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The North wind was cold on his cheeks. It was almost sunset, which didn’t help with the temperature. Fox was sweeping a street covered in autumn leaves. He couldn’t help but think it was useless. The wind was scattering away the leaves as soon as he had made a small heap. He already missed the quietness of his hut.

Mr Mole must have misunderstood, he thought, he appointed me caretaker of the city streets.
Fox took a whiff of city air. The cold bit his nose,but it was not enough to numb his sense of smell. The dragon breath was still there, even though the North wind had dispersed it a bit.
I’m not sure it will be enough.

He shivered, he never liked staying outside too long in his human form. Fox looked around. When he was sure nobody was in sight. As the sun disappeared behind the city walls, he allowed his true nature to the surface, just enough to enjoy the warmth of his red fur on his body. It was such a good feeling he almost didn’t stop in time. He touched his face, a moustache had grown on his upper lip, and his ears were a tad pointy. He passed his tongue onto his teeth; the length of his canines reminded him of chicken hunt in the nearby farms.
Don’t let yourself get carried away by the memories, he reminded himself. He took a deep breath. The smells of the city were stronger now, and it was as if someone had lit a light.

With his improved hearing, he caught up a strange noise coming from a nearby garden. It was like a faint pulse that was growing louder as the light diminished. A crack as soft as the whisper of stone. And the most unexpected words.

“Bloody bird shit ! Why do they always pick my nose ?”

Fox came closer to the small garden stonewall, as stealthily as he could, to see a gnome washing his face in a small basin. He suddenly caught sight of some wavering in the air, coming from a bush. The waves gradually took the shape of a strange animal, still rather translucent. Its fur behaving as if it was immersed into water, all wavy and floating.

“Ah! You’re here Rainbow,” said the gnome.
“Mrui,” answered the creature.
“Let’s get some potion for you, then.”
“Mruiiii.”

Fox looked the two of them walk silently toward the house. He could see the rays of light getting through the spaces of the wooden shutters. The gnome climbed on his friend’s back and took a bit of that translucent quality. He said something but it sounded like gargling. Fox almost expected to see his hair beginning to float in an invisible current. But it didn’t. And then they disappeared through the wall.

Fox dropped his broom, which bounced on the stonewall before falling on the floor. He waited, half expecting to hear a voice ask about all the noise. But the place remained quiet except for the wind. He jumped over the wall and waited behind a bush, his eyes on the wall where they had entered the house.

What if they don’t come out? he thought. But he remained there, his gaze fixed. He let his fur grow more. He wanted to be comfortable in the cold night.

As the crow flies, Glenville is about 100 miles from the Forest of Enchantment.

“What a pretty town!” tourists to the area would exclaim, delighted by the tree lined streets and quaint houses with thatched roofs and brightly painted exteriors. They didn’t see the dark underside which rippled just below the surface of this exuberant facade. If they stayed for more than a few days, sure enough, they would begin to sense it. “Time to move on, perhaps,” they would say uneasily, although unsure exactly why and often putting it down to their own restless natures.

Glynis Cotfield was born in one of these houses. Number 4 Leafy Lane. Number 4 had a thatched roof and was painted a vibrant shade of yellow. There were purple trims around each window and a flower box either side of the front door containing orange flowers which each spring escaped their confines to sprawl triumphantly down the side of the house.

Her father, Kevin Cotfield, was a bespectacled clerk who worked in an office at the local council. He was responsible for building permits and making sure people adhered to very strict requirements to ‘protect the special and unique character of Glenville’.

And her mother, Annelie … well, her mother was a witch. Annelie Cotfield came from a long line of witches and she had 3 siblings, all of whom practised the magical arts in some form or other.

Uncle Brettwick could make fire leap from any part of his body. Once, he told Glynis she could put her hand in the fire and it wouldn’t hurt her. Tentatively she did. To her amazement the fire was cold; it felt like the air on a frosty winter’s day. She knew he could also make the fire burning hot, if he wanted. Some people were a little scared of her Uncle Brettwick and there were occasions—such as when Lucy Dickwit told everyone at school they should spit at Glynis because she came from an ‘evil witch family’—when she used this to her advantage.

“Yes, and I will tell my Uncle to come and burn down your stinking house if you don’t shut your stinking stupid mouth!” she said menacingly, sticking her face close to Lucy’s face. “And give me your bracelet,” she added as an after thought. It had worked. She got her peace and she got the bracelet.

Aunt Janelle could move objects with her mind. She set up a stall in the local market and visitors to the town would give her money to watch their trinkets move. “Lay it on the table”, she would command them imperiously. “See, I place my hands very far from your coin. I do not touch it. See?” Glynis would giggle because Aunt Janelle put on a funny accent and wore lots of garish makeup and would glare ferociously at the tourists.

But Aunt Bethell was Glynis’s favourite—she made magic with stories. “I am the Mistress of Illusions,” she would tell people proudly. When Glynis was little, Aunt Bethell would create whole stories for her entertainment. When Glynis tried to touch the story characters, her hand would go right through them. And Aunt Bethell didn’t even have to be in the same room as Glynis to send her a special magical story. Glynis adored Aunt Bethell.

Her mother, Annelie, called herself a healer but others called her a witch. She concocted powerful healing potions using recipes from her ’Big Book of Spells’, a book which had belonged to Annelie’s mother and her mother before her. On the first page of the book, in spindly gold writing it said: ‘May we never forget our LOVE of Nature and the Wisdom of Ages’. When Glynis asked what the ‘Wisdom of Ages’ meant, her mother said it was a special knowing that came from the heart and from our connection with All That Is. She said Glynis had the Wisdom of Ages too and then she would ask Glynis to gather herbs from the garden for her potions. Glynis didn’t think she had any particular wisdom and wondered if it was a ploy on her mother’s part to get free labour. She obeyed grudgingly but drew the line at learning any spells. And on this matter her father sided with her. “Don’t fill her mind with all that hocus pocus stuff,” he would say grumpily.

Despite this, the house was never empty; people came from all over to buy her mother’s potions and often to have their fortunes told as well. Mostly while her father was at work.

Glynis’s best friend when she was growing up was Tomas. Tomas lived at number 6 Leafy Lane. They both knew instinctively they shared a special bond because Tomas’s father also practised magic. He was a sorcerer. Glynis was a bit scared of Tomas’s Dad who had a funny crooked walk and never spoke directly to her. “Tell your friend you must come home now, Tomas,” he would call over the fence.

Being the son of a sorcerer, Tomas would also be a sorcerer. “It is my birthright,” he told her seriously one day. Glynis was impressed and wondered if Tomas had the Wisdom of Ages but it seemed a bit rude to ask in case he didn’t.

When Tomas was 13, his father took him away to begin his sorcery apprenticeship. Sometimes he would be gone for days at a time. Tomas never talked about where he went or what he did there. But he started to change: always a quiet boy, he became increasingly dark and brooding.

Glynis felt uneasy around this new Tomas and his growing possessiveness towards her. When Paul Ackleworthy asked her to the School Ball, Tomas was so jealous he broke Paul’s leg. Of course, nobody other than Glynis guessed it was Tomas who caused Paul’s bike to suddenly wobble so that he fell in the way of a passing car.

“You could have fucking killed him!” she had shouted at Tomas.

Tomas just shrugged. This was when she started to be afraid of him.

One day he told her he was going for his final initiation into the ‘Sorcerer Fraternity’.

“I have to go away for quite some time; I am not sure how long, but I want you to wait for me, Glynis.”

“Wait for you?”

He looked at her intensely. “It is destined for us to be together and you must promise you will be here for me when I get back.”

Glynis searched for her childhood friend in his eyes but she could no longer find him there.

“Look, Tomas, I don’t know,” she stuttered, wary of him, unwilling to tell the truth. “Maybe we shouldn’t make any arrangements like this … after all you might be away for a long time. You might meet someone else even …. some hot Sorceress,” she added, trying not to sound hopeful.

Suddenly, Glynis found herself flying. A gust of wind from nowhere lifted her from her feet, spun her round and then held her suspended, as though trying to decide what to do next, before letting her go. She landed heavily at Tomas’s feet.

“Ow!” she said angrily.

“Promise me.”

“Okay! I promise!” she said.

Her mother’s face went white when Glynis told her what Tomas had done.

That evening there was a gathering of Uncle Brettwick and the Aunts. There was much heated discussion which would cease abruptly when Glynis or her father entered the room. “Alright, dearie?” one of the Aunts would say, smiling way too brightly. And over the following days and weeks there was a flurry of magical activity at 4 Leafy Lane, all accompanied by fervent and hushed whisperings.

Glynis knew they were trying to help her, and was grateful, but after the initial fear, she became defiant. “Who the hell did he think he was, anyway?” She left Glenville to study architecture at the prestigious College of Mugglebury. It was there she met Conway, who worked in the cafe where she stopped for coffee each morning on her way to class. They fell in love and moved in together, deciding that as soon as Glynis had graduated they would marry. It had been 4 years since she had last seen Tomas and he was now no more than a faint anxious fluttering in her chest.

It was a Friday when she got the news that Conway had driven in the path of an oncoming truck and was killed instantly. She knew it was Friday because she was in the supermarket buying supplies for a party that weekend to celebrate her exams being over when she got the call. And it was the same day Tomas turned up at her house.

And it was then she knew.

“You murderer!” she had screamed through her tears. “Kill me too, if you want to. I will never love you.”

“You’ve broken my heart,” he said. “And for that you must pay the price. If I can’t have you then I will make sure no-one else wants you either.”

“You don’t have a heart to break,” she whispered.

Dragon face,” Tomas hissed as he left.

Glynis returned to Glenville just long enough to tell her family she was leaving again. “No, she didn’t know where,” she said, her heart feeling like stone. Her mother and her Aunts cried and begged her to reconsider. Her Uncle smouldered in silent fury and let off little puffs of smoke from his ears which he could not contain. Her father was simply bewildered and wanted to know what was all the fuss about and for crying out loud why was she wearing a burka?

The day she left her mother gave her the ‘Book of Spells”. Glynis knew how precious this book was to her mother but could only think how heavy it would be to lug around with her on her journey.

“Remember, Glynis,” her mother said as she hugged Glynis tightly to her, “the sorcerers have powerful magic but it is a mere drop in the ocean in comparison to the magic of All That Is. You have that great power within you and no sorcerer can take take that from you. You have the power to transform this into something beautiful.”

The fire in the wood stove had gone out when Eleri awoke but she didn’t rekindle it. The dream of the girl with the dragon face filled her thoughts, and the mundane actions of the morning were not a primary interest yet. The face was perfect to replicate into stone, with an interesting texture that would lend itself perfectly to her paint effects, but no extreme protuberances to cause potential problems during the process. The inch long horns would not present too much of a problem, provided they didn’t grow too much. (and what was that in centimeters anyway, she wondered, and why was she dreaming in imperial measures? Perhaps it was a clue to the location of the owner of the dragon face.) But how was she to find that face? And if she found it, would she be able to take a mold of it? There must be a way, she pondered, to take a rubber mold of a dream character somehow.

Rousing herself, she decided to ask Yorath about it. He was always full of surprises, and knew so much more than one ever imagined about multitudes of diverse topics. Eleri started to become excited at the thought of what this could mean to the development of her project. With the addition of the anti gravity animating ingredient, she could bring dream characters to life in a way never seen before in the physical world.

And Yorath had returned as promised, and just at the right time. Despite doubting her abilities to use the elerium when he first introduced her to it, she had developed a simple enough technique to incorporate it into the statues.

It was good to see him again, although she was disappointed to see he was not wearing that red silk jacket this time. But he had the goods, and that was the important thing. And he might have an idea about the dream casting. She would treat him to a breakfast of fresh picked mushrooms and then ask him.

Yorath awoke with the first light before sunrise. The flowering vine encircling the tree house was vibrating with bees. Sparrows chattered and jostled in the highest branches of the gnarly old tree and small creatures rustled in the fallen leaves below. He leaned out of the window and surveyed Eleri’s homestead spread beaneath the trees. Sprawling vine tangled walls and gables, whitewash shaded in darkest grey and lit with palest rose pink. Patches of tiled floors peeped through the interior meadows. He used the word interior loosely as there had been no roof on the buildings for as long as he could remember but Eleri still used the rooms in a more or less usual fashion, although she housed her occasional guests in the tree house.

Eleri slept in a thatched outhouse some distance away from the main house, and closer to the river. Or so she said ~ Yorath had never actually seen it. He had watched Eleri disappear into a dense thicket at the end of the evenings, and seen her emerge from it in the early mornings. Once or twice he’d wandered through the woods in search of it, but he had never found it. There was no sign of a path leading into the undergrowth. Maybe she turned into a tree at night, Yorath had wondered. After all, anything was possible here.

As he gazed into the woods Eleri appeared. Did she simply shimmer into a physical form before his eyes? It was hard to say, but she was carrying a large basket full of mushrooms. Then he remembered that it was wild mushroom season here and he marveled at the perfect timing of his visit. He knew just the person who would welcome a gift of a certain kind of rare mushroom, the special ingredient of THE magical spell.

Glynis likes to light candles before dark. She has a trail of candles leading from the kitchen to her small bedroom down the hallway. She made the candles herself by extracting the wax from the bayberries which grow with wild abandon on the bushes in front of the house. The candles burn cleanly and have a beautiful scent which helps her drift to sleep at night.

Glynis is in the portion of the house which was once the servants’ quarters. Part of the main house was destroyed in a fire many years ago and seemingly abandoned for good. There are acres of garden, once beautifully manicured, now overgrown and vibrant with life.

She is not sure how long she will stay here and lately has felt a restless pull to move on. Where? She is not sure. So for now, she practices her magic arts and knows she has much to learn.

Glynis is about to retire for the evening when something catches her attention. A flicker of light at the window. When she looks again there is nothing there. But something else is amiss; she can sense it.

“Oh, what is this? Eleven jars of potion? Darnit! I’m sure I made a clean dozen!”

When Eleri’s little dog started coughing and wheezing again her first reaction was to snap at him. Irritating though it inevitably was, once again she realized she’d been holding her breath somehow, or probably more accurately, holding her energy. Or holding everyone elses, like a brick layers hod carrier, weighed down with blocks from other peoples walls.

“It’s too hot in here, come outside,” she said to the scruffy mongrel. The cozy warmth of the wood stoves had become stifling. She slipped through the door into the cool night.

Breathe, she said to herself, momentarily forgetting the gasping dog. Her hunched shoulders descended jerkily as she inhaled the sodden air, wondering about ozone or ions, what was it people said about the air after the rain? Whatever it was, it was good for something, good for the heart and soul of mortal humans.

Feeling better with every breath, Eleri noticed the olive branches rustling wetly overhead. The olive tree had been planted too close to the fig tree ~ wasn’t that always the way, forgetting how large things grow when one plants a seed or a sapling. As the old fig tree had broadened it’s sheltering canopy, the olive sapling had reached out an an angle to find the sun, and sprinted upwards in a most un olive like manner. This reminded her of the straight little sapling story, which had always irritated her. What was commendable about a row of straight little soldier saplings anyway? All neat and tidy and oh so boring, none of them stepping out of line with a twist here or a gnarl there. No character! But the olive tree, in it’s race towards the light, leaned over the gable end of the dwelling as if spreading it’s arms protectively over the roof. A regimental straight sapling would have simply withered in among the fig leaves, whereas this one had the feel of a grandfatherly embrace of benevolent support.

What was it she’d heard about trees and oxygen? They exhaled the stuff that we wanted and inhaled the stuff we didn’t want, that was about as technical as she could muster, and it was enough. She breathed in tandem with the trembling rain sparkled leaves. In. And out. In, and out. Deeper breaths. Damn, it was good! That was good air to be breathing, what with the rain and the trees doing their thing. And there for the taking, no strings attached.

When the oven timer interrupted her sojourn in the night air, Eleri noticed that the little dog had stopped coughing. On her way back inside, she noticed the new mermaids patiently awaiting a coat or two of sea green paint and wondered if she would ever find a dragon to replicate. She was sure they’d be popular, if only she could find one.

Humming quietly to herself, Glynis stirs the mixture in the large black pot. She feels proud that she now knows this recipe by heart and no longer has to refer to the large book of spells which sits on a nearby stool.

Small bubbles begin to form on the surface of the mixture—soon it will boil. Now … remember … ”the mixture must boil for 5 minutes, no more and no less”.

She wasn’t sure why the directions were so precise … apparently understanding would grow in time. She pondered whether it was the element of discipline involved which added a particular flavour to the spell. After all, the intention of the heart was important and the difference between a great spell and just a mediocre one. She hoped to be a master one day and revered for the purity and efficacy of her mixtures.

“Quiet now,” she chided herself. “Pride won’t help this spell any.”

Five minutes. She has her own way of marking time though at first it had not been so easy. The moment the mixture was boiling she began to sing. She sang the whole song through twice and then pulled the pot from the fire to leave it to cool. Next it would go in the jars that stood waiting on the bench like a line of willing soldiers and then it must sit till spring.

Patience.

Daylight is beginning to fade and she remembers she still has no sage.

The orchard is particularly beautiful this time of day she thinks. Late afternoon. Once, there was a path of stones leading down to the garden where sage and other herbs grow in abundance, but now the path is long overgrown.

A Silver Jute alights on a branch ahead of her.

“Hello!” Glynis says, happy to see the bird.

The Jute opens its beak and with a thrusting motion propels a berry which flies through the air and lands at the girl’s feet.

“Thank you”, she says and a feeling of warm gratitude fills her heart as she picks up the berry and puts it in her basket.

The Jute nods his head in acknowledgment and with a loud cry spreads his wings and flies off over the trees of the orchard.

MATER:

I jumped as Corrie burst into room.

“Hey, Mater, guess what?” she called out with, in my opinion, unnecessary exuberance.

I had been looking out the window and ruminating on my vegetable garden — the tomatoes didn’t seem to be growing this year — and felt a little irritated by the invasion. Irritated by the children in general that morning, I guess. I had just asked Prune if she could help me with some chores and had been informed that she was unavailable as she was communing with future Prune on Mars. I suppose as excuses for chores go, it was at least inventive.

“What is it, Corrie?”

“Clove is coming home! And she is bringing some twins with her.”

Feeling suddenly tired, I sat down on the sofa.

“Some twins?”

“The twins at the place where she is staying. Sara and Stevie, or something like that. Woo hoo, can’t wait to see her!”

I didn’t know much about Clove’s living situation. She communicated frequently with her sister but correspondence with the rest of the family was sporadic.

Another thing which irritates me.

Sara and Stevie … my mind flittered through the years to rest on some other twins. Same names. Twins I had only met once — many years ago — but nevertheless thought about at times. Wondered how they were getting on in life. I wondered if Fred ever thought about them, or regretted his decision.

Of course there was no connection, but I felt compelled to ask.

“How old are Sara and Stevie?”

“Oh, I dunno … old I think. Maybe about 30?”

Liz smiled with satisfaction at the new growth of the turmeric plants. Such healthy looking shiny green leaves. As always she was amazed at where green leaves came from. Where did they come from? They just appeared out of thin air, miraculous it was. It took her mind off the battle with the latex supplier to ponder the magic of nature.

Pondering the nature of magic in the garden reminded her of the peculiar things she’d recently read about a man who had a desire to appreciate nature, but was waiting until he had the time and the money to do it. One only has to look at the dandelions growing through the cracks of the concrete sidewalk to appreciate nature, she’d archly reminded him.

The inflexibility of the latex supplier had been an exercise in firm but pliant resistance on her part. And it had paid off. At first it had appeared to be another aggravating and futile battle with impermeable insurmountable systems, Systems with a capital S, sacrosanct and rigid, inviolate, the new highest authority that growing hoards of the populus were dutifully grovelling at the feet of. But Liz had stood her ground, whilst simultaneously maintaining a lithe willowy air of good humour and pragmatism.

By the time Liz had found a properly flexible and accommodating new latex supplier, the old inflexible latex supplier became acquiescing and biddable. But it was too late. With a modicum of undisguised glee, Liz informed them of this fact, and smiled with the undeniable pleasure of success.

Corrie’s findings from elsewhere:

“On the empty road, Quentin realized there was something different in the air.
A crispness, something delicate and elusive, yet clear and precious.
A tiny dot of red light was peeking through the horizon line.

It was funny, how he had tried to elude his fate, slip through the night into the oblivion and the limbo of lost characters, trying so hard to not be a character of a new story he barely understood his role in.

But his efforts had been thwarted, he was already at least a secondary character. So he’d better be aware, pretend owl watching could become dangerously enticing.”

““There hath he lain for ages,” Mater read the strip of paper, “And will lie Battening upon huge seaworms in his sleep..” Buggered if I know what that’s supposed to mean, she muttered, continuing to read the daily oracle clue: “Until the latter fire shall heat the deep; Then once by man and angels to be seen, In roaring he shall rise and on the surface die…..”

Mater had become increasingly irritated as the morning limped on, with no sign of Prune. Nobody had seen her since just before 3:00am when Idle got up for the loo and saw her skulking in the hallway. Didn’t occur to the silly fool to wonder at the time why the girl was fully dressed at that hour though.

The oracle sounded ominous. Mater wondered if it was anything to do with the limbo of lost characters. She quickly said 22 Hail Saint Floverly prayers, and settled down to wait. If Prune had accidentally wandered into the lost characters limbo, battening upon seaworms would be the least of their problems.”

“You should have thought about it before sending me for a spying mission, you daft tart” Prune was rehearsing in her head all the banter she would surely shower Aunt Idle with, thinking about how Mater would be railing if she noticed she was gone unattended for so long.
Mater could get a heart attack, bless her frail condition. Dido would surely get caned for this. Or canned, and pickled, of they could find enough vinegar (and big enough a jar).

In actuality, she wasn’t mad at Dido. She may even have voluntarily misconstrued her garbled words to use them as an excuse to slip out of the house under false pretense. Likely Dido wouldn’t be able to tell either way.

Seeing the weird Quentin character mumbling and struggling with his paranoia, she wouldn’t stay with him too long. Plus, he was straying dangerously into the dreamtime limbo, and even at her age, she was knowing full well how unwise it would be to continue with all the pointers urging to turn back or chose any other direction but the one he adamantly insisted to go towards, seeing the growing unease on the young girl’s face.

“Get lost or cackle all you might, as all lost is hoped.” were her words when she parted ways with the strange man. She would have sworn she was quoting one of Mater’s renown one-liners.

With some chance, she would be back unnoticed for breakfast.”

“Prune turned to look back at Quentin as she made her way home. He’d have been better off waiting for a new chapter in the refugee story, instead of blundering into that limbo with that daft smile on his face. What a silly monkey, she thought, scratching under her arms and making chimpanzee noises at the retreating figure. Look at him, scampering along gazing up into the treetops, instead of watching his step.

A deep barking laugh behind her made her freeze, with her arms akimbo like teapot handles. Slowly she turned around, wondering why she hadn’t noticed anyone else on the track a moment before.

“Who are you?” she asked bluntly. “I’m Prune, and he’s Quentin,” she pointed to the disappearing man, “And he’s on the run. There’s a reward for his capture, but I can’t catch him on my own.” Prune almost cackled and hid the smirk behind her forearm, pretending to wipe her nose on it. She wondered where the lies came from, sometimes. It wasn’t like she planned them ~ well, sometimes she did ~ but often they just came tumbling out. It wasn’t a complete lie, anyway: there was no reward, but he could be detained for deserting his new story, if anyone cared to report it.

The man previously known as the Baron introduced himself as Mike O’Drooly. “I’m a story refugee,” he admitted.

“Bloody hell, not another one,” replied Prune. Then she had an idea. “If you help me capture Quentin, you’ll get a much better character in the new story.”

“I’ve nothing left to lose, child. And no idea what my story will be or what role I will play.” Perhaps it’s already started, he wondered.

“Come on, then! If we don’t catch him quick we might all end up without a story.”

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

Aunt Idle:

I dozed off while sitting under the Kurrajong tree this afternoon and had a strange dream. I was in a Tardis and it had landed on an expanse of sandy coastal scrub land. There was nobody else in the Tardis except me, and as the door swung open, I could smell the smoke, acrid and eye watering, and I could hear the snapping and crackling of the flames on the dry brush. The Tardis had landed in between the advancing flames and the sea. I ran back in the Tardis and looked around wildly at all the controls, wondering how to operate the thing. How the hell was I going to get out of here before the fire engulfed us? I ran back outside and the flames were roaring closer by the minute; panicking, I ran back inside, ran out again, and then ran as fast as I could away from the approaching fire until I came across a little blue row boat, rotting away on dry land, right next to a crumbling pyramid. I climbed into the boat, sitting on the bench seat between the dry thistles, thinking with relief that I would be safe in the boat. In the dream, I relaxed and closed my eyes and started to hum My Bonnie Lies Over the Ocean, and then I felt the heat, opened my eyes, and saw showers of red orange sparks like fireworks all around me, and then flames ~ I was surrounded by the wild fire and couldn’t see the Tardis anymore for the flames leaping and dancing around me. I held my head in my hands, weeping, waiting for the inevitable ~ and then I noticed a sapling growing in between the rotten boards at the bottom of the boat. It was growing so fast I forgot the sizzling heat around me and watched it grow, the side shoots bursting forth and the wood of the boat splintering as the trunk grew in girth. When a dried seed pod dropped onto my head ~ that’s how fast this tree grew, when I looked up it was fully mature, and I was sitting in the cool green shade ~ I looked around, and the sandy coastal scrub had gone, and I was sitting on a stone bench in the middle of a plaza. The smell of burning brush was gone and the stench of garum fish paste filled the air. A handsome fellow in a crumpled linen toga was sitting beside me, elbowing me to get my attention…

“I made you a tuna sandwich, Auntie,” Prune was saying, prodding me on the arm. “Did you know that Kurrajong trees are fire retardant plants, and they start to send out small green shoots from the trunk within a fortnight of being burnt?”

Well, I just looked at her, with my mouth hanging open in astonishment. Then the horrid child shoved the tuna sandwich in it, and then scampered off before I could slap her.