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  • Yurara FamelikiYurara Fameliki
    Participant

      All about Liz Tattler

      [Scene opens with an elegant study, filled with books and ornate furniture. Liz Tattler sits comfortably in a plush armchair, draped in her signature flamboyant attire.]

      Narrator (warm, engaging voice): “Meet Liz Tattler, the visionary behind countless bestsellers.”

      [Quick cuts: Liz passionately gesturing as she describes her creative process, her hands adorned with long, pink nails.]

      Narrator: “A master of transforming the mundane into the magical.”

      [A playful montage of Liz surrounded by whimsical titles, each book cover a splash of color and intrigue.]

      Narrator: “Where outrageous tales and heartfelt truths dance in harmony.”

      [End with a close-up of Liz, a twinkle in her eye, the words “A Legacy of Imagination” glowing beneath her.]

      Narrator: “Join us for an exclusive glimpse into the world of a storytelling legend.”

      [Screen fades to “Liz Tattler: A Lifetime of Bestsellers” with contact details for the interview.]

      #7669
      Yurara FamelikiYurara Fameliki
      Participant

        Quintessence – Looking for the 5th — A concept film trailer… 

        The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:

        • Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
        • Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
        • Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
        • Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.

        The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.

        #7659
        Jib
        Participant

          March 2024

          The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

          He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

          Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

          As always, no hello, no question about his health or anything personal.

          “I didn’t want it”, Lucien said, his voice calm only on the surface.

          “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

          “I already told you, it’s not what I want. I’ve made my decision.”

          Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

          Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

          “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

          Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

          A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

          “We’re never finished”, Lucien muttered as the line went dead.

          Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

          “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

          The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

          The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

          The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

          Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

          He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

          When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

          The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

          “What have we here?” He asked, his voice bordering on disdain.

          Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

          Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

          The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

          Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

          “It’s personal”, he said, his voice low.

          Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

          Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

          Lucien nodded towards the covered stack of canvases near the wall. “Done.”

          “Good. They’ll come tomorrow and take the lot.”

          Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

          Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

          He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

          Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
          He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

          #7654
          TracyTracy
          Participant

            The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

            Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

            Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

            Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

            You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

            They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

            Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

            Look, we need to start making our way back to the carElara had said, It’ll be dark in a couple of hours. 
            Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

            The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

            Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
            Is it real? whispered Amei, awestruck.

            I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

            #7653

            Matteo — Winter 2023: The Move

            The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

            The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

            The sound of the doorbell brought him back from his rêverie.

            Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

            :fleuron2:

            Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

            “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

            “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

            The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

            Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

            Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

            :fleuron2:

            As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

            “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

            “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

            Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

            “Special how?” her mother asked lightly.

            “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

            Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

            “Why you want to keep those?” Amei asked, tilting her head.

            Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

            Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

            :fleuron2:

            The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

            As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

            “It’s different, isn’t it?” she said suddenly, not looking at him.

            “Moving?” Matteo asked, unsure if the question was for him.

            “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

            Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

            :fleuron2:

            The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

            By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

            “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

            Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

            #7651
            Yurara FamelikiYurara Fameliki
            Participant

              Exploring further potential backstory for the characters – to be explored further…

              :fleuron2:

              This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.

              Backstory: The Co-Housing Dream

              Habitat Participatif: A Shared Vision

              The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.

              What Drew Them In:

              • Amei: Longing for a sense of rootedness and community after years of drifting.
              • Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
              • Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
              • Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.

              The Land in Drôme

              They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.

              The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.

              The Role of Monsieur Renard

              When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.

              Initial Promise:

              • Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
              • His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.

              The Split: Fractured Trust

              Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.

              1. Darius’s Drift:
                • Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
                • He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
              2. Elara’s Resistance:
                • Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
                • “This isn’t about community for him,” she had said. “It’s about control.”
              3. Lucien’s Hesitation:
                • Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
                • When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
              4. Amei’s Silence:
                • Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.

              Matteo’s Unseen Role

              Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.

              The Missed Connection:

              • Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
              • By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.

              The Fallout: A Fractured Dream

              The group dissolved after a final argument about Renard’s involvement:

              • Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
              • Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
              • Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
              • Amei, already pulling away, suggested they put the project on hold.

              The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.

              Amei’s Perspective: Post-Split Reflection

              In the scene where Amei buys candles :

              • The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
              • Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.

              Reunion at the Café: A New Beginning

              When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.

              Matteo’s Role:

              • His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
              #7650
              Yurara FamelikiYurara Fameliki
              Participant

                Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

                :fleuron2:

                Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

                The Strange Couple: Éloïse and Monsieur Renard

                Winter 2019: Paris, Just Before the Pandemic

                The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

                It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

                First Impressions of Éloïse and Monsieur Renard

                Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

                “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

                But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

                Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

                Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

                Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

                Darius’s Growing Involvement

                Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

                “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

                “Connections to what?” she asked, her tone sharper than she intended.

                “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

                Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

                The Séance

                The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

                Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

                The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

                Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

                “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

                The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

                And then, the bell rang.

                It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

                “What the hell is that?” Lucien muttered, his eyes snapping open.

                Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

                Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

                Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

                The Fallout

                The séance fractured the group.

                • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
                • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
                • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
                • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

                Lingering Questions

                1. What Happened to Darius with Éloïse and Renard?
                  • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
                2. The Bell’s Role:
                  • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
                3. Lucien’s Entanglement:
                  • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
                4. Éloïse and Renard’s Motives:
                  • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

                Impact on the Reunion

                • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
                • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
                #7639
                ÉricÉric
                Keymaster

                  Work in Progress: Character Timelines and Events

                  Matteo

                  • November 2024 (Reunion):
                    • Newly employed at the Sarah Bernhardt Café, started after its reopening.
                    • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
                    • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
                    • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
                  • Summer 2024 (Olympics):
                    • Working in a vineyard in southern France, nearing the end of the harvest season.
                    • Receives a call for a renovation job in Paris, which pulls him toward the city.
                    • Feels an intuitive connection to Paris, as if something is waiting for him there.
                  • Past Events (Implied):
                    • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
                    • Has likely crossed paths with the group in unremarkable but meaningful ways before.

                   

                  Darius

                  • November 2024 (Reunion):
                    • Arrives at the café, a wanderer who rarely stays in one place.
                    • Reflects on his time in India during the autumn and the philosophical journey it sparked.
                    • Brings with him an artifact that ties into his travels and personal story.
                  • Summer 2024 (Olympics):
                    • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
                    • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
                    • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
                  • Past Events (Implied):
                    • Has a history of introducing enigmatic figures to the group, often leading to tension.
                    • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

                   

                  Elara

                  • November 2024 (Reunion):
                    • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
                    • Still processing her mother’s passing and reflecting on their strained relationship.
                    • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
                  • Summer 2024 (Olympics):
                    • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
                    • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
                    • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
                    • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
                  • Past Events (Implied):
                    • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
                    • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
                    • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
                    • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

                   

                  Lucien

                  • November 2024 (Reunion):
                    • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
                    • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
                    • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
                    • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
                  • Summer 2024 (Olympics):
                    • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
                    • Reflects on his artistic block and the emotional weight of his distance from the group.
                    • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
                  • Past Events (Implied):
                    • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
                    • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

                  Amei

                   

                  • November 2024 (Reunion):
                    • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
                    • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
                    • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
                  • Summer 2024 (Olympics):
                    • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
                    • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
                    • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
                  • Past Events (Implied):
                    • The last group meeting five years ago left her with lingering emotional scars.
                    • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

                   

                  Tabitha (Amei’s Daughter)

                  • November 2024:
                    • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
                    • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
                  • Summer 2024 (Olympics):
                    • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
                    • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
                  • Past Events (Implied):
                    • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

                  Key Threads and Patterns

                  • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
                  • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
                  • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
                  #7637
                  F LoveF Love
                  Participant

                    Amei:

                    The flat was smaller than she’d remembered when she first viewed it, but it was hers—as long as she could manage the rent. She glanced at her phone to check the time. That guy, Felix, from the hospital would be here soon to see the place. He’d seemed really nice when they’d chatted—just looking for a base while working nearby.

                    The move had been a necessity; the old house had always felt big, but when Tabitha moved out and Amei’s relationship ended shortly after, the echoes became unbearable. Downsizing had been practical—a good move financially and a fresh start. Or so she kept telling herself.

                    Unpacking was slow. Some of her larger furniture had gone into storage, and she’d thrown out or donated a lot too. It was truly amazing how much one accumulated. The boxes she’d brought were filled with relics of her life—mostly functional, but also a few cartons of books, carefully wrapped ceramics she couldn’t part with, lengths of fabric she would probably never use but were just so beautiful, unframed art she hadn’t found space for yet, and a stack of notebooks dating back years. She pushed herself up from the floor and stretched, her knees stiff from crouching too long.

                    As she reached into another box, her hand paused on a photo album. She pulled it out and flipped it open, the pages falling naturally to a picture of her and her friends—Lucien, Elara, Darius, and herself, standing in a loose semicircle outside a weathered door. They were younger, glowing with the easy confidence of people who still believed they had endless time. A bell hung from the lintel above them, ornate and dark, its surface catching the light in the photo. Amei couldn’t remember the context or who had taken the photo, but the sight of it tugged at something deep.

                    The bell. Why did that stand out?

                    She traced the edge of the photo with her thumb. Lucien had his arm draped around her shoulder, his eyes squinting into the sun. Elara was mid-laugh, her head tilted back, carefree and radiant. Darius stood slightly apart, his gaze intense, as though the photo had captured him mid-thought. They’d all been so close back then. Closer than she’d ever been with anyone since.

                    The doorbell buzzed, snapping her back to the present. She slipped the photo back in the album and straightened up. Felix was punctual, at least.

                    #7615

                    The vine smothered statue proved to be the perfect place to hide behind to watch the events of the picnic unfolding. Cedric had been in a quiet turmoil of conflicting emotions, biting his bony knuckle to stop himself from uttering a sound as the extroadinary sequence of dramas and comedies played out before him.

                    He hadn’t expected to see Frella again. His mental confusion about his job as well as his troubling fixation on the witch had brought him to the brink of jacking it all in. Just leave everything, he told himself, Move away, get another job doing something else, something mundane and manual.  And forget her.   He’d almost made up his mind to do just that, and, feeling pleased and sure of himself for making the decision, tapped his device to locate and observe Frella one last time just to mentally say adieu, and to see her face again. And then quietly disappear.

                    When Cedric realized that the witches were going on holiday, and heard Truella saying that no spells were allowed, his heart leapt. If he was giving it all up and moving away anyway, why not have a holiday first? Why not go to Rome? I may not even bump into her, Rome’s as good as anywhere else. I deserve a holiday. And if I do bump into her, it will just be a holiday coincidence, and nothing at all to do with spells. Or work.

                    All pretence of not minding whether he saw Frella or not left his mind almost immediately, and he began to make arrangements.  He didn’t want Frella to use spells, but it didn’t occur to him to wonder why he was still using the tricks of his job. It was easy to track them to Italy.

                    His disguise as a North African on the coach full of Italians had worked well, even sitting so close to Truella and Giovanni he hadn’t been recognized in his hooded djelaba, and had been able to hear most of their conversation.  A quiet word and a large tip secured his trip with their tour guide.

                    The picnic started out normally enough.  They each had a short wander around, and then sprawled on rugs and cushions by the whicker hampers of food and champage. Cedric lurked in the shadows of an arch, sometimes slinking to peer from behind a statue. The temptation to pick a posy of wildflowers to give to Frella was all but overwhelming, as he watched her sitting pensively.  Silently sinking to his knees behind the marble bulk of Tiberius, Cedric plucked a daisy from the grass. And another.

                    When Cromwell appeared on the scene, Cedric, alarmed and almost angry at the intrusion, unwittingly crushed the flowers in his hand.  He had no choice but to remain hidden and immobile as the scene rolled out.

                    As the day progressed, the mood changed and Cedric felt hopeful again. He even had to stifle a laugh as he watched them play cards.  Watching Eris pour champage into everyone’s glasses reminded him that he hadn’t had a drink all day. He was parched.  He had to make a decision. He wanted to sneak off quietly and call it a day, find a nice restaurant. A part of him wanted to be bold and openly seductive, to stride into the scene and charmingly state his intentions. But he had no opportunity to further consider the options.

                    “You!” In the moments Cedric taken his eyes off the picnic to ponder his dilemma, Frella has risen and was heading for a necessary bush to go behind. “You! Spying on me!”

                    “Who?” shouted Truella, “Cedric! What on earth is he doing here, we’re on holiday! Now stop spitting nails, Frella, and invite the man over for a drink!”

                    Cedric seized the moment.

                    #7605

                    Although the small hotel was tucked in a relatively quiet corner, and despite the authentic but delightfully shabby interior of soothing dimensions ~ roomy and airy, but not vast and terrifyingly empty ~ the constant background hum of city life was making Truella yearn for the stillness of home. Not that home was silence, indeed not: the background tranquility was frequently punctuated with noises, many strident. A dog barks, a neighbour shouts, a car drives past from time to time.  But the noises have an identifiable individuality and reason, unlike the continual maddening drone of the metropolis.

                    She was pleased to find her room had a little balcony. Even if the little wooden chair was rickety and uncomfortable, it was enough to perch on to enjoy a cigarette and breathe in the car fumes.  Truella slept fitfully, waking to remember Tolkeinesque snapshots of dreams, drifting off again and returning to wakefullness with snatches of conversations in unknown tongues. Sitting on the balcony in the deep dark hours of the night, the street below, now quiet, shivered and changed, her head still swimming with dream images. She caught glimpses of people as they passed, vivid, clear and full of character.  Many who passed were carrying bunches of grasses or herbs or wildflowers in their hands, the women with a basket over their arm and a shawl draped over their head or shoulders.

                    Hardly any men though, I wonder why? 

                    When Truella mentioned it over breakfast the next moring, Eris said “You’ve been reading too much of that new gender and feminist anthropology stuff over on GreenGrotto.”

                    Laughing, Truella tipped another packet of sugar in her coffee.  “I love the colour of the walls in here,” she said, gazing around the breakfast room. “A sort of bright but muted sun shining on a white wall. Nice old furniture, too.”

                    “Tell me about the old furniture, the mirror in my room is all speckled, makes me look like I have blemishes all over my face,” said Zeezel with a toss of her head. “Can I have your sugar, Frella, if you’re not having it,”  adding I’m on holiday by way of excuse.

                    Absentmindely Frella passed over the paper packet.  “I had strange dreams last night too…about that place we’re supposed to be going to a picnic to later.”

                    Catching everyones attention, she continued, “The abandoned colosseum with Giovanni, with all the vines and flowers.  It was like a game board and the stone statues were the players and they moved around the board, Oh! and such a beautiful board it was with all the vines and flowers ….. ”

                    “Gosh” said Truella, leaning back and folding her hands. What an idea.

                    #7585

                    “Oh sweet revenge…” November was looking gleeful, and truth be told, too smug. With a tinge of orange anticipating a delectable tapestry of chaos.

                    The results had come as cold as an early winter for a world standing on the precipice of another era under President Lump’s reign.

                    “The winds of change rustling the curtains of the Beige House once more. And amidst this swirling tempest of political intrigue, our story unfurls with the maids au pair at its heart.”

                    “Liz, are you sure this is wise to pursue?”

                    “Oh stop, it Godfrey, the harm is done, November was written already in that story; I knew she would spell trouble from the beginning. And please, don’t interrupt.”

                    As April and June departed to pursue their ventures—perhaps April embarked on a global crusade for environmental stewardship while June disappeared into the realms of espionage, her whereabouts known only to the shadows—November emerged, a true force of nature. With an iron will and a meticulous attention to detail, she transformed the Beige House into a bastion of order amid political disarray under old Joe Mitten—bless his bumbling heart. Her reign as the clandestine conductor of this domestic symphony was nothing short of legendary.

                    During those four years, November proved herself indispensable. She orchestrated everything from state dinners to covert intelligence briefings, all while maintaining the perfect façade of domestic tranquility. The press would whisper her name, speculating on her true influence behind the scenes. Little did they know that November had eyes and ears in every corner of the Beige House, including a network of whispering portraits and eavesdropping sconces.

                    And now, with President Lump’s reelection, November faces her most formidable challenge yet. The political climate is rife with unpredictability—alliances shift like sand, loyalties waver, and secrets simmer beneath the surface. November must navigate this labyrinth with the precision of a masterful chess player, anticipating every move and countermove.

                    #7583

                    Frella rolled her eyes. What were the odds of Truella turning up now!

                    “Well, don’t look so pleased to see me,” Truella said sarcastically. “I could have drowned you know, if Thomas hadn’t saved me. Are you going to introduce me to your friend?”

                    Frella looked helplessly at Oliver.  “Perhaps you’d better go now, it’s all getting too complicated.”

                    “My good lady, would you curtail my pleasure at this unexpected  meeting with a nephew I knew not existed?” Thomas interrupted, taking control of the situation, in as much as an out of control situation could be managed.

                    “My good man,” Frella replied tartly, “Would you curtail my pleasure with your nephew?”

                    “Now, now,” butted in Truella, trying to get a handle on the situation, “Surely nobody needs to have any pleasure curtailed.  But Thomas has to get the boat back quickly, so I suggest someone explains to him who his nephew is.  Then he can get back to the Thames. And I’ll walk back to your cottage, Frella, and borrow some dry clothes if you don’t mind, and then you can get on with….it, in peace.”

                    “Get on with what exactly!” Frella retorted, blushing furiously.  “Oliver, why don’t you go back with your uncle, you know where the Thames is, don’t you?  It just seems easier that way.”

                    Oliver laughed at the very idea of not knowing where the Thames was.  “But my great great grand uncle Thomas died before I was born.   I know of him, but he knows not of me. Well, he does now, admittedly.”

                    “So your name is Oliver,” mused Thomas, “Oliver Cromwell. And by the look of your doublet and hose, you’re a wealthy man. We have much to talk about. Pray step into the boat, my good sir, and we’ll find a way to get you back to your own time later. We must make haste for the sake of my boatman, Rafe.”

                    And with that they were off in a puff of river mist.

                    #7581

                    After leaving the clamour of her fellow witches behind, Frella took a moment to ground herself after the whirlwind of ideas and plans discussed during their meeting.

                    As she walked home, her thoughts drifted back to Herma’s cottage. The treasure trove of curiosities in the camphor chest had captivated her imagination, but the trips had grown tiresome, each journey stretching her time and energy. Instead, she gathered a few items to keep at her own cottage—an ever growing collection of mysterious postcards, a brass spyglass, some aged papers hinting at forgotten histories, and of course, the mirror. Each object hummed with potential, calling to her in quiet moments, urging her to dig deeper.

                    The treasures from Herma’s chest were scattered across her kitchen table; each object felt like a piece of a larger puzzle, and she was determined to fit them together.

                    As Frella settled into a chair, she felt a sudden urge to inspect the mirror; the thought of its secrets sent a thrill through her, albeit tinged with trepidation.

                    It was exquisite, its opalescent sheen casting soft reflections across the room. She held it up to the light, watching colours shift within the glass, swirling like a living entity.

                    “What do you wish to show me this time?” she whispered.

                    As she gazed into the mirror, her reflection blurred, and she felt a pull—a connection to the past. Images began to form, and Frella found herself once more staring at the same elderly woman, her silver hair wild and glistening.

                    As the vision settled around her, Frella felt the air shimmer with energy, and the scene began to shift again. She focused intently, eager to grasp every detail.

                    Oliver Cromwell sat at a grand wooden desk piled high with scrolls and papers, his quill poised in his hand and brow furrowed in concentration. The room bustled with activity—servants hurried to and fro, and shrill laughter floated in from outside, where a gathering seemed to be taking place.

                    “By the King’s beard, where is the ink?” Cromwell muttered, his voice a deep rumble. With a flourish, he dipped the quill into a small inkwell that looked suspiciously like it had been made from a goat’s hoof.

                    With great care, he began to write on a piece of parchment. The ornate script flowed from his quill, remarkably elegant despite the chaos around him.

                    “To my dearest friend,” he wrote, brow twitching with the effort of being both eloquent and succinct. “I trust this missive finds you well, though your ears may be ringing from the ruckus outside. We’ve recently triumphed over the King, and while my duties as Lord Protector keep me occupied, I have stolen a moment to compose this note.”

                    He paused, casting a wary glance around the room as if expecting eavesdroppers. “I must admit, I have developed a curious fondness for a young lady who claims she can commune with spirits. I suspect she may know a thing or two about the secret lives of witches. If you find yourself in town, perhaps we could investigate together? Bring wine. And if you can manage it, a decent snack. One can hardly strategise on an empty stomach.”

                    Cromwell’s mouth twitched into a wry smile as he added, “P.S. If you happen to encounter Seraphina, do inform her that I’ll return her mirror just as soon as I’m done with my… experiments. I fear she may not appreciate the ‘creative applications’ I’ve discovered for it.”

                    With a sigh of resignation, he sealed the parchment with an ornate wax stamp shaped like a owl. “Now, where did I see that errant messenger?” he grumbled, scanning the room irritably.

                    Frella placed the mirror gently back on the table, her heart pounding. She needed to unravel the mysteries linking her to Seraphina and Cromwell. The time for discovery was upon her, and with each passing moment, she felt the call of her ancestors echoing through the very fabric of her being.

                    But could she untangle the mystery before her fellow witches set off on yet another ill-fated adventure? She would have to make haste.

                    #7579

                    When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.

                    Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.

                    “Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.

                    Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.

                    “What?” Malové’s eyebrows arched.

                    “Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.

                    Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”

                    “They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”

                    Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.

                    When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.

                    Symbols, runes, sigils—even some impressively powerful ones—where scattered  thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.

                    As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.

                    #7578

                    When Eris gave Jeezel carte blanche to decorate the meeting room, Frella and Truella looked at her as if she’d handed fireworks to a dragon. They protested immediately, arguing that giving Jeezel that much freedom was like inviting a storm draped in sequins and velvet. After all, Jeezel was a queen diva—a master of flair and excess, ready to transform any ordinary space into a grand stage for her dramatic vision. In their eyes, it would defeat the whole purpose! But Eris raised a firm hand, silencing her sister’s objections.

                    “Let’s be honest, Malové is no ordinary witch,” she began, addressing Truella, Frella, and even Jeezel, who was still stung by her sisters’ criticism of her decorating skills. “We don’t know how many centuries that witch has been roaming the world, gathering knowledge and sharpening her mind. But what we do know is that she’d detect any concealing spell in a heartbeat.”

                    “Yeah, you’re right,” Truella agreed. “I think that’s the smell…”

                    “You mean based on your last potion experiment?” snorted Frella.

                    “Girls, focus,” Eris said. “This meeting is long overdue, and we need to conceal the truth-revealing spell’s elements. Jeezel’s flair may be our best distraction. Malové has always dismissed her grandiosity as harmless extravagance, so for once, let’s use that to our advantage.”

                    While Eris spoke, Jeezel’s brow furrowed as she engaged in an animated dialogue with her inner diva, picturing every details. Frella rolled her eyes subtly, glancing off-camera as though for dramatic effect.

                    “Isn’t that a bit much for a meeting?” Truella groaned. “You already assigned us topics to prepare. Now we’re adding decorations?”

                    “You won’t have to lift a finger,” Jeezel declared. “I’ve got it all under control—and I already have everything we need. Here’s my vision: Halloween is coming, so the decor should be both elegant and enchanting. I’ll start by draping the room in velvet curtains in deep purples and midnight blacks—straight from my own bedroom.”

                    Truella’s jaw dropped, while Jeezel’s grin only widened.

                    “Oh! I love those,” Frella murmured approvingly.

                    “Next, delicate cobweb accents with a touch of silver thread to catch the light,” Jeezel continued. “Truella, we’ll need your excavation lamps with a few colored gels. They’ll cast a warm, inviting glow—a perfect mix of relaxation and intrigue, with shadows in just the right places. And for the season, a few glowing pumpkins tucked around the room will complete the scene.”

                    Jeezel’s inner diva briefly entertained the idea of mystical fog, but she discarded it—after all, this was a meeting, not a sabbat. Instead, she proposed a more subtle touch: “To conceal the spell’s elements, I’ll bring in a few charming critters. Faux ravens perched on shelves, bats hanging from the ceiling…a whimsical, creepy-cute vibe. We’ll adorn them with runes and sigils in an insconpicuous way and Frella can cast a gentle animation spell to make them shift ever so slightly. The movement will be just enough to escape Malové’s notice as she stays focused on the meeting. That way she’ll be oblivious to the spell being woven around her.”

                    “Are you starting to see where this is going?” Eris asked, looking at her sisters.

                    Frella nodded, and before Truella could chime in with any objections, Jeezel added, “And no Halloween gathering would be complete without wickedly delightful treats! Picture a grand table with themed snacks and drinks on polished silver trays and cauldrons. Caramel apples, spiced cider, chocolates shaped like magic potions—tempting enough to charm even a disciplined witch.”

                    “Now you’re talking my language,” Truella admitted, finally warming up to the idea.

                    “Perfect, then it’s settled,” Eris said, pleased. “You all have your tasks. They’ll help us reveal her hidden agenda and how the spell is influencing her. Truella, you’l handle Historical Artifacts and Lore. Frella, with your talent for connections, you’ll cover Coven Alliances and Mutual Interests. Jeezel, you’re in charge of Telluric and Cosmic Energies—it shouldn’t be hard with your endless videos on the subject. I’ll handle the rest: Magical Incense Innovations, Leadership Philosophy, and Coven Dynamics.”

                    #7550

                    The fair was in full swing, with vibrant tents and colourful stalls bursting with activity. The smell of freshly popped corn mingled with the fragrance of exotic spices and the occasional whiff of magical incense. Frella turned her attention back to setting up her own booth. Her thoughts were a swirl of anxiety and curiosity. Malové’s sudden appearance at the fair could not be a mere coincidence, especially given the recent disruptions in the coven.

                    Unbeknownst to Frella, Cedric Spellbind was nearby. His eyes, though hidden behind a pair of dark glasses, were fixated on Frella. He was torn between his duty to MAMA and his growing affection for her. He juggled his phone, checking missed calls and messages, while trying to keep a discreet distance. But he was drawn to her like moth to flame.

                    As Frella was adjusting her booth, she felt a sudden chill and turned to find herself face-to-face with Cedric. He quickly removed his glasses and their eyes met; Cedric’s heart skipped a beat.

                    Frella’s gaze was guarded. “Can I help you with something?” she asked, her tone icily polite.

                    Cedric, flustered, stammered, “I—uh—I’m just here to, um, look around. Your booth looks, uh, fascinating.”

                    Frella raised an eyebrow. “I see. Well, enjoy the fair.” She turned back to her preparations, but not before noticing a fleeting look of hurt in Cedric’s eyes.

                    Cedric moved away, wrestling with his conflicting emotions. He checked to make sure his tracker was working, which tracked not just Frella’s movements  but those of her companions. He was determined to protect her from any potential threat, even if it meant risking his own standing with MAMA.

                    As the day progressed, the fair continued to buzz with magical energy and intrigue. Frella worked her booth, engaging with curious tourists, all suitably fascinated with the protective qualities of hinges. Suddenly, Frella’s attention was drawn away from her display by a burst of laughter and squeals coming from nearby. Curiosity piqued, she made her way toward the source of the commotion.

                    As she approached, she saw a crowd had gathered around a small, ornate tent. The tent’s entrance was framed by shimmering curtains, and an enchanting aroma of lavender and spices wafted through the air. Through the gaps in the curtains, Frella could see an array of magical trinkets and curiosities.Just as she was about to step closer, a peculiar sight caught her eye. Emerging from the tent was a girl wearing a rather large cloak and closely followed by a black cat. The girl looked bewildered, her wide eyes taking in the bustling fairground.

                    Frella, intrigued and somewhat amused, approached the girl. “Hello there! I couldn’t help but notice you seem a bit lost. Are you okay?”

                    The girl’s expression was a mix of confusion and wonder. “Oh, hello! I’m Arona, and this is Mandrake,” she said, bending down and patting the black cat, who gave a nonchalant twitch of his tail. “We were just trying to find the library in my time, and now we’re here. This isn’t a library by any chance?”

                    Frella raised her eyebrows. “A library? No, this is a fair—a magical fair, to be precise.”

                    Arona’s eyes widened further as she looked around again. “A fair? Well, it does explain the odd contraptions and the peculiar people. Anyway, that will teach me to use one of Sanso’s old time-travelling devices.”

                    Truella wandered over to join the conversation, her curiosity evident. “Time-travelling device? That sounds fascinating. How did you end up here?”

                    Arona looked sheepish. “I was trying to retrieve a rare book from a past century, and it seems I got my coordinates mixed up. Instead of the library, I ended up at this… um … delightful fair.”

                    Frella chuckled. “Well, don’t worry, we can help you get back on track. Maybe we can find someone who can help with your time-travelling predicament.”

                    Arona smiled, relieved. “Thank you! I really didn’t mean to intrude. And Mandrake here is quite good at keeping me company, but he’s not much help with directions.”

                    Mandrake rolled his eyes and turned away, his disinterest in the conversation evident.

                    As Frella and Truella led Arona to a quieter corner of the fair, Cedric Spellbind observed the scene with growing interest. His eyes were glued to Frella, but the appearance of the time-travelling girl and her cat added a new layer of intrigue. Cedric’s mission to spy on Frella had just taken an unexpected turn.

                    #7548
                    TracyTracy
                    Participant

                      Elton Marshall’s

                      Early Quaker Emigrants to USA.

                       

                      The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.

                      According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.

                      While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)

                      Abraham’s son born in USA was also named Humphrey. He was a well known botanist.

                      Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.

                      (There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)

                      colonial books

                       

                      In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.

                      An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.

                      But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.

                       

                      Derbyshire Quakers

                      In “Derbyshire Quakers 1650-1761” by Helen Forde:

                      “… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”

                      Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
                      John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.

                      Quaker Emigrants

                       

                      The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:

                      A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
                      Besse, Joseph. 1753

                      Note the names Margaret Marshall and Anne Staley.  This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.

                      Quaker Sufferings

                       

                       

                      The Botanist

                      Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall.  He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.

                      Humphry marshall book

                       

                      In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).

                      Marshall has been called the “Father of American Dendrology”.

                      A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.

                      In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.

                      via Wikipedia.

                       

                      From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:

                      Marshallton

                       

                      From The Chester Country History Center:

                      “Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
                      pay for the whole.’

                      – Benjamin Franklin to Humphry, March 18, 1770

                      “In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.

                      In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.

                      Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”

                      Humphry signature

                      #7544
                      TracyTracy
                      Participant

                        Youlgreave

                        The Frost Family and The Big Snow

                         

                        The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

                        “The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

                        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                        Youlgreave registers

                         

                        Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

                        churchwardens accounts

                        Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

                        Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
                        On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

                        John Keeling

                         

                        John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

                        Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

                        Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

                        The Frosts of Youlgreave

                        Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

                        (Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

                        John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

                        Frost and keeling

                         

                        John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

                        David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

                        William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

                        Ellens will

                         

                        William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
                        William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

                        (Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

                        Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

                        Baptisms:
                        1581 Eliz Frost, father Michael.
                        1582 Francis f Michael. (must have died in infancy)
                        1582 Margaret f William.
                        1585 Francis f Michael.
                        1586 John f Nicholas.
                        1588 Barbara f Michael.
                        1590 Francis f Nicholas.
                        1591 Joane f Michael.
                        1594 John f Michael.
                        1598 George f Michael.
                        1600 Fredericke (female!) f William.

                        Marriages in Youlgreave which could be William’s parents:
                        1579 Michael Frost Eliz Staley
                        1587 Edward Frost Katherine Hall
                        1600 Nicholas Frost Katherine Hardy.
                        1606 John Frost Eliz Hanson.

                        Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

                        (Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

                        Frideswide:

                        A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

                        (Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

                        An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

                        Frideswide

                        J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

                         

                        King James

                        A parish register entry in 1603:
                        “1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

                        King James

                         

                        The Big Snow

                        “This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

                        The Big Snow

                        From the Youlgreave parish registers.

                        Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.

                        #7540

                        “When did you arrive?” asked Truella when they found her in her at her Cloacina booth in faux-fur waterproof boots and a faux-bear-fur cape with a waterproofed silk hood to protect her perfect hairdo from the incessant drizzle. It gave her a look of one of those Fantasy warrior-goddess ready to intervene at the last minute to save her chosen champions from complete destruction by the forces of evil.

                        Venus Cloacina Loos

                        “Well, I’ve been there all along,” retorted the glamour witch, moving two little loos in front of the booth closer together. “I’ve been living in Limerick since the start of this story, even if it wasn’t clear where. Granny Linda thinks I’m living in Glamorheaven and Finnley think I’m living in London, but I’m pretty sure it’s Limerick. At least it is in my mind manor,” she said as if for herself. “There!” she said. Her face lit up as she just found the perfect orientation for the loos. “Don’t those miniature loos look cute?”

                        “Sure,” said Truella. At the same time she looked at Frella as if their friend had gone nut.

                        “Don’t ask me,” said Frella. “I didn’t make the selection of the goddesses for the olympic set.”

                        Jeezel took three cups, dipped them into one of the toilet bowl and offered them to her friends to drink.

                        Truella grimaced.

                        “I prefer not to drink that early in the morning,” said Frella with a polite smile.

                        Jeezel lifted the cup to her nose and inhaled deeply before taking a sip. “It’s connected to the purest water source on Earth through a little time sewer spell coupled with a little pump and filter and a nice chime when you throw your worries in. It’s perfectly safe and drinkable sparkling water, and it smells of roses.”

                        “My gran used to spray rose scent in the bathroom after she used it,” said Truella, cackling nervously.

                        Frella took the cup, smelled it and continued smiling.

                        “Anyways, those cuties are for the cleansing prayers,” said Jeezel. “Cleansing and release,” she added pointing her finger up at the banner. “That’s Cloacina’s motto. At least at this booth. And, as I’m sure you asked, I didn’t answer all your messages because I’ve been kept busy with preparing all of those. Here, Truelle, take one of those Sacred Bath Salts. I have two flavors, Moonlight Mist and Sunset Serenity. Take the second one, it’s a blend of Himalayan pink salt and rose petals. It’ll help keep you warm as the salts will absorb the extra humidity, and as an extra it’ll make you think of your gran”, she added with a grin. “As for my friend Frella…”

                        Truella grabbed the pouch of salts and smelled it. “The smell is not so bad,” she conceded. “And Bubona knows I need their warming qualities,” she said shaking her head to get rid of irritating water drops.

                        Jeezel then turned to the potion and elixirs section. “No, not purification for Frella, and neither of you need the Lover’s Elixir… Oh! Here it is, take that. A soap made of goat’s milk, honey and calendula oil for radiant skin. And good to keep the hinges perfectly oiled. And as my future gran will say, remember, keeping those hinges oiled is key to avoiding squeaky situations.”

                        Frella took the soap and chuckled. “Thanks.” She scratched the surface with her nail. “It’s seems good quality. And it smells good. That reminds me I have to prepare my own booth. See you later girls.”

                        As soon as she left. Truella leaned towards her friend and asked in a conspiratory voice: “Did you know Malove was here?”

                        “What?”

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