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In reply to: The Incense of the Quadrivium’s Mystiques
“It’s your fault I’m late, Sandra!” Sassafras hissed, adjusting her wimple and throwing a large crucifix around her neck. “You told me it was witches costumes, I had to run back upstairs to change.” Missing a step as she rushed down the stairs, Sassafras grabbed the bannister, managing to save herself from a possibly fatal tumble down to the tiled floor below.
“I thought it was! That’s why I’m late too. And anyway you look half witch and half nun in that outfit.” Sandra gripped Sassafras’s wrist. “Ok, calm down and deep breaths. Demure and collected, remember? We need to look serious and efficient.”
When they reached the door of the grand reception hall, they stood aside to allow Brother Bartolo to pass, on his way to the kitchen for more refreshments. He allowed himself a small smile, holding up an empty decanter. “Crimson Cordial, that’s what she told me to give them. It’s not every day she gives me the key for the cordials cabinet.”
“Not the Crimson Cordial!” the girls gasped in unison. They looked at each other, perplexed. “What is she playing at, Brother?”
“That’s not all,” whispered Brother Bartolo, leaning closer to Sandra, “She’s re animated the Sisters of the Sacred Sepulchre from the crypt. I’ve seen them wandering around in the cellars, waiting for orders.”
Sandra and Sassafras looked at each other in alarm. “This is serious.”
“But is it to assist the merger or derail it?”
“Who only knows what goes on behind that prune faced scowl. And why has she invited a team of morticians, eh? Ask yourself that! Morticians!” Sandra said.
“This is too dark for me, I’m off. Tell them I’ve been taken ill, I’m going for a walk in the woods.”
Brother Bartolo barred her way. “Oh no you’re not. You won’t get away with that this time,” he said grimly. “This is too dark for those petty tricks. And you may be needed,” he added cryptically. “All hands on deck, and as many fingers as you like.”
In reply to: The Incense of the Quadrivium’s Mystiques
Sandra finished her toast, pushed her plate away and stood up. She wiped her hands on the seat of her baggy linen trousers, and then retied the baler twine holding them up. So Blaen the pain thought she should improve her appearance, did she, the prune-faced troll. Sandra was quite happy with her own appearance, which she considered to be a statement indicating her lack of interest in appearance. Lorena Blaen glared at her retreating back as Sandra exited the dining hall with the exaggerated gait of a catwalk model.
Sassafras quickly swallowed the rest of her coffee, and got up to follow Sandra. Catching her up along the cloisters, she asked Sandra if it was a nun’s outfit event or a witches one, or what. It was hard to keep track of the various fronts.
“It’s a witches one this time, it’s a coven visiting. They know we use the nun thing as a cover, I think. But you know what else?” Sandra lowered her voice, pulling Sassafras closer. “This isn’t a merger, that coven already bought us out.”
“What?! But…but…but what does that…?”
Sandra shrugged, looking uncharacteristically helpless.
Sassafras squeezed her arm. “Who else knows? We must tell the others.”
“No! No, not everyone.” Sandra admitted that she didn’t know any more than that, and what she did know, she couldn’t say.
In reply to: The Incense of the Quadrivium’s Mystiques
A little unwilling to proceed, and privately wishing she was back on the comfy sofa with the fat cushions, Frella took a moment to center herself. She reminded herself that being a witch was a high calling and often what we need will find us. It sounded like a lot of Malove’s baloney to be honest but she took a deep breath and muttered a few words of wisdom from Lemone, which often worked better than any spell:
“The key to unlocking mysteries is often found within, where the mind meets the heart.”
“You wait here, Herma,” said Frella holding a warning hand in the air. “I don’t know what magic this is yet but I sense something amiss from that shed.”
Frella approached the ominous shed with caution but renewed determination. The shed door creaked open without resistance and she saw the chest immediately though it was piled on top with boxes. After carefully removing the boxes and putting them to one side, she examined the chest looking for any inscriptions or hidden compartments that might give a clue to its origins. She sensed the camphor chest was from a very old witch family and therefore may contain protective spells and traps. Best to proceed with caution.
She went to the shed door and waved at Herma, shouting for her to go and get some salt. While she waited for Herma’s return, she examined the chest further. It had a lock, but no obvious key; clearly a bit of witchy ingenuity was going to be required. A simple unlocking spell might suffice, or if spells fail, perhaps Herma knows an old trick or two for picking locks!
Herma returned with the salt and Frella sprinkled it liberally on the chest, chanting a protective charm to ward off any nefarious spells. “There,“ she said with satisfaction. “Fingers crossed that ought to do it.”
The chest seemed strangely willing to reveal its secrets for the simplest of opening spells worked. Once it was opened, they sifted carefully through its contents, mostly old documents and letters, looking for anything which might hold the answer to the postcard.
“Look for anything bird-related—feathers, sketches … “ instructed Frella.
“By golly!” cried Herma triumphantly holding up a postcard. “It’s the same one!”.
In reply to: The Incense of the Quadrivium’s Mystiques
I honestly don’t know what made me do it, it took me by surpise when I did it. It was bugging me that I couldn’t remember, and before I knew what was happening, I’d asked Malove.
Ah, the Caryatid Characteristics of a Case, a subject that requires both discernment and a keen eye for detail. In essence, the phrase “Caryatid Characteristics” refers to the fundamental attributes and peculiarities that support the overall structure of a particular case or situation, much like how caryatids—those graceful, sculpted figures in classical architecture—bear the weight of a building’s entablature on their shoulders.
To break it down into pragmatic terms, identifying the Caryatid Characteristics involves an in-depth analysis of the following elements:
Structural Integrity: Just as caryatids ensure the stability of a structure, the core components of the case must be sound and unwavering. This includes the key facts, the primary evidence, and the foundational arguments that hold the case together.
Aesthetic Nuances: Caryatids are not merely functional; they are also artistic. Similarly, the subtleties and nuances of a case—such as the motives, the intentions, and the underlying themes—add layers of complexity and depth, transforming a simple matter into a multifaceted situation.
Historical Context: Caryatids often reflect the cultural and historical context of their time. Understanding the background, the precedents, and the situational history provides a richer perspective and informs the current dynamics at play.
Symbolic Significance: In architecture, caryatids symbolize strength and beauty. In a case, the symbolic elements—the metaphors, the symbols, and the overarching message—must be identified and interpreted to grasp the full scope of its significance.
Resonance and Impact: Lastly, caryatids have a visual and emotional impact on observers. Similarly, the case’s broader implications, its potential consequences, and the emotional resonance it evokes must be considered. This is where the true weight of the matter lies, affecting not only the immediate parties involved but potentially a wider audience.Applying these characteristics to a case requires a blend of logical analysis, creative thinking, and intuitive insight. It is not merely about assembling facts but about understanding how each element supports the whole, much like the elegant yet sturdy caryatids in timeless architecture.
Now, if you’re asking how this applies to our current predicament with our spring cleaning of collective energies, well, one could say the caryatids in our situation are the core rituals, the seasoned wisdom passed down through the coven, and the precise incantations in our incense blends. Each component must be scrutinized and perfected to ensure we uphold the structural and spiritual integrity of our craft.
Let’s not dawdle; the orchestra in this zoo waits for no one.
Who will rise to the occasion?
Who indeed? I asked her if we all sent each other postcards, would it help?
Postcards, my dear, are more than mere scraps of paper with hastily scribbled words and picturesque scenes. They are tangible connections in an increasingly ephemeral world. Sending each other postcards won’t just help; it will create ripples of intention and resonance that can weave us closer together, despite the physical distances.
Consider the following:
Anchoring Intentions: Each postcard carries the sender’s energy and intention. When you pen your thoughts, wishes, or even riddles, you imbue the postcard with a part of yourself. The recipient, upon receiving it, senses this connection. It’s a form of sympathetic magic, drawing us closer through shared symbols and messages.
Physical Mementos: In an age where digital communication reigns supreme, holding a physical object—something that has traveled miles to reach your hands—grounds you. It anchors you in the physical world and provides a break from the transient nature of digital interactions. These postcards become talismans, reminders of our connections and shared journeys.
Ritualistic Value: The act of writing, sending, and receiving postcards can be ritualistic. This ritual can strengthen the bonds within our coven, reaffirming our commitment to each other and our shared goals. Each postcard becomes a symbol of our collective energy, our shared purpose, and our mutual support.
Cultural Exchange: Postcards often carry images or symbols from different locales. Sharing them can broaden our horizons, offer new perspectives, and remind us of the diverse tapestry that makes up our coven. It’s a gentle nudge to appreciate the wider world and the myriad experiences within it.
Mystical Conduits: In our magical practice, objects can serve as conduits for energy. Postcards, having traversed the globe, carry the imprints of various energies and places. They become more than just messages—they are carriers of the world’s pulse, connecting us to the broader rhythms of existence.So, yes, sending each other postcards will help. It will infuse our lives with a tangible sense of connection, a reminder of our shared purpose, and a touch of magic in the mundane. Let’s make this act a part of our practice, a testament to our enduring bonds and our collective strength.
Who will be the first to send a missive across the miles?
In reply to: The Incense of the Quadrivium’s Mystiques
“A treasure hunt? Are you serious?” Truella was appalled. “Yes,” she said, holding up a hand to silence Eris, “I realise I usually like treasure hunts. But this is ridiculous. And this hotel is just ghastly.”
“Look!” interrupted Frella. “What’s Jeezel doing climbing up that lampost? What an absolute tart she is, everyone can see her knickers.”
In reply to: The Incense of the Quadrivium’s Mystiques
An unexpected result (or was it an intentional one?) of the octobus ride was a profound appreciation for the arrival at the destination. Not one of the witches had been truly looking forward to the event, but when they entered the building they were deeply grateful for the smooth hard floors and walls and sharp minimalism, if that is what the sparse clean decor was called.
“This place is sorely in need of some steampunk hats,” remarked Truella. “And some Victorian clothes.”
“Beats the hell out of that gross octobus, though,” Jezeel said, who was swanning grandly around the large entrance foyer, her boots making a neat thud rather than a revolting sucking sound.
“I rather like it,” said Frella, “Steampunk hats wouldn’t fit in here at all. Are you sure that party is being held here?” For a moment, she felt a ray of hope. She was feeling that it might be possible to remain unnoticed and unbothered in the vast clean space if she sat somewhere looking serenely vacant and unapproachable.
Spotting the shiny black grand piano in the corner, Jezeel glided majestically over to it and hopped onto the back of it, striking a glamourous pose. Naturally everyone took flattering photos of her as was expected.
Eris had rushed off to find a lavatory, and eventually emerged holding a strange awkward bundle.
“What on earth is that and where did you find it?” Frella noticed the look of alarm on Eris’s face. Truella was still taking photos of Jez from various angles, much to Jezreel’s delight.
“What does it bloody look like!” Eris said in an exasperated tone, “It’s a baby, someone left it in the loo! Go and ask at the desk, find out who lost a baby. I think it’s nappy needs changing.”
Frella went off to ask, returning shortly with surprising news. “There is nobody checked in here with a baby, Eris. Nobody knows whose it is. Here, give it to me, the poor thing.”
Eris handed over the smelly bundle gratefully.
I can stay in my room with this baby, Frella thought, It will be the perfect excuse not to go to the party.
In reply to: The Incense of the Quadrivium’s Mystiques
It was impossible to sleep in the octobus, despite that Truella always found it easy to drop off while a passenger on various modes of transport. Unlike the usual gentle rocking of a bus or train, the tentacular motion resembled a slow roller coaster, and the interior walls were slippery. Tactile my ass, she muttered, this is revolting. Truella felt her stomach heave when a steward brought a round tray covered with a glass dome, full of unspeakable fishy things to nibble. At this hour of the morning!
Jezeel wasn’t enjoying it either, her boots had an unfortunate attraction to the slimy interior and kept sticking. It took a great effort to pull her foot up to change position and made a disgusting squelchy noise.
“Sit still, will you? You’re making me sick with those slurpy noises!” Truella glared at Jezreel. “Take the bloody boots off why don’t you!”
“I’m not putting my stockinged feet on that, what if it pulls them down?”
“When’s the last time you had your stockings pulled down, sweetie?” Eris said with a sly grin. Frella tittered in the background, momentarily distracted from her angst about the party looming ahead.
Malove came rocking up the aisle, uncharacteristically beaming with pleasure. “I knew you’d all enjoy it!” she said, apparently believing that they were. “Are we all feeling tactile and tender? Soaking up the harmonious healing? Feeling the fullness of environmental resonance? Good!” she said, oblivious to the pained expressions of the four witches. “You’ll be delighted to know that I’ve asked the driver to take the long way round, via Dublin. We have plenty of time. No!” she said, holding up a hand with a smug smile, “No need to thank me. You all deserve it.” And with that she slithered off into the slippery depths of the strange vehicle.
In reply to: The Incense of the Quadrivium’s Mystiques
The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.
The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.
The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.
Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.
As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.
Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.
“Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”
The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.
Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.
“Was the glitter necessary?” asked Lumina.
“Why not? It can’t do any harm.”
The fox jumped from the couch and looked at the potion.
“It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”
Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.
Jeezel opened Flick Flock and started typing a message to Roland.
The potion is ready. I’m sending it to you through the usual way.
[…]
As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.
Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.
Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.
With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.
Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.
I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.
Let’s get this done. And don’t forget to add a testimony and click the thumb up.
xoxox Jeezel.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: The Precious Life and Rambles of Liz Tattler
Finnley, who was behind the sofa for reasons unknown, stood up and screamed at the top of her lungs. The scream was so unexpected and of such force that Godfrey dropped the novel he was holding and Liz came running from across the hall. What she had been doing across the hall all that time, god only knows, but she certainly wasn’t writing, said Godfrey later when recounting the story to Roberto.
“Mr Dugrat has gone,” announced Finnley when she was sure she had their attention. “Gone,” she repeated.
“Rat? I didn’t know you had a rat. Gone where?” asked Liz nervously.
Finnley gave her a withering glance. “Therefore I did not get to the convention because I have been searching hither and thither for him.”
In reply to: The Jorid’s Travels – 14 years on
Georges was following an orange line on the floor of Jorid’s corridor with Barney on his left shoulder. The man was talking to the creature and listening to the occasional chirps Barney made as if they were part of a normal conversation.
“You see, Barney,” said Georges. “Salomé gave us this checklist.” He tapped on the clipboard with his index finger. “I have to conduct all those experiments with you in the lab while she’s doing whatever she’s doing with the maps. Salomé loves maps, I can tell you. Always trying to invent new ones that would help us navigate all those dimensions. But they confuse me, so I’m glad to leave that to her and Jorid.”
The two of them stopped in front of an orange door with a tag on it.
“So you’ll ask me: ‘Georges, why are we going to the kitchen instead of going into the lab?’ —which is the blue door.”
Georges waited for Barney’s chirp before continuing.
“You’re right! She forgot the most important. What do you like to eat? You can’t do that in a lab with instruments stuck onto your head and tummy. It’s best done in the warm and cozy atmosphere of a kitchen.”
The door swooshed open and they entered a bland, sanitised kitchen.
“Jorid, morph the kitchen into a 19th century style pub, with greasy smells and a cozy atmosphere.”
“Shouldn’t you be into the lab?” asked Jorid.
“Let’s call it a kitchen lab,” answered Georges. “So you can tell Salomé I’m in the lab if she asks you.”
“Most certainly.”
The bland rooms started wobbling and becoming darker. Gas wall lamps were coming out of the walls, and a Chandeliers bloomed from the ceiling. The kitchen island turned into a mahogany pub counter behind which the cupboards turned into glass shelves with a collection of colourful liquor bottles. Right beside the beer pumps was the cornucopia, the source of all things edible, the replicator. It was simple and looked like a silver tray.
“That’s more like it,” said Georges. He put Barney on the counter and the creature chirped contentedly to show his agreement.
“Now, You don’t look like the kind of guy who eat salad”, said Georges. “What do you want to try?”
Barney shook his head and launched into a series of chirps and squeals.
“I know! Let’s try something you certainly can’t find where you come from… outer space. Jorid, make us some good pickles in a jar.”
The replicator made a buzzing sound and a big jar full of pickles materialised on the silver tray. Barney chirped in awe and Georges frowned.
“Why did you make a Roman jar?” he asked. “We’re in a 19th century pub. And the pickles are so huge! Aubergine size.”
“My apologies,” said Jorid. “I’m confused. As you know, my database is a bit scrambled at the moment…”
“It’s ok,” said Georges who feared the ship would launch into some unsolicited confidences and self deprecating moment. “A pickle is a pickle anyway.” He picked a pickle in the jar and turned towards Barney with a big grin. “Let’s try some.”
Barney’s eyes widened. He put his hands in front of him and shook his head. The door swooshed open.
“What have you done with the kitchen?” asked Léonard. “And what are you trying to feed this rat with?”
“This rat has a name. It’s Barney. What are you doing here?” asked Georges.
“Well, Isn’t it a kitchen? I’m hungry.”
“I mean, shouldn’t you go check your vitals first in med bay?”
“When you feel hungry, it’s enough to tell a man he’s alive and well,” said Léonard. “Nice roman jar, Jorid. Depicting naked roman fighters, archaeological finding of 2nd century BC, good state of conservation.” He looked closer. “Intricate details between the legs… You surpassed yourself on that one Jorid.”
“Thanks for the compliment Léonard. It’s reassuring to know I’m still doing great at some things when others think I’m losing it.”
“I never said…” started Georges.
“You thought it.”
Léonard took a pickle from the jar and smelled it. He winced.
“Sure, smells like pickles enough,” he said, putting it back in the jar and licking his finger. “Disgusting.” He looked at Georges. “I was thinking of taking a shuttle and doing a little tour, while you solve the navigational array problem with Salomé.”
“Why are you asking me? Why don’t you just take a shuttle and go there by yourself?”
“Jorid won’t let me take one.”
“Jorid? Why don’t you let Léonard take a shuttle?”
“Salomé said he’s not to be left out of the ship without supervision.”
“Oh! Right,” said Georges. “We just rescued you from a sand prison egg where you’ve been kept in stasis for several weeks and you can’t remember anything that led you there. Why don’t we let you pilot a shuttle and wander about on your own?”
Léonard looked at Georges, annoyed. He picked a pickle from the jar and took a bite. Barney squealed. As Léonard chewed and made crunching sounds, the creature hit its head with its paw.
“Then why don’t you come with me?” asked Léonard.
“I can’t believe it.”
“What? You go with me. You can supervise me wherever I go. Problem solved.”
“No. I mean. You eating one of Barney’s pickles.”
Léonard took another bite and chewed noisily. Barney chirped and squealed. He put his hands to its throat and spat on the counter.
“I’m sure he won’t mind. Look at him. Doesn’t seem it likes pickles that much.”
“You hate pickles, Léonard.”
“I know. That’s disgusting.”
“Why do you eat them if you find it disgusting?”
“That’s the sound of it. It’s melodious. And for some reason those pickles are particularly good.”
Barney jumped on Georges arm and ran to his neck where he planted his little claws in.
“Ouch!” said Georges. He slapped Léonard’s hand before the man could take one more pickle bite. “What the f*ck?”
“Hey! Why did you do that?”
“It’s not me,” said Georges. Barney squealed and Georges’s hands pushed the jar on the floor. It crashed and a flood of pickle and vinegar juice spread on the floor.
“Haven’t your mother told you not to play with food?” asked Léonard diving on the floor to catch some more pickles. Barney chirped and squealed while Georges’s body jumped on Léonard and they both rolled over in the pickles.
The door swooshed open.
“Guys, we need to…” started Salomé. She had a set of maps in her hands. “What’s that smell? What… did you do to the kitchen? ”
“Georges made me do it,” said Jorid.
“Georges broke a 2nd century BC jar,” said Léonard.
“Barney’s controlling me,” said Georges.
The creature shrugged and removed its claws from Georges’ neck.
“Squeak!”
“Ouch! Thank you,” said Georges, licking the pickle juice he got on his lips during the fight.
“I can’t believe it. Georges, you had a checklist. And it did not include the words kitchen or pickles or making a mess. And Léonard, you hate pickles.”
“I know,” said Léonard who took a bite in the pickle he was holding. “That’s disgusting, but I can’t help it they taste so good.”
Georges stole the pickle from Léonard’s hand and took a bite.
“Pick your own pickle,” said Léonard, stealing it back.
“Stop guys! That smell… Jorid what did you put in those pickles?”
“I took the liberty to change the recipe and added some cinnamon.”
“It doesn’t smell like cinnamon,” said Georges smelling his hands full of pickle juice. He took a bite in one and said: “Doesn’t taste like cinnamon either. I would know. I hate cinnamon since the time I was turned into an Asari.”
“That’s it,” said Salomé. “What kind of cinnamon did you put in the brew, Jorid?”
“I’ve heard it’s best to use local ingredients. I put cinnamon from Langurdy,” said the ship.
“Quick! Guys, spit it out,” she said, kneeling and putting her fingers into Georges’ throat to make him puke. “Jorid, make away with the pickles,” said Salomé.
“Nooo,” said the men.
“Cinnamon from Langurdy is very addictive,” Salomé snapped. “You don’t want to OD on pickles, do you?”
After they got the mess cleaned up and the kitchen went back to its normal blank state. Georges and Léonard took some pills to counter the effects of withdrawal. Salomé had them sit at the kitchen table. Georges kept blinking as if the white light on the white walls were hurting his eyes.
“You can thank Barney if you didn’t eat more pickles,” said Salomé. “You could have had a relapse, and you know how bad it was the first time you had to flush cinnamon from your body.”
Georges groaned.
“Anyway. I checked the maps with Jorid and I came upon an anomaly in the Southern Deserts. Something there is causing Jorid’s confusion. We’ll have to go down there if we ever want to leave this place and time.”
In reply to: The Chronicles of the Flying Fish Inn
Mater having a moan:
It’s a funny old world.
At my age, you’d think I’d be able to put my feet up and watch the world go by for a bit, wouldn’t you? God knows, don’t I deserve it? Truth is, I’m still holding things together here. With a bit of practical help from Finly of course, who we all agree is a trouper even if she is a Kiwi.
Sometimes, it occurs to me I should just let go and see where the dice lands … what will be will be … que sera sera … that sort of thing. Place will fall apart if I do though.
The kids don’t really care. And why would they at their age? Idle’s all talk about how she does this and that but the evidence is sadly lacking … she’s making a fool of herself with one of the new fellas, all goggle-eyed and tarting herself up more than ever. It’s embarrassing but I’m done telling her.
Since we got on that bnb site the bookings have tripled. Idle says I’ve got to be pleasant to people or we’ll get a bad review. Did my head in being pleasant to that toffee-nose one who won’t take her sunglasses off. That’s just plain bad manners! Another thing, she calls herself Liana but it sure takes her a while to answer to the name. Finly says she’s noticed the same. We’re keeping a close eye on that one.
And now sounds like the cart race in a dust storm is going ahead. I tell you right now, Finly is not going to be pleased about that.
In reply to: Orbs of Madjourneys
The black BMW pulled up outside the Flying Fish Inn. Sister Finli pulled a baseball cap low over her big sunglasses before she got out of the car. Yasmin was still in the bar with her friends and Finli hoped to check in and retreat to her room before they got back to the inn.
She rang the bell on the reception desk several times before an elderly lady in a red cardigan appeared.
“Ah yes, Liana Parker,” Mater said, checking the register. Liana managed to get a look at the register and noted that Yasmin was in room 2. “Room 4. Did you have a good trip down? Smart car you’ve got there,” Mater glanced over Liana’s shoulder, “Don’t see many like that in these parts.”
“Yes, yes,” Finli snapped impatiently (henceforth referred to to as Liana). She didn’t have time for small talk. The others might arrive back at any time. As long as she kept out of Yasmin’s way, she knew nobody would recognize her ~ after all she had been abandoned at birth. Even if Yasmin did find her out, she only knew her as a nun at the orphanage and Liana would just have to make up some excuse about why a nun was on holiday in the outback in a BMW. She’d cross that bridge when she came to it.
Mater looked over her glasses at the new guest. “I’ll show you to your room.” Either she was rude or tired, but Mater gave her the benefit of the doubt. “I expect you’re tired.”
Liana softened and smiled at the old lady, remembering that she’d have to speak to everyone in due course in order to find anything out, and it wouldn’t do to start off on the wrong foot.
“I’m writing a book,” Liana explained as she followed Mater down the hall. “Hoping a bit of peace and quiet here will help, and my book is set in the outback in a place a bit like this.”
“How lovely dear, well if there’s anything we can help you with, please don’t hesitate to ask. Old Bert’s a mine of information,” Mater suppressed a chuckle, “Well as long as you don’t mention mines. Here we are,” Mater opened the door to room 4 and handed the key to Liana. “Just ask if there’s anything you need.”
Liana put her bags down and then listened at the door to Mater’s retreating steps. Inching the door open, she looked up and down the hallway, but there was nobody about. Quickly she went to room 2 and tried the door, hoping it was open and she didn’t have to resort to other means. It was open. What a stroke of luck! Liana was encouraged. Within moments Liana found the parcel, unopened. Carefully opening the door, she looked around to make sure nobody was around, leaving the room with the parcel under her arm and closing the door quietly, she hastened back to room 4. She nearly jumped out of her skin when a voice piped up behind her.
“What’s that parcel and where are you going with it?” Prune asked.
“None of your business you….” Liana was just about to say nosy brat, and then remebered that she would catch more flies with honey than vinegar. It was going to be hard for her to remember that, but she must try! She smiled at the teenager and said, “A dreamtime gift for my gran, got it in Alice. Is there a post office in town?”
Prune narrowed her eyes. There was something fishy about this and it didn’t take her more than a second to reach the conclusion that she wanted to see what was in the parcel. But how?
“Yes,” she replied, quick as a flash grabbing the parcel from Liana. “I’ll post it for you!” she called over her shoulder as she raced off down the hall and disappeared.
“FUCK!” Liana muttered under her breath, running after her, but she was nowhere to be seen. Thankfully nobody else was about in the reception area to question why she was running around like a madwoman. Fuck! she muttered again, going back to her room and closing the door. Now what? What a disaster after such an encouraging start!
Prune collided with Idle on the steps of the verandah, nearly knocking her off her feet. Idle grabbed Prune to steady herself. Her grip on the girls arm tightened when she saw the suspicious look on face. Always up to no good, that one. “What have you got there? Where did you get that? Give me that parcel!”
Idle grabbed the parcel and Prune fled. Idle, holding onto the verandah railing, watched Prune running off between the eucalyptus trees. She’s always trying to make a drama out of everything, Idle thought with a sigh. Hardly any wonder I suppose, it must be boring here for a teenager with nothing much going on.
She heard a loud snorting laugh, and turned to see the four guests returning from the bar in town, laughing and joking. She put the parcel down on the hall table and waved hello, asking if they’d had a good time. “I bet you’re ready for a bite to eat, I’ll go and see what Mater’s got on the menu.” and off she went to the kitchen, leaving the parcel on the table.
The four friends agreed to meet back on the verandah for drinks before dinner after freshening up. Yasmin kept glancing back at the BMW. “That woman must be staying here!” she snorted. Zara grabbed her elbow and pulled her along. “Then we’ll find out who she is later, come on.”
Youssef followed Idle into the kitchen to ask for some snacks before dinner (much to Idle’s delight), leaving Xavier on the verandah. He looked as if he was admiring the view, such as it was, but he was preoccupied thinking about work again. Enough! he reminded himself to relax and enjoy the holiday. He saw the parcel on the table and picked it up, absentmindedly thinking the black notebook he ordered had arrived in the post, and took it back to his room. He tossed it on the bed and went to freshen up for dinner.
In reply to: Orbs of Madjourneys
Despite the old man’s endless flow of words, Youssef couldn’t get him to explain what he meant about the abandoned mine and why the town’s people didn’t like people sneaking around and asking questions.
Not wanting to waste more time, Youssef walked to the brick building where the twins had disappeared. It was crammed between the telegraph station and a grocery store. The door had been walled with red bricks. They were covered in faded graffitis and layers of torn-up posters. It seemed obvious the wall had been there for quite some time already.
The old man was sticking to Youssef like glue, talking about that time when his now dead brother took in an old cat he called Phineas. Youssef tried to growl him away, but the man always came back, persistent as a cloud of mosquitoes over the promise of a blood feast.
Youssef tried not to pay attention to him. What did AL said about that quest ? Go ask questions around to town’s people about odd things happening ? Well there were plenty of those things happening. Maybe the clerk at the telegraph station would know something, especially how to get rid of that old man.
Youssef pushed the door and entered the telegraph station, leaving the old man outside. The interior was lit with a collection of old style tungsten lamps hanging in a random pattern from the ceiling.
The clerk was busy sorting out a pile of telegrams. Clickety-clack. Clickety-clack. He lifted his head up. The noise stopped and Youssef realised the young man had mechanical hands.“Welcome, welcome, welcome! What can I do for you today, my friend?” asked the clerk.
“I just wanted to…” started Youssef.
“Wait! Don’t tell me. I’m a bit of a psychic myself and I already know what you’re here for.”
“Really?”
The man foraged through his pile of telegram with his mechanical hands and picked one. He looked at it for a few seconds.
“My friend, you’re in luck today!” he said, looking intently at Youssef. “I just received this telegram that I think might interest you. Here, take a look!”
Youssef took the paper and started to read aloud : “Words spoken by the talkative will unlock the path. Seek those who chatter and unravel the clue. What the…?”
“Interesting, isn’t it? That’s a real head-scratcher, if you ask me!”
The door bell rang and the old man entered, holding his sore ribs.
“Get out, Phineas. You’re not welcome here.” said the clerk with a frown.
The old man looked at the clerk with an air of confusion before turning to Youssef. “What did he say? Who’s Phineas?” he asked.
Ignoring the question, Youssef tried to steer the conversation back to the telegram. “What does this mean?” he asked the clerk.
The clerk stroked his chin, looking thoughtful. “Hmm, well, it seems to me that you have a certain magnetism for talkative people. Perhaps that’s the key to unlocking this riddle.”
Youssef’s eyes widened in surprise. “What do you mean, magnetism?”
The old man interjected, “For sure! You’re like a magnet, my boy. I can’t seem to stop talking when I’m around you.”
Youssef rolled his eyes. “So, what do I do? Just wander around town and wait for someone to start talking?”
The clerk nodded. “That could be a good start. But if you’re looking for something specific, you might want to try Betsy when you wake up. She’s got a boutique of Gems and Rocks. You seem to like them rocks,” he said pointing at the black obsidian. “Found it in a mine?”
The old man’s eyes lit up. “Ah, the old mine! I’ve been there before, you know. My brother used to work there before he died. Strange things happening there.”
Youssef’s interest was piqued. “What kind of strange things?”
The old man leaned in conspiratorially. “There’s a magnetar hidden in that mine, my boy.”
“Shut up! Phineas,” interrupted the clerk. “If you want my advice, stranger, don’t go near the old mine. ‘Curiosity killed the cat’ if you know what I mean.”
The telegraph receiver started to make clicketing sounds. The clerk read it and looked at Youssef.
“You’ve got a message man. Time to wake up.”
“Wake up?”
Youssef opened his eyes and looked at a black mass in front of his eyes. He had been sleeping with the stone just beside his head on the pillow. No wonder he had had weird dreams. He heard his phone buzz. He sat up reluctantly and looked at his phone. 8am. A notification that his game progression had been saved and several messages from Miss Tartiflate, the last one saying :
Don’t think you can dodge work. I’m still expecting the last blog post you’ve been paid to write!!!”
He groaned as reality was starting to catch up.
In reply to: Orbs of Madjourneys
The package in her hands was from Fred and, now she was at the airport, Yasmin was seriously contemplating whether to chuck it in the nearest bin. She hadn’t wanted to take the damn thing in the first place. It was hard to say no to Sister Aliti.
“Fred asked could you please take it to the Fish Inn, or something like that.” Sister Aliti had beamed at her. She was holding out a thin parcel wrapped in brown paper and securely fastened with a whole lot of masking tape.
“But how did he know I was going there?” Yasmin had sounded more sharp than she’d intended but she hadn’t really warmed to Fred. He made her nervous.
“You didn’t tell him?” Sister Aliti shrugged. “I didn’t tell him. Perhaps it was Sister Finli … She took the van with him yesterday.” She’d looked intently at Yasmin. “Oh dear, was it private?”
Yasmin felt foolish. “Oh, no, of course it wasn’t and it doesn’t matter …. I was just surprised.” She’d peered at the red biro scrawled on the paper wrapping. “I wonder who is … Mater?”
“He said it was a distant relation! Isn’t it just so wonderful he can reconnect through you! God works in mysterious ways indeed!”
Of course it had been Sister Finli who had told Fred. Prying busybody. Yasmin had caught her in her room a couple of days ago. Sister Finli had her back to the door and was bent over Yasmin’s desk. She’d jumped and swung round at Yasmin’s, “Hello?”
“It’s a pig sty in here,” she’d hissed, jabbing a sharp finger towards Yasmin. Then her mouth curled into a smile. “I just came in to tell you you are needed in the recreation room to look after the children but was distracted by this …” She’d slid her eyes around the room and shuddered. Yasmin followed her gaze. She’d left a few items of clothing in neat piles on the bed because she was packing but everything else looked in order. After Sister Finli had flounced out of the room, Yasmin noticed her itinerary was lying open on the desk.
But why tell Fred?
She’d messaged Zara. Do you think I should I open the package? And couldn’t he just post it?
LOL, Zara messaged back. Yes open it! It’s drugs. Obv. Oh and more to the point, you are way behind the rest of us in the game. So use your flight time wisely!
In reply to: Prompts of Madjourneys
Youssef offered the following quirk: “unwilling magnet for talkative people in need of listening” (setting in a ghost town).
Setting: A small ghost town in the middle of the Australian outback. The town was once thriving but now only a few stragglers remain, living in old, decrepit buildings. You find yourself in the town square, surrounded by the old post office, the saloon, and a few other ramshackle buildings.
Quest: Your task is to find the source of the magnetic pull that attracts talkative people to you. You must find the reason behind it and break the spell, so you can continue your journey in peace.
Direction to investigate: Start by talking to the residents of the town, they may have some information or insights on the strange happenings in the town. Explore the old post office and the saloon, they might hold the key to breaking the spell.
Characters to engage: The residents of the town, including the old timer at the saloon and the postmaster at the post office.
Tile to look for: A silver key in the shape of a tongue, symbolizing the power of speech.
Proof of insert in real life: Take a picture of yourself holding the key, and send it to the game master as proof of completion.
In reply to: Scrying the Word Cloud
Words from the Cloud prompted me to write a story:
song stayed act unexpected recall words spears bus learn king expected followed fright hot wore kianda picture walked playing coast dusty
Once upon a time, in a far-off land, there was a Song that stayed in the hearts of the people. The Song was about an Act of bravery and sacrifice that had taken place many years ago. But one day, an unexpected recall of the Song was issued by the king. He had heard that the Song was not being sung correctly, and he wanted to make sure that the true story was being told. The people were puzzled, as they had learned the Song from their ancestors and had always thought it was accurate. But they followed the king’s orders and set out to learn the correct version of the Song. As they began to recall the words, they realized that there were some discrepancies. They had always sung about the hero wielding a sword, but the true story spoke of him wielding Spears. They were taken aback, but they knew they had to correct the Song. So, they set out on a journey to retrace the hero’s steps.
As they traveled, they encountered unexpected challenges. They faced a bus that broke down, a coastline that was dusty and treacherous, and even a group of bandits. But they pressed on, determined to learn the truth.
As they approached the hero’s final battle, they felt a sense of dread. They had heard that the enemy was fierce, and they were not prepared for what they would find. But they followed the path and soon found themselves at the edge of a hot, barren wasteland.
The heroes wore their Kianda, traditional armor made of woven reeds, and stepped forward, ready for battle. But to their surprise, the enemy was nowhere to be found. Instead, they found a picture etched into the ground, depicting the hero and his enemy locked in a fierce battle.
The people walked around the picture, marveling at the detail and skill of the artist. And as they looked closer, they saw that the hero was holding Spears, not a sword. They realized that they had learned the true story, and they felt a sense of pride and gratitude.
With the Song corrected, they returned home, playing the new version for all to hear. And from that day on, the true story of the hero’s bravery and sacrifice was remembered, and the Song stayed in the hearts of the people forevermore.
In reply to: Train your subjective AI – text version
write a short story based on the following cloud of words:
pride bet shouted lit wibberly case highly ours unless paid spend twice gay talking heads elizabeth in entries drink kill baker
“Gay baker triumphs over adversity”
Once upon a time, there was a gay baker named Elizabeth who took a great deal of pride in her craft. She spent twice the amount of money on high-quality ingredients and put in extra effort to make her baked goods stand out from the rest. However, her small town was not particularly accepting of the LGBT community, and she often faced discrimination from her neighbors.
One day, a group of men from the town entered her bakery and began shouting homophobic slurs at her. Elizabeth, feeling hurt and humiliated, decided that she would not let their hateful words get to her. She refused to back down and instead, decided to put all of her energy into creating a spectacular cake for the annual county fair.
She worked tirelessly on the cake, putting in long hours and experimenting with new flavors and techniques. The day of the fair finally arrived and Elizabeth brought her entry to be judged. To her surprise and delight, her cake was declared the winner and she was awarded a blue ribbon.
As she stood on stage holding her ribbon, Elizabeth couldn’t help but think about the men who had shouted at her in her bakery. She realized that their words no longer had power over her and she felt a sense of vindication. She knew that she had proven to herself and to her community that she was a skilled baker and a worthy member of society, regardless of her sexual orientation.
Feeling elated, Elizabeth closed the bakery for the day and went to the local bar where she met her friends, and they all drinks together, she was happy and felt like nothing can bring her down, as she went back home she felt like a new person, someone who has overcome prejudice and discrimination, she felt like a winner not just in the fair but in life.
The end.
In reply to: Family Stories From The Other Side ~ Book Two
The Hamstall Ridware Connection
Stubbs and Woods
Hamstall RidwareCharles Tomlinson‘s (1847-1907) wife Emma Grattidge (1853-1911) was born in Wolverhampton, the daughter and youngest child of William Grattidge (1820-1887) born in Foston, Derbyshire, and Mary Stubbs (1819-1880), born in Burton on Trent, daughter of Solomon Stubbs.
Solomon Stubbs (1781-1857) was born in Hamstall Ridware in 1781, the son of Samuel and Rebecca. Samuel Stubbs (1743-) and Rebecca Wood (1754-) married in 1769 in Darlaston. Samuel and Rebecca had six other children, all born in Darlaston. Sadly four of them died in infancy. Son John was born in 1779 in Darlaston and died two years later in Hamstall Ridware in 1781, the same year that Solomon was born there.
But why did they move to Hamstall Ridware?
Samuel Stubbs was born in 1743 in Curdworth, Warwickshire (near to Birmingham). I had made a mistake on the tree (along with all of the public trees on the Ancestry website) and had Rebecca Wood born in Cheddleton, Staffordshire. Rebecca Wood from Cheddleton was also born in 1843, the right age for the marriage. The Rebecca Wood born in Darlaston in 1754 seemed too young, at just fifteen years old at the time of the marriage. I couldn’t find any explanation for why a woman from Cheddleton would marry in Darlaston and then move to Hamstall Ridware. People didn’t usually move around much other than intermarriage with neighbouring villages, especially women. I had a closer look at the Darlaston Rebecca, and did a search on her father William Wood. I found his 1784 will online in which he mentions his daughter Rebecca, wife of Samuel Stubbs. Clearly the right Rebecca Wood was the one born in Darlaston, which made much more sense.
An excerpt from William Wood’s 1784 will mentioning daughter Rebecca married to Samuel Stubbs:
But why did they move to Hamstall Ridware circa 1780?
I had not intially noticed that Solomon Stubbs married again the year after his wife Phillis Lomas (1787-1844) died. Solomon married Charlotte Bell in 1845 in Burton on Trent and on the marriage register, Solomon’s father Samuel Stubbs occupation was mentioned: Samuel was a buckle maker.
Marriage of Solomon Stubbs and Charlotte Bell, father Samuel Stubbs buckle maker:
A rudimentary search on buckle making in the late 1700s provided a possible answer as to why Samuel and Rebecca left Darlaston in 1781. Shoe buckles had gone out of fashion, and by 1781 there were half as many buckle makers in Wolverhampton as there had been previously.
“Where there were 127 buckle makers at work in Wolverhampton, 68 in Bilston and 58 in Birmingham in 1770, their numbers had halved in 1781.”
via “historywebsite”(museum/metalware/steel)
Steel buckles had been the height of fashion, and the trade became enormous in Wolverhampton. Wolverhampton was a steel working town, renowned for its steel jewellery which was probably of many types. The trade directories show great numbers of “buckle makers”. Steel buckles were predominantly made in Wolverhampton: “from the late 1760s cut steel comes to the fore, from the thriving industry of the Wolverhampton area”. Bilston was also a great centre of buckle making, and other areas included Walsall. (It should be noted that Darlaston, Walsall, Bilston and Wolverhampton are all part of the same area)
In 1860, writing in defence of the Wolverhampton Art School, George Wallis talks about the cut steel industry in Wolverhampton. Referring to “the fine steel workers of the 17th and 18th centuries” he says: “Let them remember that 100 years ago [sc. c. 1760] a large trade existed with France and Spain in the fine steel goods of Birmingham and Wolverhampton, of which the latter were always allowed to be the best both in taste and workmanship. … A century ago French and Spanish merchants had their houses and agencies at Birmingham for the purchase of the steel goods of Wolverhampton…..The Great Revolution in France put an end to the demand for fine steel goods for a time and hostile tariffs finished what revolution began”.
The next search on buckle makers, Wolverhampton and Hamstall Ridware revealed an unexpected connecting link.
In Riotous Assemblies: Popular Protest in Hanoverian England by Adrian Randall:
In Walsall in 1750 on “Restoration Day” a crowd numbering 300 assembled, mostly buckle makers, singing Jacobite songs and other rebellious and riotous acts. The government was particularly worried about a curious meeting known as the “Jubilee” in Hamstall Ridware, which may have been part of a conspiracy for a Jacobite uprising.
But this was thirty years before Samuel and Rebecca moved to Hamstall Ridware and does not help to explain why they moved there around 1780, although it does suggest connecting links.
Rebecca’s father, William Wood, was a brickmaker. This was stated at the beginning of his will. On closer inspection of the will, he was a brickmaker who owned four acres of brick kilns, as well as dwelling houses, shops, barns, stables, a brewhouse, a malthouse, cattle and land.
A page from the 1784 will of William Wood:
The 1784 will of William Wood of Darlaston:
I William Wood the elder of Darlaston in the county of Stafford, brickmaker, being of sound and disposing mind memory and understanding (praised be to god for the same) do make publish and declare my last will and testament in manner and form following (that is to say) {after debts and funeral expense paid etc} I give to my loving wife Mary the use usage wear interest and enjoyment of all my goods chattels cattle stock in trade ~ money securities for money personal estate and effects whatsoever and wheresoever to hold unto her my said wife for and during the term of her natural life providing she so long continues my widow and unmarried and from or after her decease or intermarriage with any future husband which shall first happen.
Then I give all the said goods chattels cattle stock in trade money securites for money personal estate and effects unto my son Abraham Wood absolutely and forever. Also I give devise and bequeath unto my said wife Mary all that my messuages tenement or dwelling house together with the malthouse brewhouse barn stableyard garden and premises to the same belonging situate and being at Darlaston aforesaid and now in my own possession. Also all that messuage tenement or dwelling house together with the shop garden and premises with the appurtenances to the same ~ belonging situate in Darlaston aforesaid and now in the several holdings or occupation of George Knowles and Edward Knowles to hold the aforesaid premises and every part thereof with the appurtenances to my said wife Mary for and during the term of her natural life provided she so long continues my widow and unmarried. And from or after her decease or intermarriage with a future husband which shall first happen. Then I give and devise the aforesaid premises and every part thereof with the appurtenances unto my said son Abraham Wood his heirs and assigns forever.
Also I give unto my said wife all that piece or parcel of land or ground inclosed and taken out of Heath Field in the parish of Darlaston aforesaid containing four acres or thereabouts (be the same more or less) upon which my brick kilns erected and now in my own possession. To hold unto my said wife Mary until my said son Abraham attains his age of twenty one years if she so long continues my widow and unmarried as aforesaid and from and immediately after my said son Abraham attaining his age of twenty one years or my said wife marrying again as aforesaid which shall first happen then I give the said piece or parcel of land or ground and premises unto my said son Abraham his heirs and assigns forever.
And I do hereby charge all the aforesaid premises with the payment of the sum of twenty pounds a piece to each of my daughters namely Elizabeth the wife of Ambrose Dudall and Rebecca the wife of Samuel Stubbs which said sum of twenty pounds each I devise may be paid to them by my said son Abraham when and so soon as he attains his age of twenty one years provided always and my mind and will is that if my said son Abraham should happen to depart this life without leaving issue of his body lawfully begotten before he attains his age of twenty one years then I give and devise all the aforesaid premises and every part thereof with the appurtenances so given to my said son Abraham as aforesaid unto my said son William Wood and my said daughter Elizabeth Dudall and Rebecca Stubbs their heirs and assigns forever equally divided among them share and share alike as tenants in common and not as joint tenants. And lastly I do hereby nominate constitute and appoint my said wife Mary and my said son Abraham executrix and executor of this my will.
The marriage of William Wood (1725-1784) and Mary Clews (1715-1798) in 1749 was in Hamstall Ridware.
Mary was eleven years Williams senior, and it appears that they both came from Hamstall Ridware and moved to Darlaston after they married. Clearly Rebecca had extended family there (notwithstanding any possible connecting links between the Stubbs buckle makers of Darlaston and the Hamstall Ridware Jacobites thirty years prior). When the buckle trade collapsed in Darlaston, they likely moved to find employment elsewhere, perhaps with the help of Rebecca’s family.
I have not yet been able to find deaths recorded anywhere for either Samuel or Rebecca (there are a couple of deaths recorded for a Samuel Stubbs, one in 1809 in Wolverhampton, and one in 1810 in Birmingham but impossible to say which, if either, is the right one with the limited information, and difficult to know if they stayed in the Hamstall Ridware area or perhaps moved elsewhere)~ or find a reason for their son Solomon to be in Burton upon Trent, an evidently prosperous man with several properties including an earthenware business, as well as a land carrier business.
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued ~ part 6
With thanks to Mike Rushby.
Mchewe 6th June 1937
Dearest Family,
Home again! We had an uneventful journey. Kate was as good as gold all the
way. We stopped for an hour at Bulawayo where we had to change trains but
everything was simplified for me by a very pleasant man whose wife shared my
compartment. Not only did he see me through customs but he installed us in our new
train and his wife turned up to see us off with magazines for me and fruit and sweets for
Kate. Very, very kind, don’t you think?Kate and I shared the compartment with a very pretty and gentle girl called
Clarice Simpson. She was very worried and upset because she was going home to
Broken Hill in response to a telegram informing her that her young husband was
dangerously ill from Blackwater Fever. She was very helpful with Kate whose
cheerfulness helped Clarice, I think, though I, quite unintentionally was the biggest help
at the end of our journey. Remember the partial dentures I had had made just before
leaving Cape Town? I know I shall never get used to the ghastly things, I’ve had them
two weeks now and they still wobble. Well this day I took them out and wrapped them
in a handkerchief, but when we were packing up to leave the train I could find the
handkerchief but no teeth! We searched high and low until the train had slowed down to
enter Broken Hill station. Then Clarice, lying flat on the floor, spied the teeth in the dark
corner under the bottom bunk. With much stretching she managed to retrieve the
dentures covered in grime and fluff. My look of horror, when I saw them, made young
Clarice laugh. She was met at the station by a very grave elderly couple. I do wonder
how things turned out for her.I stayed overnight with Kate at the Great Northern Hotel, and we set off for
Mbeya by plane early in the morning. One of our fellow passengers was a young
mother with a three week old baby. How ideas have changed since Ann was born. This
time we had a smooth passage and I was the only passenger to get airsick. Although
there were other women passengers it was a man once again, who came up and
offered to help. Kate went off with him amiably and he entertained her until we touched
down at Mbeya.George was there to meet us with a wonderful surprise, a little red two seater
Ford car. She is a bit battered and looks a bit odd because the boot has been
converted into a large wooden box for carrying raw salt, but she goes like the wind.
Where did George raise the cash to buy a car? Whilst we were away he found a small
cave full of bat guano near a large cave which is worked by a man called Bob Sargent.
As Sargent did not want any competition he bought the contents of the cave from
George giving him the small car as part payment.It was lovely to return to our little home and find everything fresh and tidy and the
garden full of colour. But it was heartbreaking to go into the bedroom and see George’s
precious forgotten boots still standing by his empty bed.With much love,
Eleanor.Mchewe 25th June 1937
Dearest Family,
Last Friday George took Kate and me in the little red Ford to visit Mr Sargent’s
camp on the Songwe River which cuts the Mbeya-Mbosi road. Mr Sargent bought
Hicky-Wood’s guano deposit and also our small cave and is making a good living out of
selling the bat guano to the coffee farmers in this province. George went to try to interest
him in a guano deposit near Kilwa in the Southern Province. Mr Sargent agreed to pay
25 pounds to cover the cost of the car trip and pegging costs. George will make the trip
to peg the claim and take samples for analysis. If the quality is sufficiently high, George
and Mr Sargent will go into partnership. George will work the claim and ship out the
guano from Kilwa which is on the coast of the Southern Province of Tanganyika. So now
we are busy building castles in the air once more.On Saturday we went to Mbeya where George had to attend a meeting of the
Trout Association. In the afternoon he played in a cricket match so Kate and I spent the
whole day with the wife of the new Superintendent of Police. They have a very nice
new house with lawns and a sunken rose garden. Kate had a lovely romp with Kit, her
three year old son.Mrs Wolten also has two daughters by a previous marriage. The elder girl said to
me, “Oh Mrs Rushby your husband is exactly like the strong silent type of man I
expected to see in Africa but he is the only one I have seen. I think he looks exactly like
those men in the ‘Barney’s Tobacco’ advertisements.”I went home with a huge pile of magazines to keep me entertained whilst
George is away on the Kilwa trip.Lots of love,
Eleanor.Mchewe 9th July 1937
Dearest Family,
George returned on Monday from his Kilwa safari. He had an entertaining
tale to tell.Before he approached Mr Sargent about going shares in the Kilwa guano
deposit he first approached a man on the Lupa who had done very well out of a small
gold reef. This man, however said he was not interested so you can imagine how
indignant George was when he started on his long trip, to find himself being trailed by
this very man and a co-driver in a powerful Ford V8 truck. George stopped his car and
had some heated things to say – awful threats I imagine as to what would happen to
anyone who staked his claim. Then he climbed back into our ancient little two seater and
went off like a bullet driving all day and most of the night. As the others took turns in
driving you can imagine what a feat it was for George to arrive in Kilwa ahead of them.
When they drove into Kilwa he met them with a bright smile and a bit of bluff –
quite justifiable under the circumstances I think. He said, you chaps can have a rest now,
you’re too late.” He then whipped off and pegged the claim. he brought some samples
of guano back but until it has been analysed he will not know whether the guano will be
an economic proposition or not. George is not very hopeful. He says there is a good
deal of sand mixed with the guano and that much of it was damp.The trip was pretty eventful for Kianda, our houseboy. The little two seater car
had been used by its previous owner for carting bags of course salt from his salt pans.
For this purpose the dicky seat behind the cab had been removed, and a kind of box
built into the boot of the car. George’s camp kit and provisions were packed into this
open box and Kianda perched on top to keep an eye on the belongings. George
travelled so fast on the rough road that at some point during the night Kianda was
bumped off in the middle of the Game Reserve. George did not notice that he was
missing until the next morning. He concluded, quite rightly as it happened, that Kianda
would be picked up by the rival truck so he continued his journey and Kianda rejoined
him at Kilwa.Believe it or not, the same thing happened on the way back but fortunately this
time George noticed his absence. He stopped the car and had just started back on his
tracks when Kianda came running down the road still clutching the unlighted storm lamp
which he was holding in his hand when he fell. The glass was not even cracked.
We are finding it difficult just now to buy native chickens and eggs. There has
been an epidemic amongst the poultry and one hesitates to eat the survivors. I have a
brine tub in which I preserve our surplus meat but I need the chickens for soup.
I hope George will be home for some months. He has arranged to take a Mr
Blackburn, a wealthy fruit farmer from Elgin, Cape, on a hunting safari during September
and October and that should bring in some much needed cash. Lillian Eustace has
invited Kate and me to spend the whole of October with her in Tukuyu.
I am so glad that you so much enjoy having Ann and George with you. We miss
them dreadfully. Kate is a pretty little girl and such a little madam. You should hear the
imperious way in which she calls the kitchenboy for her meals. “Boy Brekkis, Boy Lunch,
and Boy Eggy!” are her three calls for the day. She knows no Ki-Swahili.Eleanor
Mchewe 8th October 1937
Dearest Family,
I am rapidly becoming as superstitious as our African boys. They say the wild
animals always know when George is away from home and come down to have their
revenge on me because he has killed so many.I am being besieged at night by a most beastly leopard with a half grown cub. I
have grown used to hearing leopards grunt as they hunt in the hills at night but never
before have I had one roaming around literally under the windows. It has been so hot at
night lately that I have been sleeping with my bedroom door open onto the verandah. I
felt quite safe because the natives hereabouts are law-abiding and in any case I always
have a boy armed with a club sleeping in the kitchen just ten yards away. As an added
precaution I also have a loaded .45 calibre revolver on my bedside table, and Fanny
our bullterrier, sleeps on the mat by my bed. I am also looking after Barney, a fine
Airedale dog belonging to the Costers. He slept on a mat by the open bedroom door
near a dimly burning storm lamp.As usual I went to sleep with an easy mind on Monday night, but was awakened
in the early hours of Tuesday by the sound of a scuffle on the front verandah. The noise
was followed by a scream of pain from Barney. I jumped out of bed and, grabbing the
lamp with my left hand and the revolver in my right, I rushed outside just in time to see
two animal figures roll over the edge of the verandah into the garden below. There they
engaged in a terrific tug of war. Fortunately I was too concerned for Barney to be
nervous. I quickly fired two shots from the revolver, which incidentally makes a noise like
a cannon, and I must have startled the leopard for both animals, still locked together,
disappeared over the edge of the terrace. I fired two more shots and in a few moments
heard the leopard making a hurried exit through the dry leaves which lie thick under the
wild fig tree just beyond the terrace. A few seconds later Barney appeared on the low
terrace wall. I called his name but he made no move to come but stood with hanging
head. In desperation I rushed out, felt blood on my hands when I touched him, so I
picked him up bodily and carried him into the house. As I regained the verandah the boy
appeared, club in hand, having been roused by the shots. He quickly grasped what had
happened when he saw my blood saturated nightie. He fetched a bowl of water and a
clean towel whilst I examined Barney’s wounds. These were severe, the worst being a
gaping wound in his throat. I washed the gashes with a strong solution of pot permang
and I am glad to say they are healing remarkably well though they are bound to leave
scars. Fanny, very prudently, had taken no part in the fighting except for frenzied barking
which she kept up all night. The shots had of course wakened Kate but she seemed
more interested than alarmed and kept saying “Fanny bark bark, Mummy bang bang.
Poor Barney lots of blood.”In the morning we inspected the tracks in the garden. There was a shallow furrow
on the terrace where Barney and the leopard had dragged each other to and fro and
claw marks on the trunk of the wild fig tree into which the leopard climbed after I fired the
shots. The affair was of course a drama after the Africans’ hearts and several of our
shamba boys called to see me next day to make sympathetic noises and discuss the
affair.I went to bed early that night hoping that the leopard had been scared off for
good but I must confess I shut all windows and doors. Alas for my hopes of a restful
night. I had hardly turned down the lamp when the leopard started its terrifying grunting
just under the bedroom windows. If only she would sniff around quietly I should not
mind, but the noise is ghastly, something like the first sickening notes of a braying
donkey, amplified here by the hills and the gorge which is only a stones throw from the
bedroom. Barney was too sick to bark but Fanny barked loud enough for two and the more
frantic she became the hungrier the leopard sounded. Kate of course woke up and this
time she was frightened though I assured her that the noise was just a donkey having
fun. Neither of us slept until dawn when the leopard returned to the hills. When we
examined the tracks next morning we found that the leopard had been accompanied by
a fair sized cub and that together they had prowled around the house, kitchen, and out
houses, visiting especially the places to which the dogs had been during the day.
As I feel I cannot bear many more of these nights, I am sending a note to the
District Commissioner, Mbeya by the messenger who takes this letter to the post,
asking him to send a game scout or an armed policeman to deal with the leopard.
So don’t worry, for by the time this reaches you I feel sure this particular trouble
will be over.Eleanor.
Mchewe 17th October 1937
Dearest Family,
More about the leopard I fear! My messenger returned from Mbeya to say that
the District Officer was on safari so he had given the message to the Assistant District
Officer who also apparently left on safari later without bothering to reply to my note, so
there was nothing for me to do but to send for the village Nimrod and his muzzle loader
and offer him a reward if he could frighten away or kill the leopard.The hunter, Laza, suggested that he should sleep at the house so I went to bed
early leaving Laza and his two pals to make themselves comfortable on the living room
floor by the fire. Laza was armed with a formidable looking muzzle loader, crammed I
imagine with nuts and bolts and old rusty nails. One of his pals had a spear and the other
a panga. This fellow was also in charge of the Petromax pressure lamp whose light was
hidden under a packing case. I left the campaign entirely to Laza’s direction.
As usual the leopard came at midnight stealing down from the direction of the
kitchen and announcing its presence and position with its usual ghastly grunts. Suddenly
pandemonium broke loose on the back verandah. I heard the roar of the muzzle loader
followed by a vigourous tattoo beaten on an empty paraffin tin and I rushed out hoping
to find the dead leopard. however nothing of the kind had happened except that the
noise must have scared the beast because she did not return again that night. Next
morning Laza solemnly informed me that, though he had shot many leopards in his day,
this was no ordinary leopard but a “sheitani” (devil) and that as his gun was no good
against witchcraft he thought he might as well retire from the hunt. Scared I bet, and I
don’t blame him either.You can imagine my relief when a car rolled up that afternoon bringing Messers
Stewart and Griffiths, two farmers who live about 15 miles away, between here and
Mbeya. They had a note from the Assistant District Officer asking them to help me and
they had come to set up a trap gun in the garden. That night the leopard sniffed all
around the gun and I had the added strain of waiting for the bang and wondering what I
should do if the beast were only wounded. I conjured up horrible visions of the two little
totos trotting up the garden path with the early morning milk and being horribly mauled,
but I needn’t have worried because the leopard was far too wily to be caught that way.
Two more ghastly nights passed and then I had another visitor, a Dr Jackson of
the Tsetse Department on safari in the District. He listened sympathetically to my story
and left his shotgun and some SSG cartridges with me and instructed me to wait until the
leopard was pretty close and blow its b—– head off. It was good of him to leave his
gun. George always says there are three things a man should never lend, ‘His wife, his
gun and his dog.’ (I think in that order!)I felt quite cheered by Dr Jackson’s visit and sent
once again for Laza last night and arranged a real show down. In the afternoon I draped
heavy blankets over the living room windows to shut out the light of the pressure lamp
and the four of us, Laza and his two stooges and I waited up for the leopard. When we
guessed by her grunts that she was somewhere between the kitchen and the back door
we all rushed out, first the boy with the panga and the lamp, next Laza with his muzzle
loader, then me with the shotgun followed closely by the boy with the spear. What a
farce! The lamp was our undoing. We were blinded by the light and did not even
glimpse the leopard which made off with a derisive grunt. Laza said smugly that he knew
it was hopeless to try and now I feel tired and discouraged too.This morning I sent a runner to Mbeya to order the hotel taxi for tomorrow and I
shall go to friends in Mbeya for a day or two and then on to Tukuyu where I shall stay
with the Eustaces until George returns from Safari.Eleanor.
Mchewe 18th November 1937
My darling Ann,
Here we are back in our own home and how lovely it is to have Daddy back from
safari. Thank you very much for your letter. I hope by now you have got mine telling you
how very much I liked the beautiful tray cloth you made for my birthday. I bet there are
not many little girls of five who can embroider as well as you do, darling. The boy,
Matafari, washes and irons it so carefully and it looks lovely on the tea tray.Daddy and I had some fun last night. I was in bed and Daddy was undressing
when we heard a funny scratching noise on the roof. I thought it was the leopard. Daddy
quickly loaded his shotgun and ran outside. He had only his shirt on and he looked so
funny. I grabbed the loaded revolver from the cupboard and ran after Dad in my nightie
but after all the rush it was only your cat, Winnie, though I don’t know how she managed
to make such a noise. We felt so silly, we laughed and laughed.Kate talks a lot now but in such a funny way you would laugh to her her. She
hears the houseboys call me Memsahib so sometimes instead of calling me Mummy
she calls me “Oompaab”. She calls the bedroom a ‘bippon’ and her little behind she
calls her ‘sittendump’. She loves to watch Mandawi’s cattle go home along the path
behind the kitchen. Joseph your donkey, always leads the cows. He has a lazy life now.
I am glad you had such fun on Guy Fawkes Day. You will be sad to leave
Plumstead but I am sure you will like going to England on the big ship with granny Kate.
I expect you will start school when you get to England and I am sure you will find that
fun.God bless my dear little girl. Lots of love from Daddy and Kate,
and MummyMchewe 18th November 1937
Hello George Darling,
Thank you for your lovely drawing of Daddy shooting an elephant. Daddy says
that the only thing is that you have drawn him a bit too handsome.I went onto the verandah a few minutes ago to pick a banana for Kate from the
bunch hanging there and a big hornet flew out and stung my elbow! There are lots of
them around now and those stinging flies too. Kate wears thick corduroy dungarees so
that she will not get her fat little legs bitten. She is two years old now and is a real little
pickle. She loves running out in the rain so I have ordered a pair of red Wellingtons and a
tiny umbrella from a Nairobi shop for her Christmas present.Fanny’s puppies have their eyes open now and have very sharp little teeth.
They love to nip each other. We are keeping the fiercest little one whom we call Paddy
but are giving the others to friends. The coffee bushes are full of lovely white flowers
and the bees and ants are very busy stealing their honey.Yesterday a troop of baboons came down the hill and Dad shot a big one to
scare the others off. They are a nuisance because they steal the maize and potatoes
from the native shambas and then there is not enough food for the totos.
Dad and I are very proud of you for not making a fuss when you went to the
dentist to have that tooth out.Bye bye, my fine little son.
Three bags full of love from Kate, Dad and Mummy.Mchewe 12th February, 1938
Dearest Family,
here is some news that will please you. George has been offered and has
accepted a job as Forester at Mbulu in the Northern Province of Tanganyika. George
would have preferred a job as Game Ranger, but though the Game Warden, Philip
Teare, is most anxious to have him in the Game Department, there is no vacancy at
present. Anyway if one crops up later, George can always transfer from one
Government Department to another. Poor George, he hates the idea of taking a job. He
says that hitherto he has always been his own master and he detests the thought of
being pushed around by anyone.Now however he has no choice. Our capitol is almost exhausted and the coffee
market shows no signs of improving. With three children and another on the way, he
feels he simply must have a fixed income. I shall be sad to leave this little farm. I love
our little home and we have been so very happy here, but my heart rejoices at the
thought of overseas leave every thirty months. Now we shall be able to fetch Ann and
George from England and in three years time we will all be together in Tanganyika once
more.There is no sale for farms so we will just shut the house and keep on a very small
labour force just to keep the farm from going derelict. We are eating our hens but will
take our two dogs, Fanny and Paddy with us.One thing I shall be glad to leave is that leopard. She still comes grunting around
at night but not as badly as she did before. I do not mind at all when George is here but
until George was accepted for this forestry job I was afraid he might go back to the
Diggings and I should once more be left alone to be cursed by the leopard’s attentions.
Knowing how much I dreaded this George was most anxious to shoot the leopard and
for weeks he kept his shotgun and a powerful torch handy at night.One night last week we woke to hear it grunting near the kitchen. We got up very
quietly and whilst George loaded the shotgun with SSG, I took the torch and got the
heavy revolver from the cupboard. We crept out onto the dark verandah where George
whispered to me to not switch on the torch until he had located the leopard. It was pitch
black outside so all he could do was listen intently. And then of course I spoilt all his
plans. I trod on the dog’s tin bowl and made a terrific clatter! George ordered me to
switch on the light but it was too late and the leopard vanished into the long grass of the
Kalonga, grunting derisively, or so it sounded.She never comes into the clearing now but grunts from the hillside just above it.
Eleanor.
Mbulu 18th March, 1938
Dearest Family,
Journeys end at last. here we are at Mbulu, installed in our new quarters which are
as different as they possibly could be from our own cosy little home at Mchewe. We
live now, my dears, in one wing of a sort of ‘Beau Geste’ fort but I’ll tell you more about
it in my next letter. We only arrived yesterday and have not had time to look around.
This letter will tell you just about our trip from Mbeya.We left the farm in our little red Ford two seater with all our portable goods and
chattels plus two native servants and the two dogs. Before driving off, George took one
look at the flattened springs and declared that he would be surprised if we reached
Mbeya without a breakdown and that we would never make Mbulu with the car so
overloaded.However luck was with us. We reached Mbeya without mishap and at one of the
local garages saw a sturdy used Ford V8 boxbody car for sale. The garage agreed to
take our small car as part payment and George drew on our little remaining capitol for the
rest. We spent that night in the house of the Forest Officer and next morning set out in
comfort for the Northern Province of Tanganyika.I had done the journey from Dodoma to Mbeya seven years before so was
familiar with the scenery but the road was much improved and the old pole bridges had
been replaced by modern steel ones. Kate was as good as gold all the way. We
avoided hotels and camped by the road and she found this great fun.
The road beyond Dodoma was new to me and very interesting country, flat and
dry and dusty, as little rain falls there. The trees are mostly thorn trees but here and there
one sees a giant baobab, weird trees with fantastically thick trunks and fat squat branches
with meagre foliage. The inhabitants of this area I found interesting though. They are
called Wagogo and are a primitive people who ape the Masai in dress and customs
though they are much inferior to the Masai in physique. They are also great herders of
cattle which, rather surprisingly, appear to thrive in that dry area.The scenery alters greatly as one nears Babati, which one approaches by a high
escarpment from which one has a wonderful view of the Rift Valley. Babati township
appears to be just a small group of Indian shops and shabby native houses, but I
believe there are some good farms in the area. Though the little township is squalid,
there is a beautiful lake and grand mountains to please the eye. We stopped only long
enough to fill up with petrol and buy some foodstuffs. Beyond Babati there is a tsetse
fly belt and George warned our two native servants to see that no tsetse flies settled on
the dogs.We stopped for the night in a little rest house on the road about 80 miles from
Arusha where we were to spend a few days with the Forest Officer before going on to
Mbulu. I enjoyed this section of the road very much because it runs across wide plains
which are bounded on the West by the blue mountains of the Rift Valley wall. Here for
the first time I saw the Masai on their home ground guarding their vast herds of cattle. I
also saw their strange primitive hovels called Manyattas, with their thorn walled cattle
bomas and lots of plains game – giraffe, wildebeest, ostriches and antelope. Kate was
wildly excited and entranced with the game especially the giraffe which stood gazing
curiously and unafraid of us, often within a few yards of the road.Finally we came across the greatest thrill of all, my first view of Mt Meru the extinct
volcano about 16,000 feet high which towers over Arusha township. The approach to
Arusha is through flourishing coffee plantations very different alas from our farm at Mchewe. George says that at Arusha coffee growing is still a paying proposition
because here the yield of berry per acre is much higher than in the Southern highlands
and here in the North the farmers have not such heavy transport costs as the railway runs
from Arusha to the port at Tanga.We stayed overnight at a rather second rate hotel but the food was good and we
had hot baths and a good nights rest. Next day Tom Lewis the Forest Officer, fetched
us and we spent a few days camping in a tent in the Lewis’ garden having meals at their
home. Both Tom and Lillian Lewis were most friendly. Tom lewis explained to George
what his work in the Mbulu District was to be, and they took us camping in a Forest
Reserve where Lillian and her small son David and Kate and I had a lovely lazy time
amidst beautiful surroundings. Before we left for Mbulu, Lillian took me shopping to buy
material for curtains for our new home. She described the Forest House at Mbulu to me
and it sounded delightful but alas, when we reached Mbulu we discovered that the
Assistant District Officer had moved into the Forest House and we were directed to the
Fort or Boma. The night before we left Arusha for Mbulu it rained very heavily and the
road was very treacherous and slippery due to the surface being of ‘black cotton’ soil
which has the appearance and consistency of chocolate blancmange, after rain. To get to
Mbulu we had to drive back in the direction of Dodoma for some 70 miles and then turn
to the right and drive across plains to the Great Rift Valley Wall. The views from this
escarpment road which climbs this wall are magnificent. At one point one looks down
upon Lake Manyara with its brilliant white beaches of soda.The drive was a most trying one for George. We had no chains for the wheels
and several times we stuck in the mud and our two houseboys had to put grass and
branches under the wheels to stop them from spinning. Quite early on in the afternoon
George gave up all hope of reaching Mbulu that day and planned to spend the night in
a little bush rest camp at Karatu. However at one point it looked as though we would not
even reach this resthouse for late afternoon found us properly bogged down in a mess
of mud at the bottom of a long and very steep hill. In spite of frantic efforts on the part of
George and the two boys, all now very wet and muddy, the heavy car remained stuck.
Suddenly five Masai men appeared through the bushes beside the road. They
were all tall and angular and rather terrifying looking to me. Each wore only a blanket
knotted over one shoulder and all were armed with spears. They lined up by the side of
the road and just looked – not hostile but simply aloof and supercilious. George greeted
them and said in Ki-Swahili, “Help to push and I will reward you.” But they said nothing,
just drawing back imperceptibly to register disgust at the mere idea of manual labour.
Their expressions said quite clearly “A Masai is a warrior and does not soil his hands.”
George then did something which startled them I think, as much as me. He
plucked their spears from their hands one by one and flung them into the back of the
boxbody. “Now push!” he said, “And when we are safely out of the mud you shall have
your spears back.” To my utter astonishment the Masai seemed to applaud George’s
action. I think they admire courage in a man more than anything else. They pushed with a
will and soon we were roaring up the long steep slope. “I can’t stop here” quoth George
as up and up we went. The Masai were in mad pursuit with their blankets streaming
behind. They took a very steep path which was a shortcut to the top. They are certainly
amazing athletes and reached the top at the same time as the car. Their route of course
was shorter but much more steep, yet they came up without any sign of fatigue to claim
their spears and the money which George handed out with a friendly grin. The Masai
took the whole episode in good heart and we parted on the most friendly terms.After a rather chilly night in the three walled shack, we started on the last lap of our
journey yesterday morning in bright weather and made the trip to Mbulu without incident.Eleanor.
Mbulu 24th March, 1938
Dearest Family,
Mbulu is an attractive station but living in this rather romantic looking fort has many
disadvantages. Our quarters make up one side of the fort which is built up around a
hollow square. The buildings are single storied but very tall in the German manner and
there is a tower on one corner from which the Union Jack flies. The tower room is our
sitting room, and one has very fine views from the windows of the rolling country side.
However to reach this room one has to climb a steep flight of cement steps from the
court yard. Another disadvantage of this tower room is that there is a swarm of bees in
the roof and the stray ones drift down through holes in the ceiling and buzz angrily
against the window panes or fly around in a most menacing manner.Ours are the only private quarters in the Fort. Two other sides of the Fort are
used as offices, storerooms and court room and the fourth side is simply a thick wall with
battlements and loopholes and a huge iron shod double door of enormous thickness
which is always barred at sunset when the flag is hauled down. Two Police Askari always
remain in the Fort on guard at night. The effect from outside the whitewashed fort is very
romantic but inside it is hardly homely and how I miss my garden at Mchewe and the
grass and trees.We have no privacy downstairs because our windows overlook the bare
courtyard which is filled with Africans patiently waiting to be admitted to the courtroom as
witnesses or spectators. The outside windows which overlook the valley are heavily
barred. I can only think that the Germans who built this fort must have been very scared
of the local natives.Our rooms are hardly cosy and are furnished with typical heavy German pieces.
We have a vast bleak bedroom, a dining room and an enormous gloomy kitchen in
which meals for the German garrison were cooked. At night this kitchen is alive with
gigantic rats but fortunately they do not seem to care for the other rooms. To crown
everything owls hoot and screech at night on the roof.On our first day here I wandered outside the fort walls with Kate and came upon a
neatly fenced plot enclosing the graves of about fifteen South African soldiers killed by
the Germans in the 1914-18 war. I understand that at least one of theses soldiers died in
the courtyard here. The story goes, that during the period in the Great War when this fort
was occupied by a troop of South African Horse, a German named Siedtendorf
appeared at the great barred door at night and asked to speak to the officer in command
of the Troop. The officer complied with this request and the small shutter in the door was
opened so that he could speak with the German. The German, however, had not come
to speak. When he saw the exposed face of the officer, he fired, killing him, and
escaped into the dark night. I had this tale on good authority but cannot vouch for it. I do
know though, that there are two bullet holes in the door beside the shutter. An unhappy
story to think about when George is away, as he is now, and the moonlight throws queer
shadows in the court yard and the owls hoot.However though I find our quarters depressing, I like Mbulu itself very much. It is
rolling country, treeless except for the plantations of the Forestry Dept. The land is very
fertile in the watered valleys but the grass on hills and plains is cropped to the roots by
the far too numerous cattle and goats. There are very few Europeans on the station, only
Mr Duncan, the District Officer, whose wife and children recently left for England, the
Assistant District Officer and his wife, a bachelor Veterinary Officer, a Road Foreman and
ourselves, and down in the village a German with an American wife and an elderly
Irishman whom I have not met. The Government officials have a communal vegetable
garden in the valley below the fort which keeps us well supplied with green stuff.Most afternoons George, Kate and I go for walks after tea. On Fridays there is a
little ceremony here outside the fort. In the late afternoon a little procession of small
native schoolboys, headed by a drum and penny whistle band come marching up the
road to a tune which sounds like ‘Two lovely black eyes”. They form up below our tower
and as the flag is lowered for the day they play ‘God save the King’, and then march off
again. It is quite a cheerful little ceremony.The local Africans are a skinny lot and, I should say, a poor tribe. They protect
themselves against the cold by wrapping themselves in cotton blankets or a strip of
unbleached sheeting. This they drape over their heads, almost covering their faces and
the rest is wrapped closely round their bodies in the manner of a shroud. A most
depressing fashion. They live in very primitive comfortless houses. They simply make a
hollow in the hillside and build a front wall of wattle and daub. Into this rude shelter at night
go cattle and goats, men, women, and children.Mbulu village has the usual mud brick and wattle dukas and wattle and daub
houses. The chief trader is a Goan who keeps a surprisingly good variety of tinned
foodstuffs and also sells hardware and soft goods.The Europeans here have been friendly but as you will have noted there are
only two other women on station and no children at all to be companions for Kate.Eleanor.
Mbulu 20th June 1938
Dearest Family,
Here we are on Safari with George at Babati where we are occupying a rest
house on the slopes of Ufiome Mountain. The slopes are a Forest Reserve and
George is supervising the clearing of firebreaks in preparation for the dry weather. He
goes off after a very early breakfast and returns home in the late afternoon so Kate and I
have long lazy days.Babati is a pleasant spot and the resthouse is quite comfortable. It is about a mile
from the village which is just the usual collection of small mud brick and corrugated iron
Indian Dukas. There are a few settlers in the area growing coffee, or going in for mixed
farming but I don’t think they are doing very well. The farm adjoining the rest house is
owned by Lord Lovelace but is run by a manager.George says he gets enough exercise clambering about all day on the mountain,
so Kate and I do our walking in the mornings when George is busy, and we all relax in
the evenings when George returns from his field work. Kate’s favourite walk is to the big
block of mtama (sorghum) shambas lower down the hill. There are huge swarms of tiny
grain eating birds around waiting the chance to plunder the mtama, so the crops are
watched from sunrise to sunset.Crude observation platforms have been erected for this purpose in the centre of
each field and the women and the young boys of the family concerned, take it in turn to
occupy the platform and scare the birds. Each watcher has a sling and uses clods of
earth for ammunition. The clod is placed in the centre of the sling which is then whirled
around at arms length. Suddenly one end of the sling is released and the clod of earth
flies out and shatters against the mtama stalks. The sling makes a loud whip like crack and
the noise is quite startling and very effective in keeping the birds at a safe distance.Eleanor.
Karatu 3rd July 1938
Dearest Family,
Still on safari you see! We left Babati ten days ago and passed through Mbulu
on our way to this spot. We slept out of doors one night beside Lake Tiawa about eight
miles from Mbulu. It was a peaceful spot and we enjoyed watching the reflection of the
sunset on the lake and the waterhens and duck and pelicans settling down for the night.
However it turned piercingly cold after sunset so we had an early supper and then all
three of us lay down to sleep in the back of the boxbody (station wagon). It was a tight
fit and a real case of ‘When Dad turns, we all turn.’Here at Karatu we are living in a grass hut with only three walls. It is rather sweet
and looks like the setting for a Nativity Play. Kate and I share the only camp bed and
George and the dogs sleep on the floor. The air here is very fresh and exhilarating and
we all feel very fit. George is occupied all day supervising the cutting of firebreaks
around existing plantations and the forest reserve of indigenous trees. Our camp is on
the hillside and below us lie the fertile wheat lands of European farmers.They are mostly Afrikaners, the descendants of the Boer families who were
invited by the Germans to settle here after the Boer War. Most of them are pro-British
now and a few have called in here to chat to George about big game hunting. George
gets on extremely well with them and recently attended a wedding where he had a
lively time dancing at the reception. He likes the older people best as most are great
individualists. One fine old man, surnamed von Rooyen, visited our camp. He is a Boer
of the General Smuts type with spare figure and bearded face. George tells me he is a
real patriarch with an enormous family – mainly sons. This old farmer fought against the
British throughout the Boer War under General Smuts and again against the British in the
German East Africa campaign when he was a scout and right hand man to Von Lettow. It
is said that Von Lettow was able to stay in the field until the end of the Great War
because he listened to the advise given to him by von Rooyen. However his dislike for
the British does not extend to George as they have a mutual interest in big game
hunting.Kate loves being on safari. She is now so accustomed to having me as her nurse
and constant companion that I do not know how she will react to paid help. I shall have to
get someone to look after her during my confinement in the little German Red Cross
hospital at Oldeani.George has obtained permission from the District Commissioner, for Kate and
me to occupy the Government Rest House at Oldeani from the end of July until the end
of August when my baby is due. He will have to carry on with his field work but will join
us at weekends whenever possible.Eleanor.
Karatu 12th July 1938
Dearest Family,
Not long now before we leave this camp. We have greatly enjoyed our stay
here in spite of the very chilly earl mornings and the nights when we sit around in heavy
overcoats until our early bed time.Last Sunday I persuaded George to take Kate and me to the famous Ngoro-
Ngoro Crater. He was not very keen to do so because the road is very bumpy for
anyone in my interesting condition but I feel so fit that I was most anxious to take this
opportunity of seeing the enormous crater. We may never be in this vicinity again and in
any case safari will not be so simple with a small baby.What a wonderful trip it was! The road winds up a steep escarpment from which
one gets a glorious birds eye view of the plains of the Great Rift Valley far, far below.
The crater is immense. There is a road which skirts the rim in places and one has quite
startling views of the floor of the crater about two thousand feet below.A camp for tourists has just been built in a clearing in the virgin forest. It is most
picturesque as the camp buildings are very neatly constructed log cabins with very high
pitched thatched roofs. We spent about an hour sitting on the grass near the edge of the
crater enjoying the sunshine and the sharp air and really awe inspiring view. Far below us
in the middle of the crater was a small lake and we could see large herds of game
animals grazing there but they were too far away to be impressive, even seen through
George’s field glasses. Most appeared to be wildebeest and zebra but I also picked
out buffalo. Much more exciting was my first close view of a wild elephant. George
pointed him out to me as we approached the rest camp on the inward journey. He
stood quietly under a tree near the road and did not seem to be disturbed by the car
though he rolled a wary eye in our direction. On our return journey we saw him again at
almost uncomfortably close quarters. We rounded a sharp corner and there stood the
elephant, facing us and slap in the middle of the road. He was busily engaged giving
himself a dust bath but spared time to give us an irritable look. Fortunately we were on a
slight slope so George quickly switched off the engine and backed the car quietly round
the corner. He got out of the car and loaded his rifle, just in case! But after he had finished
his toilet the elephant moved off the road and we took our chance and passed without
incident.One notices the steepness of the Ngoro-Ngoro road more on the downward
journey than on the way up. The road is cut into the side of the mountain so that one has
a steep slope on one hand and a sheer drop on the other. George told me that a lorry
coming down the mountain was once charged from behind by a rhino. On feeling and
hearing the bash from behind the panic stricken driver drove off down the mountain as
fast as he dared and never paused until he reached level ground at the bottom of the
mountain. There was no sign of the rhino so the driver got out to examine his lorry and
found the rhino horn embedded in the wooden tail end of the lorry. The horn had been
wrenched right off!Happily no excitement of that kind happened to us. I have yet to see a rhino.
Eleanor.
Oldeani. 19th July 1938
Dearest Family,
Greetings from a lady in waiting! Kate and I have settled down comfortably in the
new, solidly built Government Rest House which comprises one large living room and
one large office with a connecting door. Outside there is a kitchen and a boys quarter.
There are no resident Government officials here at Oldeani so the office is in use only
when the District Officer from Mbulu makes his monthly visit. However a large Union
Jack flies from a flagpole in the front of the building as a gentle reminder to the entirely
German population of Oldeani that Tanganyika is now under British rule.There is quite a large community of German settlers here, most of whom are
engaged in coffee farming. George has visited several of the farms in connection with his
forestry work and says the coffee plantations look very promising indeed. There are also
a few German traders in the village and there is a large boarding school for German
children and also a very pleasant little hospital where I have arranged to have the baby.
Right next door to the Rest House is a General Dealers Store run by a couple named
Schnabbe. The shop is stocked with drapery, hardware, china and foodstuffs all
imported from Germany and of very good quality. The Schnabbes also sell local farm
produce, beautiful fresh vegetables, eggs and pure rich milk and farm butter. Our meat
comes from a German butchery and it is a great treat to get clean, well cut meat. The
sausages also are marvellous and in great variety.The butcher is an entertaining character. When he called round looking for custom I
expected him to break out in a yodel any minute, as it was obvious from a glance that
the Alps are his natural background. From under a green Tyrollean hat with feather,
blooms a round beefy face with sparkling small eyes and such widely spaced teeth that
one inevitably thinks of a garden rake. Enormous beefy thighs bulge from greasy
lederhosen which are supported by the traditional embroidered braces. So far the
butcher is the only cheery German, male or female, whom I have seen, and I have met
most of the locals at the Schnabbe’s shop. Most of the men seem to have cultivated
the grim Hitler look. They are all fanatical Nazis and one is usually greeted by a raised
hand and Heil Hitler! All very theatrical. I always feel like crying in ringing tones ‘God
Save the King’ or even ‘St George for England’. However the men are all very correct
and courteous and the women friendly. The women all admire Kate and cry, “Ag, das
kleine Englander.” She really is a picture with her rosy cheeks and huge grey eyes and
golden curls. Kate is having a wonderful time playing with Manfried, the Scnabbe’s small
son. Neither understands a word said by the other but that doesn’t seem to worry them.Before he left on safari, George took me to hospital for an examination by the
nurse, Sister Marianne. She has not been long in the country and knows very little
English but is determined to learn and carried on an animated, if rather quaint,
conversation with frequent references to a pocket dictionary. She says I am not to worry
because there is not doctor here. She is a very experienced midwife and anyway in an
emergency could call on the old retired Veterinary Surgeon for assistance.
I asked sister Marianne whether she knew of any German woman or girl who
would look after Kate whilst I am in hospital and today a very top drawer German,
bearing a strong likeness to ‘Little Willie’, called and offered the services of his niece who
is here on a visit from Germany. I was rather taken aback and said, “Oh no Baron, your
niece would not be the type I had in mind. I’m afraid I cannot pay much for a companion.”
However the Baron was not to be discouraged. He told me that his niece is seventeen
but looks twenty, that she is well educated and will make a cheerful companion. Her
father wishes her to learn to speak English fluently and that is why the Baron wished her
to come to me as a house daughter. As to pay, a couple of pounds a month for pocket
money and her keep was all he had in mind. So with some misgivings I agreed to take
the niece on as a companion as from 1st August.Eleanor.
Oldeani. 10th August 1938
Dearest Family,
Never a dull moment since my young companion arrived. She is a striking looking
girl with a tall boyish figure and very short and very fine dark hair which she wears
severely slicked back. She wears tweeds, no make up but has shiny rosy cheeks and
perfect teeth – she also,inevitably, has a man friend and I have an uncomfortable
suspicion that it is because of him that she was planted upon me. Upon second
thoughts though, maybe it was because of her excessive vitality, or even because of
her healthy appetite! The Baroness, I hear is in poor health and I can imagine that such
abundant health and spirit must have been quite overpowering. The name is Ingeborg,
but she is called Mouche, which I believe means Mouse. Someone in her family must
have a sense of humour.Her English only needed practice and she now chatters fluently so that I know her
background and views on life. Mouche’s father is a personal friend of Goering. He was
once a big noise in the German Airforce but is now connected with the car industry and
travels frequently and intensively in Europe and America on business. Mouche showed
me some snap shots of her family and I must say they look prosperous and charming.
Mouche tells me that her father wants her to learn to speak English fluently so that
she can get a job with some British diplomat in Cairo. I had immediate thought that I
might be nursing a future Mata Hari in my bosom, but this was immediately extinguished
when Mouche remarked that her father would like her to marry an Englishman. However
it seems that the mere idea revolts her. “Englishmen are degenerates who swill whisky
all day.” I pointed out that she had met George, who was a true blue Englishman, but
was nevertheless a fine physical specimen and certainly didn’t drink all day. Mouche
replied that George is not an Englishman but a hunter, as though that set him apart.
Mouche is an ardent Hitler fan and an enthusiastic member of the Hitler Youth
Movement. The house resounds with Hitler youth songs and when she is not singing,
her gramophone is playing very stirring marching songs. I cannot understand a word,
which is perhaps as well. Every day she does the most strenuous exercises watched
with envy by me as my proportions are now those of a circus Big Top. Mouche eats a
fantastic amount of meat and I feel it is a blessing that she is much admired by our
Tyrollean butcher who now delivers our meat in person and adds as a token of his
admiration some extra sausages for Mouche.I must confess I find her stimulating company as George is on safari most of the
time and my evenings otherwise would be lonely. I am a little worried though about
leaving Kate here with Mouche when I go to hospital. The dogs and Kate have not taken
to her. I am trying to prepare Kate for the separation but she says, “She’s not my
mummy. You are my dear mummy, and I want you, I want you.” George has got
permission from the Provincial Forestry Officer to spend the last week of August here at
the Rest House with me and I only hope that the baby will be born during that time.
Kate adores her dad and will be perfectly happy to remain here with him.One final paragraph about Mouche. I thought all German girls were domesticated
but not Mouche. I have Kesho-Kutwa here with me as cook and I have engaged a local
boy to do the laundry. I however expected Mouche would take over making the
puddings and pastry but she informed me that she can only bake a chocolate cake and
absolutely nothing else. She said brightly however that she would do the mending. As
there is none for her to do, she has rescued a large worn handkerchief of George’s and
sits with her feet up listening to stirring gramophone records whilst she mends the
handkerchief with exquisite darning.Eleanor.
Oldeani. 20th August 1938
Dearest Family,
Just after I had posted my last letter I received what George calls a demi official
letter from the District Officer informing me that I would have to move out of the Rest
House for a few days as the Governor and his hangers on would be visiting Oldeani
and would require the Rest House. Fortunately George happened to be here for a few
hours and he arranged for Kate and Mouche and me to spend a few days at the
German School as borders. So here I am at the school having a pleasant and restful
time and much entertained by all the goings on.The school buildings were built with funds from Germany and the school is run on
the lines of a contemporary German school. I think the school gets a grant from the
Tanganyika Government towards running expenses, but I am not sure. The school hall is
dominated by a more than life sized oil painting of Adolf Hitler which, at present, is
flanked on one side by the German Flag and on the other by the Union Jack. I cannot
help feeling that the latter was put up today for the Governor’s visit today.
The teachers are very amiable. We all meet at mealtimes, and though few of the
teachers speak English, the ones who do are anxious to chatter. The headmaster is a
scholarly man but obviously anti-British. He says he cannot understand why so many
South Africans are loyal to Britain – or rather to England. “They conquered your country
didn’t they?” I said that that had never occurred to me and that anyway I was mainly of
Scots descent and that loyalty to the crown was natural to me. “But the English
conquered the Scots and yet you are loyal to England. That I cannot understand.” “Well I
love England,” said I firmly, ”and so do all British South Africans.” Since then we have
stuck to English literature. Shakespeare, Lord Byron and Galsworthy seem to be the
favourites and all, thank goodness, make safe topics for conversation.
Mouche is in her element but Kate and I do not enjoy the food which is typically
German and consists largely of masses of fat pork and sauerkraut and unfamiliar soups. I
feel sure that the soup at lunch today had blobs of lemon curd in it! I also find most
disconcerting the way that everyone looks at me and says, “Bon appetite”, with much
smiling and nodding so I have to fight down my nausea and make a show of enjoying
the meals.The teacher whose room adjoins mine is a pleasant woman and I take my
afternoon tea with her. She, like all the teachers, has a large framed photo of Hitler on her
wall flanked by bracket vases of fresh flowers. One simply can’t get away from the man!
Even in the dormitories each child has a picture of Hitler above the bed. Hitler accepting
flowers from a small girl, or patting a small boy on the head. Even the children use the
greeting ‘Heil Hitler’. These German children seem unnaturally prim when compared with
my cheerful ex-pupils in South Africa but some of them are certainly very lovely to look
at.Tomorrow Mouche, Kate and I return to our quarters in the Rest House and in a
few days George will join us for a week.Eleanor.
Oldeani Hospital. 9th September 1938
Dearest Family,
You will all be delighted to hear that we have a second son, whom we have
named John. He is a darling, so quaint and good. He looks just like a little old man with a
high bald forehead fringed around the edges with a light brown fluff. George and I call
him Johnny Jo because he has a tiny round mouth and a rather big nose and reminds us
of A.A.Milne’s ‘Jonathan Jo has a mouth like an O’ , but Kate calls him, ‘My brother John’.
George was not here when he was born on September 5th, just two minutes
before midnight. He left on safari on the morning of the 4th and, of course, that very night
the labour pains started. Fortunately Kate was in bed asleep so Mouche walked with
me up the hill to the hospital where I was cheerfully received by Sister Marianne who
had everything ready for the confinement. I was lucky to have such an experienced
midwife because this was a breech birth and sister had to manage single handed. As
there was no doctor present I was not allowed even a sniff of anaesthetic. Sister slaved
away by the light of a pressure lamp endeavouring to turn the baby having first shoved
an inverted baby bath under my hips to raise them.What a performance! Sister Marianne was very much afraid that she might not be
able to save the baby and great was our relief when at last she managed to haul him out
by the feet. One slap and the baby began to cry without any further attention so Sister
wrapped him up in a blanket and took Johnny to her room for the night. I got very little
sleep but was so thankful to have the ordeal over that I did not mind even though I
heard a hyaena cackling and calling under my window in a most evil way.
When Sister brought Johnny to me in the early morning I stared in astonishment.
Instead of dressing him in one of his soft Viyella nighties, she had dressed him in a short
sleeved vest of knitted cotton with a cotton cloth swayed around his waist sarong
fashion. When I protested, “But Sister why is the baby not dressed in his own clothes?”
She answered firmly, “I find it is not allowed. A baby’s clotheses must be boiled and I
cannot boil clotheses of wool therefore your baby must wear the clotheses of the Red
Cross.”It was the same with the bedding. Poor Johnny lies all day in a deep wicker
basket with a detachable calico lining. There is no pillow under his head but a vast kind of
calico covered pillow is his only covering. There is nothing at all cosy and soft round my
poor baby. I said crossly to the Sister, “As every thing must be so sterile, I wonder you
don’t boil me too.” This she ignored.When my message reached George he dashed back to visit us. Sister took him
first to see the baby and George was astonished to see the baby basket covered by a
sheet. “She has the poor little kid covered up like a bloody parrot,” he told me. So I
asked him to go at once to buy a square of mosquito netting to replace the sheet.
Kate is quite a problem. She behaves like an Angel when she is here in my
room but is rebellious when Sister shoos her out. She says she “Hates the Nanny”
which is what she calls Mouche. Unfortunately it seems that she woke before midnight
on the night Johnny Jo was born to find me gone and Mouche in my bed. According to
Mouche, Kate wept all night and certainly when she visited me in the early morning
Kate’s face was puffy with crying and she clung to me crying “Oh my dear mummy, why
did you go away?” over and over again. Sister Marianne was touched and suggested
that Mouche and Kate should come to the hospital as boarders as I am the only patient
at present and there is plenty of room. Luckily Kate does not seem at all jealous of the
baby and it is a great relief to have here here under my eye.Eleanor.
