm but slightly worn—reflecting quiet resilience and perceptiveness.

• Hair: Short, tousled dark hair

• Eyes: Observant, introspective; wears round black-framed glasses

• Clothing (standard look):

  • Olive-green utilitarian overshirt or field jacket

  • Neutral-toned T-shirt beneath

  • Crossbody strap (for a toolkit or device bag)

  • Simple belt, jeans—functional, not stylish

• Technology: Regularly uses a homemade device, possibly a patchwork blend of analog and AI circuitry.

• Name Association: Jokes about being named after a fungicide (Thiram), referencing “brothers” Malathion and Glyphosate.

Inferred Personality & Manner

• Temperament: Steady but simmering—he tries to be the voice of reason, but often ends up exasperated or ignored.

• Mindset: Driven by a need for internal logic and external systems—he’s a fixer, not a dreamer (yet paradoxically surrounded by dreamers).

• Social Role: The least performative of the group. He’s neither aloof nor flamboyant, but remains essential—a grounded presence.

• Habits:

  • Zones out under stress or when overstimulated by dream-logic.

  • Blinks repeatedly to test for lucid dream states.

  • Carries small parts or tools in pockets—likely fidgets with springs or wires during conversations.

• Dialogue Style: Deadpan, dry, occasionally mutters tech references or sarcastic analogies.

• Emotional Core: Possibly a romantic or idealist in denial—hidden under his annoyance and muttered diagnostics.

Function in the Group

• Navigator of Reality – He’s the one most likely to point out when the laws of physics are breaking… and then sigh and fix it.

• Connector of Worlds – Bridges raw tech with dream-invasion mechanisms, perhaps more than he realizes.

• Moral Compass (reluctantly) – Might object to sabotage-for-sabotage’s-sake; he values intent.

Chico Ray

Chico Ray

Directly Stated Visual and Behavioral Details:

• Introduces himself casually: “Name’s Chico,” with no clear past, suggesting a self-aware or recently-written character.

• Chews betel leaves, staining his teeth red, which gives him a slightly unsettling or feral appearance.

• Spits on the floor, even in a freshly cleaned café—suggesting poor manners, or possibly defiance.

• Appears from behind a trumpet tree, implying he lurks or emerges unpredictably.

• Fabricates plausible-sounding geo-political nonsense (e.g., the coffee restrictions in Rwanda), then second-guesses whether it was fiction or memory.

Inferred Traits:

• A sharp smile made more vivid by betel staining.

• Likely wears earth-toned clothes, possibly tropical—evoking Southeast Asian or Central American flavors.

• Comes off as a blend of rogue mystic and unreliable narrator, leaning toward surreal trickster.

• Psychological ambiguity—he doubts his own origins, possibly a hallucination, dream being, or quantum hitchhiker.

What Remains Unclear:

• Precise age or background.

• His affiliations or loyalties—he doesn’t seem clearly aligned with the Bandits or Lucid Dreamers, but hovers provocatively at the edges.

Amy & Carob

☕ Amy Kawanhouse

Directly Stated Visual Traits:

• Hair: Long, light brown

• Eyes: Hazel, often sweaty or affected by heat/rain

• Clothing: Old grey sweatshirt with pushed-up sleeves

• Body: Short and thin, with shapely legs in denim

• Style impression: Understated and practical, slightly tomboyish, no-frills but with a hint of self-aware physicality

Inferred From Behavior:

• Functional but stylish in a low-maintenance way.

• Comfortable with being dirty or goat-adjacent.

• Probably ties her hair back when annoyed.

☕ Carob Latte

Directly Stated Visual Traits:

• Height: Tall (Amy refers to her as “looming”)

• Hair: Frizzled—possibly curly or electrified, chaotic in texture

• General Look: Disheveled but composed; possibly wears layered or unusual clothing (fitting her dreamy reversal quirks)

Inferred From Behavior:

• Movements are languid or deliberately unhurried.

• Likely wears things with big pockets or flowing elements—goat-compatible.

• There’s an aesthetic at play: eccentric wilderness mystic or mad cartographer.

Key Themes and Narrative Elements

Metafiction & Self-Reference: Characters frequently comment on their own construction, roles, and how being written (or observed) defines their reality. Amy especially embodies this.

Lucid Dreaming & Dream Logic: The boundary between reality and dream is porous. Lucid Dreamers are parachuting onto plantations, and Carob dreams in reverse. Lucid Dreamers are adverse to Coffee Plantations as they keep the World awake.

Coffee as Sacred Commodity: The coffee plantation is central to the story’s stakes. It’s under threat from climate (rain), AI malfunctions, and rogue dreamers. This plays comically on global commodity anxiety.

Technology Satire & AI Sentience: Emotional AI, “Silly Intelligence” devices, and exasperation with modern tech hint at mild technophobia or skepticism. All fueled by hot caffeinated piece of news.

Fictionality vs. Reality: Juan and Dolores embody this—grappling with what it means to be real. Dolores vanishes when no one looks—existence contingent on observation.

Rain & Weather as Mood Symbol: The rain is persistent—setting a tone of gentle absurdity and tension, while also providing plot catalyst.

SAVE THE BEAN BELT